Arrogance Ignorance and Greed | ||||
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Studio album by | ||||
Released | 26 October 2009 | |||
Recorded | 2009 | |||
Studio | Riverside Studios, Exeter, Devon | |||
Genre | ||||
Length | 52:29 | |||
Label | Hands on Music | |||
Producer | Stu Hanna | |||
Show of Hands chronology | ||||
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Singles from Dark Fields | ||||
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Arrogance Ignorance and Greed is the fourteenth studio album by English folk duo Show of Hands. Released in 2009 on the band's label Hands on Music, the album was produced by Stu Hanna of the English folk duo Megson, with additional production by Mark Tucker. The album followed an emotionally painful period for Steve Knightley where members of his family battled serious illnesses. This led to the album becoming particularly personal and darker than previous Show of Hands albums, aided by Hanna's direct and sharp production. The album also discusses several social and political concerns, and contains several collaborations with other musicians and vocalists.
The album was released to a positive critical reception, many praising the darker tone to the album, Knightley's lyrics and Hanna's production. Some fans, however, were alienated by the album. The album entered the UK Album Chart at number 170, becoming their first album to chart. The album featured in numerous year-end best albums lists, including Fatea Magazine who named it "Album of the Year 09," [1] and at the BBC Radio 2 Folk Awards 2010, the band won the award for "Best Duo" whilst the album's title song won "Best Original Song".
In 2006, the duo's album Witness had proven unusually successful. The album was produced by Simon Emmerson and Massey of Afro Celt Sound System and featured a crossover African and electronica-influenced sound with the band's typical English folk style. The album marked the first time since Beat about the Bush (1994) that the duo had undertaken experiments with a rhythm section. Although some fans were uncertain of the album's direction, many fans and critics welcomed it and it became the band's best-selling album. [2] The duo toured in 2006–2007, which included a unique "Tour of Topsham" pubs and a 20th anniversary concert at the Royal Albert Hall. Steve Knightley also released his solo album Cruel River (2007).
The duo had decided that their next album would continue the outsider producer motif of Witness, only with a different style. Prior to recording, Knightley endured a couple of painfully emotional years as his mother, brother and young son all battled serious illness. [3] This had great effect on the music he began to write. He recorded a re-recording of his album Track of Words (1999) entitled Track of Words: Retraced for release in mid-2009 and undertook a promotional tour. At the same time, Beer was hooked on seafaring after fulfilling a lifelong dream by crewing on Pegasus in the Tall Ships Race in 2009. The 74 ft Bristol-built wooden cutter – owned by the educational Island Trust – crossed the finishing line in second place in its class after a voyage of 4,500 nautical miles visiting 12 countries. [4] Beer's reclusion from music lead to a more prominent musical part from Knightley, and the duo began work on the album in early 2009. Knightley said that "on this record, it seemed there was a connection between current affairs and personal affairs but I didn't know how to turn it into songs, and so I sort of suddenly found a way." [5] Although the duo had already played four of the songs live, most of them were written in a "rush" in Spring 2009. [5] During the tour's two-week tour of Germany in Spring 2009, Knightley said that although he did not have a lot of songs "in the locker, they all came sort of pouring out with a bit of distance between me and home." [5] Sykes recalled that during the Germany tour, Knightley told her to listen to his new composition "IED", and she cried and was "pretty speechless". [6]
—David Kidman of NetRhythms. [7]
The album was produced by Stu Hanna of the band Megson, who brought the album what one review described as "distinctive (cutting) edge of extra-crisp definition", [7] and was recorded at Riverside Studios, Exeter, in 2009. [8] Colin Irwin of the BBC said that "the mix of Knightley’s intense material and Hanna’s brutally direct production gives Show of Hands an almost punk potency" and said the album has an "overriding rawness", [3] whilst Jeanette Leech, also of the BBC, acknowledged the duo "stripped back the Show of Hands sound, evoking a politicised post-folk, pre-punk grittiness." [9] Irwin also observed that Knightley sings "so close to the microphone it feels like he’s climbed right inside your ear," reflecting the album's "inherent darkness". [3] Spiral Earth commented that Hanna "boldly puts Steve's vocal right up in the mix." [10] Mark Tucker also provided additional production on the album. [11]
David Kidman of NetRhythms noted that "the overall soundscape" of the album "can actually sound rather stark", even compared to the duo's "more bare-bones-style" from earlier offerings, but noted that "this element carries with it a distinctive (cutting) edge of extra-crisp definition, and it accentuates that additional degree of uneasy bleakness [he] noted in so many of the songs," giving much credit to Stu Hanna for the sound. [7] He also noted that "although it is characterised by the direct, literal potency of the actual lyrics, it's arguably brought out even more in the new gravel-edged textural quality that Steve's singing voice has now developed: a cracked vulnerability, an extra dimension of grainy weariness (at once resigned and resolutely defiant - the fist is definitely clenched), where he seems drained from the personal events he's undergone over the past year." [7] He noted that at times this makes for "a less than comfortable listen and take a bit of getting used to", but that it was "very powerful indeed". [7] Spiral Earth observed that "the songs deal with everything from the global financial meltdown to Darwin's theories, Knightley's ability to conjure a whole gallery of images from a few words is the ongoing delight." [10] The BBC noted the album carried an "inherent darkness" that was the direct result of Knightley's trauma. [3]
The duo's regular collaborator Miranda Sykes appears on the album, performing both the double bass and singing backing vocals. [11] Jackie Oates performs a vocal duet with Knightley on "The Vale" and "The Keys", while Debbie Hanna has a vocal cameo on "IED: Science and Nature" and "Drift". [11] Andy Tween performs "refreshingly lean-etched" drumming and cajon on four tracks, [7] Matt Clifford performs piano on a further two, and the three members of Mawkin: Causley appear on "The Napoli". [11]
The album begins with "Lowlands", a traditional song re-arranged by the duo. The song is an a cappella sung by Knightley alone. One commentary noted that the duo had the "temerity" to start the album with the piece, with Knightley's voice being "starkly unaccompanied," [10] whilst another noted that his vocal provides a "deceptively underpowered-seeming opening gambit, and yet before too long you feel it subliminally creeping up on you with the onset of some eerie drone instrumentation, as Steve's voice acquires a breathtaking and disturbing quality." [7] The BBC noted that "Knightley’s boldly coarse delivery of "Lowlands" instantly sets up the mood of rugged wayness that characterises the record." [3] The song is followed by the tongue-in-cheek "Evolution", which primally purveys Knightley's own personal stance on Darwinian theory. [7] The third track, "The Man I Was", is one of the album's most autobiographical and "penetratingly soul-searching" songs. [7] The "biting social comment" of "The Napoli" is a collaboration with Jim Causley and the Delarre Brothers, and features Knightley's "wry observance and his perceptive wit." [10] The song is followed by the duo's cover version of Bob Dylan's "Senor (Tales of Yankee Power)". [11]
The BBC noted that with the sixth track, "IED: Science or Nature", "disease is sinisterly portrayed as an unexploded bomb waiting to be detonated by forces unknown amid ghostly echoes of the traditional song "The Trees They Do Grow High"". [3] "The Vale" has been said to evoke Knightley's mother's wartime evacuation to a Dorset village, [7] whilst the title track, "Arrogance Ignorance and Greed", is a "heartfelt tirade" against bankers and bonuses, MPs and expenses. [12] Beer's electric fiddle sound on the song was inspired by Jackson Browne. [5] "Secret World", sung by Beer, is a cover of the Peter Gabriel song from his album Us (1992). [11] The duo re-recorded the song for their following album Covers 2 (2010). One reviewer observed "something of a lack of Beer's trademark flourishes, the fiddle, slide guitar and his voice on "AIG", hardly surprising considering his activities this year. The unexpected result is a shake up in the trademark SOH sound that will inject fresh variety into their live performances." [13] "The Worried Well" is a gospel-tinged "full-throttle assault" on alternative medicine, [3] whilst the traditional "Keys to Canterbury" is a vocal duet between Knightley and Jackie Oates that has been described as "driving, funky-folk". [7] The last listed song on the album is "Drift", described as a "weird emotional melting-pot that produces the apprehensive daydreaming reverie." [7] The album finishes with an unlisted hidden track on a separate track number, which is officially untitled but often referred to as "Rain Rain Go Away". [14]
The album was announced in the duo's fan club newsletter of July 2009, and the album quickly became "hotly anticipated". [15] The duo uploaded samples of the album onto their website 29 September 2009. [16] In addition to touring, the duo spent the end of September and much of October promoting the album on radio. The duo were interviewed by John Rockley for his BBC Radio Gloucestershire show on 30 September. [17] Bob Harris played "Evolution" on his BBC Radio 2 show the following day. [18] On 4 October, the duo began their County Town Tour. [19] Mike Harding played a song from the album on his BBC Radio 2 show The Mike Harding Show on 7 October. [20] On 8 October, Knightley was interviewed about the album on Spirit FM's show The Ian Crouch Show. [21] Mike Harding interviewed the duo for 15 October for usage on a later show. [22] On 17 October, Beer was interviewed about the album for BBC Radio Wiltshire and on 18 October by Ian Pearce for BBC Three Counties Radio. [23] On 21 October, John Barnes interviewed Knightley about the album for BBC Radio Lancashire and on 22 October, he appeared on The Paul Franks Show to talk about the album on BBC WM. [24] On both days, Fiona Talkington played songs from the album on BBC Radio 3's Late Junction show. [24] On 23 October, Johnnie Walker played the title track on BBC Radio 2 and declared Show of Hands to be "such a good band". [25] This airing of the song saw the album climb numerous Amazon.co.uk charts. [26] The duo reported on 23 October that it currently charted at number 49 on the "Music Bestsellers (All)" chart", number 3 on the "Music Bestsellers (World & Folk genre)" chart, a rise of 150%, number 12 on the "Hot Future Releases (All)" chart, number 1 on the "Hot Future Releases (World & Folk)" chart and number 9 on the "Movers & Shakers In Music" chart, a rise of 157%. [27]
Besides radio promotion, the album was promoted in other ways. On 7 October, Play.com ran a competition giving 25 fans the chance to win a pair of tickets to see Show Of Hands premiere the album at an exclusive concert in the Gibson Guitar Rooms in Central London on 28 October. [28] The competition closed on 18 October. [28] The album itself was released on 26 October 2009 via the duo's own independent record label Hands on Music with the catalogue number HMCD29. [11] A radio promo CD containing the songs "Evolution", "Arrogance Ignorance and Greed" and "The Man I Was" was distributed to radio stations in 2009. [29] The title song of the album, "Arrogance Ignorance and Greed", was released as its own single two times in 2010, firstly without any other tracks and secondly as a double A-side with "The Keys to Canterbury". It was also featured in The Guardian "F&M Playlist" on 6 November, [30] and a music video was produced for the song which was uploaded to the duo's YouTube channel on 13 November. [31] Knightley also published his fourth songbook, Songbook 4, in 2010, featuring the eleven songs he composed for the album. [32] Jon Richardson played "Senor" on BBC Radio 6 Music on 22 November, [33] whilst "The Keys to Canterbury" featured as the tenth song in the December 2009 playlist for "Ian Anderson's fRoots Radio Show". [34]
Review scores | |
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Source | Rating |
BBC | favourable [35] |
Fatea Magazine | favourable [36] |
NetRhythms | favourable [7] |
Spiral Earth | [10] |
The album was released to a positive critical reception. Colin Irwin of the BBC said the album was "a committed, convincing reinvention of a Brit folk institution" and an "extraordinarily earthy effort" that shows the duo "punching hard". [3] David Kidman of NetRhythms was impressed with the music on the album, although less so with its sequencing, but ultimately considering the album "indispensable". He said that "notwithstanding the overall excellence of the product and its abundance of must-have qualities, the final impression on complete playthroughs still obstinately remains one of an album whose sum is less constantly great than its individual constituent parts. For, although credibly sequenced, it doesn't quite hang together logically; perhaps befitting its coy bonus track (the gentle, quiet backporch-style singalong "Rain Song"), it's a cloudy, mist-ridden enigma from which (I'm convinced) at some unspecified time in the future the fog is destined to suddenly part. It's nevertheless rapidly becoming one of the most indispensable Show Of Hands releases for me." [7] Spiral Earth were very positive in their review, saying that despite the album being the band's twentieth, the duo "still no sign of predictability or laurels being sat upon." [10] Fatea Magazine said that the album was "political, passionate, life affirming – this is folk of true Olympian proportions. If there’s a better written, produced and performed album released this year I’m going to have to commission someone to invent new superlative." [36] On 7 November, The Independent named it "Album of the Week". [37] Whilst playing "Senor" from the album on his BBC Radio 6 Music show, Jon Richardson said "the album is just amazing". [33]
Due to considerable promotion, the album charted at number 170 on the UK Album Chart, their first album to chart. [38] Although the album was met with critical praise, Phil Beer of the duo said the album did not "go down well" with the duo's core audience. [39] The album's new direction and Hanna's production was not to the liking of all the duo's fans, but many of them welcomed the album. [40] The album was included in Mike Ganley's Crooked Road "Top 10 Albums 2009" list, [41] and was a runner-up in the fRoots critics' poll of the top 20 "New Albums of 2009". [42] Fatea Magazine named it "Album of the Year 09". [1] At the Spiral Earth Awards 2010, the duo were nominated for "Best Album", where they finished third, [43] "Best Trad Song" for "The Keys of Canterbury", where they finished second, [44] and "Best Group", where they also finished second. [45] At the BBC Radio 2 Folk Awards 2010, the duo won the award for "Best Duo" and the title song of the album won the award for "Best Original Song". [12] Knightley received the award for the song by poet Ian McMillan. [46] World Music noted that the song "not surprisingly resonated with a lot of the population". [12]
On 3 August 2010, they released an exclusive live version of the song recorded backstage at Cambridge Folk Festival as they met up with Mike Harding of BBC Radio 2. [47] This version was only uploaded on to the BBC's folk blog. [47] In February 2011, the band performed the song on The Andrew Marr Show , where they "serenaded" William Hague with it. [48] In November 2010, the band released their next album, a set of cover versions entitled Covers 2 which featured re-recordings of two of the songs from Arrogance Ignorance and Greed; the title track was recorded in a self-proclaimed "'lite' version" entitled "AIG 2", whilst their cover of Gabriel's "Secret World" was also re-recorded. [49] Independent record label Nascente included "The Keys to Canterbuy" on their various artists compilation album Beginner's Guide to English Folk (2012). [50]
All tracks written by Steve Knightley, except where noted.
Chart (2009) | Peak position |
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UK Albums Chart [38] | 170 |
Phil Beer is an English multi-instrumentalist, composer, producer, and one half of English acoustic roots duo Show of Hands.
Beat About the Bush is the fourth studio album by English acoustic roots duo Show of Hands. Originally released by Twah! Records in 1994, it was their debut studio album to be released on CD, following the discontinued cassette albums that are Show of Hands from 1987, Tall Ships from 1990 and Out of the Count from 1991. It was their only studio album on Twah! Records, and was subsequently re-released in 1999 on the duo's own label, Hands on Music.
Show of Hands are an English acoustic roots/folk duo formed in 1986 by singer-songwriter Steve Knightley and composer and multi-instrumentalist Phil Beer. Joined by singer and double-bassist Miranda Sykes for a tour in 2004, Show of Hands continued to regularly perform as a trio with Sykes, as well as in their original format. In 2019 the line-up was further expanded by the addition of Irish percussionist Cormac Byrne.
Steve Knightley is an English singer, songwriter and acoustic musician. Since 1992 he has been one half of folk/roots duo Show of Hands along with Phil Beer. Knightley was named "Songwriter of the Nineties" by BBC Radio 6 Music in 2012.
Live is the first live album by English acoustic roots duo Show of Hands. After the duo had recorded three studio albums on cassette from 1987–1991, the last of these being Out for the Count, the duo set on recording a live album for their first Compact Disc release. They enlisted Mark Trim to engineer and produce a live album of the duo's performance at The Bull Hotel, Bridport, in the duo's native Devon. The album features all sixteen songs from the performance which featured numerous guest musicians, including the band's long-time collaborator Matt Clifford and Beer's sporadic collaborator Paul Downes.
Lie Of The Land is the fifth studio album by English acoustic roots duo Show of Hands. Following the live band setting of the band's previous album, 1994's Beat about the Bush, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with DI units and making the maximum use of pick-ups and pre-amplifiers. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in Bredon, Gloucestershire.
Live at the Royal Albert Hall is the second live album by English acoustic roots duo Show of Hands. Following the success of their stripped-down fifth studio album Lie of the Land, the duo experienced attention from major publications, who praised the album, and the duo's fan base had built. Nonetheless, the duo were unable to commerce any performances in London. Their duo and their manager and producer Gerard O'Farrell took the gamble of hosting the city's historic Royal Albert Hall for a concert on 24 March 1996. The concert would be an attempt to gather all of the duo's fans and to raise the duo's profile. The duo were ridiculed for booking the hall, with many saying the performance would not sell out. Nonetheless, not only did the performance sell out, but it did so with advance orders, and it raised the duo's profile.
Dark Fields is the sixth studio album by English acoustic roots duo Show of Hands, released in 1997 on their own label Hands on Music. The album follows the duo's 1996 performance at the Royal Albert Hall in London, a performance which raised their profile. A live album of the performance was released as Live at the Royal Albert Hall in August, becoming the band's best selling album. The duo followed the success with Dark Fields.
Country Life is the eleventh studio album by English acoustic roots duo Show of Hands. Released in 2003, it marks a departure for the band, with stronger socially and politically lyrics than the duo's previous albums, as well as showcasing the duo exploring a larger musical palette. Some of the album's lyrics concern rural issues which Knightley had taken to heart in previous years, including in the aftermath of their previous lyrical album Cold Frontier (2001). Prior to the release of Country Life, the duo had released an instrumental album named The Path. Both The Path and Country Life were released close together. The album was packaged in a lavish set which included a bonus disc of demo versions and other bonus material. The album's title track was also promoted by the band's first music video.
Cold Frontier is the ninth studio album by English acoustic roots duo Show of Hands. It was recorded in early 2001 on location by the Countess Wear at the River Exe, Exeter, Devon, with Mick Dolan, engineer for Steve Winwood, co-producing the album with the duo. The album features a stripped down, acoustic sound. The duo's website says the album is "possibly Show of Hands’ finest work so far." The album comes with a full colour twenty page booklet, all the lyrics, and comments on the background of each track.
The Path is the tenth studio album by English acoustic roots duo Show of Hands, released in April 2003. The album was conceived as an "instrumental journey" around the South West Coast Path, a 630-mile coastline path opened in 1978 in the duo's native West Country, and a celebration of the coastline's "sights and sounds". It is the band's only completely instrumental album, with each of its songs named after and inspired by different locations on the path. It was a project between Show Of Hands and The South West Coast Path Team, as part of the latter's celebrations for the silver jubilee of the path. As such the album is endorsed by various organisations who own different parts of the path, namely The Countryside Agency, The National Trust and English Heritage Commission,.and the music is ambient instrumentals inspired by different locations around the coastline.
Cold Cuts is the third live album by English acoustic roots duo Show of Hands. Following the duo's successful Royal Albert Hall performance in 2001 which was televised as The Big Gig, the duo released the studio album Cold Frontier in September of that year, which saw the duo use a more basic instrumental set up that what they had grown accustomed to. A critical success, they followed it with The Cold Frontier Tour in November 2001. The tour was unusual in that the duo opted to perform both obscure older material and cover versions in re-arranged formats, in addition to material from Cold Frontier. Many of the tracks had never featured on a Sho of Hands album before. A critical success, the duo and Mick Dolan had recorded performances from the tour for usage as the live album Cold Cuts.
Witness is the twelfth studio album by British folk duo Show of Hands. The album was recorded in January 2006 at Presshouse Studio, Colyton, Devon, and was produced by Simon Emmerson and Simon ‘Mass’ Massey from the Afro Celts, who helped to incorporate elements of traditional African, ambient and electronic dance music with the duo's characteristic folk style. It was the band's first album in twelve years to use a rhythm section. Lyrically, the album addresses communal and heritage values, and was described by the duo's lead singer Steve Knightley as a "cinematic style journey of the West Country." The album features unofficial third member Miranda Sykes on ten of its twelve tracks.
Jim Causley is an English folk singer, songwriter, and musician from Devon who specializes in the traditional songs and music of the West Country. Journalist Colin Irwin has called him "the finest singer of his generation".
As You Were is the fourth live album by English acoustic roots duo Show of Hands. Following the release of their acclaimed tenth studio album Country Life in 2003, which itself was promoted by a tour, the duo were named the "Best Live Act" at the 2004 BBC Radio 2 Folk Awards. The live interest in the duo ultimately lead to a greater interest when the band announced their Autumn Tour 2004. The tour itself ran from November–December and included Miranda Sykes as a collaborator, her first collaboration with the duo. With the band's producer and engineer of the era Mick Dolan, the entire tour was recorded onto MiniDisc, with the duo subsequently ploughing through each concert recording the following day to identify the best performances and then collating and working through the "A list again" to find the best tracks to create the live album.
Covers 2 is the fourteenth studio album by British folk duo Show of Hands. An official collaboration with double bassist and vocalist Miranda Sykes, who had been the duo's unofficial third member for six years, it is the duo's second album of cover versions, following Covers (2000). The album was intended for "friends and fans" of the duo, and an attempt to record songs that the duo had played live for some time. The album was produced by Mark Tucker and recorded as a mostly "straightforward" recording with little overdubs or extra production work.
Wake the Union is the sixteenth studio album by British folk duo Show of Hands. Although their fifteenth studio album, it is their eighth in their "canon" of studio albums. The release follows the successful Arrogance Ignorance and Greed (2009) and the limited edition albums Covers 2 (2010) and Backlog 2 (2011). Recorded and produced by Mark Tucker, the album takes a strong influence from both English and American folk music and was created as a "journey through of [the two countries'] landscapes united by a common tongue and musical heritage". The album again features their unofficial third member Miranda Sykes. The album was also described by Knightley as a direct continuation of Arrogance Ignorance and Greed, although critics saw it as very distinct in its own right. The album was also a 20th anniversary celebration for the duo.
The Long Way Home is the seventeenth studio album by the folk duo Show of Hands. It was released on 15 January 2016, although copies were available at dates on the autumn tour in 2015.
Centenary: Words & Music of the Great War is a studio album released in 2014 to commemorate the centenary of the outbreak of World War I. The unique project is a double album by English folk duo Show of Hands; the first disc features war poems recited by Jim Carter and Imelda Staunton set to the duo's music, whilst the second disc features songs inspired by the War, sung instead by Show of Hands' lead singer Steve Knightley.
Backlog 2 is the fifteenth studio album by Devonian folk duo Show of Hands. Following the release of their limited edition "back to basics" cover album Covers 2 (2010), which was intended for "fans and friends" and released in a limited edition manner in a way that would only appeal to fans and friends, the duo wanted to release an album with fan participation. As the duo had retired many of their older songs from live performances, they asked fans on their internet forum Longdogs to select twenty Show of Hands tracks from 1992–2003 that they would like to hear the duo perform and re-record.