Fairport Convention are a British folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater They started out heavily influenced by American folk rock, with a setlist dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album.
Dave Pegg is an English multi-instrumentalist and record producer, primarily a bass guitarist. He is the longest-serving member of the British folk rock band Fairport Convention and has been bassist with a number of folk and rock groups including the Ian Campbell Folk Group and Jethro Tull.
Maartin Allcock was an English multi-instrumentalist musician and record producer.
Jewel In The Crown is the eighteenth studio album by folk rock band Fairport Convention which is viewed by many as the best record produced by the line-up which had been formed in 1985 for the one-off project Gladys' Leap. While few of the tracks were self-penned, it features tracks from many of the band's favourite writers including Huw Williams, Ralph McTell and Julie Matthews.
"Babbacombe" Lee is a 1971 album by British folk rock group Fairport Convention, which tells the life story of John Babbacombe Lee, a Victorian-era alleged murderer who was condemned to death but reprieved after the gallows failed on three occasions to work properly. After the commercial and chart success of its predecessor, Angel Delight, the album sold disappointingly, though it was critically acclaimed, and is regarded by the authors of The Electric Muse (1975) as the first "folk rock opera". It was the band's seventh album since their debut in 1968.
Gladys' Leap is the fourteenth studio album by Fairport Convention originally released in August 1985. It was recorded in April and May 1985 at Woodworm Studios, Barford St. Michael, Oxfordshire, UK. It was produced and engineered by Simon Nicol, Dave Mattacks and Dave Pegg and the assistant engineers were Tim Matyear and Mark Powell. The album features the first contributions to a Fairport album by founding member Richard Thompson since Rosie in 1973. Thompson wrote the opening track "How Many Times" and played lead guitar on "Head in a Sack".
Live at the L.A. Troubadour along with its reissued counterpart House Full are the only live Fairport Convention albums recorded while Richard Thompson was a full-time band member. It was recorded in 1970 on the Full House tour and was reissued in 1986 and again in 2007, with modifications. Seven of the eight tracks are available on the House Full album with one being found only on this album.
House Full: Live at the L.A. Troubadour not to be confused with its earlier counterpart Live at the L.A. Troubadour is the only currently available live Fairport Convention album to feature Richard Thompson as a band member.
Angel Delight is the sixth album by the British folk rock band Fairport Convention, released in June 1971. This was the first Fairport Convention album without guitarist Richard Thompson, and the lineup consisted of Simon Nicol, Dave Swarbrick, Dave Pegg, and Dave Mattacks (drums).
Fairport Live Convention is a 1974 live album by British folk rock band Fairport Convention originally released in 1974 by Island Records. It was recorded live at the Sydney Opera House, the London Rainbow and the Fairfield Halls, Croydon by John Wood and mixed down at Sound Techniques, London. It was produced by Trevor Lucas & John Wood.
The Cropredy Box is an album by Fairport Convention recorded at their annual live concert in Cropredy, Oxfordshire, England to celebrate the band's thirtieth anniversary in 1997. Featuring many songs for which the band had become noted, the set also features performances from many former members including violinist Dave Swarbrick, original vocalist Judy Dyble, and Ralph McTell. Commentary is provided by their first manager, Joe Boyd, and Ashley Hutchings.
Red & Gold is a 1988 album by British folk rock band Fairport Convention, their sixteenth studio album since their debut in 1968. The album was released on the Rough Trade label.
The Five Seasons is the seventeenth studio album by British folk rock band Fairport Convention.
In Real Time: Live '87 is a 1987 album by British folk rock band Fairport Convention. Although appearing to consist of recordings of concert performances, the album was largely recorded at The Mill studio, Farnham, Buckinghamshire, with audience responses dubbed on later, reputedly taken from a recording of a John Martyn concert.
Old New Borrowed Blue is the nineteenth studio album by folk rock band Fairport Convention, although for this release, they were billed as "Fairport Acoustic Convention" as it was the band's first all-acoustic album in 29 years. Part studio, part live, it was recorded to publicise a tour of the United States and consisted of cover versions, new songs and classic tracks dating back to the band's early career. Dave Mattacks, who had provided drums and electronic instrumentation for previous albums, was absent.
Who Knows Where the Time Goes? is the twentieth studio album released in 1997 by folk rock band Fairport Convention. It is a mixture of studio and live tracks recorded by Mark Tucker at Woodworm Studios, Oxfordshire, The Cropredy Festival 1995 and the Fairport Convention Winter Tour 1997.
The Wood and the Wire is the twenty-first studio album released in 1999 by folk rock band Fairport Convention.
XXXV is the twenty-second studio album by Fairport Convention. It is subtitled "The 35th Anniversary Album", and was released in celebration of the band's existence from 1967–2002.
Festival Bell is the twenty-fifth studio album by British folk rock band Fairport Convention, released in January 2011.
50:50@50 is the twenty-eighth studio album by British folk rock band Fairport Convention, released in January 2017 to mark the band's 50th anniversary. Half of the album was recorded in the studio, and the other half is a selection of songs recorded from live performances.
