 | This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic.(November 2014) |
Chinese calligraphy tattoos are tattoos of Chinese characters in a calligraphic style. Today, Chinese calligraphy tattoos can be found worldwide.
Chinese calligraphy is the stylized, artistic writing of Chinese characters; the written form of Chinese that unites the languages spoken in China. Calligraphy is considered supreme among the visual arts in China and sets the standard for which Chinese painting is judged. Chinese calligraphy and painting are closely related. [1] [ needs context ]
In pre-modern China, textual tattoos were used as a punishment for criminals. Criminals would get textual tattoos on their cheeks and foreheads of the crime that they committed and would therefore have their crime on display for the rest of their lives. [2]
Tattoos of Chinese characters and Japanese kanji are common in the modern Western world; often the characters used are ungrammatical, meaningless or incorrectly drawn, as neither the tattooist nor the recipient understand the languages in question and they merely choose the characters based on their aesthetic appearance. [3] [4] [5] [6] [7]
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Chinese characters are logographs used to write the Chinese languages and others from regions historically influenced by Chinese culture. Of the four independently invented writing systems accepted by scholars, they represent the only one that has remained in continuous use. Over a documented history spanning more than three millennia, the function, style, and means of writing characters have changed greatly. Unlike letters in alphabets that reflect the sounds of speech, Chinese characters generally represent morphemes, the units of meaning in a language. Writing all of the frequently used vocabulary in a language requires roughly 2000–3000 characters; as of 2024, nearly 100000 have been identified and included in The Unicode Standard. Characters are created according to several principles, where aspects of shape and pronunciation may be used to indicate the character's meaning.
Classical Chinese is the language in which the classics of Chinese literature were written, from c. the 5th century BCE. For millennia thereafter, the written Chinese used in these works was imitated and iterated upon by scholars in a form now called Literary Chinese, which was used for almost all formal writing in China until the early 20th century. Each written character corresponds to a single spoken syllable, and almost always to a single independent word. As a result, the characteristic style of the language is comparatively terse.
Japanese names in modern times consist of a family name (surname) followed by a given name. Japanese names are usually written in kanji, where the pronunciation follows a special set of rules. Because parents when naming children, and foreigners when adopting a Japanese name, are able to choose which pronunciations they want for certain kanji, the same written form of a name may have multiple readings. In exceptional cases, this makes it impossible to determine the intended pronunciation of a name with certainty. Even so, most pronunciations chosen for names are common, making them easier to read. While any jōyō kanji and jinmeiyō kanji may be used as part of a name, names may be rejected if they are believed to fall outside what would be considered an acceptable name by measures of common sense.
The culture of Japan has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world.
Robert Hans van Gulik was a Dutch orientalist, diplomat, musician, and writer, best known for the Judge Dee historical mysteries, the protagonist of which he borrowed from the 18th-century Chinese detective novel Dee Goong An.
Simplified Chinese characters are one of two standardized character sets widely used to write the Chinese language, with the other being traditional characters. Their mass standardization during the 20th century was part of an initiative by the People's Republic of China (PRC) to promote literacy, and their use in ordinary circumstances on the mainland has been encouraged by the Chinese government since the 1950s. They are the official forms used in mainland China and Singapore, while traditional characters are officially used in Hong Kong, Macau, and Taiwan.
Traditional Chinese characters are a standard set of Chinese character forms used to write Chinese languages. In Taiwan, the set of traditional characters is regulated by the Ministry of Education and standardized in the Standard Form of National Characters. These forms were predominant in written Chinese until the middle of the 20th century, when various countries that use Chinese characters began standardizing simplified sets of characters, often with characters that existed before as well-known variants of the predominant forms.
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including seal carving, ornate paperweights, and inkstones.
Japanese calligraphy, also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Semi-cursive script, also known as running script, is a style of Chinese calligraphy that emerged during the Han dynasty. The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. This makes the style easily readable by readers who can read regular script and quickly writable by calligraphers who require ideas to be written down quickly. In order to produce legible work using the semi-cursive style, a series of writing conventions is followed, including the linking of the strokes, simplification and merging strokes, adjustments to stroke order and the distribution of text of the work.
Chirography is the study of penmanship and handwriting in all of its aspects.
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from right-to-left, vertically from top-to-bottom, and even vertically from bottom-to-top.
The Sinosphere, also known as the Chinese cultural sphere, East Asian cultural sphere, or the Sinic world, encompasses multiple countries in East Asia and Southeast Asia that were historically heavily influenced by Chinese culture. The Sinosphere comprises Greater China, Japan, Korea, and Vietnam. Other definitions may include the regions of modern-day Mongolia and Singapore, due either to historical Chinese influence or a contemporary overseas Chinese population. The Sinosphere is different from the Sinophone world, which indicates regions where the Chinese language is spoken.
Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
Siddhaṃ, also known in its later evolved form as Siddhamātṛkā, is a medieval Brahmic abugida, derived from the Gupta script and ancestral to the Nāgarī, Eastern Nagari, Tirhuta, Odia and Nepalese scripts.
Chinese characters may be written using several major historical styles, which developed organically over the history of Chinese script. There are also various major regional styles associated with various modern and historical polities.
The Hakuhō period was an unofficial Japanese era name of Emperor Tenmu after Hakuchi and before Suchō. The duration of this discrete non-nengō timespan lasted from 673 through 686.
Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures.