Tattooing in South Korea

Last updated

Tattooing in South Korea has a long and controversial history. South Korean law permits only licensed medical practitioners, as opposed to tattoo artists without medical degrees, to open tattoo parlors, although it is not illegal to have a tattoo. Only the army prohibits tattoos. People can have tattoos after serving in the military. [1] Attitudes towards tattoos and people who have them are often negative, particularly among the older generations of South Koreans.

Contents

History

Historical texts can show that tattoos were practiced in the tribal confederacies Mahan, Jinhan and Pyŏnhan of Samhan. This tattoo practice served primarily as a type of magic charm or talisman, used by fishermen and divers in the southern part of the country to protect from sea monsters.

The significance of tattoos changed during the Goryeo Dynasty (918 to 1392) and proceeded into the Joseon Dynasty (1392–1910). Individuals who committed crimes would have tattoos describing their infractions etched into their skin over exposed areas where it could be seen by others. [2]

During the Joseon dynasty another type of tattoo custom called yeonbi (연비;聯臂), appeared alongside the punishment tattoo. "This practice... was a pledge of love or devotion between two (or more) people..". [3] This type of tattoo was a symbol of loyalty displayed by marking the name of a loved one onto an individual's body. Though popular, these tattoos were illegal, and if revealed the owner would be punished by law.

Moving into the 20th century, tattoos in Korea became customary for gangs and thus created an association of the two. This was an imitation of Japanese gang culture during Japan's colonial rule of Korea (1910-1945). This further contributed to the distaste for tattoos already present in the Confucian culture of Korea. [2]

Shifting cultural norms

The number of youth with tattoos and the number of tattooed individuals is increasing. As indicated by a study in 1983, 72.6% of individuals responded that they have not seen a person with any tattoos. In 2007, 67% of residents expressed that they have seen a tattoo. In 2014, individuals feel that they end up noticeably liberal about tattoo contrasted with the past and they anticipate that the time of inked individuals would be different and the number of inked individuals would increase.

As indicated by research in Busan, 83.1% individuals connect tattoos to violence and punitive actions when they consider the term munsin (문신). Contrarily, when the word tattoo (타투) it is more often contributed to fashion, trends, or beauty. [4]

While tattoos are becoming more popular in contemporary Korean culture, particularly among the newer generations, legal regulations hinder movement to the mainstream.[ citation needed ]

Controversy of legalising tattoos

The Korean Ministry of Health and Welfare considers the act of tattooing similar to medical procedures and deemed they should therefore only be performed by a professional with a medical license. [5] In December 2015, new vocations were advanced including occupations for tattooists. The legislature said that an update to the law regarding tattoos is essential. They arranged an exploration about the case in different nations, symptoms and legalization of tattooing. [6]

Tattoo artists suggest the necessity of legalizing tattoo for changing an image of illegal, protecting tattooists by law and registration of entrepreneur. The awareness of tattoo is changing around the world; still, it is illegal in Korea. Tattooist iIda said “I can not hang up a sign for my shop because it is illegal, making laws about the tattoo is necessary.”[ citation needed ]

"While the tattoo restriction law is currently still pending, South Korean tattoo artists are strongly forced to resort to social media and other internet platforms in order to promote their business, since it is too risky to display their shops and advertisement openly in the streets. South Korean tattoo artists have been able to gradually build and develop their own tattoo culture by means of social media and create their own unique tattoo styles and establish a tattoo community over the past decade." The Korean government estimates that approximately 20 thousand tattoo artists are operating in illegal tattoo parlors in Seoul. [2]

Semi-permanent tattoos

As the number of working women jumped dramatically, new cosmetic techniques appeared. Semi-permanent makeup provides women all around the world with convenience and efficiency. It also offers confidence and feelings of relaxation. In fact, many social commerce sites are providing various incentives such as offering coupons to increase its popularity. [7]

Semi-permanent make up is a cosmetic technique that applies tattoo pigment onto the dermis for a certain amount of time. Compared to a permanent tattoo, it is a cosmetic technique preferred by many people because of safety and durability.[ citation needed ]

According to Korean Agency in 2016, the problematic side effects from semi-permanent tattooing, as reported in CISS (Consumer Injury Surveillance System), numbered 77 cases in the last three years. The Ministry of Agriculture conducted tests on 25 tattoo inks to determine the amount of toxicity; 12 products were declared improper and dangerous because they possessed cadmium exceeding the accepted level. Six products contained levels of lead, a known neurotoxin, over 5.5 times the accepted level. Zinc, copper, and nickel are components that may cause atopic dermatitis if people are exposed to those ingredients for a long time. [8]

See also

Related Research Articles

<span class="mw-page-title-main">Tattoo</span> Skin modification using ink to create designs

A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.

<span class="mw-page-title-main">Joseon</span> 1392–1897 Korean dynasty

Joseon, officially Great Joseon State, was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amnok and Tuman through the subjugation of the Jurchens.

Irezumi is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.

<span class="mw-page-title-main">Medical tattoo</span> Type of tattooing

A medical tattoo is a tattoo used to treat a condition, communicate medical information, or mark a body location for treatment. People may get a paramedical tattoo to conceal a condition or the effects of treatment, such as creating the appearance of an areola after breast reconstruction, or a cover-up tattoo to disguise the area in an artistic way.

<i>Hanbok</i> Traditional Korean clothing

The hanbok is a traditional clothing of the Korean people. The term hanbok is primarily used by South Koreans; North Koreans refer to the clothes as chosŏn-ot. The clothes are also worn in the Korean diaspora, especially by Koreans in China.

<span class="mw-page-title-main">Korean painting</span>

Korean painting (Korean: 한국화) includes paintings made in Korea or by overseas Koreans on all surfaces. The earliest surviving Korean paintings are murals in the Goguryeo tombs, of which considerable numbers survive, the oldest from some 2,000 years ago, with varied scenes including dancers, hunting and spirits. It has been hypothesized the Takamatsuzuka Tomb in Japan, from the 7th-century end of the Goguryeo period, has paintings with Goguryeo influence, either done by Goguryeo artists, or Japanese one trained by Goguryeo people. Since a lot of influences came into the Korean peninsula from China during the Three Kingdoms period. Until the Joseon dynasty the primary influences came from Chinese painting though done with Korean landscapes, facial features, Buddhist topics, and an emphasis on celestial observation in keeping with the rapid development of Korean astronomy.

<span class="mw-page-title-main">Korean knots</span>

Korean knots, also known as maedeup (매듭), is a traditional Korean handicraft which dates back to the Three Kingdom periods and have been deeply influenced by Chinese knots.

<span class="mw-page-title-main">Permanent makeup</span> Cosmetic technique

Permanent makeup, also known as permanent cosmetics, derma-pigmentation, micro-pigmentation,semi-permanent makeup and cosmetic tattooing, is a cosmetic technique which employs tattoos as a means of producing designs that resemble makeup, such as eye-lining and other permanent enhancing colors to the skin of the face, lips, and eyelids. It is also used to produce artificial eyebrows, particularly in people who have lost them as a consequence of old age, disease, such as alopecia totalis, chemotherapy, or a genetic disturbance, and to disguise scars and hypopigmentation in the skin such as in vitiligo. It is also used to restore or enhance the breast's areola, such as after breast surgery.

<span class="mw-page-title-main">Tattoo artist</span> Individual who applies permanent decorative tattoos

A tattoo artist is an individual who applies permanent decorative tattoos, often in an established business called a "tattoo shop", "tattoo studio" or "tattoo parlour". Tattoo artists usually learn their craft via an apprenticeship under a trained and experienced mentor.

<span class="mw-page-title-main">Jeogori</span> Traditional Korean garment

Jeogori or Tseogori is a basic upper garment of the hanbok, a traditional Korean garment, which has been worn by both men and women. Men usually wear the jeogori with a baji or pants while women wear the jeogori with chima, or skirts. It covers the arms and upper part of the wearer's body.

<span class="mw-page-title-main">Po (clothing)</span> Korean traditional outer robe

Po is a general term that describes an outer robe or overcoat in Korean traditional clothing.

<i>Dopo</i> (clothing) Korean traditional overcoat

Dopo is a variety of po, or overcoat in hanbok, which was first worn in the middle of the Joseon since the 16th century. The dopo was mostly worn by male Confucian scholars called seonbi during the Joseon period. It was also worn by Kings and princes and government officers. The dopo held a strong Confucianism value. It was worn as an everyday outer garment by Neo-Confucian scholars, who wore it as an official form of clothing or as a ritual clothing. It was also an ordinary robe worn by the court officials. Since the 1894 reform, all varieties of po with wide sleeves, including the dopo, were prohibited to be worn by King Gojong and instead people had to wear the durumagi.

<span class="mw-page-title-main">Peʻa</span> Traditional male tatau of Samoa

The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and consists of heavy black lines, arrows, and dots.

A variety of health effects can result from tattooing. Because it requires breaking the skin barrier, tattooing carries inherent health risks, including infection and allergic reactions. Modern tattooists reduce such risks by following universal precautions, working with single-use disposable needles, and sterilising equipment after each use. Many jurisdictions require tattooists to undergo periodic bloodborne pathogen training, such as is provided through the Red Cross and the U.S. Occupational Safety and Health Administration.

<i>Jang-ot</i> Historical Korean headdress

A jang-ot, also known as janot, jang-eui, or jang-ui, is a type of po worn by women of the Joseon Dynasty period as a headdress or veil to cover their faces by the mid-18th century. They were mostly worn by commoners but not exclusively. Jang-ot was originally a form of men's po called jang-ui, which was worn in 15th century. The jang-ui started to be worn by women as an overcoat in early Joseon, even becoming a popular fashion item for women of high status. It was previously one of the most representative women's overcoats; it was worn as a women's overcoat when they would leave their house until the 17th century.

<span class="mw-page-title-main">Mary Jane Haake</span> American tattoo artist

Mary Jane Haake born 1951) is an American tattoo artist and authority on medical tattooing and permanent makeup. She was instrumental in bringing topical anesthetics to the tattooing and body modification industries.

<span class="mw-page-title-main">Process of tattooing</span> Overview of the process or technique of tattooing

The process or technique of tattooing, creating a tattoo, involves the insertion of pigment into the skin's dermis. Traditionally, tattooing often involved rubbing pigment into cuts. Modern tattooing almost always requires the use of a tattoo machine and often procedures and accessories to reduce the risk to human health.

<span class="mw-page-title-main">History of education in Korea</span>

The history of education in Korea can be traced back to the Three Kingdoms of Korea, or even back to the prehistoric period. Both private schools and public schools were prominent. Public education was established as early as the 400 AD. Historically, the education has been heavily influenced by Confucianism and Buddhism.

Korean historiography is the way of writing Korean history. The historiography of Korea has evolved over time, reflecting specific periods and cultural contexts, leading to a better understanding of Korean history. During the Joseon Dynasty, historical narratives were influenced by the perspective of the royal court, emphasizing a state-centric view. However, through the independence movement and the Japanese colonial period, Korean historiography shifted towards a more realistic analysis and critical thinking. Modern Korean historiography attempts to offer multi-dimensional understanding through independent perspectives, diverse theories, and methodologies, highlighting the comparative characteristics and significance of Korean history.

Pet ownership in South Korea has increased in recent years. Dogs are the most common household animal, owned by 75.3% of pet-owning South Korean households, followed by cats, then goldfish. South Korean pet culture is constantly developing, and the companion animal industry in South Korea is worth an estimated 3.4 trillion won as of 2020.

References

  1. 혜인 (Hyein), 정 (Jeong) (2015). 청년 타투 하위문화에 대한 연구 (Study of the Youth Subculture of Tattoos). Korean: 전남대학교 (Chonnam National University). pp. 1–2.
  2. 1 2 3 Friederike, Glietsch (2020). The Korean Tattoo Culture : An Historical Overview on the Development and Shift of Perception on Tattoos in Korean Society. Stockholms universitet, Avdelningen för koreanska. OCLC   1235328494.
  3. KIM, HYONG-JUNG (2013). "Han'guk hyŏngbŏl munsin-ŭi paljŏnsa-wa hyŏndaejŏk ŭimi-e taehan sogo (A Study on the History of the Development and Modern Meaning of the Korean Punishment Tattoo)". The Korean Association of Police Science Review. 15: 25–52.
  4. 남경(Namjyeong), 송(Song) (2009). "타투와 문신에 관한 인지도 및 타투패션의 표현특성에 따른 이미지 연구" [Study on the images of tattoo fashion's expressive characteristics and on perceptive attitudes about tattoo and moonsin]. 경성대학교(Kyungsung University): 5p.{{cite journal}}: Cite journal requires |journal= (help)
  5. "Legal tattoos, illegal tattooists". KBR (in Korean). 2017-08-07. Retrieved 2021-12-09.
  6. 택영(Take young), 조(Jo) (2016-11-11). "예술을 깎아먹는 아이들, 타투이스트들의 슬픔= Sadness of tattooists". ilyoseoul. Retrieved 2016-11-11.
  7. 선미(Sunmi), 한(Han) (2015). 반영구 화장 실태 및 만족도에 관한 연구=A study on the state of semi-permanent makeup and satisfaction. 숙명여자대학교(Sookmyung University). p. 1.{{cite book}}: CS1 maint: location missing publisher (link)
  8. "반영구-화장-시술에-웬-중금속=Codimums? Semi permanent tattoo". Sciencetimes. 2016-10-14. Retrieved 2016-12-12.