String instrument | |
---|---|
Other names | Venezuelan Cuatro |
Classification | String instrument |
Hornbostel–Sachs classification | (Composite chordophone) |
Developed | Venezuela |
Related instruments | |
Ukulele, Cavaquinho, Guitar, Bandola (Llanera). |
The cuatro of Venezuela has four single nylon strings, tuned (ad'f#'b). It is similar in shape and tuning to the ukulele, but their character and playing technique are vastly different. It is tuned in a similar fashion to the traditional D tuning of the ukulele, but the A and B are an octave lower. Consequently, the same fingering can be used to shape the chords, but it produces a different inversion of each chord. [1] A cuatro player is called a cuatrista.
The predecessor of the Venezuelan cuatro is the four-string Spanish renaissance guitar which disappeared in the 16th century after a short period of surging popularity. In the 1950s, Fredy Reyna documented the evolution of the renaissance guitar into the current Venezuelan Cuatro, and reinvented the cuatro as a solo instrument, equally capable of rendering traditional Venezuelan music as well as Renaissance pieces. The popularity of the instrument in Venezuela and elsewhere may be due to its apparent simplicity, having only four strings, as well as its compact size.
The design and quality of its construction may vary widely, from rustic, inexpensive instruments, to the custom-built Concert Cuatro, comparable to the finest Classical Guitars. The cuatro is often said to be the Caribbean version of the ukulele (although the cuatro was invented three centuries earlier), having a similar sound, looks, and tuning; and being used in Venezuela, Trinidad, and throughout various other Caribbean spots.
The cuatro is particularly designed for strumming: the fingerboard finishes flush with the top of the instrument, and the upper half of the sound board is often completely covered by a scratch plate made from hardwood.
Most of Venezuelan folkloric music relies on the cuatro as its rhythmic and harmonic base. It is used in most genres of the different regions of Venezuela, such as Joropo in the Llanos, Gaita in Zulia, Galerón in the Oriente or calypso in Trinidad.
A recent evolution in playing technique has made the cuatro a versatile instrument capable of handling, on its own, solo parts including both melody and harmony. The technical and musical knowledge and expertise required to be able to play the instrument in this way is astounding. The results have made Venezuelan traditional music leap to a whole new level of complexity, many times encompassing the utilization of jazz harmonic structures and melodic phrasing to enrich many traditional tunes. The cuatro is used in waltz, joropo, parang, calypso, and soca.
There are several tunings possible on the cuatro, but they are mostly transpositions of the main tuning (below), which may depend on the accompanied singer's range or the tone of the harp the cuatro is playing with. The strings are tuned from top to bottom (using the numbers 1, 2, 3, and 4), to these intervals:
The most popular tuning for the cuatro is A D F♯ B, with the B string tuned to a major second interval from the A string (instead of the more "guitar-like" perfect fourth from the F♯).
In 1948, Fredy Reyna altered the way the cuatro is strung and broke with reentrant tuning. His cuatro, called "solista" (soloist), was tuned in strict ascending pitch order. After trying many tunings, Reyna settled on E A C♯ F♯ as the one he used the most. In doing this, he (inadvertently at the time) arrived at the stringing and tuning of the Renaissance guitar. His work has been meticulously documented by Reyna himself, but it has not been widely adopted.
A popular way to remember the tuning of the cuatro among Venezuelan cuatro players is to play each string individually from top to bottom, while singing the words Cam-bur pin-tón in the same expected notes of the four cuatro strings. (Cambur Pintón means Ripe Banana in Venezuela. The phrase is used mainly because its four syllables are long and because of its easy-to-remember nature). A variation is Hi-pó-cri-ta, playing the strings from bottom to top.
The cuatro is an important part of "música llanera", belonging to the Venezuelan area known as "El Llano". As such, el cuatro is widely used in eastern Colombia. El cuatro is also used in Trinidad and Tobago to accompany musical bands at Christmas time singing about the birth of Christ. This type of music is called parang, from the word "parranda," meaning "to make merry." Parang music mixed with a calypso flavor has found itself deeply rooted in the culture of the people of this Caribbean country. The language used in the songs is mostly Spanish but Patois and English are used as well. This richly adds to the rhythmic sounds of this versatile instrument. The cuatro, under the name cuarta, is also very popular on the Dutch Lesser Antilles, Aruba, Curaçao and Bonaire, where it is used for different types of music, including the traditional tumba, waltz, danza, polka, calypso, bolero, march and several others.
The guitar is a stringed musical instrument that is usually fretted and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier.
The ukulele, also called a uke, is a member of the lute family of instruments of Portuguese origin and popularized in Hawaii. It generally employs four nylon strings.
The cittern or cithren is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is descended from the Medieval citole. Its flat-back design was simpler and cheaper to construct than the lute. It was also easier to play, smaller, less delicate and more portable. Played by people of all social classes, the cittern was a popular instrument of casual music-making much like the guitar is today.
The joropo, better known as Música Llanera, is a musical style resembling the fandango, and an accompanying dance. It originated in the Llanos of Colombia and Venezuela and it has African, European and Native South American influences. There are different joropo variants: tuyero, oriental, and llanero. It is a fundamental genre of Colombian and Venezuelan música criolla. It is also the most popular "folk rhythm": the well-known song "Alma Llanera" is a joropo, considered the unofficial national anthem of Venezuela.
Scordatura is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain passages easier to play. It is common to notate the finger position as if played in regular tuning, while the actual pitch resulting is altered. When all the strings are tuned by the same interval up or down, as in the case of the viola in Mozart's Sinfonia Concertante for Violin, Viola and Orchestra, the part is transposed as a whole.
Slack-key guitar is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing involves altering the standard tuning on a guitar from E-A-D-G-B-E, which has been used for centuries, so that strumming across the open strings will then sound a harmonious chord, typically an open major. This requires altering or "slacking" certain strings, which is the origin of the term "slack key". The style typically features an alternating-bass pattern, played by the thumb on the lower two or three strings of the guitar, while the melody is played by the fingers on the three or four highest strings. There are as many as fifty tunings that have been used in this style of playing, and tunings were once guarded fiercely and passed down as family secrets. In the early 20th century, the steel guitar and the ukulele gained wide popularity in America, but the slack-key style remained a folk tradition of family entertainment for Hawaiians until about the 1960s and 1970s during the second Hawaiian renaissance.
The cavaquinho is a small Portuguese string instrument in the European guitar family, with four wires or gut strings.
Parang is a popular folk music originating from Venezuela and Trinidad and Tobago that was brought to Trinidad and Tobago by Venezuelan migrants who were primarily of Amerindian, Spanish, Mestizo, Pardo, and African heritage, something which is strongly reflected in the music itself. The word is derived from two Spanish words: parranda, meaning "a spree”, and parar meaning "to stop".
A tiple, is a plucked typically 12-string chordophone of the guitar family. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752. Although many variations of the instrument exist, the tiple is mostly associated with Colombia, and is considered the national instrument. The Puerto Rican version characteristically has fewer strings, as do variants from Cuba, Mallorca, and elsewhere among countries of Hispanic origin.
Aguinaldo It is a genre of Puerto Rican and Venezuelan traditional and cultural music, popular in several Latin American countries., based on Spanish Christmas carols or villancicos which is traditionally sung on Christmas itself or during the holiday season. Aguinaldo music is often performed by parrandas - a casual group of people, often family or friends, who merrily go from house to house taking along their singing. The instruments used are the cuatro, maracas and drums. Some popular aguinaldos are Burrito Sabanero (Venezuela), El Asalto, Feliz Navidad, and De la Montaña Venimos.
The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies.
The jarana jarocha is a guitar-shaped fretted stringed instrument from the southern region of the state of Veracruz, Mexico. Typically strung with 8 strings in 5 courses, usually arranged in two single outer strings with three double-courses in between. The strings are usually nylon, although they were gut in the past. The body is somewhat narrower than a guitar because of its direct lineage from the Spanish baroque guitar of the sixteenth century. Sometimes mistaken for a ukulele, the jarana jarocha comes in at least five sizes, the smallest being the chaquiste, somewhat smaller than a soprano ukulele; then the mosquito, about the size of a soprano ukulele; the 'primera', about the size of a concert ukulele; the 'segunda', in length between a tenor and a baritone ukulele; and the 'tercera', somewhat longer than the baritone ukulele. Some luthiers are building jaranas of a size they label "tercerola" or "jarana cuarta", but there is some discussion as to whether these represent a distinct size or are merely particularly large variations of the standard tercera.
Fredy Reyna was a Venezuelan musician, arranger and performer, regarded as one of the two masters of the Venezuelan cuatro, which he elevated to the level of a concert instrument, and one of his country's most important cultural figures in the 20th century.
The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings.
An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. While the original, general term for this stringed instrument is guitar, the retronym 'acoustic guitar' – often used to indicate the steel stringed model – distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.
On a stringed instrument, a break in an otherwise ascending order of string pitches is known as a re-entry. A re-entrant tuning, therefore, is a tuning which does not order all the strings from the lowest pitch to the highest pitch.
The Puerto Rican cuatro is the national instrument of Puerto Rico. It belongs to the lute family of string instruments, and is guitar-like in function, but with a shape closer to that of the violin. The word cuatro means "four", which was the total number of strings of the earliest Puerto Rican instrument known by the cuatro name.
Eastern Joropo, is a variant of joropo present in Venezuela's Caribbean coast and Margarita Island.
The Colombian tiple is a plucked string instrument of the guitar family, common in Colombia where it is considered one of the national instruments. About three-fourths the size of a classical guitar, it has twelve strings set in four triple-strung courses. It is played as a main instrument or as an accompanying instrument to the guitar.
Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third. Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval separates two notes that differ by exactly four semitones.