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Beat About the Bush | ||||
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Studio album by | ||||
Released | 19 February 1994 | |||
Recorded | January 1994 | |||
Studio | Wytherston Studios, West Dorset, England, United Kingdom | |||
Genre | ||||
Length | 55:20 | |||
Label | Twah! records Twah105 (1994) Hands on Music HMCD08 (1999) | |||
Producer | Mike Trim | |||
Show of Hands chronology | ||||
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Beat About the Bush is the fourth studio album by English acoustic roots duo Show of Hands. Originally released by Twah! Records in 1994, it was their debut studio album to be released on CD, following the discontinued cassette albums that are Show of Hands from 1987, Tall Ships from 1990 and Out of the Count from 1991. It was their only studio album on Twah! Records, and was subsequently re-released in 1999 on the duo's own label, Hands on Music.
Following Mike Trim's successful recording engineer work on Show of Hands Live , the joint vision on Beat About the Bush was to produce an elusive "radio friendly" folk/roots album that retained the band's live sound whilst adding a rhythm section. However, despite positive critical reception, radio reaction was minimal, and the duo subsequently moved towards a stripped down folk sound, and would not return to bass and percussion until 2006's Witness .
The track "The Galway Farmer" would later be a staple on every live performance by the duo (and Steve Knightley solo). It is one of the band's better known tracks, and would end up being on various other albums in different recordings (such as its appearance on the band's well known live album of their 1996 performance at the Royal Albert Hall, where it closed the main set.) The song "Day Has Come" would be completely re-arranged for future live performance. "The Oak" has continued to be played live amongst other songs on the album, including the traditional "Blue Cockade".
Show of Hands, a duo of Devonian folk musicians Steve Knightley and Phil Beer, formed in 1987. [2] The musicians had known each other for a long time. Their first recorded collaboration featured on Beer's first live album with Paul Downes, 1980's Live in Concept. Show of Hands formed whilst Beer was a member of The Albion Band. The duo's first album, Show of Hands, was released on cassette in 1987, followed by Tall Ships in 1990.
Later on in 1990, Beer left The Albion Band, [3] letting Show of Hands become a full musical partnership, [2] recording another cassette album, Out for the Count in The Old Court in 1991. [2] This was their last cassette album, and marked a hiatus for the duo as they formed the band Alianza with Dave Townshend with three Chilean musicians, exploring world music. For Alianza's only album, released in 1992 on the record label Road Goes on Forever, Knightley wrote tracks Show of Hands would later perform, such as "Santiago", as well as re-recording an older Show of Hands track, "Tall Ships". The band disbanded and the duo returned to performing as Show of Hands. Featuring a contribution from Beer's earlier collaborator Paul Downes, a live performance from the duo from 8 June 1992 at Bridport's Bull Hotel was released on The Road Goes on Forever in 1992 as Show of Hands Live, produced by Mike Trim, and their first album released on CD. Trim's work for the album inspired the duo's next project; on TWAH! Records, the duo prepared for Beat About the Bush, their first CD studio album. Their only studio work in 1993 was the Columbus EP, but the duo would return to the studio to record the new album with Trim in January 1994.
Mike Trim's successful recording engineer work on Show of Hands Live lead to his and the duo's joint vision on Beat About the Bush to produce an elusive "radio friendly" folk/roots album that retained the band's live sound whilst adding a rhythm section. [4] The duo had not experimented with a rhythm section before. Knightley sings and plays acoustic guitar, whilst Beer plays fiddle, mandolin, viola, slide guitar and melodeon on the album and has been credited for being responsible "for a lot of the unseen hard work involved in the development of the material's arrangements." [5] The album also features various guest musicians; Knightley later commented that "lots of friends were drafted for the sessions". [4] The album was recorded in January 1994 at Wytherston Studios, West Dorset. [6]
Nine of the songs are compositions by Knightley, these songs are commentaries on life and lifestyles, some with "the undercurrent of secondary story lines or oblique points, drawn out by a subtle shift of view." [5] Living Tradition noted "Cars" pulls listeners "into this song, berating traffic congestion and the sheer number of vehicles, and are then faced with the questions, "Does anybody walk here? Or anywhere?"." [5] The same publication noted "Class of Seventy Three", "Shadows in the Dark", "Day Has Come" and "The Hook of Love" with their "strong lyrics and melody lines, work well with their given arrangements, variations on folk leaning towards low key, soft rock", comparing the songs to Dolores Keane, Mary Black and Bonnie Raitt. [5] "The Galway Farmer", one of the duo's better known songs, is about an Irishman betting on a horse at a race at Cheltenham Racecourse and winning, despite being ridiculed beforehand. [7] [8] Knightley, who was a part-time teacher, noticed the job's unusual impact on the song, commenting "I taught part time for about four years but I think the impact on the songs was a bit of rigour when it came to facts and figures. I like to know my history and geography. Even when I wrote ["The Galway Farmer"]. I like to know the odds and I like to know the number of jumps." [9] The song has been played live many times by the band. Many of the songs have been re-arranged for live performances, including most notably "Day Has Come", whose musical structure was re-arranged for their 1996 performance at the Royal Albert Hall and further performances of the song. The album also includes four traditional performances.
The album cover features a photograph of the duo holding up musical instruments covering their faces, photographed by George Wright. [6] In 2007, Steve Knightley recalled of the cover shoot that "after one boozy late night with Ralph McTell, [the duo] were in no state to face the cameras for the CD cover shot the next day. The suggestion to cover [the duo]'s faces with instruments came from George Wright, the photographer and save the world from a sorry spectacle." [10] Visual Image are credited for the sleeve design, whilst Paulyn de Fresnes created the serif titling on the cover. [6] The title of the album, Beat About the Bush, is an English phrase meaning "to prevaricate and avoid coming to the point." [11] The phrase is old and first appeared in the mediaeval poem "Generydes - A Romance in Seven-line Stanzas", circa 1440. [11]
"If you’ve ever been to Cheltenham Racecourse in November, mingled, mixed and shared a drink with our Irish brethren, this song is for you. A Galway farmer crosses the Irish Sea in search of lady luck. He places a £2000 bet on Galway Bay, a 20-1 outsider. Knightley sets up the horse racing spectacle. Show of Hands ramp up the pace and volume as they take us over fences, stumbles, rattling hoofs, misguided choice of horse, then the last furlongs and final sprint. Beer on violin drives the race on and on at an electrifying tempo, as the audience stamp, clap, holler for Galway Bay to hit the finish line first. Pure theatre, excitement and enjoyment is encapsulated in one song."
—Owen Peters of Penny Black Music referring to "The Galway Farmer". [8]
Beat about the Bush was released by Twah! Records on 19 February 1994. [12] Peter Fairbairn of The Living Tradition's review of the album concluded that "the duo work well together and with this mix of their own material plus a fine set of tunes and a couple of traditional songs including a soulful version of "Blue Cockade", Beat About the Bush should appeal to a large and varied range of tastes." [5]
Knightley noted in 2007 that despite Trim's "best efforts" to achieve a radio-friendly sound, "radio reaction was minimal", [4] and as such, another ten years were to pass before the duo "dipped [their] toes once more into the world of bass and percussion", [4] the latter part referring to their 2006 album Witness . During the supporting tour of Beat about the Bush that followed its release, the band met engineer-producer Gerard O'Farrell, whom they hired for their live performances, and he became Show of Hands' manager within the year, producing the duo's subsequent album Lie of the Land in July 1995. [2] It was also following the release of Beat about the Bush that Knightley gave up his job of being a part-time teacher. [13]
The band left TWAH! Records following the album's original release and signed with Isis Records for the band's follow-up album, Lie of the Land , in 1995, which, partly thanks to producer Gerard O'Farrell, features a simpler folk sound than Beat about the Bush. The duo then in 1996 established their own record label, Hands on Music, who have released all of the band's subsequent albums. Twah! Records re-released Beat about the Bush in Germany in 1997, [14] whilst the duo's own label Hands on Music also re-released the album in the UK and worldwide in 1999, alongside Show of Hands Live and Lie of the Lands, as both had been out of print following the disbandment of both Twah! Records and Isis Records. [15]
As the band's prior three, cassette-only albums had been out of print prior to the release of Beat About the Bush, a compilation of several songs from them was released in 1995 as Backlog 1987 –1991. As those original albums still remain out of print, Beat About the Bush is sometimes seen as the duo's debut album. The song "The Galway Farmer" was featured on the 2000 compilation The Best of British Folk. [16]
All songs written by Steve Knightley, except where noted.
Phil Beer is an English multi-instrumentalist, composer, producer, and one half of English acoustic roots duo Show of Hands.
Show of Hands is an English acoustic roots/folk duo formed in 1986 by singer-songwriter Steve Knightley and composer and multi-instrumentalist Phil Beer. Joined by singer and double-bassist Miranda Sykes for a tour in 2004, Show of Hands continued to regularly perform as a trio with Sykes, as well as in their original format. In 2019 the line-up was further expanded by the addition of Irish percussionist Cormac Byrne.
Steve Knightley is an English singer, songwriter and acoustic musician. Since 1992 he has been one half of folk/roots duo Show of Hands along with Phil Beer. Knightley was named "Songwriter of the Nineties" by BBC Radio 6 Music in 2012.
Live is the first live album by English acoustic roots duo Show of Hands. After the duo had recorded three studio albums on cassette from 1987–1991, the last of these being Out for the Count, the duo set on recording a live album for their first Compact Disc release. They enlisted Mark Trim to engineer and produce a live album of the duo's performance at The Bull Hotel, Bridport, in the duo's native Devon. The album features all sixteen songs from the performance which featured numerous guest musicians, including the band's long-time collaborator Matt Clifford and Beer's sporadic collaborator Paul Downes.
Lie of the Land is the fifth studio album by English acoustic roots duo Show of Hands. Following the live band setting of the band's previous album, 1994's Beat about the Bush, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with DI units and making the maximum use of pick-ups and pre-amplifiers. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in Bredon, Gloucestershire.
Live at the Royal Albert Hall is the second live album by English acoustic roots duo Show of Hands. Following the success of their stripped-down fifth studio album Lie of the Land, the duo experienced attention from major publications, who praised the album, and the duo's fan base had built. Nonetheless, the duo were unable to commerce any performances in London. Their duo and their manager and producer Gerard O'Farrell took the gamble of hosting the city's historic Royal Albert Hall for a concert on 24 March 1996. The concert would be an attempt to gather all of the duo's fans and to raise the duo's profile. The duo were ridiculed for booking the hall, with many saying the performance would not sell out. Nonetheless, not only did the performance sell out, but it did so with advance orders, and it raised the duo's profile.
Dark Fields is the sixth studio album by English acoustic roots duo Show of Hands, released in 1997 on their own label Hands on Music. The album follows the duo's 1996 performance at the Royal Albert Hall in London, a performance which raised their profile. A live album of the performance was released as Live at the Royal Albert Hall in August, becoming the band's best selling album. The duo followed the success with Dark Fields.
Folk Music is the seventh studio album by English acoustic roots duo Show of Hands. After the successes of their 1996 Royal Albert Hall performance and their subsequent album Dark Fields (1997), the duo decided to record a limited edition album featuring the duo's renditions of traditional folk music. It was recorded in September 1998 as a project to connect the band to their roots.
Country Life is the eleventh studio album by English acoustic roots duo Show of Hands. Released in 2003, it marks a departure for the band, with stronger socially and politically lyrics than the duo's previous albums, as well as showcasing the duo exploring a larger musical palette. Some of the album's lyrics concern rural issues which Knightley had taken to heart in previous years, including in the aftermath of their previous lyrical album Cold Frontier (2001). Prior to the release of Country Life, the duo had released an instrumental album named The Path. Both The Path and Country Life were released close together. The album was packaged in a lavish set which included a bonus disc of demo versions and other bonus material. The album's title track was also promoted by the band's first music video.
Cold Frontier is the ninth studio album by English acoustic roots duo Show of Hands. It was recorded in early 2001 on location by the Countess Wear at the River Exe, Exeter, Devon, with Mick Dolan, engineer for Steve Winwood, co-producing the album with the duo. The album features a stripped down, acoustic sound. The duo's website says the album is "possibly Show of Hands’ finest work so far." The album comes with a full colour twenty page booklet, all the lyrics, and comments on the background of each track.
Covers is the eighth studio album by English acoustic roots duo Show of Hands. The album was released in 2000 by the duo's own label Hands on Music. The album exclusively features cover versions of thirteen songs by the duo, chosen and recorded to reflect the band's contemporary musical influences. As such, the album contains no Steve Knightley compositions. The album was recorded over two days in Chudleigh Town Hall, Devon, with producer Gerald O'Farrell, and features only "straight performances", with its songs being untouched by post-production or techniques such as overdubbing or double tracking, presenting a "live" sound. The album followed their limited edition release Folk Music (1998), which featured the band's versions of traditional folk songs, and was the duo's first array into creating an album of music without Knightley compositions.
Witness is the twelfth studio album by British folk duo Show of Hands. The album was recorded in January 2006 at Presshouse Studio, Colyton, Devon, and was produced by Simon Emmerson and Simon ‘Mass’ Massey from the Afro Celts, who helped to incorporate elements of traditional African, ambient and electronic dance music with the duo's characteristic folk style. It was the band's first album in twelve years to use a rhythm section. Lyrically, the album addresses communal and heritage values, and was described by the duo's lead singer Steve Knightley as a "cinematic style journey of the West Country." The album features unofficial third member Miranda Sykes on ten of its twelve tracks.
As You Were is the fourth live album by English acoustic roots duo Show of Hands. Following the release of their acclaimed tenth studio album Country Life in 2003, which itself was promoted by a tour, the duo were named the "Best Live Act" at the 2004 BBC Radio 2 Folk Awards. The live interest in the duo ultimately lead to a greater interest when the band announced their Autumn Tour 2004. The tour itself ran from November–December and included Miranda Sykes as a collaborator, her first collaboration with the duo. With the band's producer and engineer of the era Mick Dolan, the entire tour was recorded onto MiniDisc, with the duo subsequently ploughing through each concert recording the following day to identify the best performances and then collating and working through the "A list again" to find the best tracks to create the live album.
Arrogance Ignorance and Greed is the fourteenth studio album by English folk duo Show of Hands. Released in 2009 on the band's label Hands on Music, the album was produced by Stu Hanna of the English folk duo Megson, with additional production by Mark Tucker. The album followed an emotionally painful period for Steve Knightley where members of his family battled serious illnesses. This led to the album becoming particularly personal and darker than previous Show of Hands albums, aided by Hanna's direct and sharp production. The album also discusses several social and political concerns, and contains several collaborations with other musicians and vocalists.
Covers 2 is the fourteenth studio album by British folk duo Show of Hands. An official collaboration with double bassist and vocalist Miranda Sykes, who had been the duo's unofficial third member for six years, it is the duo's second album of cover versions, following Covers (2000). The album was intended for "friends and fans" of the duo, and an attempt to record songs that the duo had played live for some time. The album was produced by Mark Tucker and recorded as a mostly "straightforward" recording with little overdubs or extra production work.
Show of Hands is the debut album by English folk duo Show of Hands. The duo formed when Phil Beer took a break from folk rock band The Albion Band, requesting to Steve Knightley that they record a cassette together in Knightley's garage. Knightley, who had recently returned to the duo's native Devon after departing London, agreed, and the duo recorded the album together in January 1987 in Catsley Home, described by Knightley as an outbuilding in the remotest part of Dorset. The album contains twelve compositions, mostly songs by Knightley.
Tall Ships is the second album by Show of Hands, released in 1990 on cassette only. It contains the band's 22 minute medley "Tall Ships". Songs from the album appear on Backlog 1987-1991, a 1995 album containing songs from the band's earlier material for the first time on CD. This was due to Tall Ships going out of print later in 1990.
Out for the Count is the third album by Show of Hands. The album follows Phil Beer's departure from The Albion Band in 1990, allowing Show of Hands to become a full-time partnership. Recorded straight to Digital Audio Tape in The Old Court, Devon, in 1991, the duo released the album later on in the year on cassette, becoming the final of their cassette-only releases.
Wake the Union is the sixteenth studio album by British folk duo Show of Hands. Although their fifteenth studio album, it is their eighth in their "canon" of studio albums. The release follows the successful Arrogance Ignorance and Greed (2009) and the limited edition albums Covers 2 (2010) and Backlog 2 (2011). Recorded and produced by Mark Tucker, the album takes a strong influence from both English and American folk music and was created as a "journey through of [the two countries'] landscapes united by a common tongue and musical heritage". The album again features their unofficial third member Miranda Sykes. The album was also described by Knightley as a direct continuation of Arrogance Ignorance and Greed, although critics saw it as very distinct in its own right. The album was also a 20th anniversary celebration for the duo.
Cruel River is the second solo studio album by English folk singer-songwriter Steve Knightley. Knightley had spent 2006 with Show of Hands, his duo with Phil Beer, recording, releasing and promoting their twelfth album together, Witness, which saw the duo explore a worldbeat sound that departed from their usual English folk sound. The album was a success with critics and most fans, although some were perplexed by its direction. During a break in promoting that album with touring in early 2007, Knightley decided to record his first solo album since 1999. Hiring regular Show of Hands collaborator Mark Tucker to co-produce the album with himself, Knightley recorded the album in Presshouse Studios, Colyton in February 2007. The album explores a stripped-back, minimal English folk sound, similar to that of early Show of Hands. Lyrically, the album tackles dark subject matter.