Frederick Luis Aldama | |
---|---|
Born | Mexico City, Mexico | March 6, 1969
Alma mater | PhD, Stanford University (1999), BA, University of California, Berkeley (1992) |
Occupation(s) | University professor, author |
Awards | Eisner Award (2018) |
Academic career | |
Discipline | fiction, non-fiction, film studies, pop culture, comics |
Notable works | Long Story Cut Short (2017), Latinx Superheroes in Mainstream Comics (2018) |
Website | professorlatinx |
Frederick Luis Aldama is an American author, editor, and academic. He is the Jacob & Frances Sanger Mossiker Chair in the Humanities and founder and director of the Latinx Pop Lab at the University of Texas, Austin. [1] At UT Austin is also affiliate faculty in Latino Media Arts & Studies and LGBTQ Studies. He continues to hold the title Distinguished University Professor [2] as adjunct professor at The Ohio State University. [3] He teaches courses on Latinx pop culture, especially focused on the areas of comics, TV, film, animation, and video games in the departments of English and Radio-Television-Film at UT Austin. At the Ohio State University he was Distinguished University Professor, Arts & Humanities Distinguished Professor of English, University Distinguished Scholar, and Alumni Distinguished Teacher as well as recipient of the Rodica C. Botoman Award for Distinguished Teaching and Mentoring and the Susan M. Hartmann Mentoring and Leadership Award. He was also founder and director of the award-winning LASER/Latinx Space for Enrichment Research [4] [5] [6] and founder and co-director of the Humanities & Cognitive Sciences High School Summer Institute. [7] In has been inducted into the National Academy of Teachers, National Cartoonist Society, [8] the Texas Institute of Letters, [9] the Ohio State University's Office of Diversity & Inclusion Hall of Fame, [10] and as board of directors for The Academy of American Poets. [11] He sits on the boards for American Library Association Graphic Novel and Comics Round Table, BreakBread Literacy Project, and Ad Astra Media. He is founder and director of UT Austin's BIPOC POP: Comics, Gaming & Animation Arts Expo & Symposium [12] as well as Founder and Editor-in-Chief of the Latinx Pop Magazine.
Aldama was born in Mexico City to a Guatemalan- and Irish-American mother from Los Angeles and a Mexican father from Mexico City. When he was a child, his mother moved the family to California. [13] He received his undergraduate degree summa cum laude in English from the University of California, Berkeley in 1992 and obtained his PhD from Stanford University in 1999. [14] [15]
Aldama is an author of fiction and comics as well as a scholar and professor who uses insights from narrative theory, cognitive science, and Latinx critical cultural theory to enrich understanding of the creation, distribution, and consumption of Latinx pop cultural phenomena, especially comic books, TV, film, and animation.
He is book series editor of the Latinx and Latin American Profiles [16] (with the University of Pittsburgh Press) that publishes scholarship on innovative Latinx cultural figures, such as Reading Junot Diaz [17] and Poets, Philosophers, Lovers: On the Writings of Giannina Braschi . [18] He edits the Global Media & Race [19] and Critical Graphics series (with Rutgers University Press). [20] He edits the Biographix series (University Press of Mississippi) that provides critical insight to key figures in comics. He co-edits the Global Latin/o Americas series (the Ohio State University Press), Latinx Pop Culture [21] (for University of Arizona Press) as well as the World Comics and Graphic Nonfiction series (for the University of Texas Press). [22] Aldama edits Latinographix, [23] a comic books series that showcases graphic novels, memoir, and nonfiction by Latinx writers and artists, including Tales from la Vida: A Latinx Comics Anthology and United States of Banana: A Graphic Novel by Giannina Braschi and Joakim Lindengren.
In 2017, Aldama published his first book of fiction, Long Stories Cut Short: Fictions from the Borderlands. [24] His flash fiction style depicts marginalized Latinx lives on both sides of the US/Mexico border. [25] He is the author of the children's books, Con Papá / With Papá [26] and The Adventures of Charlie the Chupacabra (English 2020; Spanish 221). [27] He wrote and produced the award-winning animation film Carlitos Chupacabra as well as produced the first documentary film on the history of Latinx superheroes in mainstream comics. [28] He co-founded and directed of SÕL-CON: The Brown, Black, & Indigenous Comics Expo. [29] He is founder and director of the Latinx Pop Lab BIPOC Comics & Multimedia Arts Expo & Symposium at UT Austin—the nation's only collegiate comic book expo that focuses on the work of BIPOC scholars, artists, writers, editors, filmmakers, and illustrators. He served on the executive council of the International Society for the Study of Narrative from 2013 to 2015, [30] and serves on the advisory boards for journals such as Narrative, [31] INKS: The Journal of Comics Society, [32] MELUS, and Journal of Narrative Theory . [33] He is a member of the board for the Oxford Bibliographies in Latino Studies. [34] He is an associate editor of American Book Review [35] and judge for the TIL/Texas Institute of Letters.
Aldama's articles, reviews, and interviews have appeared in Aztlán , College Literature, Poets & Writers, World Literature Today , Cross Cultural Poetics, Lit: Literature Interpretation Theory, Lucero, Comparative Literature , The Callaloo Journal , Nepantla, Journal of Interdisciplinary Literary Analysis, American Literature , Latin American Research Review , Modern Fiction Studies , Modern Drama , SubStance , Style, ImageTexT, Latino Studies Projections: The Journal of Movies and Mind, Alter/nativas: Latin American Cultural Studies Journal, and Journal of the West . Interviews with Aldama have appeared in ABC News, [36] PBS, Fox News Latino, [37] CNN, VOXXI, MSNBC, [38] Telemundo, The Washington Post, [39] the New York Times, the Los Angeles Review of Books, Channel 10 news, [40] Hispanic Living; Listin Diario; Spain's Efe; KETR Radio, and KCET's Artbound “Love & Rockets” documentary His the podcast host for "Into the COLA-verse" that listeners on the unique journeys of faculty in the College of Liberal Arts at UT Austin.
JaimeHernandez is the co-creator of the alternative comic book Love and Rockets with his brothers Gilbert and Mario.
Puerto Rican literature is the body of literature produced by writers of Puerto Rican descent. It evolved from the art of oral storytelling. Written works by the indigenous inhabitants of Puerto Rico were originally prohibited and repressed by the Spanish colonial government.
Joakim Lindengren is a Swedish cartoonist, illustrator and artist.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Latino poetry is a branch of American poetry written by poets born or living in the United States who are of Latin American origin or descent and whose roots are tied to the Americas and their languages, cultures, and geography.
Ilan Stavans is an American writer and academic. He writes and speaks on American, Hispanic, and Jewish cultures. He is the author of Quixote (2015) and a contributor to the Norton Anthology of Latino Literature (2010). He was the host of the syndicated PBS show Conversations with Ilan Stavans, which ran from 2001 to 2006.
San Diego State University Press is a university press that is part of San Diego State University, with noted specializations in Border Studies, Critical Theory, Latin American Studies, Cultural Studies, and comics. It is the oldest university press in the California State University system. It presently publishes books under two rubrics: CODEX, focused on critical theory, and surTEXT, focused on Latin American/Transamerican Cultural Studies. In 2006, SDSU Press also inaugurated Hyperbole Books, specializing in "publishing cutting-edge, over-the-top experiments in critical theory, literary criticism and graphic narrative."
McOndo is a Latin American literary movement that breaks with the magical realism mode of narration, and counters it with languages borrowed from mass media. The literature of McOndo presents urban Latin American life, in opposition to the fictional rural town of Macondo.
The Ohio State University Press is the university press of Ohio State University. It was founded in 1957.
Giannina Braschi is a Puerto Rican poet, novelist, dramatist, and scholar. Her notable works include Empire of Dreams (1988), Yo-Yo Boing! (1998) and United States of Banana (2011).
White Tiger is a fictional character appearing in American comic books published by Marvel Comics. The character is the first to use the name White Tiger and was created by Bill Mantlo and George Pérez. A Puerto Rican, White Tiger was the first Latin American main character in the history of American comics and Marvel's first Hispanic superhero. The first member of his family to hold the mantle, Hector is the uncle of Angela del Toro and the brother of Ava Ayala.
The female epic is a concept in literary criticism that seeks to expand generic boundaries by identifying ways in which women authors have adapted the masculine epic tradition to express their own heroic visions.
Caribbean poetry is vast and rapidly evolving field of poetry written by people from the Caribbean region and the diaspora.
American literature in Spanish in the United States dates back as 1610 when the Spanish explorer Gaspar Pérez de Villagrá published his epic poem Historia de Nuevo México. He was an early chronicler of the conquest of the Americas and a forerunner of Spanish-language literature in the United States given his focus on the American landscape and the customs of the people. However, it was not until the late 20th century that Spanish language literature written by Americans was regularly published in the United States.
Yo-Yo Boing! (1998) is a postmodern novel in English, Spanish, and Spanglish by Puerto Rican author Giannina Braschi. The cross-genre work is a structural hybrid of poetry, political philosophy, musical, manifesto, treatise, memoir, and drama. The work addresses tensions between Anglo-American and Hispanic-American cultures in the United States.
United States of Banana (2011) is a postmodern allegorical novel by the Puerto Rican author Giannina Braschi. It is a cross-genre work that blends experimental theatre, prose poetry, short story, and political philosophy with a manifesto on democracy and American life in a post-9/11 world. The book dramatizes the global war on terror and narrates the author's displacement after the attacks from her home in the Battery Park neighborhood in New York City. The work addresses Latin American immigration to the United States, Puerto Rico's colonial status, and "power imbalances within the Americas."
Latino literature is literature written by people of Latin American ancestry, often but not always in English, most notably by Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans, many of whom were born in the United States. The origin of the term "Latino literature" dates back to the 1960s, during the Chicano Movement, which was a social and political movement by Mexican Americans seeking equal rights and representation. At the time, the term "Chicano literature" was used to describe the work of Mexican-American writers. As the movement expanded, the term "Latino" came into use to encompass writers of various Latin American backgrounds, including Mexican, Puerto Rican, Cuban, and others.
Latinx is a neologism in American English which is used to refer to people of Latin American cultural or ethnic identity in the United States. The gender-neutral ⟨-x⟩ suffix replaces the ⟨-o/-a⟩ ending of Latino and Latina that are typical of grammatical gender in Spanish. Its plural is Latinxs. Words used for similar purposes include Latin@, Latine, and the simple Latin. Related gender-neutral neologisms include Xicanx or Chicanx.
Empire of Dreams is a postmodern poetry epic by Puerto Rican author Giannina Braschi, who is considered "one of the most revolutionary voices in Latin American literature today".
Latino theatre presents a wide range of aesthetic approaches, dramatic structures, and themes, ranging from love, romance, immigration, border politics, nation building, incarceration, and social justice. Whether of a linguistic, ethnic, political, cultural or sexual nature, the plays often have a social justice component involving Latino people living in the United States. The Oxcart by René Marqués, Marisol by José Rivera, and In the Heights by Lin-Manuel Miranda are examples of staged Broadway plays. There is also a strong tradition of Latino avant-garde and absurdist theatre, which double as political satires; prime examples include The Masses are Asses by Pedro Pietri and United States of Banana by Giannina Braschi.
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