 |
| Thaat | Marva |
|---|---|
| Time of day | Just after sunset |
| Arohana | N Ṟ G M̄ D N Ṟ Ṡ |
| Avarohana |
|
| Vadi | G |
| Samavadi | N |
Puriya is a major hexatonic raga of Hindustani classical music.
Contents
Note emphasis: Ni, Ga, (Ma is an important pivot note.)
| |
| Thaat | Marva |
|---|---|
| Time of day | Just after sunset |
| Arohana | N Ṟ G M̄ D N Ṟ Ṡ |
| Avarohana |
|
| Vadi | G |
| Samavadi | N |
Puriya is a major hexatonic raga of Hindustani classical music.
Note emphasis: Ni, Ga, (Ma is an important pivot note.)
Ni Ni Ni Ma, Ni Dha Ni
re Sa
Ma, (Ni) D (Sa) Ni (re) Sa () = grace note
Ni re Ga
Ni re Ga, Ga re Sa
Ni re Ma Ma Ga
Ma Dha Ni, Ma Dha, Ga Ma G
| Property | Value |
|---|---|
| Thaat | Marwa |
| Ascending | N r G M D N r S |
| Descending | S N D M G r S N or r N D M Gg, M G r S |
| Samar (time of day) | Sunset or just after |
| Rasa | Shanti (equanimity/peace) Gambhir (seriousness) |
| Related ragas | Kanada, Hindol, Kalyan (Iman) |
Bor, Joep (c. 1997), The Raga Guide, Charlottesville,Virginia: Nimbus Records, archived from the original on 15 July 2009
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