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Hanumatodi, more popularly known as Todi, is a rāgam in Carnatic music. It is the 8th melakarta rāgam in the 72 melakarta rāgam system. This is sung very often in concerts. It is a difficult rāgam to perform in owing to its complexity in prayoga. It is called Janatodi in Muthuswami Dikshitar school of Carnatic music. Its Western equivalent is the Phrygian mode. Todi in Carnatic music is different from Todi (thaat) of Hindustani music. The equivalent of the Hindustani raga Todi in Carnatic music is Shubhapantuvarali. The equivalent of Carnatic Todi in Hindustani is Bhairavi thaat in terms of notes, but the two sound very different due to differing uses of gamakas.
A thaat is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term Melakartha raga of Carnatic music. The concept of the thaat is not exactly equivalent to the western musical scale because the primary function of a thaat is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent thaat; a raga said to 'belong' to a certain thaat need not allow all the notes of the thaat, and might allow other notes. Thaats are generally accepted to be heptatonic by definition.
Bilaval or Bilawal is a raga and the basis for the eponymous thaat in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat.
Devagandhari is a raga in Indian classical music. In carnatic classical music, Devagandhari is a janya raga, whose melakarta raga is Shankarabharanam, 29th in the 72 Melakarta raga system. This is not to be confused with Karnataka Devagandhari, which is a janya of Kharaharapriya similar to Abheri.
Raga Malgunji is a Hindustani classical raga from the Khamaj Thaat. Some say it is a part of the Kafi Thaat too.
Darbari Kanada, or simply Raga Darbari, is a raga in Carnatic music. It is a janya ragam of 20th Melakarta raga Natabhairavi. Being an ancient raga, its original name is unknown. It is believed to be borrowed into Hindustani classical music by Miyan Tansen, the famous 16th-century composer in emperor Akbar's court. It belongs to the Kanada family. This tradition is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance. It is also sometimes written as Durbari and Durbarikanada.
Asavari is a minor character from the Stri Parva in Mahabharata, the love life of Karna but due to her father's arrogance, the marriage did not take place. She belongs to the Asavari thaat kingdom.
Kafi is a raga in Hindustani classical music. It corresponds to Kharaharapriya in Carnatic music and Dorian mode in Western music
Jog is a Raga in Hindustani classical music. It is one of the more popular ragas appearing often in films. Sometimes, experts assign this raga to be a member of Kafi thaat.
Harikambhoji is a rāgam in Carnatic music. It is the 28th Melakarta rāgam in the 72 melakarta rāgam system.
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava resulting in 5 notes in the Arohanam and 5 in the Avarohanam.
Sriranjani is a ragam in Carnatic music. It is a hexatonic scale. It is a derived scale, as it does not have all the seven swaras. It is also written as Shri ranjani or Shree Ranjani. It also exist in Hindustani music, with a different scale. Aroh: Sa, komal Ga, Ma, Dha, komal Ni, Sa; Avroh: Sa, komal Ni, Dha, Ma, komal Ga, Ré, Sa.
Carnatic raga refers to ragas used in Carnatic music. It has several components - primordial sound (nāda), tonal system (swara), pitch (śruti), scale, ornaments (gamaka) and important tones.
Tilak Kamod is a Hindustani classical raga.
Asaveri (asāvēri) is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale, and has a vakra (zigzag) descending scale.
Khamaj is one of the ten thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat.
Gandhara is the 3rd svara from the seven svaras of Hindustani music and Carnatic music. Gandhara is the long form of the syllable ग. For simplicity in pronouncing while singing the syllable, Gandhara is pronounced as Ga.
Nishada is the seventh and last svara in Hindustani music and Carnatic music. Nishada is the long form of the syllable नी. For simplicity in pronouncing while singing the syllable, Nishada is pronounced as Ni.
References
- ↑ Mackenzie, Sir Compton; Stone, Christopher. The Gramophone. Vol. 77, Issues 915-918. p. 100.
- ↑ Kapoor, Sukhbir Singh; Kapoor, Mohinder Kaur (2002). Guru Granth Sahib: an advance study. New Delhi: Hemkunt Press. ISBN 978-81-7010-317-2.
- ↑ Mani, Charulatha (2013-07-05). "A complex beauty". The Hindu. ISSN 0971-751X . Retrieved 2022-09-05.
- ↑ www
.musicaloud .com /2014 /03 /17 /raga-dwijawanti-jaijaiwanti / - ↑ www
.musicaloud .com /2014 /03 /17 /raga-dwijawanti-jaijaiwanti / - ↑ SaregamaTelugu. "PandavaVanavasamuHimagiriSogasulo". youtube(videostreaming). Retrieved 20 December 2013.
- ↑ SaregamaTelugu. "BhaktaJayadevaPriyeCharuseele". youtube(videostreaming). Retrieved 13 June 2014.
- ↑ GhantasalaTopic. "EeMoogaChoopela". youtube(videostreaming). Retrieved 24 June 2015.