A face tattoo or facial tattoo is a tattoo located on the bearer's face or head. It is part of the traditional tattoos of many ethnic groups.
In modern times, although it is considered taboo and socially unacceptable in many cultures, [1] [2] as well as considered extreme in body art, [3] this style and placement of tattoo has emerged in certain subcultures. This is due to the continuing acceptance of tattoos [4] [5] and the emergence of hip-hop culture popularizing styles such as the teardrop tattoo.
Face tattooing is traditionally practiced by many ethnic groups worldwide.
The Ainu people of northern Japan and parts of Russia, including Sakhalin, the Kuril Islands and Kamchatka Krai, have a practice of facial tattooing exclusive to women, in which a smile is inked around the mouth to prevent spirits from entering the body through the mouth. This form of tattooing also serves a secondary purpose of showing maturity.
In Taiwan, facial tattoos of the Atayal people are called ptasan; they are used to demonstrate that an adult man can protect his homeland, and that an adult woman is qualified to weave cloth and perform housekeeping. [6]
Among the various Cordilleran (Igorot) peoples of the northern Philippines, facial tattoos indicated that a warrior belonged to the highest rank. [8]
Among the Kalinga people, pregnant women were also tattooed with small x-shaped marks on the forehead, cheeks, and the tip of the nose to protect them and the unborn child from the vengeful spirits of slain enemies. [9] [10]
Facial tattoos were practiced among Inuit women, but this practice was suppressed by missionaries. Yidįįłtoo are the traditional face tattoos of the Hän Gwich’in, who are indigenous to Alaska and Canada. [11] Kakiniit and Tavlugun are other examples.[ citation needed ]
In the 21st century, there was a revival of traditional facial tattooing among Indigenous Arctic women. [12] [13] Quannah Chasinghorse wears Yidįįłtoo.[ citation needed ]
Among the Māori people, men traditionally received tattoos on the entire face, while in women it was mostly restricted to the lips (kauwae) and chins. These tattoos were traditionally part of the initiation into adulthood and signified rank and status, as well as being considered beautiful. [14]
Medieval pilgrims would frequently get tattoos whilst visiting the Holy Land, including the occasional face tattoo. [15] [16] [17] Crusaders may have got facial tattoos as permanent proof of their participation in the Crusades, although this is unknown. [18]
Facial tattoos are widespread across various parts of the Middle East and parts of North Africa. In the Levant, facial tattoos are primarily adorned by the women of the Bedouin tribes living throughout Jordan to symbolize beauty and social status. In some instances tattoos are also used for their believed "magick" properties. Facial markings are also seen in Iraq among the Yezidi women. In North Africa, face tattoos can be found among the indigenous Berbers that populated the region before the arrival of Arab armies from the East. Egyptian women from different religious sub-sects of Islam and Christianity also sport face tattoos. In all cases, it is primarily the women that adorn facial markings and while men did have tattoos in some cases, they were primarily on the hands, arms, and feet. The tattoos throughout the Middle East and Africa share many similarities in the use and style of the geometric designs and glyphs that symbolize various animals, element signs, and physical attributes.
Among the heavily-tattooed Visayans of the central and southern Philippines, face tattoos were known as bangut or langi. They were often meant to resemble frightening masks, like crocodile jaws or raptorial beaks. These tattoos were reserved only for the most elite warriors ( timawa ), and possessing facial tattoos indicated high personal status. [19] [20]
Among the Apatani people in Arunachal Pradesh in India, women used to tattoo lines on the chin, and from the forehead to the tip of the nose, as well as wear large nose plugs. The reason for this is unknown, but it is believed that the tattoos serve as a way to make women less beautiful and protect them from abductions. Men also had a T-shaped tattoo on the chin. These traditions were practiced up until around 1974. [21]
Southern Chin women were also tattooed on their faces with closely set lines using blue pigments, ostensibly to discourage them from being kidnapped by invaders. [22] Chin women were typically tattooed between the ages of 15 and 20. [23] The practice has quickly disappeared, as it was banned in the 1960s by Burma's totalitarian regime and it was discouraged by Christian missionaries. [24] [25] Mro women also wore tattoos in the form of small marks or stars on the cheek, forehead or breast. [26]
The Derung people of southwestern China practiced facial tattooing only for women. They receive these tattoos at around age 12. The practice is believed to make the women less attractive and thus less likely to be abducted. [27]
In Ancient Rome, slaves who fled or attempted escape from their masters would frequently be branded on their foreheads or tattooed against their will. These tattoos portrayed the crimes committed and were a punishment because of the inability to cover up a tattoo on the forehead. [28] As the Roman world entered late antiquity, extreme Christian sects began to use former-slave forehead tattoos as religious symbols and signs of strength. Religious facial and head tattoos were not socially unacceptable within these circles [29] though in the greater Roman mainstream there was still an association between face tattoos and former slavery. In 315/316 CE, an edict outlawed facial tattoos and facial branding/tattooing for slaves. [30]
In ancient Vietnam, face tattooing was considered as a form of punishment. In 1042, King Ly Thai Tong issued the Hinh Thu, or Criminal Law, in which criminals were caned or tattooed 20 to 50 characters on their faces. [31]
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Face tattoos have been considered socially unacceptable and "outrageous" [32] and generally will prohibit the tattooed person from finding employment [33] [34] [35] [36] [37] and result in discrimination. [38] [39] [40] Most tattoo artists will attempt to dissuade clients from getting a facial tattoo, and in some cases may outright refuse to do a facial tattoo. Artists may be more agreeable to doing facial tattoos for heavily tattooed clients. [41] [42] [43] [44]
Due to how tattoos were used in the 20th century, they are often associated with criminality. Many gangs and criminal organizations mark members with tattoos, including visible areas such as the face, head, and neck. [45] [46] [47] Members may get facial tattoos as a form of intimidation. [48] [49] [50] This started in California in the 1980s before becoming widespread. [51]
A 2013 study published in Psychology, Public Policy, and Law concluded that face tattoos often lead to bias in the jury and more frequent convictions. [52] Many ex-convicts also have facial tattoos, due to prison tattooing, and the culture of prison tattoos includes the indoctrination of people within the prison populace into gangs, which often require tattoos to show aggression. [53] [54] These tattoos include teardrop tattoos indicating that the bearer has either taken a life or lost someone close to them; a five-point crown, a common Latin Kings symbol; and a number of different facial tattoos alluding to Nazism in the Aryan Brotherhood and Salvadorian culture in MS-13. [55] [56]
In the mid 2000s, the trend of getting a facial tattoo emerged among celebrities, starting with boxer Mike Tyson's large tribal tattoo in 2003 [57] and the ascension of rap music from the underground to the mainstream. This allowed artists with a criminal background and face tattoos to become well known, including Birdman, Lil Wayne and The Game. [58] Lil Wayne's extensive tattooing of his face created a minor trend that he helped pioneer [59] inspiring rappers like Gucci Mane [60] and then-chart topper Soulja Boy to get facial tattoos. [61]
Though discrimination remains in the fashion world for models who have facial tattoos, generally models with face tattoos of the brand they're modeling for, such as having a Chanel logo under your eye, is becoming acceptable. [62]
The influence of artists like Lil Wayne and Fredo Santana getting face tattoos was not fully realized until the mid-2010s with the resurgence of trap music and the "SoundCloud rap" scene. [63] Artists such as Ghostemane, [64] Travis Scott, [65] 21 Savage [66] and Migos [67] all have facial tattoos and emerged between 2014 and 2016, soon entering the mainstream and the Billboard Hot 100. Entrance of hip-hop culture into the mainstream [68] [69] [70] has led to face tattoos increasing in popularity. The insurgence of many trap artists in the 2010s increased the popularity of face tattoos. [71]
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.
Hip-hop fashion refers to the various styles of dress that originated from Urban Black America and inner city youth in cities like New York City, Atlanta, and Los Angeles. Being a major part of hip hop culture, it further developed in other cities across the United States, with each contributing different elements to the overall style that is now recognized worldwide.
Criminal tattoos are classified in different ways. The meaning and histories of criminal tattoos vary from country to country, and they are commonly assumed to be associated with gang membership. They could also be a record of the wearer's personal history—such as their skills, specialties, accomplishments, incarceration, world view and/or means of personal expression. Tattoos have been empirically associated with deviance, personality disorders, and criminality. There is no direct correlation between tattoos and criminals, but we can observe the developed history of tattoos and their meanings in countries such as Australia, France, Italy, Japan, Russia, and the United States.
The Atayal, also known as the Tayal and the Tayan, are a Taiwanese indigenous people. The Atayal people number around 90,000, approximately 15.9% of Taiwan's total indigenous population, making them the third-largest indigenous group. The preferred endonym is "Tayal", although official English translations of documents supplied by the Taiwanese government name them as "Atayal".
The term hyphy is an Oakland, California slang meaning "hyperactive". More specifically, it is an adjective describing the hip hop music and the culture associated with the Oakland area. The term was first coined by Oakland rapper Keak da Sneak.
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Mindat is located at south of the Chin State. Mindat is a town in the Chin State of Western Myanmar.It is the administration seat of Mindat Township and Mindat District. The people speak the Kʼchò language.
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Tattooing in Burma was a widespread custom practiced by various ethnic groups, including the Bamar, Shan, and Karen, until the 20th century. Tattooing was a distinguishing cultural marker and a symbol of strength, courage and intimidation for Lethwei fighters.
Whang-od Oggay, also known as Maria Oggay, is a tattoo artist from the village of Buscalan within Tinglayan, Kalinga, Philippines. She is often described as the "last" and oldest mambabatok and is part of the Butbut people of the larger Kalinga ethnic group.
Symere Bysil Woods, known professionally as Lil Uzi Vert, is an American rapper, singer, and songwriter. Born and raised in Philadelphia, Pennsylvania, they gained initial recognition following the release of the commercial mixtape Luv Is Rage (2015), which led to a recording contract with Atlantic Records, to whom they signed under DJ Drama's Generation Now imprint.
As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy. Both men and women were tattooed to represent their social class.
Batok, batek, patik, batik, or buri, among other names, are general terms for indigenous tattoos of the Philippines. Tattooing on both sexes was practiced by almost all ethnic groups of the Philippine Islands during the pre-colonial era. Like other Austronesian groups, these tattoos were made traditionally with hafted tools tapped with a length of wood. Each ethnic group had specific terms and designs for tattoos, which are also often the same designs used in other art forms and decorations such as pottery and weaving. Tattoos range from being restricted only to certain parts of the body to covering the entire body. Tattoos were symbols of tribal identity and kinship, as well as bravery, beauty, and social or wealth status.
Kakiniit are the traditional tattoos of the Inuit of the North American Arctic. The practice is done almost exclusively among women, with women exclusively tattooing other women with the tattoos for various purposes. Men could also receive tattoos but these were often much less extensive than the tattoos a woman would receive. Facial tattoos are individually referred to as tunniit (ᑐᓃᑦ), and would mark an individual's transition to womanhood. The individual tattoos bear unique meaning to Inuit women, with each individual tattoo carrying symbolic meaning. However, in Inuinnaqtun, kakiniq refers to facial tattoos.
Tattoos have a long history in China. The Chinese word for tattooing (纹身) means "applying ink to the body". Tattoos are represented in early Chinese texts, including histories, dynastic penal codes, zhiguai xiaoshuo and biji works, and early prose works such as the Shangshu.
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