As You Were | ||||
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Live album by | ||||
Released | 2005 | |||
Recorded | 3 November–5 December 2004, England | |||
Venue | Various
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Genre | ||||
Length | 127:05 | |||
Label | Hands on Music | |||
Producer | Mick Dolan | |||
Show of Hands chronology | ||||
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As You Were is the fourth live album by English acoustic roots duo Show of Hands. Following the release of their acclaimed tenth studio album Country Life in 2003, which itself was promoted by a tour, the duo were named the "Best Live Act" at the 2004 BBC Radio 2 Folk Awards. The live interest in the duo ultimately lead to a greater interest when the band announced their Autumn Tour 2004. The tour itself ran from November–December and included Miranda Sykes as a collaborator, her first collaboration with the duo. With the band's producer and engineer of the era Mick Dolan, the entire tour was recorded onto MiniDisc, with the duo subsequently ploughing through each concert recording the following day to identify the best performances and then collating and working through the "A list again" to find the best tracks to create the live album.
The album was released in 2005 on the duo's own record label Hands on Music. Although it was originally only sold at the duo's live performances and on their online shop, the critical success it became lead the duo to re-release it conventionally. The album was released to critical acclaim, with David Kidman of NetRhythms declaring it a "great set". [1]
In 2003, Show of Hands released two albums, the instrumental release The Path , released to commemorate the silver jubilee of the South West Coast Path, and the acclaimed Country Life . The latter was showcased the duo work on harder-edged songs that were more politically, socially and environmentally concerned, including songs based on rural issues. The title track, a "stirring" and "finely honed rant about the desecration of British country life" [2] and "an acerbic indictment of modern values", [3] brought the band renewed attention. The album itself, described by one journalist as the duo's "most ambitious" and "exciting" release up to that point, [2] was voted the 22nd all-time favourite album by Devonians in a BBC Radio Devon poll in April 2004. [4] Also in 2004, the duo won the BBC Radio 2 Folk Award for "Best Live Act". [5]
Although the duo had toured in promotion of Country Life in both 2003 and 2004, they decided to separate their touring in Autumn 2004 as a separate tour. Following on from their "Best Live Act" accolade, the duo decided to record their fourth live album on the tour. Of the duo's first three live albums, only the last of them, Cold Cuts (2002), was not based around a single concert, instead being a compilation of performances throughout the tour. The duo decided to follow this template for the new album. Despite the Autumn namesake of the tour, it in fact ran from November–December. [6] The tour ran through England for ten concerts between 3 November–5 December, all of which are represented on the album. On the tour, the duo were joined by double bass player and vocalist Miranda Sykes, who would later become the duo's unofficial "third member". [7] The tour was considered by David Kidman of NetRhythms to be a "landmark tour even by the lads' own exacting standards." [1]
The duo recorded the album with the helm of their sporadic producer Dolan on their 2004 winter tour, with Dolan credited as the album's producer. [6] Intended as a "permanent memento" of the tour, [1] Dolan and the duo recorded the entirety of each of their concerts from the tour onto MiniDisc, and then ploughed through each of the concerts the following day to identify the duo's best performances, and then collated and worked through the "A list" of the chosen highlights to find the very best of those performances and then feature those as the album. [6] Sound Performance are credited as "making" the album, [8] whilst Dave Pick mastered the album. [8]
The album contains twenty-two tracks and was the duo's first collaboration with their long time unofficial "third member" Miranda Sykes, who plays double bass and sings. [6] Jenna, who Knightley had recorded the album Western Approaches with earlier in the year, features on vocals and keyboard on "Smile She Said" and "Crooked Man". [1] Knightley's composition "The Train", which had originally featured on Dark Fields (1997), was presented in its fourth version as a medley with "Santiago" and "The Soldier's Joy." [6] One review noted that "even the sometimes-jaded and latterly more-than-slightly-predictable theatricality of Galway Farmer captivates on this occasion." [1]
The album's final song, "Don't Be a Stranger", finishes at 5:05 but in fact runs to 16:28. [8] This is due to the inclusion of a hidden track appearing after three and a half minutes of silence. The hidden track itself is not a single song but snippets of the duo talking between songs, in what is described as "between song banter", combined with short songs. [8] It consists firstly of notes about "Beach Towns", then notes about "The Eclipse", followed by a reprise of "The Galway Farmer", a joke performance of "Paranoid", a reprise of "Be Lucky" and notes about losing things. [8] This was the duo's third hidden track, following the two hidden on Dark Fields (1997) and Folk Music (1998).
The album was released in 2005 on the duo's own record label Hands on Music with the catalogue number HMCD22. [9] It was originally only sold at the duo's live performances and on their website, [1] being intended as a "souvenir recording" solely for the fans attending the concerts. [10] Nonetheless, that the album was well received meant that the duo re-released it for a conventional commercial release, and has since "become an important part of the Show of Hands catalogue." [10]
The album was very well received. Calling it a "handsome release", David Kidman of NetRhythms was very favourable, saying that "Steve and Phil sure have put this release together with care, respectful of their fans and the pleasure it will give them; they've painstakingly listened to recordings made on the tour, and chosen what they consider to be the very best of the performances for inclusion on this set, which is intended as a permanent memento of a landmark tour even by the lads' own exacting standards. Certainly it's the way I'd want to remember them if suddenly and inexplicably all other SoH records were mysteriously erased!". [1] He concluded that "firstly to any SoH devotee this set is self-recommending, whereas secondly to those (are there any?) who haven't yet succumbed it ought to be, so to this latter category of punters I'll just say get yourself along to a SoH gig pronto and snap up a copy of this great set, for after the gig you will definitely want a lasting memento of "as you were" feeling at the time." [1]
The conventional version of the album came to be due to the album's glowing reception. [10] One song from the album, "The Setting / Mary from Dungloe", featured on the duo's retrospective compilation album Roots: The Best of Show of Hands (2007). [7] The song is included on the second disc of the compilation, subtitled Longdogs, whose songs were the winners of individual polls on the duo's former internet forum Longdogs to find the best track on each of the duo's albums. [6]
On the back cover, the songs are numbered consecutively from 1 to 22. Disc one lasts 51:10, disc two lasts 75:51.
All songs written by Steve Knightley, except where noted.
*Track 11 is made up of 5:03 of "Don't Be A Stranger", 3:33 of silence and then 7:42 of live between-song banter.
The mentioned "between song banter" hidden track was made up of...
Beat About the Bush is the fourth studio album by English acoustic roots duo Show of Hands. Originally released by Twah! Records in 1994, it was their debut studio album to be released on CD, following the discontinued cassette albums that are Show of Hands from 1987, Tall Ships from 1990 and Out of the Count from 1991. It was their only studio album on Twah! Records, and was subsequently re-released in 1999 on the duo's own label, Hands on Music.
Show of Hands are an English acoustic roots/folk duo formed in 1986 by singer-songwriter Steve Knightley and composer and multi-instrumentalist Phil Beer. Joined by singer and double-bassist Miranda Sykes for a tour in 2004, Show of Hands continued to regularly perform as a trio with Sykes, as well as in their original format. In 2019 the line-up was further expanded by the addition of Irish percussionist Cormac Byrne.
Live is the first live album by English acoustic roots duo Show of Hands. After the duo had recorded three studio albums on cassette from 1987–1991, the last of these being Out for the Count, the duo set on recording a live album for their first Compact Disc release. They enlisted Mark Trim to engineer and produce a live album of the duo's performance at The Bull Hotel, Bridport, in the duo's native Devon. The album features all sixteen songs from the performance which featured numerous guest musicians, including the band's long-time collaborator Matt Clifford and Beer's sporadic collaborator Paul Downes.
Lie Of The Land is the fifth studio album by English acoustic roots duo Show of Hands. Following the live band setting of the band's previous album, 1994's Beat about the Bush, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with DI units and making the maximum use of pick-ups and pre-amplifiers. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in Bredon, Gloucestershire.
Live at the Royal Albert Hall is the second live album by English acoustic roots duo Show of Hands. Following the success of their stripped-down fifth studio album Lie of the Land, the duo experienced attention from major publications, who praised the album, and the duo's fan base had built. Nonetheless, the duo were unable to commerce any performances in London. Their duo and their manager and producer Gerard O'Farrell took the gamble of hosting the city's historic Royal Albert Hall for a concert on 24 March 1996. The concert would be an attempt to gather all of the duo's fans and to raise the duo's profile. The duo were ridiculed for booking the hall, with many saying the performance would not sell out. Nonetheless, not only did the performance sell out, but it did so with advance orders, and it raised the duo's profile.
Dark Fields is the sixth studio album by English acoustic roots duo Show of Hands, released in 1997 on their own label Hands on Music. The album follows the duo's 1996 performance at the Royal Albert Hall in London, a performance which raised their profile. A live album of the performance was released as Live at the Royal Albert Hall in August, becoming the band's best selling album. The duo followed the success with Dark Fields.
Folk Music is the seventh studio album by English acoustic roots duo Show of Hands. After the successes of their 1996 Royal Albert Hall performance and their subsequent album Dark Fields (1997), the duo decided to record a limited edition album featuring the duo's renditions of traditional folk music. It was recorded in September 1998 as a project to connect the band to their roots.
Country Life is the eleventh studio album by English acoustic roots duo Show of Hands. Released in 2003, it marks a departure for the band, with stronger socially and politically lyrics than the duo's previous albums, as well as showcasing the duo exploring a larger musical palette. Some of the album's lyrics concern rural issues which Knightley had taken to heart in previous years, including in the aftermath of their previous lyrical album Cold Frontier (2001). Prior to the release of Country Life, the duo had released an instrumental album named The Path. Both The Path and Country Life were released close together. The album was packaged in a lavish set which included a bonus disc of demo versions and other bonus material. The album's title track was also promoted by the band's first music video.
Cold Frontier is the ninth studio album by English acoustic roots duo Show of Hands. It was recorded in early 2001 on location by the Countess Wear at the River Exe, Exeter, Devon, with Mick Dolan, engineer for Steve Winwood, co-producing the album with the duo. The album features a stripped down, acoustic sound. The duo's website says the album is "possibly Show of Hands’ finest work so far." The album comes with a full colour twenty page booklet, all the lyrics, and comments on the background of each track.
The Path is the tenth studio album by English acoustic roots duo Show of Hands, released in April 2003. The album was conceived as an "instrumental journey" around the South West Coast Path, a 630-mile coastline path opened in 1978 in the duo's native West Country, and a celebration of the coastline's "sights and sounds". It is the band's only completely instrumental album, with each of its songs named after and inspired by different locations on the path. It was a project between Show Of Hands and The South West Coast Path Team, as part of the latter's celebrations for the silver jubilee of the path. As such the album is endorsed by various organisations who own different parts of the path, namely The Countryside Agency, The National Trust and English Heritage Commission,.and the music is ambient instrumentals inspired by different locations around the coastline.
Covers is the eighth studio album by English acoustic roots duo Show of Hands. The album was released in 2000 by the duo's own label Hands on Music. The album exclusively features cover versions of thirteen songs by the duo, chosen and recorded to reflect the band's contemporary musical influences. As such, the album contains no Steve Knightley compositions. The album was recorded over two days in Chudleigh Town Hall, Devon, with producer Gerald O'Farrell, and features only "straight performances", with its songs being untouched by post-production or techniques such as overdubbing or double tracking, presenting a "live" sound. The album followed their limited edition release Folk Music (1998), which featured the band's versions of traditional folk songs, and was the duo's first array into creating an album of music without Knightley compositions.
Cold Cuts is the third live album by English acoustic roots duo Show of Hands. Following the duo's successful Royal Albert Hall performance in 2001 which was televised as The Big Gig, the duo released the studio album Cold Frontier in September of that year, which saw the duo use a more basic instrumental set up that what they had grown accustomed to. A critical success, they followed it with The Cold Frontier Tour in November 2001. The tour was unusual in that the duo opted to perform both obscure older material and cover versions in re-arranged formats, in addition to material from Cold Frontier. Many of the tracks had never featured on a Sho of Hands album before. A critical success, the duo and Mick Dolan had recorded performances from the tour for usage as the live album Cold Cuts.
Witness is the twelfth studio album by British folk duo Show of Hands. The album was recorded in January 2006 at Presshouse Studio, Colyton, Devon, and was produced by Simon Emmerson and Simon ‘Mass’ Massey from the Afro Celts, who helped to incorporate elements of traditional African, ambient and electronic dance music with the duo's characteristic folk style. It was the band's first album in twelve years to use a rhythm section. Lyrically, the album addresses communal and heritage values, and was described by the duo's lead singer Steve Knightley as a "cinematic style journey of the West Country." The album features unofficial third member Miranda Sykes on ten of its twelve tracks.
Arrogance Ignorance and Greed is the fourteenth studio album by English folk duo Show of Hands. Released in 2009 on the band's label Hands on Music, the album was produced by Stu Hanna of the English folk duo Megson, with additional production by Mark Tucker. The album followed an emotionally painful period for Steve Knightley where members of his family battled serious illnesses. This led to the album becoming particularly personal and darker than previous Show of Hands albums, aided by Hanna's direct and sharp production. The album also discusses several social and political concerns, and contains several collaborations with other musicians and vocalists.
Covers 2 is the fourteenth studio album by British folk duo Show of Hands. An official collaboration with double bassist and vocalist Miranda Sykes, who had been the duo's unofficial third member for six years, it is the duo's second album of cover versions, following Covers (2000). The album was intended for "friends and fans" of the duo, and an attempt to record songs that the duo had played live for some time. The album was produced by Mark Tucker and recorded as a mostly "straightforward" recording with little overdubs or extra production work.
Show of Hands is the debut album by English folk duo Show of Hands. The duo formed when Phil Beer took a break from folk rock band The Albion Band, requesting to Steve Knightley that they record a cassette together in Knightley's garage. Knightley, who had recently returned to the duo's native Devon after departing London, agreed, and the duo recorded the album together in January 1987 in Catsley Home, described by Knightley as an outbuilding in the remotest part of Dorset. The album contains twelve compositions, mostly songs by Knightley.
Tall Ships is the second album by Show of Hands, released in 1990 on cassette only. It contains the band's 22 minute medley "Tall Ships". Songs from the album appear on Backlog 1987-1991, a 1995 album containing songs from the band's earlier material for the first time on CD. This was due to Tall Ships going out of print later in 1990.
Wake the Union is the sixteenth studio album by British folk duo Show of Hands. Although their fifteenth studio album, it is their eighth in their "canon" of studio albums. The release follows the successful Arrogance Ignorance and Greed (2009) and the limited edition albums Covers 2 (2010) and Backlog 2 (2011). Recorded and produced by Mark Tucker, the album takes a strong influence from both English and American folk music and was created as a "journey through of [the two countries'] landscapes united by a common tongue and musical heritage". The album again features their unofficial third member Miranda Sykes. The album was also described by Knightley as a direct continuation of Arrogance Ignorance and Greed, although critics saw it as very distinct in its own right. The album was also a 20th anniversary celebration for the duo.
The Long Way Home is the seventeenth studio album by the folk duo Show of Hands. It was released on 15 January 2016, although copies were available at dates on the autumn tour in 2015.
Backlog 2 is the fifteenth studio album by Devonian folk duo Show of Hands. Following the release of their limited edition "back to basics" cover album Covers 2 (2010), which was intended for "fans and friends" and released in a limited edition manner in a way that would only appeal to fans and friends, the duo wanted to release an album with fan participation. As the duo had retired many of their older songs from live performances, they asked fans on their internet forum Longdogs to select twenty Show of Hands tracks from 1992–2003 that they would like to hear the duo perform and re-record.