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Thaat | Khamaj [1] |
---|---|
Type | Audava-Audava [1] |
Time of day | 2nd Prahar of the night [1] |
Arohana | S G M P N Ṡ [1] |
Avarohana | S Ṉ P M G S [1] |
Vadi | G [1] |
Samavadi | N [1] |
Similar | Jog |
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat. [2] [1] [3]
This raga has a lowered seventh, Ṉ (Hindi : कोमल नी, romanized: komala nī) in the descending scale. [2] [1]
Its defining characteristics are: P Ṡ N Ṡ Ṉ P, P Ṡ N Ṡ P Ṉ P. Some performers add a Re to create the following pattern: Ṡ Ṙ N Ṡ P Ṉ P.
This raga originated in Hindustani classical music and has been taken into Carnatic music. [4] It is derived from the 28th Melakarta (parent scale) Harikambhoji. [4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. [5]
Song | Film | Composer | Singer(s) |
---|---|---|---|
Gori Gori Gaon Ki Gori Re | Yeh Gulistan Hamara | S. D. Burman | Lata Mangeshkar & Kishore Kumar |
Kaise Kahen Ham | Sharmeelee | S. D. Burman | Kishore Kumar |
Meri Kahani Bhulnevale Tera Jahan Abad Rahe | Deedar | Naushad | Mohammad Rafi |
Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale | Shabaab | Naushad | Mohammad Rafi |
Sajna Sang Kahe Neha Lagae | Main Nashe Mein Hoon | Shankar–Jaikishan | Lata Mangeshkar |
Lagan Tose Lagi Balma | Dekh Kabira Roya | Madan Mohan (composer) | Lata Mangeshkar |
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Raagini | O. P. Nayyar | Asha Bhosle |
Mein Apne Aap Se Ghabra Gaya Hoon | Bindya | Iqbal Qureshi | Mohammad Rafi |
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Mehboob Ki Mehndi | Laxmikant–Pyarelal | Lata Mangeshkar & Mohammad Rafi |
Song | Film | Composer(s) | Singer(s) |
---|---|---|---|
Neela Kandhara | Bhookailas | R. Sudarsanam & R. Govardhanam | Ghantasala |
Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada | Mahakavi Kalidasu | Pendyala | P. Susheela |
Naa Chandamama | Pandava Vanavasam | Ghantasala | Ghantasala & P. Susheela |
Niluvumaa Niluvumaa | Amarasilpi Jakkanna | S. Rajeswara Rao | Ghantasala & P. Susheela |
Manasaa, Kavvinchake | Pandanti Kapuram | S. P. Kodandapani | P. Susheela |
Jaamu Gadichenu Jabili Vodigenu | Mogudu-Pellalu (1985) | Ramesh Naidu | S. P. Balasubrahmanyam & P. Susheela |
Naalo Ninne Choodanaa | Vichitra Vivaham (1973) | Satyam | P. Bhanumathi |
Naa Sneham Pandi Premai Nindina Cheliya Ravela | Babu | K. Chakravarthy | S. P. Balasubrahmanyam |
Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri. [2]