Cradled in the folds of the Himalayas, Bhutan has relied on its geographical isolation to protect itself from outside cultural influences. A sparsely populated country bordered by India to the south, and China to the north, Bhutan has long maintained a policy of strict isolationism, both culturally and economically, with the goal of preserving its cultural heritage and independence. Only in the last decades of the 20th century were foreigners allowed to visit the country, and only then in limited numbers. In this way, Bhutan has successfully preserved many aspects of its culture, which dates directly back to the mid-17th century.
Modern Bhutanese culture derives from ancient culture. This culture affected the early growth of this country. Dzongkha and Sharchop, the principal Bhutanese languages, are closely related to Tibetan, and Bhutanese monks read and write the ancient variant of the Tibetan language, known as chhokey. The Bhutanese are physically similar to the Tibetans, but history does not record when they crossed over the Himalayas and settled in the south-draining valleys of Bhutan. Both Tibetans and Bhutanese revere the tantric guru, Padmasambhava, the founder of Himalayan Buddhism in the 8th century.
Religion
Bhutanese Buddhist monk looking out the window of a monastery.
Bhutanese society is centered around the practice of Buddhism, which is the main religion. Religious beliefs are evidenced in all aspects of life. Prayer flags flutter on hillsides, offering up prayers to benefit all nearby sentient beings. Houses each fly a small white flag on the roof indicating the owner has made his offering payments to appease the local god. Each valley or district is dominated by a huge dzong, or high-walled fortress which serves the religious and administrative center of the district.
Approximately 23% of the population is Hindu. There is a small Muslim population in Bhutan, covering 0.2% of the whole country's population. Overall, 75% of the population is Buddhist, and 0.4% other religions.
Religious festivals
Once every year, a dzong or most important village may hold a religious festival, or Tsechu. Villagers from the surrounding district come for several days of religious observances and socializing while contributing auspicious offerings to the lama or monastery of the festival. The central activity is a fixed set of religious mask dances, or cham, held in a large courtyard.
Each individual dance takes up to several hours to complete and the entire set may last two to four days. Observation of the dances directly blesses the audience and also serves to transmit principles of Tantric Buddhism to the villagers. A number of the dances can be traced directly back to Shabdrung Ngawang Namgyal himself, the founder of Bhutan, and have been passed down essentially unchanged since the mid-17th century.
Prior to dawn on the final day of the tsechu a huge tapestry, or thongdrel, is unfurled in the courtyard of the dzong for several hours. The mere sight of it is believed to bring spiritual liberation. The thongdrel is rolled up before the rays of the morning sun can strike it.
Monks join the monastery at six to nine years of age and are immediately placed under the discipleship of a headmaster. They learn to read chhokey, the language of the ancient sacred texts, as well as Dzongkha and English. Eventually they will choose between two possible paths: to study theology and Buddhist theory, or take the more common path of becoming proficient in the rituals and personal practices of the faith.
The daily life of the monk is austere, particularly if they are stationed at one of the monasteries located high in the mountains. At these monasteries food is often scarce and must be carried up by the monks or their visitors. The monks are poorly clothed for winter conditions and the monasteries are unheated. The hardship of such a posting is well-recognized; to have a son or brother serving in such a monastery is recognized as very good karma for the family.
A monk's spiritual training continues throughout his life. In addition to serving the community in sacramental roles, he may undertake several extended silent retreats. A common length for such a retreat is three years, three months, three weeks and three days. During the retreat time he will periodically meet with his spiritual master who will test him on his development to ensure that the retreat time is not being wasted.
Each monastery is headed by an abbot who is typically a Lama, although the titles are distinct. The highest monk in the land is the chief abbot of Bhutan, whose title is Je Khenpo. He is theoretically equivalent in stature to the king.
The Central Monk Body is an assembly of 600 or so monks who attend to the most critical religious duties of the country. In the summer they are housed in Thimphu, the nation's capital, and in the winter they descend to Punakha dzong, the most sacred dzong in Bhutan, where Shabdrung Ngawang Namgyal's mortal body has been kept under vigil since the late 17th century.
Bhutanese music has traditional genres such as Zhungdra, Boedra, and a modern genre called Rigsar. Bhutanese musicians include: Jigme Drukpa, who is also a leading Bhutanese musicologist.
The Driglam Namzha is the official behaviour and dress code of Bhutan. It governs how citizens should dress in public and how they should behave in formal settings. It also regulates a number of cultural assets such as art and Bhutanese architecture. In English, driglam means "order, discipline, custom, rules, regimen"[1] and namzha means "system,"[1] though the term may be styled "The Rules for Disciplined Behaviour."
It is a manner and etiquette as what to wear, how to eat, talk and bow down before the government officials and the clergy. The Driglam Namzha was imposed on all citizens from 1990. The people of different ethnic heritage for example the Lhotsampas (Bhutanese citizens of ethnic Nepali origin – they were not Bhutanese citizens and they were not Lhotsampas) resented this and revolted against this imposition, thereby getting kicked out of Bhutan to the refugee camps. About 20% of Bhutan's population currently live in exile because of this Bhutanization policies of the Royal Government followed by land expropriation and persecution.
To preserve the indigenous Buddha's Teachings as their long-guarded culture and tradition, Menjong Chöthün Tshogpa, a charitable organization was established in 2002 by The Supreme Dharma King or Trulku Jigme Chöda Rinpoche 70th Je Khenpo of Bhutan.[2] The chairman at present is Trizin Tsering Rimpoche who also happens to be the founder of Buddha Dordenma Image Foundation, another charitable organization in Bhutan.[3]
National dress code
Previously all Bhutanese citizens were required to observe the national dress code, known as Driglam Namzha, while in public during daylight hours. The rule was enforced more rigorously in some districts (dzongkhag) than others. Men wear a heavy knee-length robe tied with a belt, called a gho, folded in such a way to form a pocket in front of the stomach.
Women wear colourful blouses over which they fold and clasp a large rectangular cloth called a kira, thereby creating an ankle-length dress. A short silk jacket, or toego may be worn over the kira. Everyday gho and kira are cotton or wool, according to the season, patterned in simple checks and stripes in earth tones. For special occasions and festivals, colourfully patterned silk kira and, more rarely, gho may be worn.
Additional rules of protocol apply when visiting a dzong or a temple, or when appearing before a high-level official. Male commoners wear a white sash (kabney) from left shoulder to opposite hip. Local and regional elected officials, government ministers, cabinet members, and the King himself each wear their own colored kabney. Women wear a narrow embroidered cloth draped over the left shoulder, a rachu.
The dress code has met with some resistance from Lhotshampa, people of Nepali ancestry, living along the Indian border who resent having to wear a cultural dress which is not their own.
Bhutanization
Despite living in Bhutan for up to five generations, the Lhotsampas retained their highly distinctive Nepali language, culture, and religion. They participated in public life and politics, even attaining positions of significant leadership. The Lhotsampas coexisted peacefully with other ethnic groups in Bhutan until the mid 1980s, when Bhutan’s king and the ruling Druk majority became worried that the growing Lhotsampa population could threaten the majority position and the traditional Buddhist culture of the Druk Bhutanese.
The government therefore initiated a campaign, known as “One country, one people” or “Bhutanization,” to cement Bhutanese national identity. The policies imposed the Druk dress code, religious practices, and language use on all Bhutanese regardless of prior practices. These changes negatively impacted the Lhotsampa people, because they did not wear the same traditional dress, practice the same religion, or speak the same language as the northern Bhutanese. The use of the Nepali language was prohibited in schools, many Lhotsampa teachers were dismissed, and textbooks were burned.[4]
Men and women in society
Bhutanese women of Tibetan descent in traditional clothing.
Men and women work together in the fields, and both may own small shops or businesses. Men take a full part in household management, often cook, and are traditionally the makers and repairers of clothing (but do not weave the fabric). In the towns, a more "western" pattern of family structure is beginning to emerge, with the husband as breadwinner and the wife as home-maker. Both genders may be monks, although in practice the number of female monks is relatively small.
Marriages are at the will of either party and divorce is not uncommon. The marriage ceremony consists of an exchange of white scarves and the sharing of a cup. Marriages can be officially registered when the couple has lived together for more than six months. Traditionally the groom moves to the bride's family home (matrilocality), but newlyweds may decide to live with either family depending on which household is most in need of labour.
In Asia, Bhutan is an unusual exception to the dowry custom which does not exist; inheritance is matrilineal, and daughters do not take their father's name at birth, nor their husband's name upon marriage. Rural land may be registered in a woman's name. Women own businesses, and both polyandry and polygyny are socially accepted, with polygyny being more prevalent. Sometimes a prospective groom will work in the bride's family's household to earn the right to marry her.[5]
Except for royal lineages, Bhutanese names do not include a family name. Instead two traditional auspicious names are chosen at birth by the local lama or by the parents or grandparents of the child. First names generally give no indication if the person is male or female; in some cases the second name may be helpful in that regard.
As there is a limited constellation of acceptable names to choose from, inevitably many people share the same combination of first and second names. To resolve the ambiguity an informal nicknaming system comes into play which recognizes where a person is from. If a certain "Chong Kinley" is from Chozom village in the Paro valley, she is called "Paro Kinley" when she is travelling outside the valley. In Paro valley itself she is identified by the name of her village, thus "Chong Kinley Chozom". Surprisingly, multiple children in a small hamlet of a few houses may have exactly the same name, reflecting the inspiration of the local lama. In this case, she is identified by the name of the house she was born in, thus "Chemsarpo" Kinley.
In the early 1960s, the Third King of Bhutan began the gradual process of introducing modern technology to the medieval kingdom. The first radio service was broadcast for thirty minutes on Sundays (by what is now the Bhutan Broadcasting Service) beginning in 1973. The first television broadcasts were initiated in 1999, although a few wealthy families had bought satellite dish as earlier. Internet service was established in 2000.
In 2002, the first feature-length movie was shot in Bhutan, the acclaimed Travellers and Magicians written and directed by Khyentse Norbu, the esteemed lama and head of the non-sectarian Khyentse lineage. The movie examines the pull of modernity on village life in Bhutan as coloured by the Buddhist perspective of tanha, or desire.
The staple foods of Bhutan are red rice (like brown rice in texture, but with a nutty taste, the only variety of rice that grows in high altitudes), buckwheat, and increasingly maize. The diet in the hills also includes chicken, yak meat, dried beef, pork, pork fat, and lamb. Soups and stews of meat, rice, ferns, lentils, and dried vegetables, spiced with chili peppers and cheese, are a favourite meal during the cold seasons.
Zow shungo is a rice dish mixed with leftover vegetables. Other foods include: jasha maru (a chicken dish), phaksha paa, thukpa, bathup, and fried rice.
When offered food, one says meshu meshu, covering one's mouth with the hands in refusal according to Bhutanese manners, and then gives in on the second or third offer.
Archery is the national sport in Bhutan, and competitions are held regularly in most villages. It differs from Olympic standards in technical details, such as the placement of the targets and atmosphere. There are two targets placed over 100 m apart and teams shoot from one end of the field to the other. Each member of the team shoots two arrows per round.
Traditional Bhutanese Archery is a social event, and competitions are organized between villages, towns, and amateur teams. There is usually plenty of food and drink complete with singing and dancing. Attempts to distract an opponent include standing around the target and making fun of the shooter's ability. Darts (kuru) is an equally popular outdoor team sport, in which heavy wooden darts pointed with a 10cm nail are thrown at a paperback-sized target 10 to 20 m away.
Football is the most popular sport in Bhutan. In 2002, Bhutan's national football team played Montserrat in what was billed as The Other Final; the match took place on the same day Brazil played Germany in the World Cup Final, and at the time Bhutan and Montserrat were the world's two lowest ranked teams. It was held in Thimphu's Changlimithang Stadium, and Bhutan won 4–0. Cricket has also gained popularity in Bhutan, particularly since the introduction of television channels from India. The Bhutan national cricket team is one of the most successful affiliate nations in the region.
The Lhotshampa or Lhotsampa people are a heterogeneous Bhutanese people of Nepali descent. The Lhotshampa were estimated to comprise around 35% of the Bhutan's population by the U.S. Department of State as of 2008. The Lhotshampa are predominantly Hindu and Buddhist too, who speak the Nepali language.
Bhutan's early history is steeped in mythology and remains obscure. Some of the structures provide evidence that the region has been settled as early as 2000 BC. According to a legend it was ruled by a Cooch-Behar king, Sangaldip, around the 7th century BC, but not much is known prior to the introduction of Tibetan Buddhism in the 9th century, when turmoil in Tibet forced many monks to flee to Bhutan. In the 12th century, the Drukpa Kagyupa school was established and remains the dominant form of Buddhism in Bhutan today. The country's political history is intimately tied to its religious history and relations among the various monastic schools and monasteries.
Thimphu is the capital and largest city of Bhutan. It is situated in the western central part of Bhutan, and the surrounding valley is one of Bhutan's dzongkhags, the Thimphu District. The ancient capital city of Punakha was replaced by Thimphu as capital in 1955, and in 1961 Thimphu was declared as the capital of the Kingdom of Bhutan by the 3rd Druk Gyalpo Jigme Dorji Wangchuck.
Dzong architecture is used for dzongs, a distinctive type of fortified monastery architecture found mainly in Bhutan and Tibet. The architecture is massive in style with towering exterior walls surrounding a complex of courtyards, temples, administrative offices, and monks' accommodation.
The music of Bhutan is an integral part of its culture and plays a leading role in transmitting social values. Traditional Bhutanese music includes a spectrum of subgenres, ranging from folk to religious song and music. Some genres of traditional Bhutanese music intertwine vocals, instrumentation, and theatre and dance, while others are mainly vocal or instrumental. The much older traditional genres are distinguished from modern popular music such as rigsar.
The Ngalop are people of Tibetan origin who migrated to Bhutan as early as the ninth century. Orientalists adopted the term "Bhote" or Bhotiya, meaning "people of Bod (Tibet)", a term also applied to the Tibetan people, leading to confusion, and now is rarely used in reference to the Ngalop.
Articles related to Bhutan include:
The Driglam Namzha is the official code of etiquette and dress code of Bhutan. It governs how citizens should dress in public as well as how they should behave in formal settings. It also regulates a number of cultural assets such as art and architecture. In English, driglam means "order, discipline, custom, rules, regimen" and namzha means "system", though the term may be styled "The Rules for Disciplined Behavior".
Bhutan, officially the Kingdom of Bhutan, is a landlocked country in South Asia situated in the Eastern Himalayas between China in the north and India in the south. With a population of over 727,145 and a territory of 38,394 square kilometres (14,824 sq mi), Bhutan ranks 133rd in land area and 160th in population. Bhutan is a constitutional monarchy with a king as the head of state and a prime minister as the head of government. The Je Khenpo is the head of the state religion, Vajrayana Buddhism.
The gho or g'ô is the traditional and national dress for men in Bhutan. Introduced in the 17th century by Ngawang Namgyal, 1st Zhabdrung Rinpoche, to give the Ngalop people a more distinctive identity, it is a knee-length robe tied at the waist by a cloth belt known as the kera. On festive occasions, it is worn with a kabney.
A kabney is a silk scarf worn as a part of the gho, the traditional male attire in Bhutan. It is raw silk, normally 90 cm × 300 cm with fringes. Kabney is worn over the traditional coat gho; it runs from the left shoulder to the right hip, and is worn at special occasions or when visiting a dzong. Kabney is also referred as Bura, which means wild silk.
Buddhism is the state religion of Bhutan. According to a 2012 report by the Pew Research Center, 74.7% of the country's population practices Buddhism.
Punakha is the administrative centre of Punakha dzongkhag, one of the 20 districts of Bhutan. Punakha was the capital of Bhutan and the seat of government until 1955, when the capital was moved to Thimphu. It is about 72 km away from Thimphu, and it takes about 3 hours by car from the capital. Unlike Thimphu, it is quite warm in winter and hot in summer. It is located at an elevation of 1,200 metres above sea level, and rice is grown as the main crop along the river valleys of two main rivers of Bhutan, the Pho Chu and Mo Chu. Dzongkha is widely spoken in this district.
Immigration to Bhutan has an extensive history and has become one of the country's most contentious social, political, and legal issues. Since the twentieth century, Bhutanese immigration and citizenship laws have been promulgated as acts of the royal government, often by decree of the Druk Gyalpo on advice of the rest of government. Immigration policy and procedure are implemented by the Lhengye Zhungtshog Ministry of Home and Cultural Affairs, Department of Immigration. Bhutan's first modern laws regarding immigration and citizenship were the Bhutanese Citizenship Act 1958 and subsequent amendments in 1977. The 1958 Act was superseded by the Bhutanese Citizenship Act 1985, which was then supplemented by a further Immigration Act in 2007. The Constitution of 2008 included some changes in Bhutan's immigration laws, policy, and procedure, however prior law not inconsistent with the 2008 Constitution remained intact. Bhutan's modern citizenship laws and policies reinforce the institution of the Bhutanese monarchy, require familiarity and adherence to Ngalop social norms, and reflect the social impact of the most recent immigrant groups.
Bhutanese architecture consists of Dzong and everyday varieties. Dzongs in Bhutan were built as fortresses and have served as religious and administrative centers since the 17th century. Secular lordly houses emerged as a distinct style in the late 19th century, during a period of relative peace in Bhutan. Throughout its history, Bhutan has mainly followed the Buddhist architecture.
Bhutanese art is similar to Tibetan art. Both are based upon Vajrayana Buddhism and its pantheon of teachers and divine beings.
Paro Taktsang, is a sacred Vajrayana Himalayan Buddhist site located in the cliffside of the upper Paro valley in Bhutan. It is one of thirteen Tiger's Nest caves in historical Tibet in which Padmasambhava practiced and taught Vajrayana.
The national symbols of Bhutan include the national flag, national emblem, national anthem, and the mythical druk thunder featured in all three. Other distinctive symbols of Bhutan and its dominant Ngalop culture include Dzongkha, the national language; the Bhutanese monarchy; and the driglam namzha, a seventeenth-century code on dress, etiquette, and dzong architecture. Natural symbols of Bhutan are its national flower, the Himalayan blue poppy; its national tree, the Himalayan cypress; its national bird, the raven; and its national animal, the takin.
Dzongpen is a Dzongkha term roughly translated as governor or dzong lord. Bhutanese dzongpens, prior to unification, controlled certain areas of the country, but now hold no administrative office. Rather, dzongpens are now entirely subservient to the House of Wangchuck.
A toego or tego is a long-sleeved, short jacket-like garment worn over a kira by women in Bhutan. The toego is thus part of the national dress of Bhutan required by the driglam namzha along with the kira, the wonju and the rachu.
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