Giannina Braschi | |
---|---|
Born | San Juan, Puerto Rico | February 5, 1953
Occupation |
|
Nationality | Puerto Rican |
Period | 1981–present |
Genre | poetry, theater, novel, political philosophy |
Subject | Immigration, independence, Capitalism, terrorism, Puerto Rico, revolution, love, American imperialism, September 11 attacks |
Literary movement | Postmodernism, Postcolonialism, Nuyorican, McOndo |
Notable works | Yo-Yo Boing! ; Empire of Dreams ; United States of Banana |
Notable awards | National Endowment for the Arts Fellow, PEN/Open Book Award, New York Foundation for the Arts, Danforth Scholarship, Ford Foundation, Rutgers Faculty Grant |
Relatives | Miguel Braschi, brother |
Website | |
gianninabraschi |
Giannina Braschi (born February 5, 1953) is a Puerto Rican poet, novelist, dramatist, and scholar. Her notable works include Empire of Dreams (1988), Yo-Yo Boing! (1998) and United States of Banana (2011).
Braschi writes cross-genre literature and political philosophy in Spanish, Spanglish, and English. [1] Her work is a hybrid of poetry, metafiction, postdramatic theatre, memoir, manifesto, and political philosophy. [2] Her writings explore the enculturation journey of Hispanic immigrants, and dramatize the three main political options of Puerto Rico: independence, colony, and state. [3] [4]
Giannina Braschi was born to an upper-class family of Italian ancestry in San Juan, Puerto Rico. [5] [6] In her teen years, she was a founding member of the San Juan Children's Choir, a fashion model, and a tennis champion. [7] Her father Euripides ("Pilo") Braschi was also a tennis champion. [6] [8]
Her brother, Miguel Braschi, was the plaintiff in a landmark case in 1989 regarding the rights of same-sex couples. [9]
In the 1970s, Braschi studied literature and philosophy in Madrid, Rome, Rouen, and London, before she settled in New York City. [7] She credited her start in poetry to the older Spanish poets who mentored her when she lived in Madrid: Claudio Rodríguez, Carlos Bousoño, Vicente Aleixandre, and Blas de Otero. [6] [10]
With a PhD in Hispanic Literatures from State University of New York, Stony Brook (1980), Braschi was a professor at Rutgers University, City University of New York, and Colgate University. [11] Braschi has received awards and fellowships from institutions including Ford Foundation, Danforth Scholarship, National Endowment for the Arts, New York Foundation for the Arts, Rutgers University, and PEN, among others. [12] She published a book on the poetry of Gustavo Adolfo Becquer and essays on Cervantes, Garcilaso, César Vallejo, Juan Ramon Jimenez and Federico García Lorca. [4]
Braschi's work is situated in the Latino avant-garde, a "burgeoning body of work that testifies to Latino writers’ abiding interest in the avant-garde as a means for engaging ideas of material, social relevance". [13] Her writings are also placed within the fields of Postcolonial, Postmodern, and Nuyorican literatures, as well as Latino political philosophy. [2] Braschi is considered a "revolutionary voice" in contemporary Latin American literature". [14] [15] [16] [17]
In the 1980s, Braschi wrote dramatic poetry in Spanish prose in New York City. [18] [19] Her postmodern poetry titles were published in Barcelona, Spain, including: Asalto al tiempo (Assault on Time, 1980), La Comedia profana (Profane Comedy, 1985), and El Imperio de los sueños ( Empire of Dreams , 1988). [18] She was part of the Nuyorican movement. [20] [21] New York City is the site and subject of much of her poetry. In a climactic episode of Braschi's Empire of Dreams, "Pastoral or the Inquisition of Memories", shepherds invade 5th Avenue during the Puerto Rican Day Parade and take over the City of New York; the shepherds ring the bells of St. Patrick's Cathedral, and seize the observation deck of the Empire State Building. [22] Immigrant characters play the role of other characters, swapping names, genders, personal histories, and identities. [23] Alicia Ostriker situates her gender-bending and genre-blending poetry as having a "sheer erotic energy that defies definition and dogma." [24]
She published the first full-length Spanglish novel Yo-Yo Boing! in 1998. Yo-Yo Boing! explores "the lived experiences of urban life for Hispanics, as in the case with New York City, and her principal interest is in representing how individuals move in and out of different cultural coordinates, including one so crucial as language." [25] [26] The book was written in an era of renewed calls for English-only laws, ethnic cleansing campaigns, and corporate censorship. [27] "For decades, Dominican and Puerto Rican authors have carried out a linguistic revolution", noted The Boston Globe , "and Giannina Braschi, especially in her novel Yo-Yo Boing!, testify to it". [28]
Braschi published the geopolitical comic-tragedy United States of Banana , her first book written entirely in English, in 2011. [10] [11] It is a postmodern cross-genre work that opens with the collapse of the World Trade Center on 9/11. [13] The work is a scathing critique of 21st-century capitalism and the global war on terror. [29] Subjects include immigration, mass incarceration, financial terrorism, colonial debt structures, and "power imbalances within the Americas." [13] The work is celebratory of foreign influences. [30] Braschi stated in Evergreen Review that she considered herself "more French than Beckett, Picasso and Gertrude Stein", and identifies as the "granddaughter of Alfred Jarry and Antonin Artaud, bastard child of Samuel Beckett and James Joyce, half-sister to Heiner Müller, kissing cousin of Tadeusz Kantor, and lover of Witkiewicz". [31]
Giannina Braschi's texts have been adapted and applied to popular culture and fields such as television comedy, chamber music, comic books, industrial design, and ecological urban planning. [32] Michael Zansky has used Braschi's texts in his paintings and Michael Somoroff has created short films with her works. There is a theater play by Juan Pablo Felix and a graphic novel by Joakim Lindengren of United States of Banana. [33] [34] [35] Puerto Rican composer Gabriel Bouche Caro has composed chamber music works with her poems. [36] There is a namesake Giannina chair designed by American industrial designer Ian Stell. [37] Her books have been translated into English by Tess O'Dwyer, into Spanish by Manuel Broncano, and into Swedish by Helena Eriksson and Hannah Nordenhok. [38] [39] [40]
Braschi is an advocate for Puerto Rican independence. [41] She declared the independence of Puerto Rico in United States of Banana [42] and stated in the press that "Liberty is not an option — it is a human right." [43] In the 1990s, she protested the United States Navy's bombing exercises in Vieques, along with politicians Rubén Berríos and Robert F. Kennedy, Jr., singers Danny Rivera and Willie Colón, and fellow authors Ana Lydia Vega and Rigoberta Menchú. [44] Braschi spoke on a panel on "The New Censorship" at the PEN 2012 World Voices Festival where she offered "a critique of 21st century capitalism in which [she] condemned corporate censorship and control." [45] In July 2019, Braschi led early marches outside La Fortaleza in Old San Juan to demand the resignation of Puerto Rican Governor Ricardo Rossello, and joined massive protests, with singers Bad Bunny, Residente, and Ricky Martin, that led to the Governor's resignation. [46] [47]
Nuyorican is a portmanteau word blending "New York" and "Puerto Rican", referring to Puerto Ricans located in or around New York City, their culture, or their descendants. This term is sometimes used for Puerto Ricans living in other areas in the Northeastern US Mainland outside New York State as well. The term is also used by Islander Puerto Ricans to differentiate those of Puerto Rican descent from the Puerto Rico–born.
The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans. It originated in the late 1960s and early 1970s in neighborhoods such as Loisaida, East Harlem, Williamsburg, and the South Bronx as a means to validate Puerto Rican experience in the United States, particularly for poor and working-class people who suffered from marginalization, ostracism, and discrimination.
Miguel Algarín Jr. was a Puerto Rican poet, writer, co-founder of the Nuyorican Poets Café, and a Rutgers University professor of English.
Dr. Luis Rafael Sánchez, a.k.a. "Wico" Sánchez is a Puerto Rican essayist, novelist, and short-story author who is widely considered one of the island's most outstanding contemporary playwrights. Possibly his best known play is La Pasión según Antígona Pérez, a tragedy based on the life of Olga Viscal Garriga.
Puerto Rican literature is the body of literature produced by writers of Puerto Rican descent. It evolved from the art of oral storytelling. Written works by the indigenous inhabitants of Puerto Rico were originally prohibited and repressed by the Spanish colonial government.
Pedro Pietri was a Puerto Rican poet and playwright and one of the co-founders of the Nuyorican Movement. He was considered by some as the poet laureate of the Nuyorican Movement.
Joakim Lindengren is a Swedish cartoonist, illustrator and artist.
Luis Palés Matos was a Puerto Rican poet who is credited with creating the poetry genre known as Afro-Antillano. He is also credited with writing the screenplay for the "Romance Tropical", the first Puerto Rican film with sound.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Latino poetry is a branch of American poetry written by poets born or living in the United States who are of Latin American origin or descent and whose roots are tied to the Americas and their languages, cultures, and geography.
The Nuyorican Poets Cafe is a nonprofit organization in the Alphabet City neighborhood of Manhattan in New York City. It is a bastion of the Nuyorican art movement, and has become a forum for poetry, music, hip hop, video, visual arts, comedy, and theater. Several events during the PEN World Voices festival are hosted at the cafe.
Carlos Bousoño Prieto was a Spanish poet and literary critic. His work is frequently associated with the post-Spanish Civil War literary group.
American literature in Spanish in the United States dates back as 1610 when the Spanish explorer Gaspar Pérez de Villagrá published his epic poem Historia de Nuevo México. He was an early chronicler of the conquest of the Americas and a forerunner of Spanish-language literature in the United States given his focus on the American landscape and the customs of the people. However, it was not until the late 20th century that Spanish language literature written by Americans was regularly published in the United States.
Yo-Yo Boing! (1998) is a postmodern novel in English, Spanish, and Spanglish by Puerto Rican author Giannina Braschi. The cross-genre work is a structural hybrid of poetry, political philosophy, musical, manifesto, treatise, memoir, and drama. The work addresses tensions between Anglo-American and Hispanic-American cultures in the United States.
United States of Banana (2011) is a postmodern allegorical novel by the Puerto Rican author Giannina Braschi. It is a cross-genre work that blends experimental theatre, prose poetry, short story, and political philosophy with a manifesto on democracy and American life in a post-9/11 world. The book dramatizes the global war on terror and narrates the author's displacement after the attacks from her home in the Battery Park neighborhood in New York City. The work addresses Latin American immigration to the United States, Puerto Rico's colonial status, and "power imbalances within the Americas."
Latino literature is literature written by people of Latin American ancestry, often but not always in English, most notably by Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans, many of whom were born in the United States. The origin of the term "Latino literature" dates back to the 1960s, during the Chicano Movement, which was a social and political movement by Mexican Americans seeking equal rights and representation. At the time, the term "Chicano literature" was used to describe the work of Mexican-American writers. As the movement expanded, the term "Latino" came into use to encompass writers of various Latin American backgrounds, including Mexican, Puerto Rican, Cuban, and others.
Empire of Dreams is a postmodern poetry epic by Puerto Rican author Giannina Braschi, who is considered "one of the most revolutionary voices in Latin American literature today".
Jose Luis Torres-Padilla, also known by his pen name J. L. Torres, is a Puerto Rican and American fiction writer, poet, literary scholar, critic and editor. He was born in Cayey, Puerto Rico and grew up in the South Bronx. His work focuses on diasporic Puerto Rican literature and culture. He is married and has two sons.
'Braschi: one of the most revolutionary voices in Latin America today'
'Braschi, a poet, essayist and novelist often described as cutting-edge, influential and even revolutionary'
'Braschi is Puerto Rico's most influential and versatile writer of poetry, fiction, and essays'
'One of the most revolutionary voices in Latin American'
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