H S Shivaprakash | |
---|---|
Born | Hulkuntemath Shivamurthy Sastri Shivaprakash 1954 (age 69–70) |
Occupation | Writer, editor, translator, professor, former Director-Tagore Centre, Berlin |
Nationality | Indian |
Genre | Poetry, play, criticism |
Subject | Indian theatre, Kannada literature, Vachanas, Oral traditions, Mythology |
Literary movement | Navya and Bandaya movement |
Hulkuntemath Shivamurthy Sastri Shivaprakash (born 1954) is a leading poet and playwright writing in Kannada. He is professor at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. He heads the Cultural Centre at Berlin, known as the Tagore Centre, as Director run by Indian Council for Cultural Relations (ICCR). He has seven anthologies of poems, twelve plays, and several other books to his credit. His works have been widely translated into English, French, Italian, Spanish, German, Polish, Hindi, Malayalam, Marathi, Tamil and Telugu. His plays have been performed in Kannada, Hindi, Meitei, Rabha, Assamese, Bodo, Tamil and Malayalam. Shivaprakash is also a well-known authority on vachana literature, Bhakti movements of India, and Sufi and other mystic traditions. [1]
Shivaprakash was born in Bangalore in June 1954. His father Shivamurthy Shastri was an eminent Veerashaiva scholar and served under the erstwhile Maharaja of Mysore. After obtaining his MA in English literature from Bangalore University, Shivaprakash joined the Karnataka government service as an English lecturer and taught for over two decades at various colleges in Bangalore and Tumkur. In 1996, he was appointed the editor of Indian Literature , the bimonthly journal of Sahitya Akademi in New Delhi. Shivaprakash joined the School of Arts and Aesthetics in Jawaharlal Nehru University as associate professor in 2001, where he is professor of Aesthetics and Performance studies. In 2000, he was selected for the International Writing Program of the School of Letters, University of Iowa, and is honorary fellow of the school. Professor H. S. Shiva Prakash served as Director of Tagore Centre in Berlin (2011-2014). He retired from JNU in 2019 and has been living in Bangalore since 2021.
Shivaprakash published his first anthology of poems Milarepa in 1977, when he was still 23. It was immediately recognized as a fresh voice in Kannada poetry. [2] But Shivaprakash gained popularity and acclaim only with his second anthology, Malebidda Neladalli in 1983. The poem "Samagara Bhimavva" became an instant hit, which brought him to the centre-stage of post-Bandaya Kannada poetry. [3] Since then Shivaprakash has published four collections of poetry, Anukshana Charite, Suryajala, Maleye Mantapa and Matte Matte and two anthologies of poems in translation, Maruroopagalu and Nanna Mainagara, and edited the translation of contemporary Gujarati poetry, Samakaleena Gujarati Kavitegalu and Malayalam poetry Manasantara. Shivaprakash's poems make use of mystic symbolism, dream-images, archetypes and motifs from everyday life to portray the nature of power and the contradictions of modern life.
Shivaprakash published his first play Mahachaitra in 1986. The stage-adaptation of the play by C.G.Krishnaswamy for the troop Samudaya became a major hit. The play was based on the life and times of the 12th century Veerashaiva saint Basavanna and narrated the struggles of the artisan saints of the city of Kalyana (now Basavakalyan) through a Marxist analytic. The play received rave reviews and was acknowledged as a landmark in Kannada literature. [4] Mahachaitra is recognized as one among the three greatest plays out of the 25-odd plays on Basavanna written in Kannada, the other two being P. Lankesh's Sankranti and Girish Karnad's Taledanda .
Shivaprakash won the Karnataka Sahitya Akademi award for this play. His other plays include Sultan Tipu, Shakespeare Swapnanauke, Manteswamy Kathaprasanga, Madari Madayya, Madurekanda, Madhavi, Matrika, Makarachandra, Sati, Cassandra and Maduvehennu. He has also translated Shakespeare's King Lear and adapted Federico García Lorca's The Shoemaker's Prodigious Wife into Kannada under the title Mallammana Mane Hotlu and Shakespeare's Macbeth under the name Maranayakana Drishtanta. Manteswamy Kathaprasanga, a play about a 16th-century Dalit saint was made into a successful stage adaptation by director Suresh Anagalli and produced over 300 shows. It kindled interest in this obscure saint and the life of Manteswamy has since been a major area of research in Kannada academia. Most of Shivaprakash's plays are inspired by Marxism and Shaiva mysticism, particularly Veerashaivism and Kashmir Shavism. The plays also employ motifs from Sufism and other forms of mysticism like Mahayana and Zen Buddhism. Structurally, the plays are inspired by Japanese Noh theatre and Brecht's epic theatre.
Mahachaitra was prescribed as a textbook for undergraduate courses in three universities of Karnataka. In 1995, nearly a decade after its publication, when it was prescribed as a textbook in Gulbarga University, it caused a heated controversy. A section of Lingayats under the leadership of the nun Shri Shri Jagadguru Mate Mahadevi accused the work of portraying Basavanna in poor light and urged the Government of Karnataka to ban the play. It led to a legal battle and the play was eventually withdrawn from the university syllabus. [5] The Mahachaitra controversy seems to have inspired Githa Hariharan's English novel In Times of Siege (2003), which narrates the story of a professor in an open university in Delhi, who finds himself in the midst of a controversy over a chapter on Basavanna which he wrote for an undergraduate textbook.
In English:
K. Satchidanandan is an Indian poet and critic, writing in Malayalam and English. A pioneer of modern poetry in Malayalam, a bilingual literary critic, playwright, editor, columnist and translator, he is the former editor of Indian Literature journal and the former secretary of Sahitya Akademi. He is also social advocate for secular anti-caste views, supporting causes like environment, human rights and free software and is a well known speaker on issues concerning contemporary Indian literature. He is the festival director of Kerala Literature Festival.
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages. Poetry in foreign languages such as English also has a strong influence on Indian poetry. The poetry reflects diverse spiritual traditions within India. In particular, many Indian poets have been inspired by mystical experiences. Poetry is the oldest form of literature and has a rich written and oral tradition.
Basava (1131–1167), also called Basavēśvara and Basavaṇṇa, was an Indian philosopher, poet, Lingayat social reformer in the Shiva-focused bhakti movement, and a Hindu Shaivite social reformer during the reign of the Kalyani Chalukya/Kalachuri dynasty. Basava was active during the rule of both dynasties but reached the peak of his influence during the rule of King Bijjala II in Karnataka, India.
Kannada literature is the corpus of written forms of the Kannada language, spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Allamaprabhu was a 12th-century mystic-saint and Vachana poet of the Kannada language, propagating the unitary consciousness of Self and Shiva. Allamaprabhu is one of the celebrated poets and the patron saint of the Lingayata movement that reshaped medieval Karnataka society and popular Kannada literature. He is included among the "Trinity of Lingayathism", along with Basavanna, the founder of the movement, and Akka Mahadevi, the most prominent woman poet.
Anubhava Mantapa, established by Basavanna in the 12th century C.E., is a religious complex located in Tipranth, Basavakalyan, in the Bidar district of Karnataka. It is the first religious parliament in the world, whose name is literally translated as "experience pavilion", and was an academy of mystics, saints and philosophers of the lingayat faith in the 12th century. It was the source of essentially all religious and philosophical thought pertaining to the lingayat, and was presided over by the mystic Allama Prabhu, with numerous Sharanas from all over Karnataka and other parts of India participating.
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.
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Chandrashekhara Basavanneppa Kambara is a prominent Indian poet, playwright, folklorist, film director in Kannada language and the founder-vice-chancellor of Kannada University in Hampi also president of the Sahitya Akademi, country's premier literary institution, after Vinayak Krishna Gokak (1983) and U.R. Ananthamurthy (1993). He is known for effective adaptation of the North Karnataka dialect of the Kannada language in his plays, and poems, in a similar style as in the works of D.R. Bendre.
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A research paper on Shivaprakash's plays