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Jacobite Relics is a two volume collection of songs related to the Jacobite risings, [1] compiled by the Scottish poet and novelist James Hogg on commission from the Highland Society of London in 1817. [2] Most of the songs in the collection are Jacobite, and a minority are Whig. A number of the songs were written or adapted by Robert Burns and scholars speculate as to how many of them were authored or at least substantially altered by Hogg himself.
The first volume was published in 1819 under the title The Jacobite Relics of Scotland; Being the Songs, Airs, and Legends, of the Adherents to the House of Stuart. [3] The second volume was published in 1821. [4] An edited version of the work was published in 2002 (Volume 1) and 2003 (Volume 2) by Edinburgh University Press as Volumes 10 and 12 of the Stirling/South Carolina Research Edition of The Complete Works of James Hogg. [5] [6] The editor was Murray G. H. Pittock.
After being revived by Ewan MacColl, several of the songs included gained new popularity in the 20th century through performances by musicians such as The Corries, Steeleye Span and Eddi Reader, among others – most notably Ye Jacobites (#34), Cam Ye O'er Frae France (#53) and Such a Parcel of Rogues in a Nation (#36).
Hogg states that he believed that these were all of English origin
Jacobitism (Scots: Jacobitism was a political movement that supported the restoration of the senior line of the House of Stuart to the British throne. The name derives from the first name of James II and VII, which in Latin translates as Jacobus. When James went into exile after the November 1688 Glorious Revolution, the Parliament of England argued that he had abandoned the English throne, which they offered to his Protestant daughter Mary II, and her husband William III. In April, the Scottish Convention held that he "forfeited" the throne of Scotland by his actions, listed in the Articles of Grievances.
James Hogg was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorised biography. He became widely known as the "Ettrick Shepherd", a nickname under which some of his works were published, and the character name he was given in the widely read series Noctes Ambrosianae, published in Blackwood's Magazine. He is best known today for his novel The Private Memoirs and Confessions of a Justified Sinner. His other works include the long poem The Queen's Wake (1813), his collection of songs Jacobite Relics (1819), and his two novels The Three Perils of Man (1822), and The Three Perils of Woman (1823).
Bonnie Dundee is the title of a poem and a song written by Walter Scott in 1825 in honour of John Graham, 7th Laird of Claverhouse, who was created 1st Viscount Dundee in November 1688, then in 1689 led a Jacobite rising in which he died, becoming a Jacobite hero.
"Highland Laddie", also known as "Hielan' Laddie", is the name of a Scottish popular folk tune "If Thou'lt Play Me Fair Play", but as with many old melodies various sets of words can be sung to it, of which Robert Burns's poem "Highland Laddie" is probably the best known. "If Thou'lt Play Me Fair Play" has been reworked several times since Burns set down his words, Donkey Riding being one variant.
General Alexander Gordon, 2nd Duke of Gordon, styled Earl of Enzie until 1684 and the Marquess of Huntly from 1684 to 1716, was a Scottish Jacobite peer.
"Aiken Drum" is a popular Scottish folk song and nursery rhyme, which probably has its origins in a Jacobite song about the Battle of Sheriffmuir (1715).
John Erskine, 23rd and 6th Earl of Mar, KT, was a Scottish Jacobite who was the eldest son of Charles, 22nd and 5th Earl of Mar, from whom he inherited estates that were heavily loaded with debt. He was the 23rd Earl of Mar in the first creation of the earldom. He was also the sixth earl in the seventh creation. He was nicknamed Bobbing John, for his tendency to shift back and forth from faction to faction, whether from Tory to Whig or Hanoverian to Jacobite. Deprived of office by the new king in 1714, Mar raised the standard of rebellion against the Hanoverians; at the battle of Sheriffmuir in November 1715, Mar's forces outnumbered those of his opponent, but victory eluded him. At Fetteresso his cause was lost, and Mar fled to France, where he would spend the remainder of his life. The parliament passed a Writ of Attainder against Mar, for treason, in 1716 as punishment for his disloyalty, which was not lifted until 1824. He died in 1732.
"The Hundred Pipers" is a Scottish song and jig attributed to Carolina Nairne, Lady Nairne and popularised from 1852 onwards. It takes as its themes events during and after the Jacobite Rising of 1745.
"The Bonnie Banks o' Loch Lomond", or "Loch Lomond" for short, is a Scottish song. The song prominently features Loch Lomond, the largest Scottish loch, located between the council areas of West Dunbartonshire, Stirling and Argyll and Bute. In Scots, "bonnie" means "attractive", "beloved", or "dear".
Braes o' Killiecrankie is the name of four distinct folk songs, all originally from Scotland.
"Ye Jacobites by Name" is a traditional Scottish folk song which goes back to the Jacobite risings in Scotland (1688–1746). While the original version simply attacked the Jacobites from a contemporaneous Whig point of view, Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook. This is the version that most people know today.
Cock Up Your Beaver is a song and poem by Robert Burns, written in 1792. It is written in Scottish dialect and the beaver refers to a gentleman's hat in an era when all high quality men's hats were made of felted beaver fur.
"Such a Parcel of Rogues in a Nation" is a Scottish folk song whose lyrics are taken from a poem written by Robert Burns in 1791, listed as number 5516 in the Roud Folk Song Index. It has continued to be associated with Scottish nationalism and also been referenced in other situations where politicians' actions have gone against popular opinion.
Parcel of Rogues is the fifth studio album by English folk rock group Steeleye Span. It was released in 1973 by Chrysalis Records. The album was their most successful album thus far, breaking into the Top 30.
Modern Scots comprises the varieties of Scots traditionally spoken in Lowland Scotland and parts of Ulster, from 1700.
Cam ye o'er frae France? is a Scots folk song from the time of the Jacobite rebellions of the 18th century. It satirises the marital problems of the Hanoverian George I.
William Murray, Marquess of Tullibardine was a Scottish nobleman and Jacobite who took part in the rebellions of 1715, 1719, and 1745.
The recorded source of the children's story The Marriage of Robin Redbreast and the Wren is Isabella Burns, later Mrs Isabella Burns Begg, the youngest sister of Robert Burns. Isabella recalled that her brother, Robert Burns, was the author and that he was in the habit of telling the tale to entertain the younger members of his family at Lochlea Farm, such as herself, Annabella, John and William. This nursery tale was first published by Dr Robert Chambers in his "Popular Rhymes of Scotland".
"The Wee German Lairdie" is a Scottish folk song probably ridiculing George I, King of Great Britain to the discontent of the Jacobite rebels, who instead recognised James Francis Edward Stuart as king, from the formerly ruling House of Stuart. Though taking place around 1715, the song first appears in writing in 1810, in Robert Cromek and Allan Cunningham's Remains of Nithsdale and Galloway Song, recalling a song of several versions that was allegedly sung prior. James Hogg, however, mentions "an older collection" in the first volume of his 1819 compilation The Jacobite Relics of Scotland.
Mary Drummond was a leading supporter of the Jacobites who wanted to bring a Catholic to the British throne. She became Mary, Countess Marischal in 1694. She is wrongly named as the author of the song When the King Comes O’er the Water but the song is in her voice.