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Chinese calligraphy tattoos are tattoos of Chinese characters in a calligraphic style. Today, Chinese calligraphy tattoos can be found worldwide.
Chinese calligraphy is the stylized, artistic writing of Chinese characters; the written form of Chinese that unites the languages spoken in China. Calligraphy is considered supreme among the visual arts in China and sets the standard for which Chinese painting is judged. Chinese calligraphy and painting are closely related. [1] [ needs context ]
In pre-modern China, textual tattoos were used as a punishment for criminals. Criminals would get textual tattoos on their cheeks and foreheads of the crime that they committed and would therefore have their crime on display for the rest of their lives. [2]
Tattoos of Chinese characters and Japanese kanji are common in the modern Western world; often the characters used are ungrammatical, meaningless or incorrectly drawn, as neither the tattooist nor the recipient understand the languages in question and merely choose the characters based on their aesthetic appearance. [3] [4] [5] [6] [7]
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Chinese characters are logograms used to write the Chinese languages, as well as several other languages historically influenced by Chinese culture. Evolving in usage and style over the course of millennia, Chinese characters are the oldest continuously used writing system in the world.
Chinese culture is one of the world's oldest cultures, originating thousands of years ago. The culture prevails across a large geographical region in East Asia with Sinosphere in whole and is extremely diverse, with customs and traditions varying greatly between counties, provinces, cities, towns. The terms 'China' and the geographical landmass of 'China' have shifted across the centuries, before the name 'China' became commonplace in modernity.
The culture of Japan has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world.
Robert Hans van Gulik was a Dutch orientalist, diplomat, musician, and writer, best known for the Judge Dee historical mysteries, the protagonist of which he borrowed from the 18th-century Chinese detective novel Dee Goong An.
Traditional Chinese characters are a standard set of characters used to write Chinese languages. In Taiwan, the set of traditional characters is regulated by Taiwan's Ministry of Education, standardized in the Standard Form of National Characters. These forms were predominant in written Chinese until the middle of the 20th century, when various countries that use Chinese characters began standardizing simplified sets of characters, often with characters that existed before as well-known variants of the predominant forms.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including seal carving, ornate paperweights, and inkstones.
The Arzhang, also known as the Book of Pictures, was one of the holy books of Manichaeism. It was written and illustrated by its prophet, Mani, in Syriac, with later reproductions written in Sogdian. It was unique as a sacred text in that it contained numerous pictures designed to portray Manichaean cosmogony, which were regarded as integral to the text.
Semi-cursive script, also known as running hand script, is a style of calligraphy which emerged in China during the Han dynasty. The style is used to write Chinese characters and is abbreviated slightly where a character’s strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. This makes the style easily readable by readers who can read regular script and quickly writable by calligraphers who require ideas to be written down quickly. In order to produce legible work using the semi-cursive style, a series of writing conventions is followed, including the linking of the strokes, simplification and merging strokes, adjustments to stroke order and the distribution of text of the work.
Chirography is the study of penmanship and handwriting in all of its aspects.
Many East Asian scripts can be written horizontally or vertically. Chinese, Vietnamese Hán Nôm, Korean, and Japanese scripts can be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from right-to-left, vertically from top-to-bottom, and even vertically from bottom-to-top.
The Sinosphere, also known as the East Asian cultural sphere, or the Sinic world, encompasses multiple countries in East Asia and Southeast Asia that historically were heavily influenced by Chinese culture, norms and traditions. According to academic consensus, the Sinosphere comprises four entities: Greater China, Japan, Korea, and Vietnam. Other definitions may include Mongolia and Singapore, largely due to limited historical Chinese influences or increasing modern-day Chinese diaspora. The Sinosphere is not to be confused with Sinophone, which indicates countries where a Chinese-speaking population is dominant.
Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
Siddhaṃ, also known in its later evolved form as Siddhamātṛkā, is a medieval Brahmic abugida, derived from the Gupta script and ancestral to the Nāgarī, Eastern Nagari, Tirhuta, Odia and Nepalese scripts.
In Chinese calligraphy, Chinese characters can be written according to five major styles. These styles are intrinsically linked to the history of Chinese script.
The Hakuhō period was an unofficial Japanese era name of Emperor Tenmu after Hakuchi and before Suchō. The duration of this discrete non-nengō timespan lasted from 673 through 686.
Mohammed Khadda was an Algerian painter, sculptor, and writer. Khadda has been considered to be among the founders of contemporary Algerian painting and one of the many representatives of the "sign painters." He debuted in 1960. His influences included Cubism and Arabic calligraphy. He tended toward the non-figurative or abstract. He represented a generation of Algerian artists who combined the ideas of calligraphic heritage and formal language of Western formal writing through Western abstraction through the 1950s.
Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures.
