Phil Beer is an English multi-instrumentalist, composer, producer, and one half of English acoustic roots duo Show of Hands.
Beat About the Bush is the fourth studio album by English acoustic roots duo Show of Hands. Originally released by Twah! Records in 1994, it was their debut studio album to be released on CD, following the discontinued cassette albums that are Show of Hands from 1987, Tall Ships from 1990 and Out of the Count from 1991. It was their only studio album on Twah! Records, and was subsequently re-released in 1999 on the duo's own label, Hands on Music.
Show of Hands is an English acoustic roots/folk duo formed in 1986 by singer-songwriter Steve Knightley and composer and multi-instrumentalist Phil Beer. Joined by singer and double-bassist Miranda Sykes for a tour in 2004, Show of Hands continued to regularly perform as a trio with Sykes, as well as in their original format. The line-up was further expanded in 2019 by the addition of Irish percussionist Cormac Byrne.
Live is the first live album by English acoustic roots duo Show of Hands. After the duo had recorded three studio albums on cassette from 1987–1991, the last of these being Out for the Count, the duo set on recording a live album for their first Compact Disc release. They enlisted Mark Trim to engineer and produce a live album of the duo's performance at The Bull Hotel, Bridport, in the duo's native Devon. The album features all sixteen songs from the performance which featured numerous guest musicians, including the band's long-time collaborator Matt Clifford and Beer's sporadic collaborator Paul Downes.
Lie of the Land is the fifth studio album by English acoustic roots duo Show of Hands. Following the live band setting of the band's previous album, 1994's Beat about the Bush, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with DI units and making the maximum use of pick-ups and pre-amplifiers. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in Bredon, Gloucestershire.
Live at the Royal Albert Hall is the second live album by English acoustic roots duo Show of Hands. Following the success of their stripped-down fifth studio album Lie of the Land, the duo experienced attention from major publications, who praised the album, and the duo's fan base had built. Nonetheless, the duo were unable to commerce any performances in London. Their duo and their manager and producer Gerard O'Farrell took the gamble of hosting the city's historic Royal Albert Hall for a concert on 24 March 1996. The concert would be an attempt to gather all of the duo's fans and to raise the duo's profile. The duo were ridiculed for booking the hall, with many saying the performance would not sell out. Nonetheless, not only did the performance sell out, but it did so with advance orders, and it raised the duo's profile.
Dark Fields is the sixth studio album by English acoustic roots duo Show of Hands, released in 1997 on their own label Hands on Music. The album follows the duo's 1996 performance at the Royal Albert Hall in London, a performance which raised their profile. A live album of the performance was released as Live at the Royal Albert Hall in August, becoming the band's best selling album. The duo followed the success with Dark Fields.
Folk Music is the seventh studio album by English acoustic roots duo Show of Hands. After the successes of their 1996 Royal Albert Hall performance and their subsequent album Dark Fields (1997), the duo decided to record a limited edition album featuring the duo's renditions of traditional folk music. It was recorded in September 1998 as a project to connect the band to their roots.
Country Life is the eleventh studio album by English acoustic roots duo Show of Hands. Released in 2003, it marks a departure for the band, with stronger socially and politically lyrics than the duo's previous albums, as well as showcasing the duo exploring a larger musical palette. Some of the album's lyrics concern rural issues which Knightley had taken to heart in previous years, including in the aftermath of their previous lyrical album Cold Frontier (2001). Prior to the release of Country Life, the duo had released an instrumental album named The Path. Both The Path and Country Life were released close together. The album was packaged in a lavish set which included a bonus disc of demo versions and other bonus material. The album's title track was also promoted by the band's first music video.
Witness is the twelfth studio album by British folk duo Show of Hands. The album was recorded in January 2006 at Presshouse Studio, Colyton, Devon, and was produced by Simon Emmerson and Simon ‘Mass’ Massey from the Afro Celts, who helped to incorporate elements of traditional African, ambient and electronic dance music with the duo's characteristic folk style. It was the band's first album in twelve years to use a rhythm section. Lyrically, the album addresses communal and heritage values, and was described by the duo's lead singer Steve Knightley as a "cinematic style journey of the West Country." The album features unofficial third member Miranda Sykes on ten of its twelve tracks.
Martyn Joseph is a Welsh singer-songwriter whose music exhibits primarily a brand of Celtic and folk, while his songwriting is often focussed on social lament or protest. From independently releasing his first studio release, I'm Only Beginning, in 1983, Joseph's career has spanned forty years. In 2004, he won the Best Male Artist Category in the BBC Welsh Music Awards.
Arrogance Ignorance and Greed is the fourteenth studio album by English folk duo Show of Hands. Released in 2009 on the band's label Hands on Music, the album was produced by Stu Hanna of the English folk duo Megson, with additional production by Mark Tucker. The album followed an emotionally painful period for Steve Knightley where members of his family battled serious illnesses. This led to the album becoming particularly personal and darker than previous Show of Hands albums, aided by Hanna's direct and sharp production. The album also discusses several social and political concerns, and contains several collaborations with other musicians and vocalists.
Shrewsbury Folk Festival is an annual festival of folk and world music and traditional dance held in the town of Shrewsbury in Shropshire, England.
The Fiddle Collection is a studio album with tracks from various British fiddle players produced by Phil Beer. Released in 1999, it was Beer's first solo project of the year during his temporary break from Show of Hands. Promoted with the tagline "this really is modern folk music", it featured fifteen different, original tracks by different UK violin-playing folk musicians, and was designed to represent the fiddle and folk scene in the United Kingdom.
Show of Hands is the debut album by English folk duo Show of Hands. The duo formed when Phil Beer took a break from folk rock band The Albion Band, requesting to Steve Knightley that they record a cassette together in Knightley's garage. Knightley, who had recently returned to the duo's native Devon after departing London, agreed, and the duo recorded the album together in January 1987 in Catsley Home, described by Knightley as an outbuilding in the remotest part of Dorset. The album contains twelve compositions, mostly songs by Knightley.
Tall Ships is the second album by Show of Hands, released in 1990 on cassette only. It contains the band's 22 minute medley "Tall Ships". Songs from the album appear on Backlog 1987-1991, a 1995 album containing songs from the band's earlier material for the first time on CD. This was due to Tall Ships going out of print later in 1990.
Out for the Count is the third album by Show of Hands. The album follows Phil Beer's departure from The Albion Band in 1990, allowing Show of Hands to become a full-time partnership. Recorded straight to Digital Audio Tape in The Old Court, Devon, in 1991, the duo released the album later on in the year on cassette, becoming the final of their cassette-only releases.
Wake the Union is the sixteenth studio album by British folk duo Show of Hands. Although their fifteenth studio album, it is their eighth in their "canon" of studio albums. The release follows the successful Arrogance Ignorance and Greed (2009) and the limited edition albums Covers 2 (2010) and Backlog 2 (2011). Recorded and produced by Mark Tucker, the album takes a strong influence from both English and American folk music and was created as a "journey through of [the two countries'] landscapes united by a common tongue and musical heritage". The album again features their unofficial third member Miranda Sykes. The album was also described by Knightley as a direct continuation of Arrogance Ignorance and Greed, although critics saw it as very distinct in its own right. The album was also a 20th anniversary celebration for the duo.
Cruel River is the second solo studio album by English folk singer-songwriter Steve Knightley. Knightley had spent 2006 with Show of Hands, his duo with Phil Beer, recording, releasing and promoting their twelfth album together, Witness, which saw the duo explore a worldbeat sound that departed from their usual English folk sound. The album was a success with critics and most fans, although some were perplexed by its direction. During a break in promoting that album with touring in early 2007, Knightley decided to record his first solo album since 1999. Hiring regular Show of Hands collaborator Mark Tucker to co-produce the album with himself, Knightley recorded the album in Presshouse Studios, Colyton in February 2007. The album explores a stripped-back, minimal English folk sound, similar to that of early Show of Hands. Lyrically, the album tackles dark subject matter.
Miranda Sykes is an English folk singer, double-bassist and guitarist who performs with Steve Knightley and Phil Beer in the acoustic roots/folk group Show of Hands. As of 2019 she is undertaking solo performances while on maternity leave from the group. She has recorded with Show of Hands and has also performed and recorded as a duo with mandolin player Rex Preston.
