Malu

Last updated
A Samoan woman with malu Samoan Malu.jpg
A Samoan woman with malu

Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a , the equivalent tattoo for males. The malu takes its name from a particular motif of the same name, usually tattooed in the popliteal fossa (sometimes referred to as the kneepit, or poplit) behind the knee. It is one of the key motifs not seen on men. According to Samoan scholar Albert Wendt and tattooist Su'a Suluape Paulo II, in tattooing, the term 'malu' refers to notions of sheltering and protection. [2] [3] Samoan women were also tattooed on the hands and sometimes the lower abdomen. These practices have undergone a resurgence since the late 1990s. [4]

Contents

Changing significance

In the late 19th and early 20th centuries, only the district Paramount Chief's daughter was eligible to wear the malu, which was applied to these young women in the years following puberty. Women with the malu were expected to perform key ceremony tasks and represent their families and villages on ceremonial occasions. However, in 1930, anthropologist Te Rangi Hiroa observed that "...the tattooing of a girl is often used as an opportunity for a student to try his prentice hand. This is also rendered possible by the fact that there is no fusita (fine mat) passed or any of the ceremony that marks the tattooing of the male. It is often sufficient reward for the novice to have the opportunity of practice and to be well fed during the period occupied by the operation...For the daughter of a high chief, who is to become the village taupou, it can be readily understood that an expert artist would be requisitioned and his reward greater." [5]

Ceremonial roles are still important in Samoan society and are restricted in similar ways to particular people with the correct qualifications and cultural knowledge, but the significance of the malu has shifted. From at least the 1990s, there has been less emphasis on chiefly qualifications, and women of a variety of backgrounds and ages have been tattooed with the malu. However, the malu is not important to all Samoans, or the only symbol of an individual's commitment or participation in Samoan cultural life. In the Samoan congregations of some churches, men and women have been discouraged from getting tattooed. [6] In New Zealand and Australia, the malu is increasingly important as a symbol of Samoan cultural identity rather than only a signifier of a person's ability to carry out specific Samoan ceremonial roles. [7] The contemporary meanings and significance of malu are often vigorously contested; in recent years this has become especially noticeable in social media forums when tattooists and tattooed people share photographs of their tattoos. It is clear from these public debates that the changes in meaning for all forms of Samoan tattooing are being made by the people who wear the images as much as by the tattooists who create them. [8]

Non-Samoans and the malu

There are also accounts of non-Samoan women receiving the malu. One relates to an American named Elsie Bach who worked as a Peace Corps volunteer in Samoa in the 1970s. She developed strong relationships with families in the Samoan community, and received a malu and a matai (chiefly) title in acknowledgement. As Samoan tattooists have travelled and worked in the United States and Europe, women from other ethnic backgrounds and nationalities have been tattooed with the malu or elements of it. [9] This practice is controversial and is sometimes criticised as cultural appropriation by Samoans. [10] [11]

Related Research Articles

<span class="mw-page-title-main">Samoa</span> Polynesian island country

Samoa, officially the Independent State of Samoa and until 1997 known as Western Samoa, is a Polynesian island country consisting of two main islands ; two smaller, inhabited islands ; and several smaller, uninhabited islands, including the Aleipata Islands. Samoa is located 64 km (40 mi) west of American Samoa, 889 km (552 mi) northeast of Tonga, 1,152 km (716 mi) northeast of Fiji, 483 km (300 mi) east of Wallis and Futuna, 1,151 km (715 mi) southeast of Tuvalu, 519 km (322 mi) south of Tokelau, 4,190 km (2,600 mi) southwest of Hawaii, and 610 km (380 mi) northwest of Niue. The capital and largest city is Apia. The Lapita people discovered and settled the Samoan Islands around 3,500 years ago. They developed a Samoan language and Samoan cultural identity.

<span class="mw-page-title-main">Tattoo</span> Skin modification using ink to create designs

A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.

<span class="mw-page-title-main">Falealupo</span> Village & Electoral Constituency in Vaisigano, Samoa

Falealupo is a village in Samoa situated at the west end of Savai'i island 20 miles (32 km) from the International Date Line used until 29 December 2011. The village has two main settlements, Falealupo-Uta, situated inland by the main island highway and Falealupo-Tai, situated by the sea. The road to the coastal settlement is about 9 km, most of it unsealed, from the main highway. The village's population is 545.

<span class="mw-page-title-main">Lavalava</span> Rectangular clothing traditionally worn by Oceanic peoples

A lavalava, sometime written as lava-lava, also known as an 'ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt or kilt. The term lavalava is both singular and plural in the Samoan language.

The traditional culture of Samoa is a communal way of life based on Fa'a Samoa, the unique socio-political culture. In Samoan culture, most activities are done together. The traditional living quarters, or fale (houses), contain no walls and up to 20 people may sleep on the ground in the same fale. During the day, the fale is used for chatting and relaxing. One's family is viewed as an integral part of a person's life. The aiga or extended family lives and works together. Elders in the family are greatly respected and hold the highest status, and this may be seen at a traditional Sunday umu.

<span class="mw-page-title-main">Samoans</span> Indigenous Polynesian people of the Samoan Islands

Samoans or Samoan people are the indigenous Polynesian people of the Samoan Islands, an archipelago in Polynesia, who speak the Samoan language. The group's home islands are politically and geographically divided between the Independent State of Samoa and American Samoa, an unincorporated territory of the United States of America. Though divided by national border, the culture and language are the same.

<i><span title="Māori-language text"><i lang="mi">Tā moko</i></span></i> Māori facial tattoo

Tā moko is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles.

<span class="mw-page-title-main">History of tattooing</span>

Tattooing has been practiced across the globe since at least Neolithic times, as evidenced by mummified preserved skin, ancient art and the archaeological record. Both ancient art and archaeological finds of possible tattoo tools suggest tattooing was practiced by the Upper Paleolithic period in Europe. However, direct evidence for tattooing on mummified human skin extends only to the 4th millennium BC. The oldest discovery of tattooed human skin to date is found on the body of Ötzi the Iceman, dating to between 3370 and 3100 BC. Other tattooed mummies have been recovered from at least 49 archaeological sites, including locations in Greenland, Alaska, Siberia, Mongolia, western China, Egypt, Sudan, the Philippines and the Andes. These include Amunet, Priestess of the Goddess Hathor from ancient Egypt, multiple mummies from Siberia including the Pazyryk culture of Russia and from several cultures throughout Pre-Columbian South America.

Mark Adams is one of New Zealand's most distinguished photographers.

Samoan literature can be divided into oral and written literatures, in the Samoan language and in English or English translation, and is from the Samoa Islands of independent Samoa and American Samoa, and Samoan writers in diaspora. Samoan as a written language emerged after 1830 when Tahitian and English missionaries from the London Missionary Society, working with Samoan chiefly orators, developed a Latin script based Samoan written language. Before this, there were logologo and tatau but no phonetic written form.

<span class="mw-page-title-main">Peʻa</span> Traditional male tatau of Samoa

The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and consists of heavy black lines, arrows, and dots.

Taema is the name of a female figure referred to in different legends in Samoan mythology.

<span class="mw-page-title-main">Sua Sulu'ape Paulo II</span> Samoan chief and tattoo artist

Su'a Sulu'ape Paulo II was a tufuga ta tatau born in Matafa'a near Lefaga, Samoa but based in New Zealand since the 1970s. He was born into one of the leading families of tattooists tufuga ta tatau in Samoa. The tattooists in these families, are loosely organized in a guild like system of master and apprentices. In the late 20th and early 21st centuries tufuga ta tatau were known internationally for their culturally distinctive and highly skilled work. The word tattoo is believed to have originated from the word tatau. In Samoan mythology the origin of the tatau is told in a legend about two sisters, Tilafaiga and Taema who brought the tools and knowledge of tattooing to Samoa. The Samoan male tattoo (tatau) is the pe'a. The female tatau is the malu.

<span class="mw-page-title-main">Architecture of Samoa</span>

The architecture of Samoa is characterised by openness, with the design mirroring the culture and life of the Samoan people who inhabit the Samoa Islands. Architectural concepts are incorporated into Samoan proverbs, oratory and metaphors, as well as linking to other art forms in Samoa, such as boat building and tattooing. The spaces outside and inside of traditional Samoan architecture are part of cultural form, ceremony and ritual.

The Taualuga is a traditional Samoan dance, considered the apex of Samoan performance art forms and the centerpiece of the Culture of Samoa. This dance form has been adopted and adapted throughout western Polynesia, most notably in Samoa, The Kingdom of Tonga, Uvea, Futuna, and Tokelau. The renowned Tongan version is called the tau'olunga.

<span class="mw-page-title-main">Thomas Andrew (photographer)</span> New Zealand photographer

Thomas Andrew was a New Zealand photographer who lived in Samoa from 1891 until his death in 1939.

<span class="mw-page-title-main">Manaia (mythological creature)</span> Mythological creature in Māori culture

The Manaia is a mythological creature in Māori culture, and is a common motif in Māori carving and jewellery.

<span class="mw-page-title-main">Ngahuia Te Awekotuku</span> New Zealand academic, short story writer and essayist

Ngahuia Te Awekotuku is a New Zealand academic specialising in Māori cultural issues and a lesbian activist. In 1972, she was famously denied a visa to visit the United States on the basis of her sexuality.

<span class="mw-page-title-main">Pacific Underground</span> New Zealand performing arts collective

Pacific Underground is a New Zealand performing arts collective, founded in 1993 in Christchurch, New Zealand, to produce contemporary performing art that reflects the group's Pacific Island heritage. In 2016 they received a Lifetime Achievement Award at the Pacific Music Awards. They are the longest running Pacific contemporary performing arts organisation in New Zealand.

<span class="mw-page-title-main">Veiqia</span> Fijian female tattoo practice

Veiqia, or Weniqia, is a female tattooing practice from Fiji. Young women received veiqia at puberty, often as part of a lengthy process. The tattoos were applied by older specialist women known as daubati. Natural materials were used for the inks and to make the tools, some of which were reserved for use on high status women. The practice was prohibited under British colonial rule in the nineteenth century, but has undergone revival in the twenty-first century, led by the work of The Veiqia Project. Whilst there is an important archive of veiqia research at the Fiji Museum, western museum collections hold more artefacts relating to the practice.

References

  1. Sowell, Teri (2000). Worn With Pride: Celebrating Samoan Artistic Heritage. Oceanside, CA, USA: Oceanside Museum of Art. pp. 10–17.
  2. Wendt, A. (1999). Afterword: Tatauing the post-colonial body. Inside out: Literature, cultural politics, and identity in the new Pacific, 399-412.
  3. Mallon, S. (2002). Samoan art and artists. University of Hawaii Press.
  4. Mallon, S. (2005). Samoan tatau as global practice. Tattoo: Bodies, Art, and Exchange in the Pacific and the West, 145-169.
  5. Hiroa, Te Rangi. "Samoan Material Culture". New Zealand Electronic Text Collection. Victoria University of Wellington. Retrieved 28 August 2015.
  6. Mallon, Sean (2002). Samoan Art and Artists / O Measina a Samoa. Honolulu: University of Hawaii Press. p. 111. ISBN   0-8248-2675-2.
  7. Lisa Taouma (Director) Measina Samoa: Stories of the Malu 2003
  8. Mallon, S. (2005). Samoan tatau as global practice. Tattoo: Bodies, Art, and Exchange in the Pacific and the West, 145-169.
  9. Wendt, Albert. "Afterword: Tatauing the post-colonial body." Inside out: Literature, cultural politics, and identity in the new Pacific (1999): 399-412.
  10. "Do I have to be Samoan to get a Samoan tattoo?". OneSamoana. Retrieved 28 September 2021.
  11. "Celebrating Pasifika – the art of Samoan female tattooing". Asia Pacific Report. 26 March 2017. Retrieved 28 September 2021.