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Korean poetry is poetry performed or written in the Korean language or by Korean people. Traditional Korean poetry is often sung in performance. Until the 20th century, much of Korean poetry was written in Hanja and later Hangul.
The performance of oral songs in the religious life of the ancient Korean people is vividly recorded in Chinese dynastic histories. At state assemblies the chief ritualist would tell the story of the divine origin of the founder, as evinced by foundation myths, and his extraordinary deeds in war and peace. Recited narrative was interspersed with primal songs that not only welcomed, entertained, and sent off gods and spirits. Thus orality and performance were significant features of vernacular poetry in ancient Korea. [1]
A famous surviving example dates to 17 BC, Yuri's Song of the Yellow Bird (Hwangjoga, 황조가/黃鳥歌), written to lament the departure of his Chinese concubine Chihui. Some later Korean poetry followed the style of Tang lyric poetry such as the shi poetry form.
Notable Korean poetry began to flourish during the Goryeo period (starting in 935). Collections were rarely printed.
The earliest extant collection of poetry in Korean is "Songs of the Ten Vows Samantabhara" by Kyun Yeo (균여, 均如). This dates to 1075, just over a century after the poet's death.
Sijo, Korea's favorite poetic genre, is often traced to seonbi scholars of the 11th century, but its roots, too, are in those earlier forms. The earliest surviving poem of the sijo genre is from the 4th century. Its greatest flowering occurred in the 16th and 17th centuries under the Joseon dynasty.
Hyangga poetry refers to vernacular Korean poetry which transcribed Korean sounds using Hanja (similar to the idu system, the hyangga style of transcription is called hyangch'al) and is characteristic of the literature of Unified Silla. It is one of the first uniquely Korean forms of poetry. The Goryeo period Samguk Yusa contains 14 poems that have been preserved to the present day. These are thought to have been taken by Ilyon (compiler of Samguk Yusa ) from an anthology called the Samdaemok(삼대목/三代目) which was completed during the Shilla period, in 888 (according to Samguk Sagi ), but is no longer extant today. This lost anthology is thought to have contained approximately 1,000 hyangga. Eleven poems from the later Goryeo dynasty Gyunyeojeon (균여전/均如傳), characterized by the same style, have also been preserved.
Hyangga are characterized by a number of formal rules. The poems may consist of four, eight or ten lines. The ten-line poems are the most developed, structured into three sections with four, four, and two lines respectively. Many of the ten-line poems were written by Buddhist monks. The extent of the Shilla hwarang's role in the development and flourishing of the hyangga genre is a subject of much scholarly interest.
The Goryeo period was marked by a growing use of Hanja. Hyangga largely disappeared as a form of Korean literature, and "Goryeo songs" (Goryeo gayo) became more popular. Most of the Goryeo songs were transmitted orally and many survived into the Joseon period, when some of them were written down using hangul.
The poetic form of the Goryeo songs is known as byeolgok. There are two distinct forms: dallyeonche (단련체) and yeonjanche (연잔체). The former is a short form, whereas the latter is a more extended form. The Goryeo songs are characterized by their lack of clear form, and by their increased length. Most are direct in their nature, and cover aspects of common life.
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Sijo is a traditional Korean vernacular poetic form that emerged in the Koryǒ period, flourished during the Chosǒn dynasty, and is still written today. Common themes include, but are not limited to, the following: nature, nostalgia of the past, love interests, historical events, moral instruction. Most were written and enjoyed by the educated yangban class. However, there was an exception to this. Kisaengs were of the lowest class, yet they could partake in creating and reciting sijo.
Structurally, 'sijo' is widely known to have three lines averaging 14-16 syllables, for a total of 44-46: theme (3, 4,4,4); elaboration (3,4,4,4); counter-theme (3,5) and completion (4,3). However, only a small percentage of sijo actually follow this structure. Instead of syllabic count, it is more accurate to structure sijo with hemistichs or syntactic units. Each line is composed of 2 hemistichs and within each hemistich is a syntactic unit, which is why there are 2 syntactic units in each sijo line. This structure, however, may vary dependent on the type of sijo as well. For instance, narrative sijo (sasol sijo) is more prose-like, with the second line being long and completely expanded. Sijo with the 3-line format follows a common structure of having the first line introduce the situation and establishing the theme. Line 2 elaborates on and develops the information provided in the first line. The first half of the third and final line employs a “twist”: a surprise of meaning, sound, or other device as well as a conclusion or resolution. This is to act as a counter to the theme that was introduced.
Example:
오늘이 오늘이소서 매일이 오늘이소서
저물지도 새지도 말으시고
새려면 늘 언제나 오늘이소서
Translation:
May today be today, may every day be today
May each day never end
But if it does, may it dawn into today
(By Flora Kim)
The first line of the poem indicates the theme of “today.” The second line denotes the narrator's personal feelings towards the theme introduced in the first line. The desire is that “today” will neither end nor begin a new day. The third and final line begins with the twist of “새려면,” meaning “But, if it must end (setting of the sun on a day)”. This is followed by the rest of the third line being the resolution to the day coming to a close—the narrator hopes that it is eternally “today.” Some poems are more thought out and clever than others by having deeper meanings and symbolism with the use of Chinese characters.
Gasa is a form of verse, although its content can include more than the expression of individual sentiment, such as moral admonitions. Gasa is a simple form of verse, with twinned feet of three or four syllables each. Some regard gasa a form of essay. Common themes in gasa were nature, the virtues of gentlemen, or love between man and woman.
The form first emerged during the Goryeo period, and was popular during the Joseon dynasty. They were commonly sung, and were popular among yangban women. Jeong Cheol, a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two.
There were attempts at introducing imagist and modern poetry methods particularly in translations of early American moderns such as Ezra Pound and T. S. Eliot in the early 20th century. In the early Republic period (starting in 1953 after the Korean War), patriotic works were very successful.
Lyrical poetry dominated from the 1970s onwards. Poetry is quite popular in 21st century Korea, both in terms of number of works published and lay writing.
A corpus of modern Korean poetry is being compiled. The work provides linguistic information on 10,300 original Korean poems. [2]
Joseon, officially Great Joseon, was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens.
Samguk yusa or Memorabilia of the Three Kingdoms is a collection of legends, folktales and historical accounts relating to the Three Kingdoms of Korea, as well as to other periods and states before, during and after the Three Kingdoms period. "Samguk yusa is a historical record compiled by the Buddhist monk Il-yeon in 1281 in the late Goryeo Dynasty." It is the earliest extant record of the Dangun legend, which records the founding of Gojoseon as the first Korean nation. The Samguk yusa is National Treasure No. 306.
Gija Joseon was a dynasty of Gojoseon allegedly founded by the sage Jizi (Gija), a member of the Shang dynasty royal house. Concrete evidence for Jizi's role in the history of Gojoseon is lacking, and the narrative has been challenged since the 20th century.
Lee, I, or Yi is the second-most-common surname in Korea, behind Kim (김). As of the South Korean census of 2015, there were 7,306,828 people by this name in South Korea or 14.7% of the population.
The yangban were part of the traditional ruling class or gentry of dynastic Korea during the Joseon Dynasty. The yangban were mainly composed of highly educated civil servants and military officers—landed or unlanded aristocrats who individually exemplified the Korean Confucian form of a "scholarly official". They were largely government administrators and bureaucrats who oversaw medieval and early modern Korea's traditional agrarian bureaucracy until the end of the dynasty in 1897. In a broader sense, an office holder's family and descendants, as well as country families who claimed such descent, were socially accepted as yangban.
Sijo is a Korean traditional poetic form that emerged during the Goryeo Dynasty, flourished during the Joseon Dynasty, and is still written today. Bucolic, metaphysical, and cosmological themes are often explored. The three lines average 14–16 syllables, for a total of 42–48: theme ; elaboration (3,4,4,4); counter-theme (3,5) and completion (4,3).
Jeong Cheol was a Korean statesman and poet. He used the pen-names Gyeham (계함) and Songgang (송강), and studied under Kim Yunjae at Hwanbyeokdang. He was expelled by the Easterners. He was from the Yeonil Jeong clan.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long periods of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it is decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. Many talented Korean potters were captured and brought to Japan during the invasions of Korea, where they heavily contributed to advancing Japanese pottery. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Korean literature is the body of literature produced by Koreans, mostly in the Korean language and sometimes in Classical Chinese. For much of Korea's 1,500 years of literary history, it was written in Hanja. It is commonly divided into classical and modern periods, although this distinction is sometimes unclear. Korea is home to the world's first metal and copper type, the world's earliest known printed document and the world's first featural script.
Choe Chiwon was a Korean philosopher and poet of the late medieval Unified Silla period (668-935). He studied for many years in Tang China, passed the Tang imperial examination, and rose to the high office there before returning to Silla, where he made ultimately futile attempts to reform the governmental apparatus of a declining Silla state.
Kisaeng, also called ginyeo, were enslaved women from outcast or enslaved families who were trained to be courtesans, providing artistic entertainment and conversation to men of upper class. First appearing in Goryeo, kisaeng were the government's legal entertainers, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework.
Hyangchal is an archaic writing system of Korea and was used to transcribe the Korean language in Chinese characters. Using the hyangchal system, Chinese characters were given a Korean reading based on the syllable associated with the character. The hyangchal writing system is often classified as a subgroup of the Idu script.
Hwang Jini or Hwang Jin-yi, also known by her gisaeng name Myeongwol, was one of the most famous gisaeng of the Joseon Dynasty. She lived during the reign of King Jungjong. She was noted for her exceptional beauty, charming quick wit, extraordinary intellect, and her assertive and independent nature. She has become an almost myth-like figure in modern Korea, inspiring novels, operas, films, and television series.
Gasa was a form of poetry popular during the Joseon Dynasty in Korea. Gasas were commonly sung, and were popular among yangban women. Jeong Cheol, a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two four-syllable units. The form had first emerged during the Goryeo period. Gasa was a vocal genre that derived from Jeongga (정가), which consisted of three types of genre. Gagok and sijo were basically poems set to melodies, while gasa were a bit longer than sijo poems.
The Goryeosa, or History of Goryeo, is the main surviving historical record of Korea's Goryeo dynasty. Its compilation was started during the reign of Taejo as a justification for the regime change. As such, it presents the view that the king should be a faithful and wise servant of the state: he should be good; should accept the advice of his subjects; and maintain good diplomatic relations. "broadly speaking, it can be said to be a view of Confucianism".
Old Korean is the first historically documented stage of the Korean language, typified by the language of the Unified Silla period (668–935).
Hyangga were poems written using Chinese characters in a system known as hyangchal during the Unified Silla and early Goryeo periods of Korean history. Only a few have survived: 14 in the Samguk yusa and 11 by the monk Kyunyeo.
Yongbieocheonga, literally Songs of the Dragons Flying to Heaven, was the first work written in Hangul. The book was published in 1447 and written by Jeong Inji, An Ji, and Kwon Jae. The preface was written by Seong Sam-mun and Pak Paengnyeon.
The Andong Kim clan refers to two Korean clans of Elder Andong Kim Clan and the New Andong Kim Clan. They were prominent noble family / yangban families during Korea's Joseon Dynasty originating from Andong, North Gyeongsang province, during the Goryeo Dynasty. The clans produced many individuals who passed the gwageo, and 3 Queen Consorts during the Joseon Dynasty, Queen Sunwon, Queen Hyohyeon, and Queen Cheorin. Both clans derive from the Gyeongju Kim clan.
Yang Ju-dong was a South Korean poet, professor, literary scholar, and academic. He published on both English and Korean literature. He is also known by his art name Mu-ae (무애).
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