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| Arohanam | S R₂ G₃ M₁ P D₂ P Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ P M₁ R₂ G₃ M₁ R₂ S |
| Carnatic music |
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| Concepts |
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Poornachandrika is a raga in Carnatic music, classical music of South India. It is a janya raga of Shankarabharanam, 29th in the 72 Melakarta ragas.
Its arohana-avarohana structure is as follows: [1]
Arohana : S R₂ G₃ M₁ P D₂ P Ṡ [lower-alpha 1]
Avarohana : Ṡ N₃ P M₁ R₂ G₃ M₁ R₂ S [lower-alpha 2]
Kedaram is a rāgam in Carnatic music. It is a derived scale from Shankarabharanam, the 29th Melakarta rāgam.
Vanaspati is a ragam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Naṭabhairavi is a rāgam in Carnatic music. It is the 20th melakarta rāgam in the 72 melakarta rāgam system. It corresponds to the Natural minor scale of western music system.
Kanakangi is a ragam in Carnatic music. It is the 1st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.
Dharmavati is a rāgam in Carnatic music. It is the 59th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhaamavati in Muthuswami Dikshitar school of Carnatic music. Madhuvanti is the nearest Hindustani music scale to Dharmavati. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury
Dhenuka is a rāgam in Carnatic music. It is the 9th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Ganamurti is a ragam in Carnatic music. It is the 3rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Gayakapriya is a ragam in Carnatic music. It is the 13th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Hatakambari is a ragam in Carnatic music. It is the 18th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Gangeyabhushani is a ragam in Carnatic music. It is the 33rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Namanarayani is a rāgam in Carnatic music. It is the 50th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Nāmadēshi in Muthuswami Dikshitar school of Carnatic music.
Bilahari is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Sankarabharanam. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the sampurna raga scale Sankarabharanam.
Dhanyasi is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Shuddha Dhanyasi and the sampurna raga scale Hanumatodi.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Nattakurinji is a raga in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in evenings. It is used rarely in Hindustani, but is very popular in Carnatic music. The raaga Kurinji belongs to the Melakarta family Shankarabharanam but is sung relatively rarely.
Nata (nāṭa) is a rāgam in Carnatic music, sometimes spelled Nattai. It is a janya rāgam from the 36th melakarta scale Chalanata. It is a janya scale, as it does not have all the seven swaras in the descending scale. It is a combination of the sampurna raga scale Chalanata and the pentatonic scale Gambhiranata. It is an auspicious raga, which is mostly sung in the early part of the concert.
Gaula or Gowla is a rāgam in Carnatic music. It is a janya rāgam from the 15th melakarta scale Mayamalavagowla. It is a janya scale, as it does not have all the seven swaras in the ascending and descending scale.
Reethigowla, Reethi Gowla or Reethigowlai is a janya raga in carnatic music. It is associated with 22nd melakarta raga Kharaharapriya.
Bowli is a Carnatic raga. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga.
