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| Arohanam | S R₂ M₁ P N₂ S |
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| Avarohanam | S N₂ D₂ M₁ R₂ S |
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Andolika is a Carnatic raga, which is also sometimes written as Andholika. This raga is a janya of the 22nd Melakarta raga Kharaharapriya. [1]
This ragam is an asymmetric scale and is classified as an audava-audava ragam (five notes in the ascending and descending scale). [1] [2]
The notes in this scale are chatushruti rishabham, shuddha madhyamam, panchamam, kaisiki nishadham in arohana and additional chatushruti dhaivatam in avarohanam, in place of panchamam (see pictures). From Kharaharapriya scale (22nd melakarta), the gandharam is removed in this scale and the rest are used in asymmetrical manner. Since gandharam is removed this scale can also be considered a janya of 28th mela Harikambhoji scale, [2] but since 22 comes ahead many prefer to use the association with Kharaharapriya.
| Song | Movie | Year | Composer | Singers |
|---|---|---|---|---|
| Selai Kattum | Kodi Parakuthu | 1988 | Hamsalekha | S. P. Balasubrahmanyam, K. S. Chitra |
| Song | Movie | Composer | Singers |
|---|---|---|---|
| Raga Sudharasa Paanamu [3] | Missamma | S. Rajeswara Rao | P. Leela & jikki |
This section covers the theoretical and scientific aspect of this rāgam.
Hamsadhvani, is a rāga in Carnatic music. It is an audava rāgam. It is a janya rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th).
Mohanam is a raga in Carnatic music. It is an audava rāga. It is usually described as a janya rāga of Harikamboji. However, alternate opinions suggest that Mechakalyani may be a more appropriate classification based on the lakshana of the raga.
Madhyamavati (madhyamāvati) is a raga in Carnatic music. It is an audava rāga, as it does not have all the seven musical notes (swaras). It is a janya rāga. The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang. It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar.
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music and Yakshagana music. It is an audava rāgam. It is a janya rāgam of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In Hindustani music it is called Durga. According to the school of Muthuswami Dikshitar, this rāgam is called Devakriya. Karnataka Shuddha Saveri, a janya rāgam of 1st melakartaKanakangi, is called Shuddha Saveri by the Dikshitar school.
Saveri is a Carnatic music ragam. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga brings out karuna rasa, i.e. it brings mood of compassion.
Revati is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava resulting in 5 notes in the Arohanam and 5 in the Avarohanam.
Nāgasvarāvaḻi, is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras.
Niroshta is a rāgam in Carnatic music. It is a pentatonic scale. It is a derived scale, as it does not have all the seven swaras.
Gambhiranata is a rāga in Carnatic music and Yakshagana where it is called Naati. It is an audava rāgam. It is a janya rāga, as it does not have all the seven swaras. Gambhiranata is also known as Shuddha Nata.
Dhanyasi is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Shuddha Dhanyasi and the sampurna raga scale Hanumatodi.
Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Shree. This scale does not have all the seven swaras in the ascending scale. Shree is the asampurna melakartha equivalent of Kharaharapriya, the 22nd Melakarta rāgam. It is the last of the 5 Ghana rāgams of Carnatic music. It is a popular rāgam that is considered to be highly auspicious.
Ranjani is a Carnatic raga, which is also sometimes written as Ranjini. This raga is a janya of the 59th Melakarta raga Dharmavati.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Asaveri (asāvēri) is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale, and has a vakra (zigzag) descending scale.
Salaga Bhairavi is a rāgam in Carnatic music. It is a janya rāgam from the 22nd melakarta scale Kharaharapriya. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Shuddha Saveri and the sampurna raga scale Kharaharapriya.
Garudadhvani or Garudadhwani is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Shankarabharanam. It is a janya scale, as it does not have all the seven swaras in the descending scale. It is a combination of the sampurna raga scale Shankarabharanam and the pentatonic scale Mohanam.
Revagupti is a rāgam in Carnatic music. It is a pentatonic scale. It is a janya rāgam, as it does not have all the seven swaras.
Bowli is a Carnatic raga. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga.
Thyagaraja Mangalam is a rāgam in Carnatic music(musical scale of South Indian classical music) created by music composer Mahesh Mahadev. Named after Carnatic vocalist and musicologist T. M. Thyagarajan. It is the Janya raga of 23rd Melakarta rāgam Gowri Manohari in the 72 melakarta rāgam system of Carnatic music.
