Released in 1998, it is the band's 15th album, and the first album the band recorded without founding member Maddy Prior. Gay Woods provides most of the lead vocals, although the other three members of the band all do the lead singing on at least one song each. Liam Genockey, who had played drums on the band's previous two albums also departed, so most of the songs employ minimal or no percussion, although Woods plays tambourine or bodhran on several songs, and Dave Mattacks, formerly of Fairport Convention, mans a drum kit on three songs. The overall result is an album that has a very strong folk flavour, with rather less rock elements than on previous albums, and one that has much in common with Ten Man Mop, or Mr. Reservoir Butler Rides Again. The tunes tend to be simpler and the performances more subdued, and in some ways the album is a return to the sound the band had on its first three albums. The album also has a strong Irish influence, with songs such as "The Old Turf Fire", "Erin", "The Bonny Irish Boy", and "The Parting Glass" all being of Irish origin. Woods' vocal style is distinctly different from Prior's, being more earthy and often more 'in character'[clarification needed]. Unusually, the album has no instrumental pieces. Peter Knight summed up the album with the comment that "Horkstow Grange was very much the sound of four musicians marking their territory and coming out with something different to what's gone before."
Perhaps because of the many differences between this album and Steeleye's core sound, this album was not well received, with many fans suggesting that it was somehow not Steeleye Span without Maddy Prior. Much of the criticism from fans focused on Woods, perhaps because her singing is so prominent on the album and because she had become the band's frontwoman.
The album's highlight is probably "The Parting Glass". Its minimal instrumentation allows Woods to demonstrate the strength of her voice. Other highlights include "The Old Turf Fire" and "I Wish That I Never Was Married", both also sung by Woods. "One True Love" is also the first Steeleye Span song to feature Tim Harries on lead vocals.
The album's title refers to a traditional English song, first collected by Percy Grainger, one of the early proponents of collecting traditional music. The song is about a quarrel between John Steeleye Span and one of his servants. The song was the inspiration for the band's name, but they only got around to recording the song 28 years after first forming.
The track "Australia" is dedicated to Nigel Pegrum, the band's former drummer, who moved to Australia.
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat".
Below the Salt is the fourth studio album by Steeleye Span and their first after they joined the Chrysalis label. The album takes medieval influence and combines it with the band's British folk rock style. The lineup on the album includes Bob Johnson and Rick Kemp making their debuts in the band. By this point, Ashley Hutchings had left the band, leaving Tim Hart and Maddy Prior as the only remaining founding members.
Hark! The Village Wait is the debut album by the British folk rock band Steeleye Span, first released in 1970. It is the only album to feature the original lineup of the band as they broke up and reformed with an altered membership immediately after its release, without ever having performed live. Therefore, it is one of only two Steeleye Span studio albums to feature two female vocalists, the other being Time (1996). A similar sound was apparent years later when Prior teamed up with June Tabor to form Silly Sisters. Overall, the album's sound is essentially folk music with rock drumming and bass guitar added to some of the songs. The banjo features prominently on several tracks, including "Blackleg Miner", "Lowlands of Holland" and "One Night as I Lay on My Bed".
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
All Around My Hat is a 1975 album by Steeleye Span, their eighth and highest-charting; it reached number 7 on the UK Albums Chart, and stayed on the chart for six months. It was produced by Mike Batt, who also produced their follow-up album Rocket Cottage. It briefly made the band a household name in the UK. In the United States it became the band's first album to chart, reaching number 143.
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, were a British folk rock band, originally brought together and led by musician Ashley Hutchings. Generally considered one of the most important groupings in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history.
Now We Are Six is the sixth studio album by British folk rock band Steeleye Span. Its title refers to both its sequence among their albums, and the band's size, in light of the addition of drummer Nigel Pegrum. The album was released in 1974 through Chrysalis Records. It reached number 13 in the UK albums chart.
Full House is a 1970 album by British folk rock group Fairport Convention, their fifth since their debut, Fairport Convention in 1968, and their first without a female vocalist.
Commoners Crown is the seventh studio album by British folk rock band Steeleye Span, released in 1975 by Chrysalis Records. It was their second album with the band's most commercially successful line-up. The album reached number 21 in the UK album charts.
Storm Force Ten is the tenth studio album by British folk rock band Steeleye Span, released in 1977 by Chrysalis Records. Until their 2013 album Wintersmith, released 36 years after Storm Force Ten, this album was the band's last production to reach the charts, topping out at 191 on Billboard's Pop charts. After Rocket Cottage, Bob Johnson and Peter Knight left the band. As there was still a contractual obligation, they invited Martin Carthy back again. Back in 1971 when Martin Carthy had joined he had recommended John Kirkpatrick but they decided on fiddler Peter Knight instead. This time they accepted his recommendation and Kirkpatrick's fiery accordion playing replaced Knight's fiddle.
Sails of Silver is the eleventh studio album by British folk rock band Steeleye Span. It was released in 1980 by Chrysalis Records. The album was produced two years after the band's ostensible break-up. At the request of Chrysalis Records Peter Knight and Bob Johnson both returned, replacing their own replacements Martin Carthy and John Kirkpatrick, who departed after the release of Live at Last. Despite being produced by Elton John's producer Gus Dudgeon, Sails of Silver was a commercial failure, and this proved a final straw for Tim Hart, who departed the band, leaving Maddy Prior as the band's sole remaining founding member.
Time is the fourteenth studio album by Steeleye Span. The album was released in 1996, after a seven-year hiatus, and was their first on the Park Records label. The impetus for the album was a 25th anniversary reunion tour the year before, during which most of the former members of the band performed together. Maddy Prior was experiencing voice problems so she spoke to Gay Woods, a founding member who had left the band after the first album, to rejoin. Woods initially resisted this move, since she had not performed publicly for some time, but Prior eventually prevailed and Woods returned to the band. The result was only the second Steeleye Span album to feature two female singers, which was used to very good effect on the ironic "Old Maid in the Garrett" and to a lesser extent on "The Prickly Bush" and "The Cutty Wren". Both, Prior and Woods, provide lead vocals on different songs. Priors' voice troubles are reflected in her musical choices on this album; she generally sings less powerfully and in a lower range, but still effectively. Woods also introduced a few Irish elements to the bands' repertoire, including the "Old Maid in the Garrett/Tam Lin reel" and her Bodhran. This album was to be Priors' last album with Steeleye Span until 2002's Present.
Present – The Very Best of Steeleye Span is the 17th studio album by Steeleye Span, released in 2002. The album contains new recordings of previously released songs.
Gay Woods is an Irish singer. She was one of the original members of Steeleye Span.
Bedlam Born is the 16th studio album by British folk rock band Steeleye Span. It is the second of two albums made by a line-up consisting of Gay Woods, Bob Johnson, Peter Knight and Tim Harries, and only the second album on which Maddy Prior did not make an appearance. The title refers not to a bedlam, but to Christ's birth in Bethlehem. "There is a child in Bedlam born" is a line from "Stephen".
Bloody Men is the 20th studio album by British folk rock band Steeleye Span.
Parcel of Rogues is the fifth studio album by English folk rock group Steeleye Span. It was released in 1973 by Chrysalis Records. The album was their most successful album thus far, breaking into the Top 30.
Cogs, Wheels & Lovers is the twenty-first studio album by British folk rock band Steeleye Span. It was released on 26 October 2009. It is the band's fourth studio album to feature the line-up of Maddy Prior, Peter Knight, Rick Kemp, Ken Nicol and Liam Genockey.
The Woods Band was an Irish folk-rock band formed in 1970 by husband and wife team Gay & Terry Woods, shortly after their departure from Steeleye Span. The band played and recorded for four years before evolving into Gay & Terry Woods. In 2001, Terry Woods formed a new band and named it The Woods Band, which performed and recorded through 2003.
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