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Folk music of Haryana has two main forms: classical folk music of Haryana and desi folk music of Haryana (country music of Haryana). [1] [2] They take the form of ballads and pangs of parting of lovers, valor and bravery, harvest and happiness. [3]
Haryana is rich in musical tradition and even places have been named after ragas, for example Charkhi Dadri district has many villages named: Nandyam, Sarangpur, Bilawala, Brindabana, Todi, Asaveri, Jaisri, Malakoshna, Hindola, Bhairvi, and Gopi Kalyana. [2]
The classical form of Haryana music is closely associated with and based on Indian classical music. The Indian state of Haryana has produced a number of kinds of folk music, and has also produced innovations in Indian classical music. Hindustani classical ragas are used to sing Alha-Khand (1663-1202 CE) about bravery of Alha and Udal, Jaimal Fatta of Maharana Udai Singh II of Chittor (Maharana Udai Singh was the son of Rana Sanga and the father of famous braveheart Maharana Pratap), Brahmas, Teej festive songs, Phaag songs of Phalgun month of Holi and Holi songs. [4]
Mewati gharana [5] [6] is a musical apprenticeship tribe of Hindustani classical music in Mewat region. Known for being Pandit Jasraj's musical lineage, the gharana was founded by brothers Utd. Ghagge Nazir Khan and Utd. Wahid Khan (beenkar) of Bhopal [7] in the late 19th century at the Jodhpur court.[ citation needed ] Consequently, it is also known (though less commonly) as the Jodhpur Gharana.[ citation needed ] With its own distinct aesthetics, stylings, practices, and repertoire, the gharana emerged as an offshoot of the Gwalior and Qawwal Bacchon (Delhi) musical traditions. [8] The gharana gained visibility in the late-20th century after Pt. Jasraj popularized the gayaki. [9]
The country-side or desi (native) form of Haryanvi music is based on Raag Bhairvi, Raag Bhairav, Raag Kafi, Raag Jaijaivanti, Raag Jhinjhoti and Raag Pahadi and used for celebrating community bonhomie to sing seasonal songs, ballads, ceremonial songs (wedding, etc.) and related religious legendary tales such as Puran Bhagat. Ahirs also use melodic Raag Pilu on a scale using seven semi-tones.[ citation needed ]
Kissa folklores of bravery and love such as Nihalde Sultan, Sati Manorama, Jai Singh ki Mrityu, Saran de, etc. are some of the most popular folklores. Rasa lila and "Ragini" are folk theatrical performance Haryana. The Ragini form of theater was popularised by Lakhmi Chand. [3] Singing is a great way of demolishing societal differences as folk singers are highly esteemed and they are sought after and invited for events, ceremonies and special occasions regardless of the caste or status. [3] Songs are based on day to day themes and injecting earthy humor enlivens the feel of the songs. Haryanvi dances have fast energetic movements, and popular dance forms are Khoriya, Chaupaiya, Loor, Been, Ghoomar, Dhamal, Phaag, Sawan and Gugga. [3] Loor, which means girl in bangar area of Haryana, is performed in the form of questions and answers format by the girls in traditional haryanvi attire in the month of phalguna (spring) during the Holi festival to marks the arrival of pleasant spring season and sowing of the rabi crops. [10]
Young girls and women usually sing entertaining and fast seasonal, love, relationship and friendship related songs such as Phagan (song for eponymous season/month), Katak (songs for the eponymous season/month), Samman (songs for the eponymous season/month), bande-bandi (male-female duet songs), sathne (songs of sharing heartfelt feelings among female friends). [3] Older women usually sing devotional Mangal Geet (auspicious songs) and ceremonial songs such as Bhajan, Bhat (wedding gift to the mother of bride or groom by her brother), Sagai, Ban (Hindu wedding ritual where pre-wedding festivities starts), Kuan-Poojan (a custom that is performed to welcome the birth of male child by worshiping the well or source of drinking water), Sanjhi and Holi festival. [3]
All these are inter-caste songs, which are fluid in nature, are never personalized for specific caste. These are sung collectively by women from different strata, castes, dialects so these songs do change fluidly in dialect, style, words, etc. This adoptive style can be seen from adoption of tunes of Bollywood movie songs into Haryanvi songs. [3] Despite this fluid nature, haryanvi songs have a distinct style of their own. [3]
The folk music of Haryana has been spread by the Bhats, Saangis and Jogis.[ citation needed ] Baje Bhagat, Bharatchandra kaushik, Dayachand Mayna, and Lakhmi Chand are some popular early era Haryana artists.
Music is made using many traditional instruments Sarangi, Harmonium, Chimta, Dhadd, Dholak, Manjeera, Khartal, Damaru, Duggi, Daf, Bansuri, Been, Ghungroo, Dhak, Gharha (by adding rubber cover on top of the pitcher), Thali (beaten with a stick to make music) and Shankha.[ citation needed ]
Other instruments are:[ citation needed ]
Indian Classical Music is the classical music of the Indian Subcontinent. It is generally described using terms like Marg Sangeet and Shastriya Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is Odissi music, which has evolved over the last two thousand years.
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music and Boro folk music – in Pakistan, South India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as Gamaks or Gamakam (shakes) and meends. The Nepali sarangi is similar but is a folk instrument, unornate and four-stringed.
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or, in Bhartiyashastriya sangeet. The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It originated in the 12th century CE, when it diverged from Carnatic music, the classical tradition of South India. While Carnatic music largely uses compositions written in Sanskrit, Kannada, Telugu, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Braj, Avadhi, Rajasthani, Urdu and Punjabi.
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Ustad Abdul Karim Khan was an Indian classical singer and, along with his cousin Abdul Wahid Khan, the founder of the Kirana gharana of classical music.
Kirana gharana is one of the Indian classical khyal gharanas, and is concerned foremost with intonation of notes (swara).
The Mewati gharana is a musical apprenticeship tribe of Hindustani classical music. Known for being Pandit Jasraj's musical lineage, the gharana was founded by brothers Ghagge Nazir Khan and Wahid Khan (beenkar) of Indore in the late 19th century at the Holkar Court. Members of this gharana have had an active influence in Indian cinema for over half a century.
Sikh music, also known as Gurbani Sangeet , and as Gurmat Sangeet, or even as Shabad Kirtan, is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. Sikh music exists in various melodic modes, musical forms, styles, musicians, and performance contexts.
Bhairav is a Hindustani classical raga of Bhairav thaat. It is a sampurna raga that is traditionally performed in the morning and also as the beginning piece in concerts. It is the defining raga of its own Thaat.
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Milind Date is an Indian flautist and music composer who plays the bansuri. He studied under Hariprasad Chaurasia and is known for his technique and playing in various musical styles.
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Bandish, cheez or gat is a fixed, melodic composition in Hindustani vocal or instrumental music. It is set in a specific raga, performed with rhythmic accompaniment by a tabla or pakhawaj, a steady drone, and melodic accompaniment by a sarangi, violin or harmonium. There are different ways of systematizing the parts of a composition. A bandish provides the literature element in the music, for standard structured singing. In the past many gharanas protected their bandishes from moving out of the family with gross incoherent vocal renditions. In the realm of vocal music, it is often known as cheez.
Kumauni or Kumaoni Holi is the historical and cultural celebration of the Hindu festival of Holi in the region of Kumaon, India. It is one of the most important festivals for the Kumauni people as it signifies not only the victory of good over evil but also end of the winter season and the start of the new sowing season which holds great importance for this agricultural community of the North Indian Himalayas. It is an amalgamation of the cultural traditions of North India and the local traditions of Kumaon.
Abdul Halim Jaffer Khan was an Indian sitar player. Khan received the national awards Padma Shri (1970) and Padma Bhushan (2006) and was awarded the Sangeet Natak Akademi Award for 1987.
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Shanno Khurana is a noted Indian classical vocalist and composer, from the Rampur-Sahaswan gharana of Hindustani classical music. A disciple of the doyen of the gharana, Ustad Mushtaq Hussain Khan, she is known for performing rare bandish and raag, though her singing style includes genres like khayal, tarana, thumri, dadra, tappa, to chaiti and bhajan. Born and brought up in Jodhpur, she started singing on All India Radio in 1945 in Lahore, later shifted to Delhi, where she continued her singing on All India Radio, Delhi and in concerts and music festivals. She also pursued music education, finally earning her M.Phil. and PhD in music from the Kairagarh University, and has undertakes extensive research on folk music of Rajasthan.
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Folk dances of Jharkhand represent its vibrant culture and tradition. There are various folk dance in the state of Jharkhand which are performed during harvest season, festival and social gatherings. Some folk and tribal dances in Jharkhand are Jhumair, Mardana Jhumair, Janani Jhumair, Domkach, Lahasua, Jhumta, Fagua, Paika, Chhau, Firkal, Mundari and Santali.
Jain, Shikha; Bhawna, Dandona (2012). Haryana (Culture Heritage Guide). Aryan Books International. ISBN 9788173054396.
