Tibetan culture

Last updated
Tibetan Gelug monk and sand mandala Mandala zel-tary.jpg
Tibetan Gelug monk and sand mandala
Prayer flags Prayer flag above Tanze Gompa.jpg
Prayer flags
Woodblock printing Derge typography.jpg
Woodblock printing
The Image of Tibetan prayer flags Wind Horse Tibetans Prayer Flag.jpg
The Image of Tibetan prayer flags Wind Horse

Tibet developed a distinct culture due to its geographic and climatic conditions. While influenced by neighboring cultures from China, India, and Nepal, the Himalayan region's remoteness and inaccessibility have preserved distinct local influences, and stimulated the development of its distinct culture.


Tibetan Buddhism has exerted a particularly strong influence on Tibetan culture since its introduction in the seventh century. Buddhist missionaries who came mainly from India, Nepal and China introduced arts and customs from India and China. Art, literature, and music all contain elements of the prevailing Buddhist beliefs, and Buddhism itself has adopted a unique form in Tibet, influenced by the Bön tradition and other local beliefs.

Several works on astronomy, astrology and medicine were translated from Sanskrit and Classical Chinese. The general appliances of civilization have come from China, among many things and skill imported were the making of butter, cheese, barley-beer, pottery, watermills and the national beverage, butter tea.

Tibet's specific geographic and climatic conditions have encouraged reliance on pastoralism, as well as the development of a different cuisine from surrounding regions, which fits the needs of the human body in these high altitudes.

Tibetan language

Ethnolinguistic map of Tibet "TIBETO-BURMAN" GROUPS 1967 map with group key, "COMMUNIST CHINA ETHNOLINGUISTIC GROUPS" by the U.S. Central Intelligence Agency, Directorate of Intelligence, Office of Basic Geographic Intelligence, 1967 (cropped).jpg
Ethnolinguistic map of Tibet

The Tibetan language is spoken in a variety of dialects in all parts of the Tibetan-inhabited area which covers half a million square miles. Some of these dialects are tonal like the Chinese language, while others remain atonal. Historically Tibet was divided into three cultural provinces called U-Tsang, Kham and Amdo. Each one of these three provinces has developed its own distinct dialect of Tibetan. Most widely spoken is the Lhasa dialect, also called Standard Tibetan, which is spoken in Central Tibet and also in Exile by most Tibetans. In Kham the Khams Tibetan dialect is spoken and in Amdo the Amdo Tibetan dialect. The Tibetan dialects are subject to the Tibetic languages which are part of the Tibeto-Burman languages. Modern Tibetan derives from Classical Tibetan, which is the written norm, and from Old Tibetan. The official language of Bhutan, Dzongkha, is also closely related to Tibetan.

Visual arts

Tibetan art is deeply religious in nature, a form of religious art. It spreads over a wide range of paintings, frescos, statues, ritual objects, coins, ornaments and furniture.

Tibetan art is deeply religious sacred art. Tagong Monastery, 2009, using butter lamps Tagong9.jpg
Tibetan art is deeply religious sacred art. Tagong Monastery, 2009, using butter lamps


The Tibetan uses rugs for almost any domestic use from flooring to wall hanging to horse saddles. Litang31.jpg
The Tibetan uses rugs for almost any domestic use from flooring to wall hanging to horse saddles.

Tibetan rug making is an ancient art and craft in the tradition of Tibetan people. These rugs are primarily made from Tibetan highland sheep's virgin wool. The Tibetan uses rugs for almost any domestic use from flooring to wall hanging to horse saddles. Traditionally the best rugs are from Gyantse, a city which is known for its rugs.

The process of making Tibetan rugs is unique in the sense that almost everything is done by hand. But with the introduction of modern technology, a few aspects of the rug making processes have been taken over by machine primarily because of cost, the disappearance of knowledge etc. Moreover, some new finishing touches are also made possible by machine.

Tibetan rugs [1] are big business in not only Tibet, but also Nepal, where Tibetan immigrants brought with them their knowledge of rug making. Currently in Nepal the rug business is one of the largest industries in the country and there are many rug exporters.


Thangkas, a syncrestistic art of Chinese hanging scrolls with Nepalese and Kashmiri painting, first survive from the eleventh century. Rectangular and intricately painted on cotton or linen, they are usually traditional compositions depicting deities, famous monks, and other religious, astrological, and theological subjects, and sometimes mandalas. To ensure that the image will not fade, the painting is framed in colorful silk brocades, and stored rolled up. The word thangka means "something to roll" and refers to the fact that thangkas can easily be rolled up for transportation.

Besides thangkas, Tibetan Buddhist wall paintings can be found on temple walls as frescos and furniture and many other items have ornamental painting.


There is a rich ancient tradition of lay Tibetan literature which includes epics, poetry, short stories, dance scripts and mime, plays and so on which has expanded into a huge body of work - some of which has been translated into Western languages. Tibetan literature has a historical span of over 1300 years. [2] Perhaps the best known category of Tibetan literature outside of Tibet are the epic stories - particularly the famous Epic of King Gesar .


The White Palace of the Potala Palace White Palace of the Potala.jpg
The White Palace of the Potala Palace
Tagong Monastery with prayer flags Tagong13.jpg
Tagong Monastery with prayer flags

Tibetan architecture contains Chinese and Indian influences, and reflects a deeply Buddhist approach. The prayer wheel, along with two deer or dragons, can be seen on nearly every gompa in Tibet. The design of stupas (chörtens) can vary, from roundish walls in Kham to squarish, four-sided walls in Ladakh.

The most unusual feature of Tibetan architecture is that many of the houses and monasteries are built on elevated, sunny sites facing the south, and are often made of a mixture of rocks, wood, cement and earth. Little fuel is available for heat or lighting, so flat roofs are built to conserve heat, and multiple windows are constructed to let in sunlight. Walls are usually sloped inwards at 10 degrees as a precaution against frequent earthquakes in the mountainous area.

World Heritage Site

Standing at 117 meters in height and 360 meters in width, the Potala Palace, designated as a World Heritage Site in 1994 and extended to include the Norbulingka area in 2001, is considered a most important example of Tibetan architecture. [3] Formerly the residence of the Dalai Lamas, it contains over a thousand rooms within thirteen stories, and houses portraits of the past Dalai Lamas and statues of the Buddha. It is divided into the outer White Palace, which serves as the administrative quarters, and the inner Red Quarters, which houses the assembly hall of the Lamas, chapels, 10,000 shrines and a vast library of Buddhist scriptures.

Traditions and Traditional architecture

Tibetans have a unique culture, and diversity only otherwise seen in ethnicity groups regions such as Xinjiang. Traditional Kham architecture is seen in most dwellings in Kangding. Kham houses tend to be spacious and fit in well with their environment. Their floors and ceilings are wooden, as houses are throughout in Kangding. [This article is dated. Modern Kangding city is now rebuilt, eliminating the earlier fire-prone wooden architecture]. Horizontal timber beams support the roof and these in turn are supported by wooden columns. Although the area has been heavily logged, wood is imported and used abundantly for housing. The Garzê Tibetan Autonomous Prefecture of Kham, surrounded by forests, is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. The interiors of houses are usually paneled with wood and the cabinetry is ornately decorated. Although various materials are used in the well-built houses, it is the skilful carpentry that is striking. This skill is passed down from father to son and there appear to be plenty of carpenters. However a threat to traditional Tibetan carpentry is the growing use of concrete structures. Some consider the increased use of concrete as a deliberate infiltration of the Chinese influence into Tibet. In Gaba Township, where there are few Han Chinese, almost all the structures are traditional. [4]

Architecture and monastic architecture

Gyantse Kumbum, a good example of Dzong architecture Kumbum Gyantse.jpg
Gyantse Kumbum, a good example of Dzong architecture
Potala Palace Tibet-5483 - Potala Palace.jpg
Potala Palace

The events that took place in Tibet in the twentieth century exacted a heavy toll on Tibetan monastic architecture.

Under the 13th Dalai Lama, the Tengyeling monastery was demolished in 1914 for seeking to come to terms with the Chinese. [5] Under Regent Taktra, the Sera monastery was bombarded with howitzers and ransacked by the Tibetan army in 1947 for siding with former regent Reting. [6]

It is important to see that Sera monastery was by no means destroyed but only looted partially. The major destruction happened during the Cultural Revolution. China's Cultural Revolution resulted in the deterioration or loss of Buddhist monasteries, both by intentional destruction and through lack of protection and maintenance.

Starting in the 1980s, Tibetans have begun to restore those monasteries that survived. This has become an international effort. Experts are teaching the Tibetans how to restore the building and save the remaining monasteries on the eastern plateau. [7]

Monasteries such as the Kumbum Monastery continue to be affected by Chinese politics. Simbiling Monastery was completely flattened in 1967, although it has to some degree been restored.

Tashi Lhunpo Monastery shows the influence of Mongol architecture. Tradruk Temple is one of the oldest in Tibet, said to have been first built in the 7th century during the reign of Songtsen Gampo of the Tibetan Empire (605?-650). Jokhang was also originally built under Songsten Gampo. Jokhang Temple is the most splendid surviving building of the Tubo period in Tibet and also the earliest civil structural building in Tibet. It integrated the architectural styles of Tibet, Tang Dynasty of China, Nepal, and India, and has become a model of Tibetan religious architecture for thousands of years. Tsurphu Monastery was founded by Düsum Khyenpa, 1st Karmapa Lama (1110–1193) in 1159, after he visited the site and laid the foundation for an establishment of a seat there by making offerings to the local protectors, dharmapalas and genius loci. [8] In 1189 he revisited the site and founded his main seat there. The monastery grew to hold 1000 monks. Tsozong Gongba Monastery is a small shrine built around the fourteenth century Palcho Monastery was founded in 1418 and known for its kumbum which has 108 chapels on its four floors. Chokorgyel Monastery, founded in 1509 the 2nd Dalai Lama once housed 500 monks but was completely destroyed during the Cultural Revolution.

Ramoche Temple is an important temple in Lhasa. The original building complex was strongly influenced by Tang dynasty architectural style as it was first built by Han Chinese architects in the middle of the 7th century. Princess Wencheng took charge of this project and ordered the temple be erected facing east to show her homesickness.

See List of Tibetan monasteries.


Children People of Tibet46.jpg
Woman's traditional studded belt at TCVs 50th anniversary. 2010 Woman's traditional studded belt at TCVs 50th anniversary. 2010.jpg
Woman's traditional studded belt at TCVs 50th anniversary. 2010

Tibetans tend to be conservative in their dress, and though some have taken to wearing Western clothes, traditional styles still abound. Women wear dark-colored wrap dresses over a blouse, and a colorfully striped, woven wool apron, called pangden signals that she is married. Men and women both wear long sleeves even in summer months.

In his 1955 book, Tibetan Marches, André Migot describes Tibetan clothing as follows:

Tibetan woman's dress, Field Museum of Natural History 102 0817.jpg
Tibetan woman's dress, Field Museum of Natural History
Tibetan herdsman's coat, fur-lined. A portable shrine for worship was carried with a shoulder strap. Field Museum of Natural History 102 0820.jpg
Tibetan herdsman's coat, fur-lined. A portable shrine for worship was carried with a shoulder strap. Field Museum of Natural History

Except for the lamas and for certain laymen who shave their heads, the Tibetans wear their hair either long or in a braid wound around their heads and embellished with a complicated pattern of lesser braids which make the whole thing look like some sort of crown. They often wear a huge conical felt hat, whose shape varies according to the district they come from; sometimes its peak supports a kind of mortarboard from which dangles a thick woolen fringe. In order to prevent their hats being blown away, they attach them to their heads with the long braid I have just described, and which has to be unwound for the purpose. In their left ear they wear a heavy silver ring decorated with a huge ornament of either coral or turquoise. Their costume is not elaborate. It normally consists only of a chuba , a long capacious robe with wide, elongated sleeves which hang almost to the ground. This is caught up at the waist by a woolen girdle, so that its skirts reach only to the knees and its upper folds form an enormous circular pocket round its wearer's chest. This is called the ampa, and in it are stowed a wide range of implements — an eating bowl, a bag of tsampa , and many other small necessities. Many chubas are made of wool, either the plain gray wool they spin in Sikang or the splendid, warm, soft stuff from Lhasa, dyed a rich dark red. The nomads, on the other hand, generally wear a sheepskin chuba, hand-sewn and crudely tanned in butter, with the fleece on the inside. The town-dwelling Tibetans, prosperous merchants for the most part, supplement this garment with cotton or woolen drawers and a cotton or silk undershirt with long sleeves, but the nomads normally wear nothing at all underneath it, though in winter they sometimes put on sheepskin drawers. The Tibetans hardly ever do their chubas up over their chests. The right shoulder and arm are almost always left free, and when they are on the march or at work the whole top part of the robe is allowed to slip down so that it is supported only by the belt. This leaves them naked above the waist and clad in a very odd-looking sort of skirt below it. They hardly feel the cold at all and in the depth of winter, heedless of frost or snow or wind, they trudge imperturbably along with their bosoms bared to the icy blast. Their feet, too, are bare inside their great high boots. These have soft soles of raw, untanned leather; the loose-fitting leg of the boot, which may be red or black or green, has a sort of woolen garter around the top of it which is fastened to the leg above the knee with another, very brightly colored strip of woolen material.

André Migot (1953), Tibetan Marches [9]

A chab chab is a piece of jewellery which wealthy Tibetan ladies attached to their clothes beneath the right shoulder.


Monk from Tashilhunpo pouring butter tea Monk in Tashilhunpo3.jpg
Monk from Tashilhunpo pouring butter tea
Thukpa is a Tibetan delicacy. Thukpa a Tibetan delicacy.jpeg
Thukpa is a Tibetan delicacy.
Butter tea Yak Butter Tea - Shuzheng Tibetan Village.jpg
Butter tea
Tibetan kitchen items. The butter churn is of a small size with shoulder strap, suitable for nomadic life. TibetanKitchenItems.jpg
Tibetan kitchen items. The butter churn is of a small size with shoulder strap, suitable for nomadic life.

The Cuisine of Tibet is quite distinct from that of its neighbours. Tibetan crops must be able to grow at high altitudes, although a few areas in Tibet are low enough to grow such crops as rice, oranges, lemon and bananas. [10] The most important crop in Tibet is barley. Flour milled from roasted barley, called tsampa , is the staple food of Tibet. It is eaten mostly mixed with the national beverage, the butter tea. Butter tea perfectly fits the needs of the human body in these high altitudes[ citation needed ] as it contains butter (protein and fat), milk (protein, fat and calcium), salt and tea. Tibetan cuisine contains a wide variety of dishes. The most famous are Momos (Tibetan dumplings). Balep is Tibetan bread eaten for breakfast and lunch. There many other types of balep bread and fried pies. Thukpa is noodle soup. It consists of noodles of various shapes, vegetables, and meat in broth. Tibetan cuisine is traditionally served with bamboo chopsticks, in contrast to other Himalayan cuisines which are eaten by hand. Small soup bowls are also used by Tibetans, and the rich are known to have used bowls of gold and silver. [11] Since only a few crops grow at such high altitudes, many features of Tibetan cuisine are imported, such as tea, rice and others. Meat dishes are likely to be yak, goat, or mutton, often dried, or cooked into a spicy stew with potatoes. Tibetans would never eat dogs and fish only in special cases as dogs are regarded as domestic animals and also guard dogs, and fishes are one of the Eight Auspicious Symbols of Buddhism.

Mustard seed is cultivated in Tibet, and therefore features strongly in its cuisine. Yak yogurt, butter and cheese are frequently eaten, and well-prepared yogurt is considered something of a prestige item.

In larger Tibetan towns and cities many restaurants nowadays serve Sichuan-style Chinese food. Western imports and fusion dishes, such as fried yak and chips, are also popular. Nevertheless, many small restaurants serving traditional Tibetan dishes persist in both cities and the countryside.

Jasmine tea and yak butter tea are drunk. Alcoholic beverages include:

Tibetan family life

Tibetans traditionally venerate their elders within their families. [12]

Polyandry and polygyny

Tibetans used to practice polyandry widely. [13] In his memoirs about his life in Tibet in the 1940s, Austrian writer Heinrich Harrer reports encountering nomads practising polyandry: "We were astonished to find polyandry practised among the nomads." "When several brothers share the same wife, the eldest is always the master in the household and the others have rights only when he is away or amusing himself elsewhere." [14]

Harrer also mentions the practice of polygyny in one particular case: a man marrying "several daughters of a house in which there is no son and heir." "The arrangement prevents the family fortune from being dispersed." [15]


Butter lamps Light butter lamps.jpg
Butter lamps

The Tibetan calendar is the lunisolar calendar, that is, the Tibetan year is composed of either 12 or 13 lunar months, each beginning and ending with a new moon. A thirteenth month is added approximately every three years, so that an average Tibetan year is equal to the solar year. The name of the months are ༼ མཆུ་ཟླ་བ།༽ January, ༼ དབོ་ཟླ་བ།༽ February, ༼ ནག་པ་ཟླ་བ།༽་ March, ༼ ས་ག་ཟླ་བ།་༽ April, ༼ སྣྲོན་ཟླ་བ།༽ May, ༼ ཆུ་སྟོད་ཟླ་བ།༽ June, ༼ གྲོ་བཞིན་ཟླ་བ།༽ July, ༼ ཁྲུམས་སྟདོ།༽ August, ༼ དབྱུ་གུ་ཟླ་བ།༽ September, ༼ སྨིན་དྲུག་ཟླ་བ།༽ October, ༼ གོ་ཟླ་བ།༽ November and ༼ རྒྱལ་ཟླ་བ།༽ December. |-, but the fourth month which is called the saka dawa, celebrating the birth and enlightenment of Buddha. [16]

The Tibetan New Year celebration is Losar.

Each year is associated with an animal and an element. The animals alternate in the following order:

Rabbit Dragon Snake Horse Goat Monkey Rooster Dog Pig Rat Ox Tiger

The elements alternate in the following order:


Each element is associated with two consecutive years, first in its male aspect, then in its female aspect. For example, a male Earth-Dragon year is followed by a female Earth-Snake year, then by a male Iron-Horse year. The sex may be omitted, as it can be inferred from the animal.

The element-animal designations recur in cycles of 60 years, starting with a (female) Fire-Rabbit year. These big cycles are numbered. The first cycle started in 1027. Therefore, 2005 roughly corresponds to the (female) Wood-Rooster year of the 17th cycle, and 2008 corresponds to a (male) Earth-Rat year of the same cycle.

Days of the week

Tibetan inscription on a stupa Inscribed slate on a chorten (4521475414).jpg
Tibetan inscription on a stupa
Tent made of yak wool Litang33.jpg
Tent made of yak wool

The days of the week are named for celestial bodies.

Day Tibetan (Wylie) THL Object
Sundayགཟའ་ཉི་མ་ (gza' nyi ma)za nyima Sun
Mondayགཟའ་ཟླ་བ་ (gza' zla ba)za dawa Moon
Tuesdayགཟའ་མིག་དམར་ (gza' mig dmar)za mikmar Mars
Wednesdayགཟའ་ལྷག་པ་ (gza' lhak pa)za lhakpa Mercury
Thursdayགཟའ་ཕུར་པུ་ (gza' phur bu)za purpu Jupiter
Fridayགཟའ་པ་སངས་ (gza' pa sangs)za pasang Venus
Saturdayགཟའ་སྤེན་པ་ (gza' spen pa)za penpa Saturn
Om mani padme hum, prayer written in Tibetan language Om mani padme hum 2.jpg
Om mani padme hum, prayer written in Tibetan language

Nyima "Sun", Dawa "Moon" and Lhakpa "Mercury" are common personal names for people born on Sunday, Monday or Wednesday respectively.

Tibetan eras

Traditional gifts

Old Tibetan banknote 100 tam srang back.jpg
Old Tibetan banknote
Tibetan coin Tibetan mongk tangka.rev.jpg
Tibetan coin
Censer from Tibet, late 19th century, silver Censer LACMA M.2011.157.2a-b (3 of 5).jpg
Censer from Tibet, late 19th century, silver

A gift traditionally given at the time of a new birth is that of an ibex figurine, as described below by August Hermann Francke.

"Our Christian evangelist at Khalatse had become a father a few weeks before, and the people of the village had made presents of "flour-ibex" to him and his wife. He gave me one of those figures, which are made of flour and butter, and told me that it was a custom in Tibet and Ladakh, to make presents of "flour-ibex" on the occasion of the birth of a child. This is quite interesting information. I had often wondered why there were so many rock carvings of ibex at places connected with the pre-Buddhist religion of Ladakh. Now it appears probable that they are thank offerings after the birth of children. As I have tried to show in my previous article, people used to go to the pre-Buddhist places of worship, in particular, to pray to be blessed with children." [17]

Performing arts


Horn player monks Ladakh Horn Players 0032 tiny.jpg
Horn player monks
Musicians in Ladakh Ladakhmusic.jpg
Musicians in Ladakh

The music of Tibet reflects the cultural heritage of the trans-Himalayan region, centered in Tibet but also known wherever ethnic Tibetan groups are found in India, Bhutan, Nepal and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture.


Tibetan music often involves chanting in Tibetan or Sanskrit as an integral part of the religion. These chants are complex, often recitations of sacred texts or in celebration of various festivals. Yang chanting, performed without metrical timing, is accompanied by resonant drums and low, sustained syllables. Other styles include those unique to the various schools of Tibetan Buddhism, such as the classical music of the popular Gelug school and the romantic music of the Nyingma, Sakya and Kagyu schools.

Secular Tibetan music has been promoted by organizations like the 14th Dalai Lama's Tibetan Institute of Performing Arts. This organization specialized in the lhamo, an operatic style, before branching out into other styles, including dance music like toeshey and nangma. Nangma is especially popular in the karaoke bars of the urban center of Tibet, Lhasa. Another form of popular music is the classical gar style, which is performed at rituals and ceremonies. Lu are a type of songs that feature glottal vibrations and high pitches which are typically sung by nomads. There are also epic bards who sing of Tibet's national hero, Gesar.

Tibetans are well represented in Chinese popular culture. Tibetan singers are particularly known for their strong vocal abilities, which many attribute to the high altitudes of the Tibetan Plateau. Tseten Dolma (才旦卓玛) rose to fame in the 1960s for her music-and-dance suite "The Earth is Red". Kelsang Metok (格桑梅朵) is a popular singer who combines traditional Tibetan songs with elements of Chinese and Western pop. Purba Rgyal (Pubajia or 蒲巴甲) was the 2006 winner of Haonaner, the Chinese version of American Idol. In 2006, he starred in Sherwood Hu's Prince of the Himalayas, an adaptation of Shakespeare's Hamlet, set in ancient Tibet and featuring an all-Tibetan cast.

Tibetan music has influenced certain styles of Western music, such as new-age. Philip Glass, Henry Eichheim and other composers are known for Tibetan elements in their music. The first Western fusion with Tibetan music was Tibetan Bells in 1971. The soundtrack to Kundun , by Glass, has also popularized Tibetan music in the West. [18]

Tibetan (Citipati mask depicting Mahakala Tibetan Mask.jpg
Tibetan (Citipati mask depicting Mahākāla

Foreign styles of popular music have also had a major impact within Tibet. Indian ghazal and filmi are very popular, as is rock and roll, an American style which has produced Tibetan performers like Rangzen Shonu. Since the relaxation of some laws in the 1980s, Tibetan pop, popularized by the likes of Yadong, Jampa Tsering, 3-member group AJIA, 4-member group Gao Yuan Hong, 5-member group Gao Yuan Feng, and Dechen Shak-Dagsay are well-known, as are the sometimes politicized lyrics of nangma. Gaoyuan Hong in particular has introduced elements of Tibetan language rapping into their singles.


The Tibetan folk opera known as (Ache) Lhamo "(sister) goddess", is a combination of dances, chants and songs. The repertoire is drawn from Buddhist stories and Tibetan history. Lhamo was founded in the fourteenth century by the Thang Tong Gyalpo, a lama and important historical civil engineer. Gyalpo and seven recruited girls organized the first performance to raise funds for building bridges that would facilitate transportation in Tibet. The tradition continued, and lhamo is held on various festive occasions such as the Linka and Shoton festivals.

The performance is usually a drama, held on a barren stage, that combines dances, chants and songs. Colorful masks are sometimes worn to identify a character, with red symbolizing a king and yellow indicating deities and lamas.

The performance starts with a stage purification and blessings. A narrator then sings a summary of the story, and the performance begins. Another ritual blessing is conducted at the end of the play.

Cham dance

The cham dance is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals.


Tibetan festivals such as Losar, Shoton, the Bathing Festival and many more are deeply rooted in indigenous religion, and also contain foreign influences. Tibetan festivals are a high source of entertainment and can include many sports such as yak racing. Tibetans consider festivals as an integral part of their life and almost everyone participates in the festivities.


Domestic animals

Representation on social media

Since 2010, thousands of ethnic Tibetans worldwide have called on Unicode Consortium and social media platforms like Facebook, Twitter and Instagram to approve and also release the Tibetan flag emoji. The main purpose of this is to help evoke their sense of belonging to regional and cultural Tibet via online means and also to further spread the Tibetan culture and representation across borders.

However, as of August 2019, despite the efforts of members of the Emoji Subcommittee and Unicode's negotiating body (and Unicode's official admission that the flag proposal is strong), the decision-making process of approval and eventual release of the Tibetan flag emoji by Unicode has been and remained stalled. This is probably due to strong opposition by millions of Mainland Chinese citizens, Mainland Chinese members of Unicode Consortium and the Chinese government's willingness to place economic sanctions against the company if Unicode ‘unilaterally’ releases the Tibetan flag emoji (unless China returns to a state of democracy and is willing to support the rights and freedoms of Tibetans in Tibet Autonomous Region).

Nonetheless, Tibetans across the globe have been pushing on. In light of the ongoing 2019–20 Hong Kong protests that have been taking place since June 2019 and subsequent Mainland Chinese interference in major social media platforms, Tibetans have called or are calling for Unicode to extend the timeline for at least one more year, to ensure the elimination of Mainland Chinese influence in operations conducted by social media platforms and Unicode before prioritising on the eventual acceptance and release of the Tibetan flag emoji to the public. The flag emoji may only be released in Emoji 13.0, 14.0 or later, depending on the socio-political circumstances.

See also


  1. Tikkanen, Amy. "Tibetan carpet". britannica. Archived from the original on 20 July 2020. Retrieved 30 September 2010.
  2. Cabezón, José Ignacio; Jackson, Roger Reid, eds. (1996). Tibetan literature: Studies in genre. Ithaca, NY: Snow Lion Publ. p. 11. ISBN   978-1-55939-044-6.
  3. "Historic Ensemble of the Potala Palace, Lhasa". unesco. Archived from the original on 2021-01-25. Retrieved 2008-02-10.
  4. .Pamela Logan (1998). "Wooden Architecture in Ganzi". Archived from the original on 2000-09-02. Retrieved 2008-02-10.
  5. Heinrich Harrer, Seven Years in Tibet, with a new epilogue by the author. Translated from the German by Richard Graves. With an introduction by Peter Fleming, First Tarcher/Putnam Hardcover Edition, 1997 ( ISBN   0-87477-888-3): "The penalties for political offenses are very strict. People still speak of the monks of Tengyeling, who forty years ago sought to come to terms with the Chinese. Their monastery was demolished and their names blotted out.
  6. Heinrich Harrer, Seven Years in Tibet, op. cit.: "It was not until the government bombarded the town and monastery of Sera with howitzers and knocked down a few houses that the resistance ceased.(...) The monastery was thoroughly ransacked by the soldiers, and for many weeks afterward gold cups, brocades, and other valuable objects kept turning up in the bazaars.
  7. Pamela Logan. "Conserving Tibetan Art and Architecture". asianart. Archived from the original on 2008-04-19. Retrieved 2008-02-10.
  8. "Tsurphu Monastery - The Main Seat Of The Karmapa". Karmapa's Office of Administration. Archived from the original on 2008-02-20. Retrieved 2008-02-10.
  9. Migot, André (1955). Tibetan Marches. Translated by Peter Fleming. E. P. Dutton & Co., Inc., U.S.A., pp. 84-86.
  10. "Administrative Division". Tibet Facts & Figures 2007. China Internet Information Center. 24 April 2008. Archived from the original on 21 February 2011. Retrieved 1 November 2010.
  11. Tamang, Jyoti Prakash (2009). Himalayan Fermented Foods: Microbiology, Nutrition, and Ethnic Values. CRC Press. p. 9.
  12. "Tibetan Population". Archived from the original on 2010-12-15. Retrieved 2010-08-19.
  13. Stein, R. A. Tibetan Civilization (1922). English edition with minor revisions in 1972 Stanford University Press, pp. 97-98. ISBN   0-8047-0806-1 (cloth); ISBN   0-8047-0901-7.
  14. Harrer, Heinrich. Seven Years in Tibet, with a new epilogue by the author. Translated from the German by Richard Graves. With an introduction by Peter Fleming, First Tarcher/Putnam Hardcover Edition, 1997. ISBN   0-87477-888-3.
  15. Harrer, Heinrich. Seven Years in Tibet, op. cit.
  16. "Saka Dawa Festival". Archived from the original on 2012-04-21.
  17. Francke (1914), pp. 95-96.
  18. "History of Tibetan Music". tibettravel.com. 2013-08-21. Archived from the original on 2016-08-21. Retrieved 2016-07-20.

Related Research Articles

<span class="mw-page-title-main">Tibet</span> Plateau region in Asia

Tibet is a region in the central part of East Asia, covering much of the Tibetan Plateau and spanning about 2,500,000 km2 (970,000 sq mi). It is the homeland of the Tibetan people. Also resident on the plateau are some other ethnic groups such as the Monpa, Tamang, Qiang, Sherpa and Lhoba peoples and, since the 20th century, considerable numbers of Han Chinese and Hui settlers. Since the annexation of Tibet by the People's Republic of China in 1951, the entire plateau has been under the administration of the People's Republic of China. Tibet is divided administratively into the Tibet Autonomous Region, and parts of the Qinghai and Sichuan provinces. Tibet is also constitutionally claimed by the Republic of China as the Tibet Area since 1912.

<span class="mw-page-title-main">Lhasa</span> Capital city of Tibet

Lhasa is the urban center of the prefecture-level Lhasa City and the administrative capital of Tibet Autonomous Region in southwest China. The inner urban area of Lhasa City is equivalent to the administrative borders of Chengguan District, which is part of the wider prefectural Lhasa City.

<span class="mw-page-title-main">Tibetan art</span>

The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the phurba or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter.

<span class="mw-page-title-main">Amdo</span> Traditional region of Tibet

Amdo is one of the three traditional Tibetan regions, the others being U-Tsang in the west and Kham in the east. Ngari in the north-west was incorporated into Ü-Tsang. Amdo is also the birthplace of the 14th Dalai Lama. Amdo encompasses a large area from the Machu to the Drichu (Yangtze). Amdo is mostly coterminous with China's present-day Qinghai province, but also includes small portions of Sichuan and Gansu provinces.

<span class="mw-page-title-main">Kham</span> Traditional region of Tibet

Kham is one of the three traditional Tibetan regions, the others being Amdo in the northeast, and Ü-Tsang in central Tibet. The original residents of Kham are called Khampas, and were governed locally by chieftains and monasteries. Kham presently covers a land area distributed between five regions in China, most of it in Tibet Autonomous Region and Sichuan, with smaller portions located within Qinghai, Gansu and Yunnan provinces.

<i>Thangka</i> Tibetan Buddhist painting

A thangka is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figures. A central deity is often surrounded by other identified figures in a symmetrical composition. Narrative scenes are less common, but do appear.

<span class="mw-page-title-main">Tashi Lhunpo Monastery</span> Tibetan Buddhist monastery in Shigatse, Tibet, China

Tashi Lhunpo Monastery is an historically and culturally important monastery in Shigatse, the second-largest city in Tibet. Founded in 1447 by the 1st Dalai Lama, it is the traditional monastic seat of the Panchen Lama.

<span class="mw-page-title-main">Drigung Monastery</span> Tibetan Buddhist monastery in Lhasa, Tibet, China

Drigung Thil Monastery is a monastery in Maizhokunggar County, Lhasa, Tibet founded in 1179. Traditionally it has been the main seat of the Drikung Kagyu tradition of Tibetan Buddhism. In its early years the monastery played an important role in both religion and politics, but it was destroyed in 1290 by Mongol troops under the direction of a rival sect. The monastery was rebuilt and regained some of its former strength, but was primarily a center of meditative studies. The monastery was destroyed after 1959, but has since been partly rebuilt. As of 2015 there were about 250 resident monks.

<span class="mw-page-title-main">Shannan, Tibet</span> Prefecture-level city in Tibet, China

Shannan, also known as Lhoka, is a prefecture in the southeastern Tibet Autonomous Region, China. Shannan includes Gonggar County within its jurisdiction with Gongkar Chö Monastery, Gonggar Dzong, and Gonggar Airport all located near Gonggar town.

<span class="mw-page-title-main">Sherab Palden Beru</span>

Sherab Palden Beru was an exiled Tibetan thangka artist who played a key role in preserving the art-form through the training of western students over a period of more than four decades.

<span class="mw-page-title-main">Monlam Prayer Festival</span> Tibetan Buddhist religious festival

Monlam, also known as The Great Prayer Festival, falls on the 4th to 11th day of the 1st Tibetan month in Tibetan Buddhism.

This is a list of topics related to Tibet.

<span class="mw-page-title-main">Tibetan Buddhist architecture</span> Geographical influences on architecture

Tibetan Buddhist architecture, in the cultural regions of the Tibetan people, has been highly influenced by Nepal, China and India. For example, the Buddhist prayer wheel, along with two dragons, can be seen on nearly every temple in Tibet. Many of the houses and monasteries are typically built on elevated, sunny sites facing the south. Rocks, wood, cement and earth are the primary building materials. Flat roofs are built to conserve heat and multiple windows are constructed to let in the sunlight. Due to frequent earthquakes, walls are usually sloped inward at 10 degrees.

<span class="mw-page-title-main">Kumbum Monastery</span> Tibetan monastery in Lusar, Qinghai, China

Kumbum Monastery, also called Ta'er Temple, is a Tibetan gompa in Lusar, Huangzhong County, Xining, Qinghai, China. It was founded in 1583 in a narrow valley close to the village of Lusar in the historical Tibetan region of Amdo. Its superior monastery is Drepung Monastery, immediately to the west of Lhasa. It is ranked in importance as second only to Lhasa.

<span class="mw-page-title-main">Architecture of Tibet</span>

Architecture of Tibet contains Chinese and Indian influences but has many unique features brought about by its adaptation to the cold, generally arid, high-altitude climate of the Tibetan plateau. Buildings are generally made from locally available construction materials, and are often embellished with symbols of Tibetan Buddhism. For example, private homes often have Buddhist prayer flags flying from the rooftop.

<span class="mw-page-title-main">Chupzang Nunnery</span> Tibetan Buddhist nunnery near Lhasa, Tibet, China

Chupzang Nunnery(Chu bzang dgon) is a historical nunnery, belonging to Sera Monastery. It is located north of Lhasa in Tibet, China. Though the site was established as a hermitage around 1665, it was converted into an exclusive nunnery in 1984 and has since grown into one of the largest nunneries in the Lhasa Valley.

<span class="mw-page-title-main">Architecture of Lhasa</span>

Lhasa is noted for its historic buildings and structures related to Tibetan Buddhism. Several major architectural works have been included as UNESCO's World Heritage Sites.

Amdo Jampa, also known as Jampa Tseten, was a Tibetan painter.

<span class="mw-page-title-main">Tibetan Army</span> Armed forces of Tibet from 1913 to 1959

The Tibetan Army was the armed forces of Tibet from 1913 to 1959. It was established by the 13th Dalai Lama shortly after he proclaimed the independence of Tibet in 1912, and was modernised with the assistance of British training and equipment. It was dissolved by the Chinese government following the failed 1959 Tibetan uprising.

<span class="mw-page-title-main">Kyabje Rinpoche</span> Monk and founder of Tibetan Buddhist Institute

Kyabje Khensur Kangurwa Lobsang Thubten Rinpoche, was a Buddhist monk, Abbot of Sera Jey Monastery, and the founder of Tibetan Buddhist Institute (Adelaide). Khensur means "former abbot" and Rinpoche means "precious teacher."


Further reading