Tattoo machine

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Illustration of artist working on a traditional sailor tattoo Tattoo (PSF).png
Illustration of artist working on a traditional sailor tattoo

A tattoo machine is a hand-held device generally used to create a tattoo, a permanent marking of the skin with indelible ink. Modern tattoo machines use electromagnetic coils to move an armature bar up and down. Connected to the armature bar is a barred needle grouping that pushes ink into the skin. Tattoo artists generally use the term "machine", "pen", or even "iron", to refer to their equipment, and the word "gun" is also occasionally used. In addition to "coiled" tattoo machines, there are also rotary tattoo machines, which are powered by regulated motors rather than electromagnetic coils. "The basic machine is pretty much unchanged today, in recent years variations of the theme have crept into the market, namely Manfred Kohr’s Rotary machine of 1976 or Carson Hill’s pneumatic machine that uses compressed air rather than electricity, but the principle is essentially the same." [1]



Traditional and modern tools at the Museum of Art and Design Hamburg; see history of tattooing Tattoo MKG Hamburg 2015.jpg
Traditional and modern tools at the Museum of Art and Design Hamburg; see history of tattooing

The predecessor to the tattoo machine was the electric pen. invented by Thomas Alva Edison and patented under the title Stencil-Pens in Newark, New Jersey, United States in 1876. [2] It was originally intended to be used as a duplicating device, but in 1891, Samuel O'Reilly discovered that Edison's machine could be modified and used to introduce ink into the skin, and later patented a tube and needle system to provide an ink reservoir.

While O'Reilly's machine was based on the tattoo rotary technology of Edison's device, modern tattoo machines use electromagnets. The first machine based on this technology was a single coil machine patented by Thomas Riley of London, just twenty days after O'Reilly filed the patent for his rotary machine. For his machine, Riley placed a modified doorbell assembly in a brass box. The modern two-coil configuration was patented by Alfred Charles South, also of London. Because it was so heavy, a spring was often attached to the top of the machine and the ceiling to take most of the weight off the operator's hand.

″To move tattooing forward, German tattoo artist Manfred Kohrs had to take a look backward.″ In 1978 Kohrs "introduced the first new design for a rotary machine in nearly a century. His machine was functionally similar to O’Reilly’s except an electric DC motor, rather than electrified magnets, drove the needles. This slimmer and streamlined version became lighter, quieter, and more portable. It also gave artists more control while ensuring the operator’s hands and fingers cramped less. While some artists gravitated to this rotary revival, others preferred to stick with their trusty coil machines." [3] [4] [5]

Most modern tattoo machines can control needle depth, speed, and force of application, which has allowed tattooing to become a very precise art form. Such advances in precision have also produced a style of facial tattooing that has attained mainstream popularity in America called dermapigmentation, or "permanent cosmetics" creating results such as addition/removal of freckles, beauty spots and scars.


There are many types of machines. Liners and shaders are the more common machines from a technical standpoint. Mechanically, there are coil tattoo machines; also pneumatic machines, and rotary, or linear, tattoo machines.

Tattoo machines are not limited to just these types. A common variant is having a "cutback", which uses stiffer front springs. This is more commonly used in liners, but is known to be used on shader machines, more typically for portrait work. Machines are usually categorized into long stroke and short stroke varieties. The longer-stroked machines are good for coloring and shading, as well as sculpting lines, while doing less damage to clients' skin. Shorter-stroke machines are commonly used for lining in a single pass style, and also in a shader setup to achieve a more subtle gradation of black such as would be found in portraits. Length, width, tension, angle, and stiffness of the spring varies the functionality of the machine. The contact gaps, as well as capacitors and even the style of machine and its angles of deflection, can also all be variants in machine tuning. The proper tuning of the machine is essential for the type of machine being used, also for the type of tattoo the artist is doing.

Selected bibliography

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<span class="mw-page-title-main">Samuel O'Reilly</span> American tattoo artist

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  1. Jamie Dwelly in History of tattoos, 2015 AETN UK
  2. U.S. Patent 196,747
  3. Courtney Linder: Getting Ink: The Entire History of Tattooing 7. February 2021.
  4. Tattoo Nation - Tattoo Magazine, Issue # 1, July 10 2014, Page 35/64
  5. Tattoo Nation Nepal's first Tattoo Magazine - July 2014, Issue #1, Page 35.
  6. John Reardon: The Complete Idiot's Guide to Getting a Tattoo. Penguin 2008, ISBN   1-440-63626-5, p. 70.
  7. C. R. Jordan: Basic Fundamentals of Modern Tattoo: Tattoo Apprentice Basics. Tattoo Books Online LLC 2009, ISBN   0-615-28147-8.
  8. Margo DeMello: Inked: Tattoos and Body Art around the World. ABC-CLIO 2014, ISBN   1-610-69076-1, p. 370.