Phil Beer | |
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Background information | |
Born | Exminster, Devon, England | 12 May 1953
Genres | Folk, roots |
Occupation(s) | Musician, songwriter, composer, producer |
Instrument(s) | Vocals, Guitar, Fiddle, Mandolin, Cuatro, Slide Guitar, Spanish Guitar, Tenor Guitar, Mandocello, Viola [1] |
Years active | 1968–present |
Labels | Hands On, Chudleighroots, Talking Elephant |
Website | philbeer.co.uk |
Phil Beer (born 12 May 1953) is an English multi-instrumentalist, composer, producer, and one half of English acoustic roots duo Show of Hands. [2]
Beer first began to play fiddle, guitar, and mandolin whilst still at school in Teignmouth, Devon. This passion for acoustic music was especially stirred by the Davey Graham album Folk, Blues and Beyond . He played his first gig when he was fourteen in a band called Retrospect with Richard Entwistle, John Allman and Martin Pike and other musicians, and by the time he was sixteen he was performing regularly. Beer worked with Paul Downes as a duo from 1974 and also in the Arizona Smoke Revue 1980. He was a key member of Johnny Coppin's band (ex-Decameron), and together they collaborated with Nigel Mazlyn Jones on his 1979 Sentinel album. He toured with Mike Oldfield in 1979 and also recorded some tracks at Oldfield's Througham studio. Beer joined The Albion Band in 1984 and stayed with them until 1991, touring extensively at home and abroad, and recording many albums. Show of Hands became a full-time partnership from 1991. Beer continues to do session work, most notably on The Rolling Stones' Steel Wheels album, Steve Harley's Poetic Justice and countless other mainstream and less high-profile projects. Recent projects include two albums for folk fiddle player Jackie Oates, two albums for former Spinners singer Mick Groves, an album for folk musician Jez Lowe, an album for singer-songwriter Tom Palmer and an album for north Devon singer Jenna. [3] [4]
In 2015, Beer (alongside his fellow Show of Hands band members Steve Knightley and Miranda Sykes), was awarded an honorary doctorate of music from the University of Plymouth, [5] [6] to commemorate "great distinction in [their] professional lives". [7]
Beer and frequent collaborator Paul Downes recorded Life Ain't Worth Living in 1973, followed by Dance Without Music in 1976. Shortly before his work with Mike Oldfield for Exposed , Beer released his first solo album in 1978/1979, Mandoline . His next primary solo album didn't come until 1994, Hard Hats . In 1998, his album The Works was released, apparently recorded in 1989 during his time with The Rolling Stones. In 1999, Phil Beer started a project in bringing together the UK's finest folk musicians which resulted in the album The Fiddle Collection . With The Phil Beer Band, the very scarce albums Mandorock and Once in a Blue Moon were released in 2000 and 2001 respectively. On the supporting Mandorock tour, the only commonly available Phil Beer Band album, Mandorock 2000 Live was recorded but not released until 2009. As Hard Hats and The Works were out of print by the 21st century, they were re-released together as Hard Works in 2000. In 2001, he and other former members of The Albion Band released an album called Ridgeriders , which was the soundtrack to a show about South Country tracks airing at the same time. They also toured for the album and this ended in the live album "Ridgeriders" In Concert . He and Deb Sandland also released a live album, Beer and Sandland Live 2003 , in 2004. Phil's first proper solo album for some time was released in 2005, Rhythm Methodist . Phil compiled a career-spanning box set, Box Set One, released in 2010.
Ashley Stephen Hutchings, MBE, sometimes known in early years as "Tyger" Hutchings, is an English bassist, songwriter, arranger, band leader, writer and record producer. He was a founding member of three noteworthy English folk-rock bands: Fairport Convention, Steeleye Span and The Albion Band. Hutchings has overseen numerous other projects, including records and live theatre, and has collaborated on film and television projects.
Beat About the Bush is the fourth studio album by English acoustic roots duo Show of Hands. Originally released by Twah! Records in 1994, it was their debut studio album to be released on CD, following the discontinued cassette albums that are Show of Hands from 1987, Tall Ships from 1990 and Out of the Count from 1991. It was their only studio album on Twah! Records, and was subsequently re-released in 1999 on the duo's own label, Hands on Music.
Steve Knightley is an English singer, songwriter and acoustic musician. Since 1992 he has been one half of folk/roots duo Show of Hands along with Phil Beer. Knightley was named "Songwriter of the Nineties" by BBC Radio 6 Music in 2012.
Lie of the Land is the fifth studio album by English acoustic roots duo Show of Hands. Following the live band setting of the band's previous album, 1994's Beat about the Bush, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with DI units and making the maximum use of pick-ups and pre-amplifiers. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in Bredon, Gloucestershire.
Live at the Royal Albert Hall is the second live album by English acoustic roots duo Show of Hands. Following the success of their stripped-down fifth studio album Lie of the Land, the duo experienced attention from major publications, who praised the album, and the duo's fan base had built. Nonetheless, the duo were unable to commerce any performances in London. Their duo and their manager and producer Gerard O'Farrell took the gamble of hosting the city's historic Royal Albert Hall for a concert on 24 March 1996. The concert would be an attempt to gather all of the duo's fans and to raise the duo's profile. The duo were ridiculed for booking the hall, with many saying the performance would not sell out. Nonetheless, not only did the performance sell out, but it did so with advance orders, and it raised the duo's profile.
Dark Fields is the sixth studio album by English acoustic roots duo Show of Hands, released in 1997 on their own label Hands on Music. The album follows the duo's 1996 performance at the Royal Albert Hall in London, a performance which raised their profile. A live album of the performance was released as Live at the Royal Albert Hall in August, becoming the band's best selling album. The duo followed the success with Dark Fields.
Folk Music is the seventh studio album by English acoustic roots duo Show of Hands. After the successes of their 1996 Royal Albert Hall performance and their subsequent album Dark Fields (1997), the duo decided to record a limited edition album featuring the duo's renditions of traditional folk music. It was recorded in September 1998 as a project to connect the band to their roots.
Cold Frontier is the ninth studio album by the English acoustic roots duo Show of Hands. It was recorded in early 2001 on location by the Countess Wear at the River Exe, Exeter, Devon, with Mick Dolan, engineer for Steve Winwood, co-producing the album with the duo. The album features a stripped-down, acoustic sound. The duo's website says the album is "possibly Show of Hands' finest work so far." The album comes with a full colour twenty-page booklet, all the lyrics, and comments on the background of each track.
The Path is the tenth studio album by English acoustic roots duo Show of Hands, released in April 2003. The album was conceived as an "instrumental journey" around the South West Coast Path, a 630-mile coastline path opened in 1978 in the duo's native West Country, and a celebration of the coastline's "sights and sounds". It is the band's only completely instrumental album, with each of its songs named after and inspired by different locations on the path. It was a project between Show Of Hands and The South West Coast Path Team, as part of the latter's celebrations for the silver jubilee of the path. As such the album is endorsed by various organisations who own different parts of the path, namely The Countryside Agency, The National Trust and English Heritage Commission,.and the music is ambient instrumentals inspired by different locations around the coastline.
Covers is the eighth studio album by English acoustic roots duo Show of Hands. The album was released in 2000 by the duo's own label Hands on Music. The album exclusively features cover versions of thirteen songs by the duo, chosen and recorded to reflect the band's contemporary musical influences. As such, the album contains no Steve Knightley compositions. The album was recorded over two days in Chudleigh Town Hall, Devon, with producer Gerald O'Farrell, and features only "straight performances", with its songs being untouched by post-production or techniques such as overdubbing or double tracking, presenting a "live" sound. The album followed their limited edition release Folk Music (1998), which featured the band's versions of traditional folk songs, and was the duo's first array into creating an album of music without Knightley compositions.
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, is a British folk rock band, originally brought together and led by musician Ashley Hutchings. An important grouping in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history.
Witness is the twelfth studio album by British folk duo Show of Hands. The album was recorded in January 2006 at Presshouse Studio, Colyton, Devon, and was produced by Simon Emmerson and Simon ‘Mass’ Massey from the Afro Celts, who helped to incorporate elements of traditional African, ambient and electronic dance music with the duo's characteristic folk style. It was the band's first album in twelve years to use a rhythm section. Lyrically, the album addresses communal and heritage values, and was described by the duo's lead singer Steve Knightley as a "cinematic style journey of the West Country." The album features unofficial third member Miranda Sykes on ten of its twelve tracks.
Arrogance Ignorance and Greed is the fourteenth studio album by English folk duo Show of Hands. Released in 2009 on the band's label Hands on Music, the album was produced by Stu Hanna of the English folk duo Megson, with additional production by Mark Tucker. The album followed an emotionally painful period for Steve Knightley where members of his family battled serious illnesses. This led to the album becoming particularly personal and darker than previous Show of Hands albums, aided by Hanna's direct and sharp production. The album also discusses several social and political concerns, and contains several collaborations with other musicians and vocalists.
Mandorock 2000 Live is a live album by Phil Beer with The Phil Beer Band. It is a recording of a live performance of his very scarce album Mandorock at Hutingdon Hall, Worcester in September 2000. Though its most popular release was 2009, it is possible that earlier copies were released in 2000.
Rhythm Methodist is the fourth studio album by Phil Beer. Recorded at Riverside Studio whilst on a break from Show of Hands, the album is a double album, with disc one, Songs, containing cover versions of songs, whilst disc two, Instrumentals, consists almost entirely of Beer's arrangements of traditional, instrumental pieces. An eclectic array of instruments, influences and guest musicians feature on the album.
The Fiddle Collection is a studio album with tracks from various British fiddle players produced by Phil Beer. Released in 1999, it was Beer's first solo project of the year during his temporary break from Show of Hands. Promoted with the tagline "this really is modern folk music", it featured fifteen different, original tracks by different UK violin-playing folk musicians, and was designed to represent the fiddle and folk scene in the United Kingdom.
Show of Hands is the debut album by English folk duo Show of Hands. The duo formed when Phil Beer took a break from folk rock band The Albion Band, requesting to Steve Knightley that they record a cassette together in Knightley's garage. Knightley, who had recently returned to the duo's native Devon after departing London, agreed, and the duo recorded the album together in January 1987 in Catsley Home, described by Knightley as an outbuilding in the remotest part of Dorset. The album contains twelve compositions, mostly songs by Knightley.
Out for the Count is the third album by Show of Hands. The album follows Phil Beer's departure from The Albion Band in 1990, allowing Show of Hands to become a full-time partnership. Recorded straight to Digital Audio Tape in The Old Court, Devon, in 1991, the duo released the album later on in the year on cassette, becoming the final of their cassette-only releases.
Wake the Union is the sixteenth studio album by British folk duo Show of Hands. Although their fifteenth studio album, it is their eighth in their "canon" of studio albums. The release follows the successful Arrogance Ignorance and Greed (2009) and the limited edition albums Covers 2 (2010) and Backlog 2 (2011). Recorded and produced by Mark Tucker, the album takes a strong influence from both English and American folk music and was created as a "journey through of [the two countries'] landscapes united by a common tongue and musical heritage". The album again features their unofficial third member Miranda Sykes. The album was also described by Knightley as a direct continuation of Arrogance Ignorance and Greed, although critics saw it as very distinct in its own right. The album was also a 20th anniversary celebration for the duo.
Miranda Sykes is an English folk singer, double-bassist and guitarist who performs with Steve Knightley and Phil Beer in the acoustic roots/folk group Show of Hands. As of 2019 she is undertaking solo performances while on maternity leave from the group. She has recorded with Show of Hands and has also performed and recorded as a duo with mandolin player Rex Preston.