 | |
| Thaat | [[h e5vytnguiv4h5ylodrijfgi59wgtfuseljwfht4in3veugrfv Khamaj (thaat)|Khamaj]] [1] |
|---|---|
| Type | Audava-Audava [1] |
| Time of day | 2nd Prahar of the night [1] |
| Arohana | S G M P N Ṡ [1] |
| Avarohana | S Ṉ P M G S [1] |
| Vadi | G [1] |
| Samavadi | N [1] |
| Similar | Jog |
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat. [2] [1] [3]
This raga has a Ni flat (ni komal) in the descent. [2] [1]
Its defining characteristics are: PS'NS'nP, PS'NS'PnP; some ragis add a R (S*R*NS*PnP).
This raga originated in Hindustani classical music and has been taken into Carnatic music. [4] It is derived from the 28th Melakarta (parent scale) Harikambhoji. [4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. [5]
Shree Ganesha charanam composed by Papanasam Sivan is a popular composition set in this ragam. [4]
Ramakrishnaru Manege, Tarakka Bindige By Purandara Dasa Satyavantara Sangaviralu By Kanaka Dasa
| Song | Movie | Composer | Singers |
|---|---|---|---|
| Gori Gori Gaon Ki Gori Re | Yeh Gulistan Hamara | S. D. Burman | Lata Mangeshkar & Kishore Kumar |
| Kaise Kahen Ham | Sharmeelee | S. D. Burman | Kishore Kumar |
| Meri Kahani Bhulnevale Tera Jahan Abad Rahe | Deedar (1951 film) | Naushad | Mohammad Rafi |
| Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale | Shabaab (film) | Naushad | Mohammad Rafi |
| Sajna Sang Kahe Neha Lagae | Main Nashe Mein Hoon | Shankar–Jaikishan | Lata Mangeshkar |
| Lagan Tose Lagi Balma | Dekh Kabira Roya | Madan Mohan (composer) | Lata Mangeshkar |
| Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Raagini(film 1958) | O. P. Nayyar | Asha Bhosle |
| Mein Apne Aap Se Ghabra Gaya Hoon | Bindya | Iqbal Qureshi | Mohammad Rafi |
| Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo | Mehboob Ki Mehndi | Laxmikant–Pyarelal | Lata Mangeshkar & Mohammad Rafi |
| Song | Movie | Composer | Singers |
|---|---|---|---|
| Neela Kandhara | Bhookailas (1958 film) | R. Sudarsanam & R. Govardhanam | Ghantasala (musician) |
| Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada | Mahakavi Kalidasu | Pendyala (composer) | P. Susheela |
| Naa Chandamama | Pandava Vanavasam | Ghantasala (musician) | Ghantasala (musician) & P. Susheela |
| Niluvumaa Niluvumaa | Amarasilpi Jakkanna | S. Rajeswara Rao | Ghantasala (musician) & P. Susheela |
| Manasaa, Kavvinchake | Pandanti Kapuram | S. P. Kodandapani | P. Susheela |
| Jaamu Gadichenu Jabili Vodigenu | Mogudu-Pellalu(1985 film) | Ramesh Naidu | S. P. Balasubrahmanyam & P. Susheela |
| Naalo Ninne Choodanaa | Vichitra Vivaham(1973 film) | Satyam (composer) | P. Bhanumathi |
| Naa Sneham Pandi Premai Nindina Cheliya Ravela | Babu (1975 film) | K. Chakravarthy | S. P. Balasubrahmanyam |
Hence, Tilang has arohana of Gambhiranata, and avarohana of Savitri. [2]
Atana or AThana is a raga in Carnatic music. It is a Janya raga, whose Melakarta raga is Sankarabharanam, 29th raga, commonly known as Shankarabharanam in the Melakarta system. Sometimes pronounced aDaaNaa (अडाणा). There is a Hindusthani raaga named अडाणा, which is totally different.
Hamsadhvani, is a rāga in Carnatic music. It is an audava rāgam. It is a janya rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th).
Hindōḷaṃ is a ragam in Carnatic music. It is an audava rāgam as it does not have all the seven swaras. Hindolam is not the same as the Hindustani Hindol. The equivalent of Hindolam in Hindustani music is Malkauns.
Mohanam is a raga in Carnatic music. It is an audava rāga. It is usually described as a janya rāga of Harikamboji. However, alternate opinions suggest that Mechakalyani or even Shankarabharanam may be a more appropriate classification based on the lakshana of the raga.
Madhyamavati (madhyamāvati) is a raga in Carnatic music. It is an audava rāga, as it does not have all the seven musical notes (swaras). It is a janya rāga. The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang. It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar.
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music and Yakshagana music. It is an audava rāgam. It is a janya rāgam of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In Hindustani music it is called Durga. According to the school of Muthuswami Dikshitar, this rāgam is called Devakriya. Karnataka Shuddha Saveri, a janya rāgam of 1st melakartaKanakangi, is called Shuddha Saveri by the Dikshitar school.
Udayaravichandrika, alias Shuddha Dhanyasi, is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras. Closer to Udayaravichandrika in Hindustani music is Dhani aka Gaundgiri. But Dhani has N2 while Udayaravichandrika N3 in theory. The Prati Madhyamam equivalent of this raga is "Sumanesaranjani", whose Hindustani Equivalent is "Madhukauns"
Malahari is a Carnatic raga. This raaga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness. It is associated with the rainy season.
Niroshta is a rāgam in Carnatic music. It is a pentatonic scale. It is a derived scale, as it does not have all the seven swaras.
Mohanakalyani is a rāgam in Carnatic music. It is a janya rāgam from the 65th melakarta scale Mechakalyani. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the Melakarta raga scale Kalyani. This ragam can be considered as a Prati Madhyamam equivalent of Bilahari, the janya of 29th Melakartha Dheerashankarabharanam. The equivalent of Mohanakalyani in Hindustani music is Bhoop Kalyan or Shuddha Kalyan. Bhoop Kalyan belongs to the Kalyan thaat of Hindustani music. Similar to Mohanakalyani, Bhoop Kalyan is a combination of Bhoop and Kalyan. This rāgam is believed to be invented by Swati Tirunal Maharaja.
Bilahari is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Sankarabharanam. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the sampurna raga scale Sankarabharanam.
Saramati is a ragam in Carnatic music. It is a janya rāgam from the 20th melakarta scale Natabhairavi. It is a janya scale, as it does not have all the seven swaras in the descending scale.
Dhanyasi is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Shuddha Dhanyasi and the sampurna raga scale Hanumatodi.
Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Sreerag. This scale does not have all the seven swaras in the ascending scale. Shree is the asampurna melakartha equivalent of Kharaharapriya, the 22nd Melakarta rāgam. It is the last of the 5 Ghana rāgams of Carnatic music. It is a popular rāgam that is considered to be highly auspicious.
Andolika is a Carnatic raga, which is also sometimes written as Andholika. This raga is a janya of the 22nd Melakarta raga Kharaharapriya.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Kalyanavasantam is a rāgam in Carnatic music. It is a janya rāgam from the 21st melakarta scale Keeravani. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Chandrakauns of Hindusthani music and the sampurna raga scale Keeravani.
Nattakurinji is a raga in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in evenings. It is used rarely in Hindustani, but is very popular in Carnatic music. The raaga Kurinji belongs to the Melakarta family Shankarabharanam but is sung relatively rarely.
Khamas or Kamās/ Khamās /Khamāch/ Khamāj / Kamāchi (கமாச்) (ఖమాస్/కమాచి) is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji. It is a janya scale, as it does not have all the seven swaras in the ascending scale.
Hamsanadam is a rāgam in Carnatic music. It is a pentatonic scale, as it is sung in current days. It is a derived scale, as it does not have all the seven swaras, from the 60th Melakarta rāgam Neetimati.