| Arohanam | S R₂ G₃ M₁ N₂ D₂ N₂ P D₂ N₂ Ṡ |
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| Avarohanam | Ṡ N₂ D₂ M₁ G₃ M₁ P G₃ R₂ S |
| Carnatic music |
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Nattakurinji is a raga (musical scale) in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in evenings. [1] It is used rarely in Hindustani, but is very popular in Carnatic music. [1] [2] [3] The raaga Kurinji belongs to the Melakarta family Shankarabharanam but is sung relatively rarely. [4]
Nattakurinji is an asymmetric rāgam. It is said to have three types of ascending (arohana) and descending scales (avarohana). [2] In practice all 3 types of arohana and avarohana, as well as other usages (prayogas) are found. Its ārohaṇa-avarohaṇa structure (one ascending and descending scale) is as follows: [1]
The notes used in this scale are shadjam, chathusruthi rishabham, antara gandhara, chathusruthi dhaivatham and kaisiki nishadham in ascending scale, with rishabham excluded in descending scale. For the details of the notations and terms, see swaras in Carnatic music. It is also classified as a "rakti" raga (a raga of high melodic content).
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There are many compositions set to Nattakurinji rāgam. Some of the popular compositions are:
| Song | Language | Film | Composer | Singer |
|---|---|---|---|---|
| Kavalaiyai Theerpathu Naattiya Kalaiye | Tamil | Sivakavi | Papanasam Sivan | M. K. Thyagaraja Bhagavathar |
| Anbe Amudhey | Uthama Puthiran | G. Ramanathan | T. M. Soundararajan,P. Susheela | |
| Kaniya Kaniya Mazhalai Pesum | Mannathi Mannan | Viswanathan–Ramamoorthy | ||
| Maaman Kurai | Siraichalai | Ilaiyaraaja | K. S. Chithra,Gangai Amaran | |
| Kannamoochi yenada (Sahana touches also) | Kandukondain Kandukondain | A. R. Rahman | K. S. Chithra,K. J. Yesudas | |
| Poongatru Veesum | Mr. Madras | Vidyasagar | S. P. Balasubrahmanyam | |
| Theme | Thavamai Thavamirundhu | Sabesh–Murali | Sharreth,Madhu Balakrishnan,Sudha Ragunathan | |
| Udayam Vaalkkannezhuthi | Malayalam | Njangal Santhushtaranu | ||
| Thiranurayum | Anandabhadram | |||
| Vaikasi thingalo |
It is to be noted that the song Kannamoochi yenada in the movie Kandukondain Kandukondain is not wholly composed in this ragam. Only the initial portion of the song is composed in Nattakurinji while the latter half is composed in Sahana . [5]
Vanaspati is a ragam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Shanmukhapriya is a ragam in Carnatic music. It is the 56th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Dikshitar school of Carnatic music. It is said to be borrowed into Hindustani music from Carnatic music. Many compositions on Lord Murugan and Lord Shiva are based on this raaga.
Dharmavati is a rāgam in Carnatic music. It is the 59th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhaamavati in Muthuswami Dikshitar school of Carnatic music. Madhuvanti is the nearest Hindustani music scale to Dharmavati. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury
Dhenuka is a rāgam in Carnatic music. It is the 9th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Ganamurti is a ragam in Carnatic music. It is the 3rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Natakapriya, is a rāgam in Carnatic music. It is the 10th melakarta rāgam in the 72 melakarta rāgam system. According to the Muthuswami Dikshitar school, the 10th melakarta rāgam is called Naţābharanam.
Vagadheeswari is a rāgam in Carnatic music. It is the 34th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Bhogachhāyānāţa in Muthuswami Dikshitar school of Carnatic music.
Ramapriya is a rāgam in Carnatic music. It is the 52nd melakarta rāgam in the 72 melakarta scale system of Carnatic music. It is called Ramāmanōhari in Muthuswami Dikshitar school of Carnatic music.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Tanarupi is a rāgam in Carnatic music. It is the 6th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Tanukeerti in Muthuswami Dikshitar school of Carnatic music.
Suryakantam or Sooryakantam is a rāgam in Carnatic music. It is the 17th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Chāyāvati in Muthuswami Dikshitar school of Carnatic music.
Jhankaradhvani or Jhankaradhwani is a ragam in Carnatic music. It is the 19th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Suvarnangi is a rāgam in Carnatic music. It is the 47th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Souveeram or Sauviram in Muthuswami Dikshitar school of Carnatic music.
Shamalangi or Shyamalangi is a ragam in Carnatic music. It is the 55th in the 72 melakarta rāgam system of Carnatic music, and is called Shāmaḻam in the Muthuswami Dikshitar school of that genre.
Nasikabhushani is a rāgam in Carnatic music. It is the 70th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Nāsāmaṇi in Muthuswami Dikshitar school of Carnatic music.
Dhanyasi is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Shuddha Dhanyasi and the sampurna raga scale Hanumatodi.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Yadukulakamboji or Yadukulakambodi (yadukulakāmbhōji) is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Yadukulakambhoji or Yadukulakambhodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Shuddha Saveri and the sampurna raga scale Harikambhoji.
Navarasa kannada or Navarasakannada is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji. This scale is well suited for instrumental music, especially with veena and flute. It is suited for orchestral music as well.
Revagupti is a rāgam in Carnatic music. It is a pentatonic scale. It is a janya rāgam, as it does not have all the seven swaras.
