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Please to See the King | ||||
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Studio album by | ||||
Released | March 1971 | |||
Recorded | Late 1970 | |||
Studio | Sound Techniques, London | |||
Genre | British folk rock | |||
Length | 41:39 | |||
Label | B&C (UK) Big Tree (US) Mooncrest (1st UK reissue) Chrysalis (UK & US reissue) | |||
Producer | Sandy Roberton | |||
Steeleye Span chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait , brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span .
The title of the album is derived from the "Cutty Wren" ceremony. A wren in a cage is paraded as if it were a king. This rite was carried out on 26 December, Saint Stephen's Day, and is connected to early Christmas celebrations. The song "The King", appearing on the album, addresses this, and is often performed as a Christmas carol. Steeleye Span returned to this subject on Live at Last with "Hunting the Wren" and on Time with the song "The Cutty Wren". The custom of Wrenboys is mostly associated with Ireland, but it has been recently revived in England. The song was collected in the village of Hook, Pembrokeshire by Andrew Nisbet and passed to Martin Carthy in 1966, who first recorded it on his album with Dave Swarbrick before joining Steeleye Span. Andrew was a member of The Derby Rams (the resident folk group at Swansea University) who also performed the song.
All songs appearing on the original album are traditional. "The False Knight on the Road" is one of the Child Ballads (#3), and concerns a boy's contest with the devil in a game of riddles. Tim Hart and Maddy Prior had already recorded a version of the song on their album Summer Solstice. "The Lark in the Morning", one of their more popular songs, has the same title as a different song about a lusty ploughboy, though there are strong similarities. This version was collected by Ralph Vaughan Williams. "Boys of Bedlam", a variant of "Tom o' Bedlam", is told from the perspective of a member of a lunatic asylum. Carthy and Prior open the song by singing into the back of banjos, producing a muffled effect. The band uses the earliest printed version of the song, from Wit and Mirth, or Pills to Purge Melancholy by Thomas d'Urfey.
Melody Maker made this its folk album of the year. Music journalist Colin Irwin describes it in his book In Search of Albion as one of his favourite folk-rock albums. It reached number 45 in the UK album charts, originally on B & C Records; before the year was out the rights were acquired by Mooncrest Records, which re-released it the same year with different cover art. It was issued in the US at the same time on Big Tree Records, when the small label was distributed by Ampex. It sold poorly and was deleted quite soon after release. Remaining copies were bought up by a couple of the 'cut-out' distributors and by that time, the band had signed with Chrysalis and the cut-out original sold very well. When stock ran out, poor-quality bootleg copies started to turn up in huge quantities.
Musically, this was their most electric, dense recording, with loud guitars and strong looping bass lines and no drums. In 2006, Castle Music re-issued the album as a double CD with numerous additional tracks, taken from radio and TV appearances.
"Rave On!" is an a cappella version of a Buddy Holly song. It was meant as a prank to mock Ashley Hutchings' solemnity, but he ended up liking it. In 2006, Castle Music re-issued the album with the 10 original tracks and 25 bonus tracks, on two CDs. The bonus tracks were all poorly recorded tapes of live BBC radio broadcasts (three from TV). Only six of these were tracks not already available in good studio versions, although the arrangements are different on some. The song "I Was a Young Man" is very different from the version on Battle of the Field by the Albion Country Band. The song "Gallant Poacher" was also on that album. Steeleye Span's bonus track version is very similar. "College Grove/Silver Spear" is a pair of jigs by Peter Knight. "Lay Down Your Weary Tune" is a Bob Dylan song, sung a cappella. "Farther Along" is a traditional gospel-blues song, also sung a cappella. "Let's Dance" is the well-known hit by Chris Montez. "Bring 'Em Down/A Hundred Years Ago" is a pair of sea shanties. "Hitler's Downfall" is actually the instrumental "Bryan O'Lynn", already available in a studio recording.
Original album released by B&C Records CAS 1029 in 1971 and re-issued by Mooncrest Records CREST 8 in 1974:
Additional track on Mooncrest re-issue CREST 005 (vinyl) and CRESTCD 005 (CD) in 1991:
Additional tracks on the Castle Music re-issue CMQDD 1253 in 2006:
BBC "Top Gear" session rec. 23 June 1970
BBC "Stuart Henry Show" session 23 July 1970
Additional tracks on the Castle Music re-issue CMQDD 1253 bonus CD in 2006:
BBC "Folk on 1" session 17 October 1970
BBC "Stuart Henry Show" session 4 February 1971
BBC "Top Gear" session 27 March 1971
BBC TV (date unknown)
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat".
Below the Salt is the fourth studio album by Steeleye Span and their first after they joined the Chrysalis label. The album takes medieval influence and combines it with the band's British folk rock style. The lineup on the album includes Bob Johnson and Rick Kemp making their debuts in the band. By this point, Ashley Hutchings had left the band, leaving Tim Hart and Maddy Prior as the only remaining founding members.
Gaudete is a sacred Christmas carol, thought to have been composed in the 16th century. It was published in Piae Cantiones, a collection of Finnish/Swedish sacred songs published in 1582 in the North German city of Greifswald. No music is given for the verses, but the standard tune comes from older liturgical books.*
Hark! The Village Wait is the debut album by the British folk rock band Steeleye Span, first released in 1970. It is the only album to feature the original lineup of the band, as they broke up and reformed with an altered membership immediately after its release, without ever having performed live. Therefore, it is one of only two Steeleye Span studio albums to feature two female vocalists, the other being Time (1996). A similar sound was apparent years later when Prior teamed up with June Tabor to form Silly Sisters. Overall, the album's sound is essentially folk music with rock drumming and bass guitar added to some of the songs. The banjo features prominently on several tracks, including "Blackleg Miner", "Lowlands of Holland" and "One Night as I Lay on My Bed".
Ten Man Mop or Mr. Reservoir Butler Rides Again is the third album by Steeleye Span, recorded in September 1971. It was issued on the short-lived Pegasus label, and then the Mooncrest label, also in 1971. It was not initially issued in the US until Chrysalis acquired the group's first three albums in 1975, when it reissued all three in the UK and US. Tracks like "Four Nights Drunk", "Marrowbones", and "Wee Weaver" are essentially pure folk. It was the last album to feature founding member Ashley Hutchings; he left the band in November 1971, just after its completion, partly because he felt that the album had moved too far toward Irish music and away from English music. The band was also considering touring America, and Hutchings was reluctant to make the trip.
Now We Are Six is the sixth studio album by British folk rock band Steeleye Span. Its title refers to both its sequence among their albums, and the band's size, in light of the addition of drummer Nigel Pegrum. The album was released in 1974 through Chrysalis Records. It reached number 13 in the UK albums chart.
Robert Michael Leonard Johnson was a British guitarist, singer and songwriter. He was a member of the British folk rock band Steeleye Span from 1972 to 1977, and again from 1980 to 2001.
Live at Last is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.”
Sails of Silver is the eleventh studio album by British folk rock band Steeleye Span. It was released in 1980 by Chrysalis Records. The album was produced two years after the band's ostensible break-up. At the request of Chrysalis Records Peter Knight and Bob Johnson both returned, replacing their own replacements Martin Carthy and John Kirkpatrick, who departed after the release of Live at Last. Despite being produced by Elton John's producer Gus Dudgeon, Sails of Silver was a commercial failure, and this proved a final straw for Tim Hart, who departed the band, leaving Maddy Prior as the band's sole remaining founding member.
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The Woods Band was an Irish folk-rock band formed in 1970 by husband and wife team Gay & Terry Woods, shortly after their departure from Steeleye Span, before evolving into Gay & Terry Woods. In 2001, Terry Woods formed a new band and named it The Woods Band, which performed and recorded through 2003.