This article possibly contains original research .(May 2011) |
Parcel of Rogues | ||||
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Studio album by | ||||
Released | April 1973 | |||
Recorded | January–February 1973 | |||
Studio | Sound Techniques, London | |||
Genre | Folk rock, [1] hard rock | |||
Length | 39:14 | |||
Label | Chrysalis | |||
Producer | Steeleye Span, Jerry Boys | |||
Steeleye Span chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Parcel of Rogues is the fifth studio album by English folk rock group Steeleye Span. It was released in 1973 by Chrysalis Records. The album was their most successful album thus far, breaking into the Top 30.
The album grew out of a theatrical project the band undertook, a version of Robert Louis Stevenson's 1886 novel Kidnapped , staged in Edinburgh. The book and play were set against the backdrop of the Scottish Jacobite movement, and in the course of developing the play, the band came across a considerable amount of 18th-century Scottish poetry that they mined for the album.
If the album has a theme, it is change and the tension between old and new. "The Weaver and the Factory Maid" is about the tension of early industrialisation, with a young man celebrating the factory because there are plenty of women for him to pursue, while an old man denounces the factory because of its economic effects. There is a very sharp contrast between the sweet acoustically-driven "The Ups and Downs" followed immediately by the funky distorted loud guitar in "Robbery with Violins". "Cam Ye O'er Frae France" explores this tension in a different way, both in its lyric denouncement of political changes and in the contrast between the poem's traditional Scots language and its sharp electronic guitars. "Alison Gross" is about a literal change, as an evil witch transforms a man who rejects her into a worm.
"Robbery with Violins" is better known as "The Bank of Ireland" (in O'Neill's book). A version of this tune was played in the film Titanic . "The Ups and Downs" is also known as "The Maid of Tottenham". The satirical "Cam Ye O'er Frae France" refers to King George I and the Jacobite rising of 1715.[ citation needed ]
Two of the songs on this album originate in Hogg's Jacobite Reliques , while "Rogues in a Nation" is an adaptation of Robert Burns' poem denouncing the Act of Union in 1707 that united England and Scotland. The title of the album derives from a line in the song "Rogues in a Nation", here sung a cappella.
The sleeve shows a milkmaid on decorated tiles, possibly alluding to the recording venue: "Sound Techniques" studio, a former dairy, which still has a statue of a cow on the wall.
The album uses more overdubbing than any previous album by Steeleye Span. On "Hares on the Mountain" there are two channels for Peter Knight's mandolins, two for recorders and one for him playing harmonium. On "The Weaver and the Factory Maid" Maddy Prior is heard on three channels, counterpointing herself.
The album saw the band re-introduce the use of drums, driven in part by Rick Kemp's background in rock. After the album was released, the band undertook a US tour, opening for Jethro Tull. Owing to this, the band decided to add a full-time drummer in the person of Nigel Pegrum. The drums took the band further in the direction of rock, as demonstrated by "The Wee Wee Man" and "Cam Ye O'er Frae France".
All songs Traditional, except where noted.
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [3] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat".
Jacobite Relics is a two volume collection of songs related to the Jacobite risings, compiled by the Scottish poet and novelist James Hogg on commission from the Highland Society of London in 1817. Most of the songs in the collection are Jacobite, and a minority are Whig. A number of the songs were written or adapted by Robert Burns and scholars speculate as to how many of them were authored or at least substantially altered by Hogg himself.
Below the Salt is the fourth studio album by Steeleye Span and their first after they joined the Chrysalis label. The album takes medieval influence and combines it with the band's British folk rock style. The lineup on the album includes Bob Johnson and Rick Kemp making their debuts in the band. By this point, Ashley Hutchings had left the band, leaving Tim Hart and Maddy Prior as the only remaining founding members.
Hark! The Village Wait is the debut album by the British folk rock band Steeleye Span, first released in 1970. It is the only album to feature the original lineup of the band as they broke up and reformed with an altered membership immediately after its release, without ever having performed live. Therefore, it is one of only two Steeleye Span studio albums to feature two female vocalists, the other being Time (1996). A similar sound was apparent years later when Prior teamed up with June Tabor to form Silly Sisters. Overall, the album's sound is essentially folk music with rock drumming and bass guitar added to some of the songs. The banjo features prominently on several tracks, including "Blackleg Miner", "Lowlands of Holland" and "One Night as I Lay on My Bed".
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
Ten Man Mop or Mr. Reservoir Butler Rides Again is the third album by Steeleye Span, recorded in September 1971. It was issued on the short-lived Pegasus label, and then the Mooncrest label, also in 1971. It was not initially issued in the US until Chrysalis acquired the group's first three albums in 1975, when it reissued all three in the UK and US. Tracks like "Four Nights Drunk", "Marrowbones", and "Wee Weaver" are essentially pure folk. It was the last album to feature founding member Ashley Hutchings; he left the band in November 1971, just after its completion, partly because he felt that the album had moved too far toward Irish music and away from English music. The band was also considering touring America, and Hutchings was reluctant to make the trip.
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