Kill Rock Stars is an independent record label founded in February 1991 by Slim Moon and Tinuviel Sampson, and based in both Olympia, Washington, and Portland, Oregon. The label has released a variety of work in different genres, but was originally known for its commitment to underground punk rock bands and the Olympia area music scene.
Virgin Records is a British record label owned by Universal Music Group. They were originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. They grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, the Spice Girls, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records.
Decca Records is a British record label established in 1929 by Edward Lewis. Its UK label was established in late 1934 by Lewis, Jack Kapp and Milton Rackmil, who later became American Decca's president too. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca, and the link between the UK and US Decca label was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre.
MCA Records was an American record label owned by MCA Inc. established in 1972, though MCA had released recordings under that name in the UK from the 1960s. The label achieved success in the 1970s through the 1970s, often by acquiring other record labels, from ABC to Motown to Geffen. MCA Inc. became Universal Studios, Inc., in 1996, and the MCA record label was folded into Universal Music Group's Geffen Records in 2003, but Universal's MCA Nashville continues to use the moniker.
Apple Records is a British record label founded by the Beatles in 1968 as a division of Apple Corps Ltd. It was initially intended as a creative outlet for the Beatles, both as a group and individually, plus a selection of other artists including Mary Hopkin, James Taylor, Badfinger and Billy Preston. In practice, the roster had become dominated by the mid-1970s with releases of the former Beatles as solo artists. Allen Klein managed the label from 1969 to 1973, then it was managed by Neil Aspinall on behalf of the Beatles and their heirs. Aspinall retired in 2007 and was replaced by Jeff Jones.
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. Mercury Records released rock, funk, R&B, doo wop, soul music, blues, pop, rock and roll, and jazz records. In the United States, it is operated through Republic Records; in the United Kingdom and Japan, it is distributed by EMI Records.
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
Ten Man Mop or Mr. Reservoir Butler Rides Again is the third album by Steeleye Span, recorded in September 1971. It was issued on the short-lived Pegasus label, and then the Mooncrest label, also in 1971. It was not initially issued in the US until Chrysalis acquired the group's first three albums in 1975, when it reissued all three in the UK and US. Tracks like "Four Nights Drunk", "Marrowbones", and "Wee Weaver" are essentially pure folk. It was the last album to feature founding member Ashley Hutchings; he left the band in November 1971, just after its completion, partly because he felt that the album had moved too far toward Irish music and away from English music. The band was also considering touring America, and Hutchings was reluctant to make the trip.
Music for Pleasure and Classics for Pleasure (CFP) were British record labels that issued budget-priced albums of popular and classical music respectively. Albums were subsequently released under the MFP label in Australia (MFP-A) and South Africa. MFP was set up in 1965 as a joint venture between EMI, which provided the source material, and the publisher Paul Hamlyn, which handled distribution in so-called non-traditional outlets, such as W.H. Smith, the booksellers.
Journeys from Gospel Oak is the 1974 solo album by country rock/folk rock musician Ian Matthews. It was recorded in November 1972 as Matthews' expected third solo album of a three-album record deal on the Vertigo label and was originally set for release in mid-1973. Vertigo, however, lost interest in the project and it was signed over to and released by Mooncrest Records in 1974 who had also released albums by other ex-Fairport Convention colleagues, Ashley Hutchings and Sandy Denny. The album was recorded at Sound Techniques studio in Chelsea and took its title from Matthews' commute to the studio from where he then lived in North London.
Dandy Livingstone is a British-Jamaican ska, rocksteady, and reggae musician and record producer, best known for his 1972 hit, "Suzanne Beware of the Devil", and for his song, "Rudy, A Message to You", which was later a cover hit for The Specials. "Suzanne Beware of the Devil", reached number 14 on the UK Singles Chart and number 78 in Australia. In the early 1960s, Livingstone recorded some of the bestselling UK-produced ska singles of the era.
B&C Records was a British record label run by Trojan Records' owner, Lee Gopthal. It existed primarily between May 1969 and September 1972.
Alun Ashworth-Jones, known as Al Jones, was an influential English folk and blues songwriter, guitarist and singer, noted for his distinctive and original folk-rock guitar style and his often darkly humorous lyrics.
The Cimarons are a British reggae band formed in 1967. They were the UK's first self-contained indigenous reggae band.
Alun Ashworth-Jones is the full name of the noted British folk/blues/rock songwriter, guitarist and singer Al Jones, and is also the title of his first album, which this article addresses. He had previously made an E.P. as part of the trio Anderson, Jones, Jackson. The album was originally issued by Parlophone in 1969 and has been re-released in CD format by Mooncrest Records in 2001, with additional, previously unreleased tracks.
Shakin' Stevens and the Sunsets were a Welsh rock band formed in Cardiff in 1969. They released several records and toured throughout the 1970s and their lead singer Shakin' Stevens went on to become a successful solo artists in the 1980s. A version of the Sunsets, containing original members, still tours annually in the UK, Europe and Australia.
The Roar of '74 is a studio album by Buddy Rich, with his big band, released on the Groove Merchant Records label in the United States. The album was released in the UK in 1974 on the Mooncrest label by B & C Records.
Nevada were a British folk/progressive rock band and a spin-off from Renaissance, featuring Annie Haslam on vocals and Mick Dunford on guitar. Their Christmas single, "In the Bleak Midwinter", reached the lower edges of the UK singles chart in 1983.
Home to Roost is a compilation album by British rock band Atomic Rooster. It is made up of material from their first three studio albums.
A sampler or promotional compilation is a type of compilation album generally offered at a reduced price to showcase an artist or a selection of artists signed to a particular record label. The format became popular in the late 1960s as record labels sought to promote artists whose works were primarily available in album rather than single format, and therefore had little opportunity to gain exposure through singles-dominated radio airplay. Most samplers showcased already-released material, so that as they sampled artists they also sampled the albums from which their tracks were drawn. The term 'album sampler' is also used in cases where an album is distributed among multiple records in case of, for example, vinyl where the maximum play time is less than the length of the full album. In these cases, album sampler titles may be added to each vinyl.
