Founded | 1971 |
---|---|
Location |
|
Area served | Global |
Method | Grants, services, programs |
Key people | Michael L. Royce, executive director |
Website | www |
The New York Foundation for the Arts (NYFA) is an independent 501(c)(3) charity, [1] funded through government, foundation, corporate, and individual support, established in 1971. [2] [3] It is part of a network of national not-for-profit arts organizations founded to support individual artists and emerging arts organizations, with a mission to "empower artists in all disciplines at critical stages in their creative lives." [4]
NYFA was founded in 1971 by the New York State Council on the Arts as an independent organization to facilitate the development of arts activities throughout the State. NYFA has since expanded their programming around the country and internationally focusing on four core program areas: Artists' Fellowships, Fiscal Sponsorship, [5] Professional Development, and Online Resources. As of 2021, the Executive Director is Michael Royce, [6] who succeeded long time leader Ted Berger.
Artists who have received support from NYFA early on in their careers include Spike Lee, David Hammons, Meredith Monk, Julie Taymor, E.V. Day, George Ranalli, Suzan-Lori Parks, Jennifer Egan, Tony Kushner, Andres Serrano, Juan Gonzalez, Todd Haynes, Boryana Rossa, Lisa Park, Ina Norris, Flavio Alves, Catherine Lacey, Trisha Brown, Norman Rush, Lynne Sharon Schwartz, Sherrie Levine, Jackson Mac Low, Lynne Tillman, Shilpa Ananth, and other visual artists, writers, choreographers, architects, filmmakers, and inter-disciplinary artists. [7] In 2011, NYFA established the NYFA Hall of Fame to honor patrons of the arts and notable artists who have received NYFA's support.
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
New York Film Academy – School of Film and Acting (NYFA) is a private for-profit film school and acting school based in New York City, Los Angeles, and Miami. The New York Film Academy was founded in 1992 by Jerry Sherlock, a former film, television and theater producer. It was originally located at the Tribeca Film Center. In 1994, NYFA moved to 100 East 17th Street, the former Tammany Hall building in the Union Square. After 23 years of occupancy, the academy relocated from Tammany Hall to 17 Battery Place.
The Asian Cultural Council (ACC) is a non-profit organization dedicated to advancing international cultural exchange between Asia and the U.S. and between the countries of Asia through the arts. Founded by John D. Rockefeller III in 1963, ACC has invested over $100 million in grants to artists and arts professionals representing 16 fields and 26 countries through over 6,000 exchanges. ACC supports $1.4 million in grants annually for individuals and organizations.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Canadian artist-run centres are galleries and art spaces developed by artists in Canada since the 1960s. Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Most centres follow the not-for-profit arts organization model, do not charge admission fees, pay artists for their contributions are non-commercial and de-emphasize the selling of artwork.
Southern Exposure (SoEx) is a not-for-profit arts organization and alternative art space founded in 1974 in the Mission District of San Francisco, California. It was originally founded as a grassroots, cooperative art gallery in conjunction with Project Artaud which was a live/work artist community. By the 1980s, they converted the gallery to a community space for supporting emerging artists.
The Bronx Museum of the Arts (BxMA), also called the Bronx Museum of Art or simply the Bronx Museum, is an American cultural institution located in Concourse, Bronx, New York. The museum focuses on contemporary and 20th-century works created by American artists, but it has hosted exhibitions of art and design from Latin America, Africa, and Asia. Its permanent collection consists of more than 800 paintings, sculptures, photographs, and works on paper. The museum is part of the Grand Concourse Historic District.
Bruce Gilden is an American street photographer. He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. He has had various books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow. Gilden has been a member of Magnum Photos since 1998. He was born in Brooklyn, New York.
Godzilla: Asian American Arts Network was a New York-based Asian American arts collective and support network established in 1990. Founding members Ken Chu, Bing Lee, Margo Machida, and others established Godzilla in order to facilitate inter-generational and interdisciplinary dialogue and collaboration for Asian American artists and art professionals. The collective provided visibility in local and national exhibitions, developed press outreach strategies, published newsletters, and sponsored symposia on Asian American art. It was disbanded in 2001.
Robert Lopez is an American writer of novels and short stories, who lives in Brooklyn, New York. His fiction has appeared in many journals, including Bomb, The Threepenny Review, Vice Magazine, New England Review, New Orleans Review, American Reader, Brooklyn Rail, Hobart, Indiana Review, Literarian, Nerve, New York Tyrant, and Norton Anthology of International Flash Fiction. He teaches at The New School, Pratt Institute, Columbia University, and Pine Manor College.He was co-editor of avant-literary magazine Sleepingfish. In 2010, he was awarded a Fellow in Fiction from the New York Foundation for the Arts, which included a grant for a three-year period.
Julie Casper Roth, is an American artist, documentary filmmaker, experimental video artist, and writer based in Connecticut.
Lynne Fernie is a Canadian filmmaker and interdisciplinary artist. She spent fourteen years as the Canadian Spectrum programmer for the Hot Docs Festival from 2002 to 2016, and was described as having a passion as "deep as her knowledge," and it was said that her "championing of Canadian documentaries and the people who make them has never wavered."
Boryana Rossa is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.
Swati Khurana is a writer and contemporary artist of Indian-American origin. She was born in New Delhi, India in 1975. She emigrated to New York in 1977, where she lives and works. She graduated from Poughkeepsie Day School in 1993. She holds a B.A. in history from Columbia University, M.A. in Studio Art and Art Criticism from New York University, and an MFA in creative writing at Hunter College.
Marilyn Nance, also known as Soulsista, is an American multimedia artist known for work focusing on exploring human connections, African-American spirituality, and the use of technology in storytelling.
William "Bill" R. Olander was an American senior curator at the New Museum of Contemporary Art in New York City. He previously worked as curator and director of the Allen Memorial Art Museum. He was a co-founder of the arts organization Visual AIDS.
Jodie Lyn-Kee-Chow is an American interdisciplinary artist based in New York City. She is best known for her work in performance art. She teaches at the School of Visual Arts, and is a mentor in the New York Foundation for the Arts' Immigrant Artist Mentoring Program.
Women's Art Colony Farm was a self-supporting women's artist colony in LaGrange, New York founded by Kate Millett and Sophie Keir in 1978.
CETA Employment of Artists(1974–1981) refers to the Comprehensive Employment and Training Act (CETA), which federally employed more than 10,000 artists – visual, performing, and literary – during a span of eight years. This was the largest number of artists supported by Federal funding since the Works Progress Administration (WPA) of the 1930s. It is estimated that an additional 10,000 arts support staff were funded as well. During its peak year, 1980, CETA funding for arts employment funneled up to $300 million into the cultural sector – and the economy – of the United States. In comparison, the National Endowment for the Arts budget that year was $159 million.
The Women's Art Movement (WAM) was an Australian feminist art movement, founded in Sydney in 1974, Melbourne in 1974, and Adelaide in 1976.