H S Shivaprakash | |
---|---|
Born | Hulkuntemath Shivamurthy Sastri Shivaprakash 1954 (age 68–69) |
Occupation | Writer, editor, translator, professor, former Director-Tagore Centre, Berlin |
Nationality | Indian |
Genre | Poetry, play, criticism |
Subject | Indian theatre, Kannada literature, Vachanas, Oral traditions, Mythology |
Literary movement | Navya and Bandaya movement |
Hulkuntemath Shivamurthy Sastri Shivaprakash (born 1954) is a leading poet and playwright writing in Kannada. He is professor at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. He heads the Cultural Centre at Berlin, known as the Tagore Centre, as Director run by Indian Council for Cultural Relations (ICCR). He has seven anthologies of poems, twelve plays, and several other books to his credit. His works have been widely translated into English, French, Italian, Spanish, German, Polish, Hindi, Malayalam, Marathi, Tamil and Telugu. His plays have been performed in Kannada, Hindi, Meitei, Rabha, Assamese, Bodo, Tamil and Malayalam. Shivaprakash is also a well-known authority on vachana literature, Bhakti movements of India, and Sufi and other mystic traditions. [1]
Shivaprakash was born in Bangalore in June 1954. His father Shivamurthy Shastri was an eminent Veerashaiva scholar and served under the erstwhile Maharaja of Mysore. After obtaining his MA in English literature from Bangalore University, Shivaprakash joined the Karnataka government service as an English lecturer and taught for over two decades at various colleges in Bangalore and Tumkur. In 1996, he was appointed the editor of Indian Literature , the bimonthly journal of Sahitya Akademi in New Delhi. Shivaprakash joined the School of Arts and Aesthetics in Jawaharlal Nehru University as associate professor in 2001, where he is professor of Aesthetics and Performance studies. In 2000, he was selected for the International Writing Program of the School of Letters, University of Iowa, and is honorary fellow of the school. Professor H. S. Shiva Prakash served as Director of Tagore Centre in Berlin (2011-2014). He retired from JNU in 2019 and has been living in Bangalore since 2021.
Shivaprakash published his first anthology of poems Milarepa in 1977, when he was still 23. It was immediately recognized as a fresh voice in Kannada poetry. [2] But Shivaprakash gained popularity and acclaim only with his second anthology, Malebidda Neladalli in 1983. The poem "Samagara Bhimavva" became an instant hit, which brought him to the centre-stage of post-Bandaya Kannada poetry. [3] Since then Shivaprakash has published four collections of poetry, Anukshana Charite, Suryajala, Maleye Mantapa and Matte Matte and two anthologies of poems in translation, Maruroopagalu and Nanna Mainagara, and edited the translation of contemporary Gujarati poetry, Samakaleena Gujarati Kavitegalu and Malayalam poetry Manasantara. Shivaprakash's poems make use of mystic symbolism, dream-images, archetypes and motifs from everyday life to portray the nature of power and the contradictions of modern life.
Shivaprakash published his first play Mahachaitra in 1986. The stage-adaptation of the play by C.G.Krishnaswamy for the troop Samudaya became a major hit. The play was based on the life and times of the 12th century Veerashaiva saint Basavanna and narrated the struggles of the artisan saints of the city of Kalyana (now Basavakalyan) through a Marxist analytic. The play received rave reviews and was acknowledged as a landmark in Kannada literature. [4] Mahachaitra is recognized as one among the three greatest plays out of the 25-odd plays on Basavanna written in Kannada, the other two being P. Lankesh's Sankranti and Girish Karnad's Taledanda .
Shivaprakash won the Karnataka Sahitya Akademi award for this play. His other plays include Sultan Tipu, Shakespeare Swapnanauke, Manteswamy Kathaprasanga, Madari Madayya, Madurekanda, Madhavi, Matrika, Makarachandra, Sati, Cassandra and Maduvehennu. He has also translated Shakespeare's King Lear and adapted Federico García Lorca's The Shoemaker's Prodigious Wife into Kannada under the title Mallammana Mane Hotlu and Shakespeare's Macbeth under the name Maranayakana Drishtanta. Manteswamy Kathaprasanga, a play about a 16th-century Dalit saint was made into a successful stage adaptation by director Suresh Anagalli and produced over 300 shows. It kindled interest in this obscure saint and the life of Manteswamy has since been a major area of research in Kannada academia. Most of Shivaprakash's plays are inspired by Marxism and Shaiva mysticism, particularly Veerashaivism and Kashmir Shavism. The plays also employ motifs from Sufism and other forms of mysticism like Mahayana and Zen Buddhism. Structurally, the plays are inspired by Japanese Noh theatre and Brecht's epic theatre.
Mahachaitra was prescribed as a textbook for undergraduate courses in three universities of Karnataka. In 1995, nearly a decade after its publication, when it was prescribed as a textbook in Gulbarga University, it caused a heated controversy. A section of Lingayats under the leadership of the nun Shri Shri Jagadguru Mate Mahadevi accused the work of portraying Basavanna in poor light and urged the Government of Karnataka to ban the play. It led to a legal battle and the play was eventually withdrawn from the university syllabus. [5] The Mahachaitra controversy seems to have inspired Githa Hariharan's English novel In Times of Siege (2003), which narrates the story of a professor in an open university in Delhi, who finds himself in the midst of a controversy over a chapter on Basavanna which he wrote for an undergraduate textbook.
In English:
K. Satchidanandan is an Indian poet and critic, writing in Malayalam and English. A pioneer of modern poetry in Malayalam, a bilingual literary critic, playwright, editor, columnist and translator, he is the former editor of Indian Literature journal and the former secretary of Sahitya Akademi. He is also social advocate for secular anti-caste views, supporting causes like environment, human rights and free software and is a well known speaker on issues concerning contemporary Indian literature. He is the festival director of Kerala Literature Festival.
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Urdu, and Hindi. Poetry in foreign languages such as English also has a strong influence on Indian poetry. The poetry reflects diverse spiritual traditions within India. In particular, many Indian poets have been inspired by mystical experiences. Poetry is the oldest form of literature and has a rich written and oral tradition.
Basava (1131–1196), also called Basaveshwara and Basavanna, was an Indian philosopher, poet, Lingayat social reformer in the Shiva-focused bhakti movement, and a Hindu Shaivite social reformer during the reign of the Kalyani Chalukya/Kalachuri dynasty. Basava was active during the rule of both dynasties but reached the peak of his influence during the rule of King Bijjala II in Karnataka, India.
Kannada literature is the corpus of written forms of the Kannada language, a member of the Dravidian family spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Allamaprabhu was a 12th-century mystic-saint and Vachana poet of the Kannada language, propagating the unitary consciousness of Self and Shiva. Allamaprabhu is one of the celebrated poets and the patron saint of the Lingayata movement that reshaped medieval Karnataka society and popular Kannada literature. He is included among the "Trinity of Lingayathism", along with Basavanna, the founder of the movement, and Akka Mahadevi, the most prominent woman poet.
Anubhava Mantapa, established by Basavanna in the 12th century C.E. is a religious complex located in Tipranth area, Basavakalyan in Bidar district of Karnataka. It is the first religious parliament in the world, whose literal meaning is "experience pavilion", and was an academy of mystics, saints and philosophers of the lingayat faith in the 12th century. It was the fountainhead of all religious and philosophical thought pertaining to the lingayat. It was presided over by the mystic Allama Prabhu and numerous Sharanas from all over Karnataka and other parts of India were participants. This institution was also the fountainhead of the Vachana literature which was used as the vector to propagate Veerashaiva religious and philosophical thought. Other giants of veerashaiva theosophy like Akka Mahadevi, Channabasavanna and Basavanna himself were participants in the Anubhava Mantapa. The Anubhava Mantapa is also called the Mahaamane. PM Narendra Modi have made a reference of Anubhava Mantapa in his speech during the inauguration of new parliamentary building, he also mentioned that the Anubhava Mantapa established by Basavanna in the 12th century is the foundation for parliamentary democracy.
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani, and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.
Vachana sahitya is a form of rhythmic writing in Kannada that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. These writings are notable for their simplicity and directness, often addressing social issues and personal devotion. They were composed in Kannada by saints of the Lingayat faith, most notably Basavanna, Akka Mahadevi, and Allama Prabhu. Vachanas critique rituals and caste discrimination, advocating a form of worship centered on Shiva, envisioned as a universal god.
Chandrashekhara Basavanneppa Kambara is a prominent Indian poet, playwright, folklorist, film director in Kannada language and the founder-vice-chancellor of Kannada University in Hampi also president of the Sahitya Akademi, country's premier literary institution, after Vinayak Krishna Gokak (1983) and U.R. Ananthamurthy (1993). He is known for effective adaptation of the North Karnataka dialect of the Kannada language in his plays, and poems, in a similar style as in the works of D.R. Bendre.
Mysore literature in Kannada is a body of literature composed in the Kannada language in the historical Kingdom of Mysore in Southern India and written in the Kannada script. The writings date from the Kingdom of Mysore, which existed from around 1600 CE until the establishment of modern India in 1947. Many of the works of this literature written on religious themes are labeled Veerashaiva or Vaishnava in acknowledgment of the two faiths that gave form to the literature and fostered it until the advent of the modern era. Despite a gradual decline in the popularity of Jainism, authors devoted to the faith produced some works of merit. Secular themes dealing with a wide range of subjects were also written on. Kannada literature flourished for a short while in the court of the neighbouring kingdom of the Nayakas of Keladi whose territory was annexed by Mysore in 1763.
Modern Kannada literature refers to the body of literature written in the Kannada language, a language spoken mainly in the Indian state of Karnataka. The Kannada script is the writing system used in Kannada literature. In the last forty years, eight modern Kannada authors have been awarded the Jnanpith award, a prestigious private literary award in India. In addition, the Sahitya Akademi Award, the second-highest award for literature granted by the Government of India, has been conferred upon Kannada writers fifty times.
Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.
Harihara was a noted Kannada poet and writer in the 12th century. A native of Halebidu in modern Hassan district, he came from a family of accountants (Karnikas) and initially served in that capacity in the court of Hoysala King Narasimha I. Later, he moved to Hampi and authored many landmark classics. Among his important writings, the Girijakalyana written in champu metre is considered one of the enduring classics of Kannada language.
Dr. D. R. Nagaraj was an Indian cultural critic, political commentator and an expert on medieval and modern Kannada poetry and Dalit movement who wrote in Kannada and English languages. He won Sahitya Akademi Award for his work Sahitya Kathana. He started out as a Marxist critic but renounced the Marxist framework that he had used in the book Amruta mattu Garuda as too reductionist and became a much more eclectic and complex thinker. He is among the few Indian thinkers to shed new light on Dalit and Bahujan politics. He regarded the Gandhi-Ambedkar debate on the issue of caste system and untouchability as the most important contemporary debate whose outcome would determine the fate of India in the 21st century.
Togere Venkatasubbasastry Venkatachala Sastry, commonly known as T. V. Venkatachala Shastry, is a Kannada-language writer, grammarian, critic, editor and lexicographer. He has authored in excess of 100 books, translations and has edited collections of essays, biographical sketches and felicitation volumes. Recipient of the Kannada Sahitya Akademi Award (honorary), Sastry is an authority on Kannada language grammar and its various facets ranging from the metre scale on which he has written extensively to the history of Kannada literature spanning two millennia.
Chandrashekar Patil, popularly known as Champa, was an Indian poet, playwright and public intellectual writing in Kannada. Patil was a recipient of the Karnataka Sahitya Akademi Award for Poetry in 1989 and the Karnataka state government's Pampa Award in 2009. Patil had served as the president of the Kannada Sahitya Parishat, a Kannada language literary organization.
D. I. Hans is a Religions Scholar who researched on Vijayanagara literature in Kannada, especially the Veerashaiva writings with special reference to Basavanna. Hans used Historical criticism to study Basavanna's ethical teachings. As a Veerashaiva Scholar, Hans also prepared a bibliography on the existing Veerashaiva literature available in some of the Languages of India, namely, Sanskrit, Hindi, Marathi, Urdu, Telugu and Tamil.
Dr Lankappa Hanumanthaiah is an Indian Dalit poet, Indian politician, of Indian National Congress and a Member of the upper house of the Indian Parliament, the Rajya Sabha, from the state of Karnataka.
Abdul Rasheed is an Indian writer, poet, editor and translator from Karnataka. In 2004 he won Sahitya Akademi Golden Jubilee Award for lifetime achievement. He also a translator, blogger, columnist and radio personality.
A research paper on Shivaprakash's plays