This article needs additional citations for verification .(September 2014) |
Battle of the Field | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1976 | |||
Recorded | 1973 | |||
Studio | Sound Techniques and Island Studio | |||
Genre | Folk rock | |||
Length | 36:25 | |||
Label | Island | |||
Producer | John Wood | |||
The Albion Country Band chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Battle of the Field is a folk rock album by the Albion Country Band, recorded in summer 1973 immediately prior to the band's breakup and only released in 1976 following public demand.
The album was produced and engineered by John Wood, and was recorded at Sound Techniques Studio, Chelsea, London and Island Studio, St Peter's Square, London. The album cover was designed by Ian Logan Associates with photographs by Keith Morris, and the original LP sleeve notes were by Rod McShane. [2]
All tracks traditional, arranged by Carthy, Harris, Hutchings, Kirkpartrick, Nicol and Swallow except "Albion Sunrise" and "New St. George" composed by Richard Thompson
with
What We Did on Our Holidays is the second album by British band Fairport Convention, released in 1969. It was their first album to feature singer-songwriter Sandy Denny. The album also showed a move towards the folk rock for which the band became noted, including tracks later to become perennial favourites such as "Fotheringay" and the song traditionally used to close live concerts, "Meet on the Ledge".
John Michael Kirkpatrick is an English player of free reed instruments.
Rise Up Like the Sun is a British folk rock album released in 1978 by The Albion Band. The album is in part a collaboration between John Tams on vocals and melodeon and Ashley Hutchings on electric bass. This is not the first album on which the two worked together but it remains the most fulfilling for listeners. To build the sound Hutchings brought in two of his former compatriots from Fairport Convention, Dave Mattacks on drums and tambourine and Simon Nicol on vocals and electric and acoustic guitars. In addition another ex-member of Fairport, Richard Thompson, contributed songs and backing vocals. Having assembled the principal contributors and an ambiance that encouraged their friends to drop in, Hutchings gave Tams the freedom to act as the project's musical director. They were joined by Philip Pickett on shawms, bagpipes, curtals and trumpet, Pete Bullock on synthesiser, piano, clarinet, sax, and organ, Michael Gregory on percussion, Ric Sanders on violin and violectra and Graeme Taylor on electric and acoustic guitars. Kate McGarrigle, Julie Covington, Linda Thompson, Pat Donaldson, Martin Carthy, Andy Fairweather-Low and Dave Bristow make guest appearances.
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, were a British folk rock band, originally brought together and led by musician Ashley Hutchings. Generally considered one of the most important groupings in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history.
Unhalfbricking is the third album by the British folk rock band Fairport Convention and their second album released in 1969. It is seen as a transitional album in their history and marked a further musical move away from American influences towards more traditional English folk songs that had begun on their previous album, What We Did on Our Holidays and reached its peak on the follow-up, Liege & Lief, released later the same year.
No Roses is an album by Shirley Collins and the Albion Country Band. It was recorded at Sound Techniques, and Air Studios in London, in the summer of 1971. It was produced by Sandy Roberton and Ashley Hutchings. It was released in October 1971 on the Pegasus label.
Simon John Breckenridge Nicol is an English guitarist, singer, multi-instrumentalist and record producer. He was a founding member of British folk rock group Fairport Convention and is the only founding member still in the band. He has also been involved with the Albion Band and a wide range of musical projects, both as a collaborator, producer and as a solo artist. He has received several awards for his work and career.
The Bonny Bunch of Roses is the twelfth studio album by Fairport Convention.
The Prospect Before Us is a British folk rock album, by The Albion Dance Band, which was released in 1977 on the EMI Harvest label.
Sue Harris is an English musician classically trained as an oboeist, but best known for her folk music performances with the hammered dulcimer.
The Etchingham Steam Band were a folk group formed by Ashley Hutchings and Shirley Collins in England in 1974 after the Albion Country Band had disbanded in late 1973. They were named after village Etchingham in Sussex where Hutchings and Shirley Collins, his then wife, were living. The band's name was a reference to their acoustic nature, formed during a time of power cuts in the mid-1970s that caused problems for any band using electrical instruments or amplification.
Son of Morris On is a British folk rock album released in 1976 under the joint names of Ashley Hutchings, Simon Nicol, John Tams, Phil Pickett, Michael Gregory, Dave Mattacks, Shirley Collins, Martin Carthy, John Watcham, John Rodd, The Albion Morris Men, Ian Cutler, and the Adderbury Village Morris Men.
Albion Heart, released in 1995, was the second album of the long running Albion Band's acoustic phase and the first to contain both Chris While and Julie Matthews, marking the beginning of their highly successful collaboration. It benefits from their song writing and instrumental talents, but is almost unique in the history of the band for its lack of traditional English instruments or tunes.
Gottle O'Geer is the eleventh studio album by English folk rock band Fairport Convention. The album was released through Island Records in May 1976.
Ridgeriders is a studio album from 1999 and TV series starting in 1994. The TV series featured Nick Knowles and was produced and shown by Meridian Television. One series was broadcast on Thursdays on from 7 June 2001, whilst the final series aired in 2002. The series is about the Southern English trackways. The album is a collaboration album between Phil Beer, Ashley Hutchings and Chris While. It is the soundtrack album to the TV series. It also guest features The Albion Band and Julie Matthews. The album packaging also carries the Meridian Television "sun-moon face" logo.
Because It's There is an album by Martin Carthy, released in 1979. It was re-issued by Topic Records on CD in 1995.
Crown of Horn is an album by Martin Carthy, released in 1976. It was re-issued by Topic Records on CD in 1995.
Sweet Wivelsfield is an album by Martin Carthy, released in 1974. It was re-issued by Topic Records on LP in 1981 and on CD in 1996.
Out of the Cut is an album by Martin Carthy, released in 1982. It was re-issued by Topic Records on CD in 1994.