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Alternative country is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, indie rock, punk rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, roots rock, indie folk, folk rock, rockabilly, bluegrass, and honky tonk.
Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
Seychelles, which is an independent island chain in the Indian Ocean, has a distinct kind of music. Folk music incorporates multiple influences in a syncretic fashion, including English contredanse, polka and mazurka, French folk and pop, sega from Mauritius and Réunion, taarab, zouk, soukous moutya and other pan-African genres, as well as Polynesian and Indian music. A complex form of percussion music called Kanmtole is popular, along with combinations of Sega and Reggae called Seggae and combinations of Moutya and Reggae called Mouggae, as is Montea, a fusion of native folk rhythms with Kenyan benga developed by Patrick Victor. Jean Marc Volcy is another famous Seychellois musician who has brought a modern touch to traditional music. He has several albums including Sove Lavi.
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock. Because roots music (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music.
Nigel Williamson is a British journalist.
Gamelan selunding is a sacred ensemble of gamelan music from Bali, Indonesia. The selunding ensemble is from Tenganan, a village in east Bali; the ensemble is rare. Selunding means "great" or "large". Selonding is also a musical instrument made of iron.
Charanga-vallenata is a style of Latin music that combines conjunto, charanga and vallenato-style accordion. It is essentially Cumbia performed at double its normal speed. It could also be interpreted as Mambo with lyrics. It became popular in the 1970s, when it was associated with Roberto Torres.
Songo-salsa is a style of music that blends Spanish rapping and hip hop beats with salsa music and songo. Well-known exponents include Bamboleo and Charanga Habanera.
Bantowbol or bantubol is a style of music from Cameroon. The genre is derived from Cameroonian folk music. The name bantowbol is partially derived from bal, a term for accordion playing. The principal musicians of bantowbol are Gibraltar Drakus and Nkondo Si Tony.
This is a list of folk music traditions, with styles, dances, instruments, and other related topics. The term folk music cannot be easily defined in a precise manner. It is used with widely varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists, and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal, or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works.
The gamelan salendro is a form of gamelan music found in West Java, Indonesia. It is played as an accompaniment to wayang golek performances and dances. It uses a similar ensemble as a small central Javanese gamelan, but has developed differently, and shows the more exuberant character.
Chaabi refers to several types of popular music of Morocco, combining rural and urban folk music.
Hortobágyi palacsinta is a savoury Hungarian crêpe dish, filled with meat. The meat is prepared as a stew with onions, and seasoned with hot paprika, garlic, salt and pepper, using veal, beef, chicken or Hungarian sausage. The sauce is drained from the stew and set aside. The crêpes are then filled with the stew, tucking in the ends. The sauce is then poured generously over the crepes, topped with tejföl and fresh parsley. A popular serving option in Hungary is to roll up the filled crêpes, or fold them into half’s and then rolling them up on the shorter side. The rolled up crêpes then can be stacked on each other with the sauce poured over them.
Mohammed Gauss also known as Mohamed Ghouse, was a Sri Lankan film music composer. His compositions for Sinhala cinema in the 1950s are credited by music critics as having been influential in developing a Sri Lankan style of film composition distinct from that of Indian films.
The Rough Guide to the Music of North Africa is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, the album contains five Algerian tracks, five Egyptian, two Sudanese, and two Moroccan, focusing mainly on modern music but including some traditional works. The compilation was produced by Phil Stanton, co-founder of the World Music Network.
References
- ↑ Broughton, Simon; Ellingham, Mark (2000). World Music: The Rough Guide. Latin and North America, Caribbean, India, Asia and Pacific. Rough Guides. p. 257. ISBN 9781858286365.
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