Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music, and is structurally similar to Multani.
Basant is a Hindustani classical raga.
Vanaspati is a rāgam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Abhogi is a raga in Carnatic music and has been adapted to Hindustani music. It is a pentatonic scale, an audava raga. It is a derived scale, as it does not have all the seven swaras. Ābhōgi has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.
Bhatiyar is a Hindustani classical raga assigned to the Marva thaat.
Raga Jaunpuri is a rāga in Hindustani classical music in the Asavari thaat. Some musicians like Omkarnath Thakur consider it indistinguishable from the shuddha rishabh Asavari. Its attractive swaras also make it a popular raga in the Carnatic circles with a number of compositions in South India being tuned to Jaunpuri.
Abheri is a raga in Carnatic music. It is a Janya raga, whose Melakarta raga is Kharaharapriya, 22nd in the 72 Melakarta raga system.
Kanakangi is a rāgam in Carnatic music. It is the 1st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.
Bhairavi is a janya rāgam in Carnatic music. Though it is a sampoorna rāgam, it has two different dhaivathams in its scale making it a Bhashanga Ragam, and hence is not classified as a melakarta rāgam.
Ganamurti is a rāgam in Carnatic music. It is the 3rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Natakapriya, is a rāgam in Carnatic music. It is the 10th melakarta rāgam in the 72 melakarta rāgam system. According to the Muthuswami Dikshitar school, the 10th melakarta rāgam is called Naţābharanam.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Senavati is a rāgam in Carnatic music. It is the 7th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Senāgrani in Muthuswami Dikshitar school of Carnatic music.
Kokilapriya is a rāgam in Carnatic music. It is the 11th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. The 11th rāgam in Muthuswami Dikshitar school of Carnatic music is called Kokilāravam.
Rupavati is a rāgam in Carnatic music. It is the 12th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is one of the few rāgams given the same name by the Muthuswami Dikshitar school of Carnatic music.
Gayakapriya is a rāgam in Carnatic music. It is the 13th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one each in Hindustani music and Carnatic music. The Hindustani rāga is a pentatonic scale, while the Carnatic scale is an Audava - Audava scale - 5 notes in the Arohanam and 5 in the Avarohanam.
Sindhu Bhairavi is a raga in Hindustani and Carnatic classical music, belonging to the Asavari thaat. In Carnatic music it is a Janya raga of the 8th melakartha raga Hanumatodi.
Yamunakalyani is the janya raga of Mechakalyani, the 65th Melakarta ragam. It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.
Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang and the now extinct raga named Gaud. Unlike most other members of the Sarang family of ragas, Gaud Sarang is assigned to the Kalyan thaat rather than the usual Kafi.
