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Rocket Cottage | ||||
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Studio album by | ||||
Released | September 1976 | |||
Recorded | June 1976 | |||
Studio | Frans Peters Studio, Hilversum, Netherlands | |||
Genre | ||||
Length | 43:07 | |||
Label | Chrysalis | |||
Producer | Mike Batt | |||
Steeleye Span chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Rocket Cottage is the ninth studio album by British folk rock band Steeleye Span. It was released in 1976 by Chrysalis Records. Produced by Mike Batt, it was hoped that the album would cement the band's popular and commercial success, building on their breakthrough into the UK Top 10 with their previous album All Around My Hat and its title track, which reached #5 on the UK singles chart. By the time it was released, the sudden explosion of the British Punk scene saw audience tastes in the UK rapidly shift away from formerly popular genres like folk rock and progressive rock, and groups that previously been critical favourites, like Steeleye Span and Yes, soon found themselves being derided as "dinosaurs". Rocket Cottage did not reach the Top 40, and it was the last album recorded by the "classic" mid-seventies lineup of the group, with Peter Knight and Bob Johnson both subsequently leaving the group.
The album is perhaps the band's most rock-influenced album, with very prominent guitars and a strong rhythm section. Some fans consider this one of the band's best efforts, pointing to strong tracks like "London", "Fighting for Strangers", "Sir James the Rose", and "Orfeo/Nathan's Reel", the first three of which became classics of the band and fan favorites. Others, however, find the album erratic, complaining that the band's rhythm section tends to overwhelm the vocals, particularly on "Orfeo", "The Twelve Witches", and (to a lesser extent) "The Brown Girl". Oddly for an instrumental piece, "Nathan's Reel" simply fades out. The most peculiar decision was the inclusion of an unrehearsed version of "Camptown Races"; years later Maddy Prior remarked, "I can't think what we were thinking of with that." This was the band's ninth album in five years, and many feel that their exhaustion is evident.
Peter Knight has said that the band was being pressured to write and adapt music for the commercial market, which led to considerable dissatisfaction among the band members. Both he and Bob Johnson were seriously considering leaving the band, particularly because they wanted to work on a musical version of The King of Elfland's Daughter , Chrysalis Records agreed to allow them to record that album if they agreed to record 'Rocket'. Lacking any interest in the album that Knight and Johnson produced, Chrysalis made little effort to promote the album, and Knight and Johnson chose to depart the band after 'Rocket' was released.
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat".
Below the Salt is the fourth studio album by Steeleye Span and their first after they joined the Chrysalis label. The album takes medieval influence and combines it with the band's British folk rock style. The lineup on the album includes Bob Johnson and Rick Kemp making their debuts in the band. By this point, Ashley Hutchings had left the band, leaving Tim Hart and Maddy Prior as the only remaining founding members.
Tim Hart was an English folk singer and multi-instrumentalist, best known as a founding member of British folk rock band Steeleye Span.
Hark! The Village Wait is the debut album by the British folk rock band Steeleye Span, first released in 1970. It is the only album to feature the original lineup of the band, as they broke up and reformed with an altered membership immediately after its release, without ever having performed live. Therefore, it is one of only two Steeleye Span studio albums to feature two female vocalists, the other being Time (1996). A similar sound was apparent years later when Prior teamed up with June Tabor to form Silly Sisters. Overall, the album's sound is essentially folk music with rock drumming and bass guitar added to some of the songs. The banjo features prominently on several tracks, including "Blackleg Miner", "Lowlands of Holland" and "One Night as I Lay on My Bed".
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
All Around My Hat is a 1975 album by Steeleye Span, their eighth and highest-charting; it reached number 7 on the UK Albums Chart, and stayed on the chart for six months. It was produced by Mike Batt, who also produced their follow-up album Rocket Cottage. It briefly made the band a household name in the UK. In the United States it became the band's first album to chart, reaching number 143.
Now We Are Six is the sixth studio album by British folk rock band Steeleye Span. Its title refers to both its sequence among their albums, and the band's size, in light of the addition of drummer Nigel Pegrum. The album was released in 1974 through Chrysalis Records. It reached number 13 in the UK albums chart.
Frederick Stanley 'Rick' Kemp is an English bass player, guitarist, songwriter, vocalist and record producer, best known for his work with the British folk rock band Steeleye Span.
Commoners Crown is the seventh studio album by British folk rock band Steeleye Span, released in 1975 by Chrysalis Records. It was their second album with the band's most commercially successful line-up. The album reached number 21 in the UK album charts.
Storm Force Ten is the tenth studio album by British folk rock band Steeleye Span, released in 1977 by Chrysalis Records. Until their 2013 album Wintersmith, released 36 years after Storm Force Ten, this album was the band's last production to reach the charts, topping out at 191 on Billboard's Pop charts. After Rocket Cottage, Bob Johnson and Peter Knight left the band. As there was still a contractual obligation, they invited Martin Carthy back again. Back in 1971 when Martin Carthy had joined he had recommended John Kirkpatrick but they decided on fiddler Peter Knight instead. This time they accepted his recommendation and Kirkpatrick's fiery accordion playing replaced Knight's fiddle.
Live at Last is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.”
Sails of Silver is the eleventh studio album by British folk rock band Steeleye Span. It was released in 1980 by Chrysalis Records. The album was produced two years after the band's ostensible break-up. At the request of Chrysalis Records Peter Knight and Bob Johnson both returned, replacing their own replacements Martin Carthy and John Kirkpatrick, who departed after the release of Live at Last. Despite being produced by Elton John's producer Gus Dudgeon, Sails of Silver was a commercial failure, and this proved a final straw for Tim Hart, who departed the band, leaving Maddy Prior as the band's sole remaining founding member.
Back in Line is the twelfth studio album by British folk rock band Steeleye Span. The album was released in 1986, after a hiatus of almost 6 years. It is their first album without founding member Tim Hart, who quit the music business entirely. It is also the last album they recorded with Maddy Prior's husband, Rick Kemp, until They Called Her Babylon; Kemp suffered a shoulder injury that forced him to stop playing for a long time.
Tempted and Tried is the 13th studio album by British folk rock band Steeleye Span. The album was recorded after a three-year hiatus after the release of Back in Line. After releasing ten albums in fairly rapid succession during the 1970s, the band entered something of a creative dry spell, with 'Tempted' being only their 3rd album in 10 years. The album cover proclaims the album a "20th Anniversary Celebration", and the band was clearly eager to commemorate their anniversary, since strictly speaking the band had only been rehearsing in 1969, and didn't record until 1970.
Horkstow Grange is an album by British folk rock band Steeleye Span.
Bedlam Born is the 16th studio album by British folk rock band Steeleye Span. It is the second of two albums made by a line-up consisting of Gay Woods, Bob Johnson, Peter Knight and Tim Harries, and only the second album on which Maddy Prior did not make an appearance. The title refers not to a bedlam, but to Christ's birth in Bethlehem. "There is a child in Bedlam born" is a line from "Stephen".
Bloody Men is the 20th studio album by British folk rock band Steeleye Span.
Parcel of Rogues is the fifth studio album by English folk rock group Steeleye Span. It was released in 1973 by Chrysalis Records. The album was their most successful album thus far, breaking into the Top 30.
Wintersmith is the twenty-second studio album by British folk rock band Steeleye Span. It was released in October 2013. It features the line-up of Maddy Prior, Peter Knight, Rick Kemp, Julian Littman, Pete Zorn and Liam Genockey. Guest musicians are Terry Pratchett (voice), Kathryn Tickell, Bob Johnson (vocals), and John Spiers (melodeon).