Ashley Hutchings MBE | |
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Background information | |
Birth name | Ashley Stephen Hutchings |
Also known as | The Guv'nor; Tyger |
Born | Southgate, London, England | 26 January 1945
Genres | Folk, British folk rock |
Occupation(s) | Musician, songwriter, arranger, bandleader, author, producer |
Instrument | Bass guitar |
Years active | 1964– |
Labels | Island Records |
Website | www |
Ashley Stephen Hutchings (born 26 January 1945), MBE, sometimes known in early years as "Tyger" Hutchings, is an English bassist, songwriter, arranger, band leader, writer and record producer. [1] He was a founding member of three noteworthy English folk-rock bands: Fairport Convention, Steeleye Span and The Albion Band. [1] Hutchings has overseen numerous other projects, including records and live theatre, and has collaborated on film and television projects.
Hutchings was born in Southgate, London, England, [1] but moved to Muswell Hill while still a child. As a teenager he became involved in the skiffle and blues movements and formed several groups, including 'Dr K's Blues Band' in 1964. He met guitarist Simon Nicol in 1966 when they both played in the 'Ethnic Shuffle Orchestra'. They rehearsed on the floor above Nicol's father's medical practice in a house called "Fairport" that lent its name to the group they formed together as Fairport Convention in 1967 with Richard Thompson, and which soon included Martin Lamble, Judy Dyble and Iain Matthews. [2]
Hutchings played on the band's first four albums. The first three, Fairport Convention (1968), What We Did on Our Holidays (1969) and Unhalfbricking (1969), largely consisted of American singer/songwriter material and original songs in a similar style. Hutchings' restrained but powerful bass style is one of the characteristics of the band in this period. The focus of the band changed with the introduction of Dave Swarbrick into the line up, who brought a virtuosity on the fiddle and a wealth of traditional tunes. This prompted Hutchings to carry out research in the English Folk Dance & Song Society Library at Cecil Sharp House which resulted in the pioneering classic Liege and Lief (1969), seen by many as the foundation of British folk rock. Hutchings was, however, increasingly unhappy with the direction of the band, as most members wanted to return to their older format. As a result, in 1969 he left to focus on more traditional projects. [3]
Hutchings' new band Steeleye Span was formed by putting together two established folk duos Tim Hart and Maddy Prior with Terry and Gay Woods. The Woodses departed the band shortly after the release of their debut album, Hark! The Village Wait (1970) and were replaced by singer/guitarist Martin Carthy and fiddler Peter Knight. The resulting line-up toured small concert venues, and released two highly regarded albums Please to See the King (March 1971) and Ten Man Mop, or Mr. Reservoir Butler Rides Again (December 1971), both featuring traditional folk songs and dance tunes with innovative electric arrangements. The bringing in of manager Jo Lustig who pushed for a more commercial sound was probably[ citation needed ] what prompted the more traditionally minded Carthy and Hutchings to leave the band, which continued with changes of line-up and achieved considerable mainstream success. [4]
By this point the ever active Hutchings already had other projects underway. He had gathered together the first incarnation of what has been the major outlet for his work, the Albion Country Band, to provide backing for his then wife Shirley Collins on her solo collection, No Roses (1971). Some of these personnel co-operated with him for the album Morris On (1972), an affectionate electric tribute to Morris Dancing and others joined him in his next project the Etchingham Steam Band from 1974 to 1976. When this dissolved without releasing a record he returned to the Albion Band in 1976, which, with many bewildering line-up changes, continued to record and tour regularly until 2002. [5]
Outside the Albion Band, Hutchings has been a frequent guest on the albums of a wide variety of folk artists. He has also continued to pursue a diversity of projects, some alone and some with groupings of more or less stability and continuity. The Morris On project has spawned several sequels across his career: Son of Morris On (1976), [1] Grandson of Morris On (2002) and Great Grandson of Morris On (2004). There have also been several other dance projects including, with John Kirkpatrick and other artists, The Compleat Dancing Master (1974), Rattlebone & Ploughjack (1976) and Kickin' Up the Sawdust (1977).
In 1984, Hutchings wrote and toured with a one-man show about folk song collector Cecil Sharp, [1] which resulted in the album An Hour with Cecil Sharp and Ashley Hutchings, (1986). [6] From this point he often combined writing and narration with his music, as in By Gloucester Docks I Sat Down and Wept: A Love Story (1987), which was produced as a live show and album in 1990. He produced an album of spoken-word material as A Word in Your Ear (1991) another themed album combining music and narration with Judy Dunlop, as Sway with Me (1991). In the late 1980s he toured with the Ashley Hutchings All Stars, leading to a live album, As You Like It (1988). With Phil Beer and Chris While he provided the sound track for the TV series The Ridge Riders which resulted in an album "Ridgeriders: Songs of the Southern English Landscape" (HTD, 1995), a short tour and another live album Ridgeriders in Concert (Talking Elephant, 1996).
In the 1990s he returned to his own musical roots of skiffle and rock and roll, touring and recording with the Ashley Hutchings Big Beat Combo, which resulted in the album Twangin' and a Traddin' (1994). He also returned to his interest in dance, in addition to continuing the Morris on project, he formed the Ashley Hutchings Dance Band to produce A Batter Pudding for John Keats (1996). Other projects include with Malcolm Rowe, the truly eclectic Folk Your Way to Fitness (1997), Street Cries (2001), and Human Nature (2003).
After the suspension of the Albion Band as a full time group in 2002 Hutchings put together another small group of up and coming folk musicians under the title Rainbow Chasers resulting in three albums, Some Colours Fly (2005), A Brilliant Light (2005) and Fortune Never Sleeps (2006). In 2008 he formed The Lark Rise Band to perform and record music from his most successful show, resulting in the album, Lark Rise Revisited (2008). He continues to tour in the Christmas season with the Albion Christmas Band and is plans future projects with ex-Albion Band member Ken Nicol. [7]
His career has been celebrated with the release of archive series, The Guv'nor and Burning Bright (2005) a boxed set of four CDs, which contain many rare and previously unreleased recordings. In 2006 Hutchings received the prestigious Good Tradition trophy at the BBC Radio 2 Folk Awards in recognition of his contributions to the genre and in 2007 he shared the special award for 'Most influential Folk Album of all time' for Liege and Lief. [8]
On 12 December 2013 Hutchings was presented with the Gold Badge Award of the English Folk Dance and Song Society at an Albion Christmas Band concert held at Kings Place, London. [9] He was awarded the MBE in the Queen's Birthday Honours of 2015, [10] for services to folk music.
Hutchings married the British folksinger Shirley Collins in 1971 but divorced around 1978, after he ruined her singing voice through incessant infidelity. [11] [12]
He and Judy Dunlop have a son, Blair Dunlop, born on 11 February 1992.
David James Mattacks is an English rock and folk drummer, best known for his work with British folk rock band Fairport Convention.
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat".
Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater. They started out influenced by American folk rock, with a set list dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, and Matthews later left during the recording of their third album.
Dave Pegg is an English multi-instrumentalist and record producer, primarily a bass guitarist. He is the longest-serving member of the British folk rock band Fairport Convention and has been bassist with a number of folk and rock groups including the Ian Campbell Folk Group and Jethro Tull.
John Michael Kirkpatrick is an English musician, playing free reed instruments such as the accordion and concertina and performing English folk songs and tunes.
Rise Up Like the Sun is a British folk rock album released in 1978 by The Albion Band. The album is in part a collaboration between John Tams on vocals and melodeon and Ashley Hutchings on electric bass. This is not the first album on which the two worked together but it remains the most fulfilling for listeners. To build the sound Hutchings brought in two of his former compatriots from Fairport Convention, Dave Mattacks on drums and tambourine and Simon Nicol on vocals and electric and acoustic guitars. In addition another ex-member of Fairport, Richard Thompson, contributed songs and backing vocals. Having assembled the principal contributors and an ambiance that encouraged their friends to drop in, Hutchings gave Tams the freedom to act as the project's musical director. They were joined by Philip Pickett on shawms, bagpipes, curtals and trumpet, Pete Bullock on synthesiser, piano, clarinet, sax, and organ, Michael Gregory on percussion, Ric Sanders on violin and violectra and Graeme Taylor on electric and acoustic guitars. Kate McGarrigle, Julie Covington, Linda Thompson, Pat Donaldson, Martin Carthy, Andy Fairweather-Low and Dave Bristow make guest appearances.
Christopher Julian Leslie is a British folk rock musician. He joined Fairport Convention in 1997.
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, is a British folk rock band, originally brought together and led by musician Ashley Hutchings. An important grouping in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history.
Liege & Lief is the fourth album by the British folk rock band Fairport Convention. It is the third album the group released in the UK during 1969, all of which prominently feature Sandy Denny as lead female vocalist, as well as the first to feature future long-serving personnel Dave Swarbrick and Dave Mattacks on violin/mandolin and drums, respectively, as full band members. It is also the first Fairport album on which all songs are either adapted (freely) from traditional British and Celtic folk material, or else are original compositions written and performed in a similar style. Although Denny and founding bass player Ashley Hutchings quit the band before the album's release, Fairport Convention has continued to the present day to make music strongly based within the British folk rock idiom, and are still the band most prominently associated with it.
Simon John Breckenridge Nicol is an English guitarist, singer, multi-instrumentalist and record producer. He was a founding member of British folk rock group Fairport Convention and is the only founding member still in the band. He has also been involved with the Albion Band and a wide range of musical projects, both as a collaborator, producer and as a solo artist. He has received several awards for his work and career.
Kenneth Stephen Nicol is an English guitar player, vocalist and songwriter. He was a member of The Albion Band for many years, and for eight years (2002–2010) played in British folk rock band Steeleye Span.
Richard Sanders is an English violinist who has played in jazz-rock, folk rock, British folk rock and folk groups, including Soft Machine and Fairport Convention.
The Guv'nor vol 4 is a compilation of recordings by Ashley Hutchings.
The Guv'nor vol 3 is a compilation of recordings by Ashley Hutchings.
The Guv'nor vol 1 is a compilation of recordings by English folk musician Ashley Hutchings.
Kellie While is an English folk singer-songwriter.
Son of Morris On is a British folk rock album released in 1976 under the joint names of Ashley Hutchings, Simon Nicol, John Tams, Phil Pickett, Michael Gregory, Dave Mattacks, Shirley Collins, Martin Carthy, John Watcham, John Rodd, The Albion Morris Men, Ian Cutler, and the Adderbury Village Morris Men.
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Albion Heart, released in 1995, was the second album of the long running Albion Band's acoustic phase and the first to contain both Chris While and Julie Matthews, marking the beginning of their highly successful collaboration. It benefits from their song writing and instrumental talents, but is almost unique in the history of the band for its lack of traditional English instruments or tunes.
Steve Frank Ashley is an English singer-songwriter, recording artist, multi-instrumentalist, writer and graphic designer. Ashley is best known as a songwriter and first gained public recognition for his work with his debut solo album, Stroll On. Taking his inspiration from English traditional songs, Ashley has developed a songwriting style which is contemporary in content while reflecting traditional influences in his melodies, poetry and vocal delivery.