Travellers and Magicians | |
---|---|
Directed by | Khyentse Norbu |
Written by | Khyentse Norbu |
Produced by | Raymond Steiner Malcolm Watson |
Starring | Neten Chokling Tshewang Dendup Lhakpa Dorji Sonam Kinga Sonam Lhamo Deki Yangzom |
Cinematography | Alan Kozlowski |
Edited by | John Scott Lisa-Anne Morris |
Distributed by | Zeitgeist Films |
Release date |
|
Running time | 108 minutes |
Country | Bhutan |
Language | Dzongkha |
Budget | $1.8 million [1] |
Travellers and Magicians [lower-alpha 1] is a 2003 Bhutanese Dzongkha-language film written and directed by Khyentse Norbu, writer and director of the arthouse film The Cup. The movie is the first feature film shot entirely in the Kingdom of Bhutan. The majority of the cast are not professional actors; Tshewang Dendup, a well-known Bhutanese radio actor and producer, is the exception.
A young government official named Dondup (played by Tshewang Dendup) who is smitten with United States (he even has a denim gho) dreams of escaping there while stuck in a beautiful but isolated village. He hopes to connect in the U.S. embassy with a visa out of the country. He misses the one bus out of town to Thimphu, however, and is forced to hitchhike and walk along the Lateral Road to the west, accompanied by an apple seller, a Buddhist monk with his ornate, dragon-headed dramyin heading to Thimphu, a drunk, a widowed rice paper maker and his daughter Sonam (played by Sonam Lhamo).
To pass the time, the monk tells the tale of Tashi, a restless farmboy who, like Dondup, dreams of escaping village life. Tashi rides a horse that goes into a forest. He immediately becomes lost in remote mountains and finds his life entwined with that of an elderly hermit woodcutter and his beautiful young wife. Tashi's wish of escape granted, he finds himself caught in a web of lust and jealousy, enchanted by the beautiful and yielding wife, but fearing the woodsman and his axe. Tashi finally tries to murder the woodcutter, aided by his wife who is pregnant by Tashi. He runs away, however, while the old man is near death, burdened by his guilt. Deki, the woodcutter's wife calls and runs after him, but drowns in a mountain river while giving pursuit.
Tashi's adventures finally turn out to be hallucinations induced by chhaang, a home-brewed liquor. The monk's tale merely parallels Dondup's growing attraction to Sonam. During a dilemma similar to Tashi's, Dondup manages to hitch a ride to Thimphu. The film ends without showing the final outcome of Dondup's journey - his visa interview and his trip abroad. The audience is left to wonder whether the trip changed his attitude toward the village and Bhutan, and if he returned to the village.
According to the director, the story of Dendup was inspired by Izu No Odoriko (The Dancing Girl of Izu), a story by Yasunari Kawabata about a group of travellers and an infatuation between a dancing girl and a schoolboy. The story of Tashi was inspired by a Buddhist fable about two brothers, one of whom aspires to become a magician. [3] [4]
In making this movie, Khyentse Norbu, (also known as Dzongsar Jamyang Khyentse Rinpoche, an internationally renowned Buddhist lama), sets the standard for the nascent Bhutanese film industry. The story depicts traditional Bhutanese folklore and storytelling techniques. Travellers and Magicians is a profoundly Bhutanese film, with a theme and vocabulary that reflects the culture of Bhutan.
The storytelling technique employed in the film is the one of a story within a story, as the monk narrates the story of Tashi. The nesting of worlds goes three levels deep, as Tashi hallucinates/dreams after consuming chhang.
Traditional and fusion music is used, with Western rock and Western-influenced music being heard via Dondup's music system and traditional music from the dramyin of the monk and as ambient music. The noted chant music advocate David Hykes contributed music at the invitation of the director. A soundtrack of the movie has been commercially released. [3]
Since only a quarter of the people of Bhutan have the mother tongue of Dzongkha, one of the cast members — Sonam Kinga — acted as a dialect coach to the cast. [3]
In keeping with the production of Norbu's previous movie The Cup , no professional actors (save Dendup: a radio actor) were used. Auditions were held to select the cast from all walks of life including farmers, schoolchildren, and employees of the Bhutan Broadcasting Service, Government of Bhutan, and the Royal Bodyguard. Many production decisions, including casting and fixing the date of release, were chosen using Mo — an ancient method of divination. [3] [5]
According to Box Office Mojo, the film was in release for 28 weeks and its total lifetime grosses were $668,639. [6]
Travellers and Magicians received positive reviews from critics. Variety film critic David Stratton praised the "natural and unaffected" acting by the film's cast. [7] Salon's Andrew O'Hehir gave the film a positive review and wrote that "[Travellers and Magicians] won't rock your cinematic sense of self, I guess, but it's a smart, winsome and often beautiful little picture; I didn't want it to end". [8] Dessen Thompson, writing for The Washington Post , praised the film as "deeply enchanting". [9] In his review of the film for Slant , Josh Vasquez gave the film two and a half stars out four. [10] In his review of the film published in The New York Times , Dave Kehr described it as a "pleasant, colorful travelogue". [11]
The review-aggregation website Rotten Tomatoes gives the film a score of 93% based on 61 reviews from critics, with an average rating of 7.35/10. The website's "Critics Consensus" for the film reads, "Interwined tales of spiritual discovery are set against a gorgeous, evocative landscape in this pleasant, engaging import." [12] On Metacritic, the film has a score of 71 out of 100, based on 19 critics, indicating "generally favorable reviews". [13]
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2016 | SAARC Film Festival | Best Feature Film Silver Medal | Won | [14] | |
Cradled in the folds of the Himalayas, Bhutan has relied on its geographical isolation to protect itself from outside cultural influences. A sparsely populated country bordered by India to the south, and China to the north, Bhutan has long maintained a policy of strict isolationism, both culturally and economically, with the goal of preserving its cultural heritage and independence. Only in the last decades of the 20th century were foreigners allowed to visit the country, and only then in limited numbers. In this way, Bhutan has successfully preserved many aspects of its culture, which dates directly back to the mid-17th century.
The music of Bhutan is an integral part of its culture and plays a leading role in transmitting social values. Traditional Bhutanese music includes a spectrum of subgenres, ranging from folk to religious song and music. Some genres of traditional Bhutanese music intertwine vocals, instrumentation, and theatre and dance, while others are mainly vocal or instrumental. The much older traditional genres are distinguished from modern popular music such as rigsar.
Jigme Dorji Wangchuck was the 3rd Druk Gyalpo of Bhutan.
Articles related to Bhutan include:
Dzongsar Jamyang Khyentse Rinpoche, also known as Khyentse Norbu, is a Bhutanese lama, filmmaker, and writer. His five major films are The Cup (1999), Travellers and Magicians (2003), Vara: A Blessing (2013), Hema Hema: Sing Me a Song While I Wait (2017), and Looking for a Lady with Fangs and a Moustache (2019). He is the author of several published books such as What Makes You Not a Buddhist (2007), Not For Happiness: A Guide to the So-Called Preliminary Practices (2012), The Guru Drinks Bourbon? (2016), Living is Dying (2020), and several non-fiction works on Tibetan Buddhism for free distribution such as Introduction to the Middle Way: Chandrakirti’s Madhyamaka with Commentary (2003) and Buddha Nature: Mahayana-Uttaratantra-Shastra with Commentary (2007). He has also written an autobiography in process entitled Mugwort Born. Many of his teachings are available on the Siddhartha’s Intent YouTube channel.
Gongsar Ugyen Wangchuck was the first Druk Gyalpo (King) of Bhutan from 1907 to 1926. In his lifetime, he made efforts to unite the fledgling country and gain the trust of the people.
The gho or g'ô is the traditional and national dress for men in Bhutan. Introduced in the 17th century by Ngawang Namgyal, 1st Zhabdrung Rinpoche, to give the Ngalop people a more distinctive identity, it is a knee-length robe tied at the waist by a cloth belt known as the kera. On festive occasions, it is worn with a kabney.
Zhungdra is one of two main styles of traditional Bhutanese folk music, the other being bödra. Arising in the 17th century, zhungdra is an entirely endemic Bhutanese style associated with the folk music of the central valleys of Paro, Thimphu, and Punakha, the heart of the Ngalop cultural area. Bödra, in contrast, evolved out of Tibetan court music.
The various mass media in Bhutan have historically been government-controlled, although this has changed in recent years. The country has its own newspapers, television and radio broadcasters and Internet Service Providers.
The dramyin or dranyen is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal. It is often used in religious festivals of Tibetan Buddhism. The instrument is played by strumming, fingerpicking or plucking. The dramyen, chiwang (fiddle), and lingm (flute) comprise the basic instrumental inventory for traditional Bhutanese folk music.
Rinpung Dzong, sometimes referred to as Paro Dzong, is a large dzong - Buddhist monastery and fortress - of the Drukpa Lineage of the Kagyu school in Paro District, Bhutan. It houses the district Monastic Body as well as government administrative offices of Paro Dzongkhag. It is listed as a tentative site in Bhutan's Tentative List for UNESCO inclusion.
Chagri Dorjeden Monastery, also called Cheri Monastery, is a Buddhist monastery in Bhutan established in 1620 by Ngawang Namgyal, 1st Zhabdrung Rinpoche, the founder of the Bhutanese state.
Lesbian, gay, bisexual and transgender (LGBT) people in Bhutan face legal challenges that are not faced by non-LGBTQ people. Bhutan does not provide any anti-discrimination laws for LGBT people, and same-sex unions are not recognised. However, same-sex sexual activity was decriminalised in Bhutan on 17 February 2021.
Karma Phuntsho is a former monk and Bhutanese scholar who specialises in Buddhism, Tibetan & Himalayan Studies and Bhutan, and has published a number of works including eight books, translations, book reviews and articles on Buddhism, Bhutan and Tibetan Studies. His The History of Bhutan received Choice Outstanding Academic Title Award in 2015.
The cinema of Bhutan is a small but emerging industry, having started in the mid-1990s. It has since been supported by government officials and different businesses.
Dasho Sonam Kinga is a Bhutanese politician and researcher at the Center for Bhutan Studies. He played the monk in the 2003 film Travellers and Magicians, for which he is also credited as a dialogue coach.
Jigme Drukpa is a Bhutanese musician and singer of traditional folk songs, born in 1969 in the small village of Wongchelo, in Pemagatshel, eastern Bhutan. He graduated from Sherubtse College in 1993, and undertook postgraduate studies in Norway. He studied folk music at Rauland Academy and ethno music at Grieg Academy, and returned to Bhutan in 1999 as the country's first ethno-musicologist. He completed a master's degree in music therapy in Norway in 2017.
Chele La is the highest motorable point in Bhutan, sitting 3,988 metres (13,083 ft) above sea level, between the Haa and Paro valleys. The pass is located 35 km from Paro and 26 km from Haa on the Bondey-Haa Highway. Built in the 1990s, the asphalt road is narrow and steep, with sharp turns and sheer drops. It may be dangerous in winter due to snow and ice and the risk of avalanche.
Pawo Choyning DorjiDruk Thuksey is a Bhutanese filmmaker and photographer. His feature directorial debut Lunana: A Yak in the Classroom (2019) was nominated for Best International Feature Film at the 94th Academy Awards. His second film The Monk and the Gun (2023) was shortlisted for the Best International Feature Film for the 96th Academy Awards.