The traditions of Korean bladesmithing and swordsmanship have served a central place in the military history of Korea for thousands of years. Although typical Korean land battles have taken place in wide valleys and narrow mountain passes, which favor use of spears and bows, [1] the sword found use as a secondary, close-quarters weapon, in addition to far more prominent role during sieges and ship-to-ship boarding actions. Higher quality, ceremonial swords were typically reserved for the officer corps as a symbol of authority with which to command the troops. Ceremonial swords are still granted to military officials by the civilian authority to this day. [2] [ clarification needed ]
Korean swords typically fall into two broad categories, the geom, and the do. [3] The Geom is a double-edged weapon, while the Do is a single-edged weapon; although exceptions exist. In common parlance, all swords may be referred to as geom (검;劍).
The history of the sword in Korea begins with bronze daggers of Bronze Age of which existing artifacts dates back to 10-9th century BCE. Iron use co-existed with Bronze use during the late Bronze Age. As Bronze Age and Iron Age started at the same time in the Japanese archipelago during the Yayoi period, use of Iron in the Korean Cultural sphere can be estimated to have started in the same time period.
The rarity of traditional Korean swords in the modern day has made them extremely valuable, with high demand from both museums and collectors.
Evidence of sword production dates to the transitional Late Bronze to Early Iron Age (c. 1st century BC), with an earthenware mold for a Bronze Sword found in South Gyeongsang Province. [4]
The earliest Korean sword type is the so-called Hwandudaedo or "ring-pommel sword," prevalent during the 1st to 6th centuries. Until the 3rd century, these swords were very rare and presumably reserved for royalty. They became more attainable in the later 4th and during the 5th century, and are found in many higher class tombs of this period. Their production declined in the 6th century.
By the last third of the Three Kingdoms period (i.e. 450 AD and beyond), steel making techniques had come from China (possibly during the Northern and Southern dynasties period in China) and were also employed in Korean swordmaking by all three Korean kingdoms (Goguryeo, Baekje, and Silla).[ citation needed ] In 2013, a Chinese Character inscription was discovered on a 5th-century sword from the Geumgwanchong tomb in Gyeongju, North Gyeongsang Province. The scabbard of the sword has the inscription 尒斯智王 Yisaji-wang ("King Isaji"). [5]
Long swords during the Korean Three Kingdoms period were used primarily by cavalry and commanders (who were also usually mounted), not infantry. At this time land warfare consisted mostly of spearmen and bowmen on foot, mounted archers on horseback using two-handed bows, and mounted swordsmen with twin blades. Swords were not a primary weapon for all combat but were instead used mostly for shock attacks, defensive strokes, and for close-in fighting. Blades were heavy as they were made mostly of bronze and later iron, and pommels were often knobbed and used as balances or for very close-in work. Short swords may have been used in follow-up attacks, as short sword carriers were heavily armored.
During the Goryeo dynasty, a limited number of Korean swords were exported for trade missions in Asia. It is likely that Korean swordmaking was influenced by Mongol and Chinese weapon manufacture after Goryeo's submission as a Mongol vassal after 6 Mongol invasions ending in 1259.
The sword used for combat during the Joseon Dynasty was called Hwando, and in the name 'Hwando (環 刀)', 'Hwan(環)' is the Hanja means ring. There are differing opinions about the origin of the name. 《Yungwon Pilbi》 (융원필비, 戎垣必備), a military book published in 1813 states that it originated from a ring for tying the sheath to the waist. [6]
The name ‘Hwando (環刀)’ appears first in 《Goryeosa》. It is written that when an envoy from the Yuan Dynasty arrived in April 1277, King Chungnyeol sent Yi Jang-mu (이장무, 李藏茂) to Chungju city to make 1,000 sacks of Hwando. [7]
There were many ways to wear the Hwando, including using a belt called Tti-don (띠돈 메기), wearing it on the back (둘러메기), around the shoulder (뒤꽂이), and around the waist by tying a string to the ring of the scabbard (고리 메기). During the Joseon Dynasty, swords were often worn with the hilt pointing toward the back.
This method is mainly seen in countries that used cavalry as its main force. It is said that this method was designed because if the sword was worn with the hilt facing forward, the sheath at the back would hit the horse and hinder its movement when running fast on horseback. It also has the advantage of being more comfortable when shooting a bow because the hilt does not get in the way. This type of sword-wearing is a fairly common style of sword-wearing that appears in Mongolia, the Ming Dynasty, the Qing Dynasty.
The method in which the sword hilt faces backwards is mainly seen in attire using Tti-don, which makes it easy to turn the hilt, but it is difficult to know exactly when Tti-don was used in Korea. However, during the Yuan Intervention period, the mainstream in Mongolia was to kick the sword with the hilt facing forward. Also, in the Hwando paintings from the early Joseon Dynasty depicted in 《Sejong Silok》(世宗實錄) and the 《Gukjo-oyreui》(國朝五禮儀), there is only a ring for the scabbard and no bandon is depicted, and even in the royal tombs of the mid-Joseon Dynasty in the 16th and 17th centuries, figures wearing sword sheaths with rings are carved. Considering this, it appears that it was common until the mid-Joseon Dynasty to wear the sword with the hilt facing forward in a looped manner. The oldest Hwando where Tti-don is found is Ryu Seong-ryong's Hwando. Considering this, it is highly likely that the Tti-don and the method of kicking the sword with the hilt facing backwards were introduced starting around the mid-Joseon Dynasty under the influence of the Ming Dynasty or the Jurchen people.
The Hwando of the early Joseon Dynasty, as recorded in the 《Sejong Silok》(世宗實錄) and the 《Gukjo-oyreui》(國朝五禮儀), is not only greatly curved but also short in length. Looking at the blade length regulations for the Hwando recorded in 《Munjong Silok》(文宗實錄), it is 1.7 ja for infantry use and 1.6 ja for cavalry use, and the length of the handle is 2 gwon for infantry use and 1 gwon 3 ji for cavalry use, [8]
The overall shape of the blade is a curved, single-edged sword. [9] Due to partial heat treatment, there were faint patterns on the blade. The curvature varied, with some swords having a pronounced curve and others being almost straight. [9] Generally, it resembles a Japanese Katana, but unlike the Katana, there is often no distinct boundary line (yokote) at the tip of the blade, making the tip relatively ambiguous. [10]
Regarding cross-sections, there were triangular, single-plane pentagonal, pentagonal, and hexagonal types depending on the shape. However, due to durability issues, triangular swords were used for personal protection or assassination, like the changpogeom (창포검), while the military typically used Hwandos with hexagonal or pentagonal cross-sections. [9] There are very few single-plane pentagonal artifacts, and little is known about their advantages and disadvantages.
There is a record that when Koreans obtained a Japanese sword, they would grind down the back and side slopes (shinogi) to make the sides flat and the edge angular. [11] That shows the differences between Japanese sword and Hwando. However, most surviving Hwandos have clear angular ridges on the blade back, similar to the shinogi of a Japanese sword.[ citation needed ] The cross-sections of the hwandos unearthed from Dongnae Citadel were also pentagonal and hexagonal, and even swords from the Goryeo period excavated from Cheoin Fortress had angular blade backs.
Also there is a record that Japanese swords as having softer steel on the left and harder steel on the right, [11] with the left side of the blade ground obliquely, indicating a single-plane structure. However, typical Japanese swords do not have steel joined on both sides, and although there were single-plane types in Japan, they were not mainstream.
The lock can be pulled out as one of the characteristic styles of Hwando. Unlike swords from other cultures, the sword had a separate locking device, and there was very little chance that the sword would come out on its own even during vigorous activity. In the early Joseon Dynasty, a locking device called a Binyeojang (비녀장) was mainly used. [12] 'Binyeo (비녀)' of Binyeojang literally means Binyeo, the traditional Korean hairpin.
This was to prevent the sword from falling out of the scabbard, and the hole on the back of the shield was to secure the sword with a Binyeojang. Of course, it was not without its drawbacks. Additional processes were required for production, and of course there was a possibility of damage.[ citation needed ] And in fact, as it is not like there are no hobbyists in Hwando who can perform the minimal locking role, it is actually rather common for Hwando to also not have a locking device. It can be seen that the locking device was just one of the many styles of Hwando.[ citation needed ]
During the Imjin War (1592-1598), Joseon Army confiscated Japanese sword. [13] However, the Japanese sword introduced during this period was not the origin of the Hwando. The Hwando and the Japanese Sword have similar in appearance, but in the Joseon dynasty, there was a clear distinction between the Hwando and the Japanese sword. [14] [15] So, it is a complete misunderstanding that the Hwando was derived from the Japanese sword and there is no historical basis for saying that.
According to historical relics, the Hwando and Japanese sword evolved independently since Goryeo dynasty and took on similar shapes with Katana before the Imjin War. [16] This can be described as convergent evolution, and historical documents show that the Hwando was influenced by the Central Asian Sabre that came through the Yuan dynasty [17] [18] to the Goryeo dynasty rather than the influence of the Japanese sword. Although it is not recorded in the documents, some historians speculate that Joseon craftsmen making Hwando may have adopted some of the styles of Japanese swords through the Imjin War.[ citation needed ]
三尺誓天 山河動色
(I swear to heaven with the sword, the mountains and rivers tremble.)
一揮掃蕩血染山河
(With one swing, it sweeps away, the blood stains the mountains.)- Inscribed poem of each sword
The representative Japanese sword used in Korea is Yi Sun-sin's Janggeom (장검), which are a National Treasure of South Korea. Those were designated as Treasure No. 326-1 in 1963 and promoted to a national treasure on August 24, 2023. [19] Those are currently on display at Hyeonchungsa Shrine. [20] The reason why the swords were created was when Yi Sun-sin captured Japanese swordsmiths during the Imjin War and had them make two swords to confirm their claim that they were swordsmiths.
Janggeom have great historical value because those have a convergent international design. The swords' material are closer to that of Hwando than Katana, but since those are about 2m long, [21] it resembles Odachi and very different from the Hwando, which rarely have sword longer than 1.5m. [22] The guard and handle decoration are in the style of a Katana, and the fishtail-shaped hilt is in the Ming dynasty style. [19] After the sword was completed, Yi Sun-sin inscribed his own poem on the each sword's blade.
Geom (검; 劍) is the Korean word for "sword;" it is typically used of double-edged swords, but is also applied to single-edged swords. Yedo (예도; 銳刀) is the specific term for a single-edged sword.
Elements of the Korean sword include: geomjip or scabbard, most often of lacquer; hyuljo or fuller (most genuine Korean swords didn't have a fuller); hwando magi or collar; ho in or collar; kodeungi or hand guard; a ring-design pommel; tassels; a round and wide designed sword guard, or a straight lotus design. [23]
Many different types of Do and Geom exist, [24] ranging from very simple forms found in many nations to unique and artistic designs found solely in Korea.
The study of Korean sword as a weapons system is commonly called Geom Beop (literally "Sword Law")
During the Joseon period, swords also had ranks depending on who wielded them and what their purpose was. The highest ranking of these swords was known as the Byeol-ungeom (별운검: 別雲劍), literally meaning "cloud-splitting sword." Only two such swords existed and were wielded by the King's two bodyguards, who always stood on either side of him and held the nobility title of Un'geom (운검: 雲劍).[ citation needed ]
Master swordsmen:
Only by the mid-1990s did Korean swordmaking come back to expert levels comparable to the Joseon era.[ citation needed ]Haedong jingeom (해동진검; 海東陣劍) This literally means 'East Asian Practical Sword' is the neologistic term for current-day swords for "revivals" of Korean swordsmanship.
Sword ownership in Korea is currently restricted (private weapons ownership was culturally frowned upon and largely restricted during other times in Korean history, particularly during the Joseon era and the Japanese occupation period - albeit for different reasons in either period), and there are very few traditional sword collectors in Korea today.[ citation needed ] General/flag-grade officers are given dress swords upon assuming command in the South Korean army. Despite restrictions on sword ownership and a lingering social preference against armed martial arts (dating at least to the Joseon era), practical sword fighting is enjoying a small revival amongst elite military regiments, and fencing is once again attracting interest in Korean universities.
In 2006, swords bestowed on newly promoted brigadier generals were changed from the single-edged curved ‘’samjeongdo’’, which was considered to be a traditional Korean sword, to the double-edged straight ‘’samjeong-geom‘’ claiming that the ‘’samjeongdo’’ is similar to the “Western sword” and not reflecting the traditional Korean sword. ‘’Samjeongdo’’ had been given to brigadier generals since 1983. [32] [33]
In November 2015, the Statue of Admiral Yi Sun-Shin erected in Parliament was replaced with a newly created authentic statue. The sword of the statue was longer than the traditional Korean sword and more resembled the Japanese sword. [34] [35]
A Japanese sword is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period, though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō.
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region.
A tachi is a type of sabre-like traditionally made Japanese sword (nihonto) worn by the samurai class of feudal Japan. Tachi and uchigatana generally differ in length, degree of curvature, and how they were worn when sheathed, the latter depending on the location of the mei (銘), or signature, on the tang. The tachi style of swords preceded the development of the katana, which was not mentioned by name until near the end of the twelfth century. Tachi were the mainstream Japanese swords of the Kotō period between 900 and 1596. Even after the Muromachi period (1336–1573), when katana became the mainstream, tachi were often worn by high-ranking samurai.
The daishō—"large and small"—is a Japanese term for a matched pair of traditionally made Japanese swords (nihonto) worn by the samurai class in feudal Japan.
This is a list of types of swords.
The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BCE, during the Spring and Autumn period; one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 centimeters in length. The weight of an average sword of 70-centimetre (28-inch) blade-length would be in a range of approximately 700 to 900 grams. There are also larger two-handed versions used for training by many styles of Chinese martial arts.
Dao are single-edged Chinese swords, primarily used for slashing and chopping. They can be straight or curved. The most common form is also known as the Chinese sabre, although those with wider blades are sometimes referred to as Chinese broadswords. In China, the dao is considered one of the four traditional weapons, along with the gun, qiang (spear), and the jian, called in this group "The General of Weapons".
A tantō is a traditionally made Japanese knife that were worn by the samurai class of feudal Japan. The tantō dates to the Heian period, when it was mainly used as a weapon but evolved in design over the years to become more ornate. Tantō were used in traditional martial arts and in the seppuku suicide ritual. The term has seen a resurgence in the West since the 1980s as referring to a point style of modern tactical knives, designed for piercing or stabbing, though the style isn't present on any traditional tantō.
The iaitō (居合刀) is a modern metal practice sword, without a cutting edge, used primarily for practicing iaido, a form of Japanese swordsmanship.
The chokutō is a straight, single-edged Japanese sword that was mainly produced prior to the 9th century. Its basic style is likely derived from similar swords of ancient China. Chokutō were used on foot for stabbing or slashing and were worn hung from the waist. Until the Heian period such swords were called tachi (大刀), distinct from tachi written as 太刀, as the latter refers to curved swords.
The miaodao (苗刀) is a Chinese two-handed dao or saber, with a narrow blade, long hilt, and an overall length of 1.2 m or longer. The name means "sprout saber", presumably referring to a likeness between the weapon and a newly sprouted plant. An early reference, in Jin Yiming's Single Defense-Saber, makes a connection between the miaodao and the Qing-era wodao, as well as mentioning both single and two-handed versions of the miaodao, suggesting that the name originally described the shape only, without any connotations of size. While the miaodao is a recent weapon, the name has come to be applied to a variety of earlier Chinese long sabers, such as the zhanmadao and changdao. Along with the dadao, miaodao were used by some Chinese troops during the Second Sino-Japanese War.
Since the 1970s, there has been a revival of traditional or reconstructed methods of swordsmanship based on the Korean sword in the Republic of Korea, supplementing the practice of Kumdo. There are historical sources on which such reconstructions are based, dating to the 17th and 18th centuries, notably the Muyejebo of 1610, its 1759 revision Muyeshinbo, supplemented with 12 additional fighting methods by Prince Sado who originated the term Sip Pal Ki, and the renewed revision of 1790, Muyedobotongji.
Japanese sword mountings are the various housings and associated fittings that hold the blade of a Japanese sword when it is being worn or stored. Koshirae (拵え) refers to the ornate mountings of a Japanese sword used when the sword blade is being worn by its owner, whereas the shirasaya is a plain undecorated wooden mounting composed of a saya and tsuka that the sword blade is stored in when not being used.
Dha is the Burmese word for "knife" and "sword" similar term to daab or darb in Thai language for a single edge sword. The term dha is conventionally used to refer to a wide variety of knives and swords used by many people across Southeast Asia, especially present-day Myanmar (Burma), Thailand, Yunnan, Laos, and Cambodia and Northeast India.
Commissioned in 1790 by King Jeongjo, the Muyedobotongji expanded on the eighteen weapons systems identified in the Muyeshinbo of 1758.
A katana is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the tachi, it was used by samurai in feudal Japan and worn with the edge facing upward. Since the Muromachi period, many old tachi were cut from the root and shortened, and the blade at the root was crushed and converted into a katana. The specific term for katana in Japan is uchigatana and the term katana (刀) often refers to single-edged swords from around the world.
The Muyesinbo is a Korean martial arts manual published in 1759. The book is a revision of the older Muyejebo, made during the reign of King Youngjo (1724–1776). It adds twelve disciplines or "skills" of both armed and unarmed fighting by Prince Sado to the original six which were descbribed in the Muyejebo. No copies of the Muyesinbo have survived, but its contents can easily be determined by tracing back and comparing the Muyejebo with the later Muyedobotongji.
Jedok geom (Korean: 제독검) or Admiral sword or Commander sword is a sword-skill originating from China and used during the Japanese invasions of Korea during the 16th century.
Katanagatari is a Japanese light novel series written by Nisio Isin and illustrated by Take. The series is published by Kodansha under the Kodansha Box imprint. The story revolves around a katanagari, or "sword hunt" for 12 weapons that were created by a single swordsmith. An anime adaptation by White Fox began airing on January 26, 2010, and consisted of 12 episodes. A single episode of the series was aired each month. NIS America have licensed the series and released the first part on a Blu-ray/DVD combo set in July 2011. Part two was released on September 20, 2011. The anime series aired once more on Fuji TV's noitamina between April and November 2013 as the block's first rerun, with a new opening and a new ending song.
This is the glossary of Japanese swords, including major terms the casual reader might find useful in understanding articles on Japanese swords. Within definitions, words set in boldface are defined elsewhere in the glossary.