Thaat | Bilaval |
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Bhinna Shadja is a raga of Hindustani classical music belonging to the Bilaval Thaat (Melakarta No. 29 Dheerashankarabharanam). It contains five Shuddha Swaras: Shadaja, Gandhar, Madhyama, Dhaivata, and Nishad. Rishabh and Pancham are omitted. In the form of notation it contains S, G, M, D and N.
In Carnatic music, these five swaras are termed Shadja -Sa, AntaraGandhar -ga, Suddha Madhyama- ma, Chatusruti Dhaivata -dhi and KakaliNishad –nu.
In Western classical notation, the notes are termed tonic, major third, perfect fourth, major sixth, and major seventh; i.e., C, E, F, A and B; second D and fifth G notes are omitted.
Raga Bhinna Shadja is known by many alternative names such as Koushikdhwani, or Hindoli. Same notes are used in some other ragas like Audav-Bilaval.
Jati (based on the number of notes used in the raga): Audava-Audava/five notes-five notes. [1]
Aaroha: SG, MD, NS’’;
Avaroha: S’’, ND, MG, S;
Vadi (Sonant) M;
Samavadi- S.
Nyasa Swaras (resting notes) – M, S
Pakad (distinctive tonal phrase) – S’’, NDMG, MG->S
Chalan (sample melodic combinations)-
S, 'NS, 'N'D, 'M'D'N S, 'D'N SM-G, SGMDGM-G, MG->S; 'D'N SG, SGSM-G, SGMD, GMND, MG, MDNS’’, DNS’’G’’'S’’, S’’G’’M’’G’’S’’,
MDNS’’ ND, GMDNDMG, SGMDGMG->S.
Gaan Samaya (Preferred Time)- 10 p.m.-1 a.m.
Raga Bhinnashadaja of Carnatic music has a different melodic structure. However, Carnatic ragas Chandrakauns, Daka, and Dakka of Dheerasankarabharanam Melkarta are scale-congruent with Bhinnashadaja of Hindustani classical music (Ref – Raga Pravaham)
Similar ragas from Hindustani music – Rageshri, Chakradhar, and Hemant
Similar ragas from Carnatic music – Chandrakauns, Daka, and Dakka
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Pancham is the fifth svara from the seven svaras of Hindustani music and Carnatic music. Pancham is the long form of the syllable प. For simplicity in pronouncing while singing the syllable, Pancham is pronounced as Pa. It is also called as पंचम in the Devanagri script.
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