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| Arohanam | S R₂ M₁ D₂ N₃ G₃ P Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ D₂ P M₁ G₃ R₂ S |
| Carnatic music |
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Kathanakuthuhalam or kathanakuthoohalam, also known as kathanakuthuhala is a raga in Carnatic music. Patnam Subramania Iyer is credited with inventing this raga. [1] [2] The famous kriti Raghuvamsha Sudhambudhi written by him is in this raga.
Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Ragavardhini has two separate meanings in Indian classical music:
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music, and is structurally similar to Multani.
Darbari Kanada, or simply Raga Darbari, is a raga in Carnatic music. It is a janya ragam of 20th Melakarta raga Natabhairavi. Being an ancient raga, its original name is unknown. It is believed to be borrowed into Hindustani classical music by Miyan Tansen, the famous 16th-century composer in emperor Akbar's court. It belongs to the Kanada family. This tradition is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance. It is also sometimes written as Durbari and Durbarikanada.
Raga Bageshri or Bageshree is a Carnatic classical raga.It is a janya raga of the 22nd Melakarta raga Kharaharapriya. It is meant to depict the emotion of waiting for reunion with one's lover. Being a very melodic raga it has gained popularity over the centuries. In Hindustani music,it is said to have been first sung by Miyan Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century.
Abhogi is a raga in Carnatic music and has been adapted to Hindustani music. It is a pentatonic scale, an audava raga. It is a derived scale, as it does not have all the seven swaras. Ābhōgi has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter. In Hindustani music the raga has been classified under the Kafi thaat.
Kanakangi is a ragam in Carnatic music. It is the 1st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.
Mohanam is a rāga in Carnatic music. It is an audava rāga. It is usually described as a janya rāga of Harikamboji. However, alternate opinions suggest that Mechakalyani may be a more appropriate classification based on the lakshana of the raga.
Madhyamavati (madhyamāvati) is a rāga in Carnatic music. It is an audava rāga, as it does not have all the seven musical notes (swaras). It is a janya rāga. The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang. It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar.
Ganamurti is a ragam in Carnatic music. It is the 3rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Saveri is a Carnatic music ragam. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga brings out karuna rasa, i.e. it brings mood of compassion.
Sunadavinodini is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras. This raga was discovered by Mysore Vasudevachar.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava resulting in 5 notes in the Arohanam and 5 in the Avarohanam.
Bilahari is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Sankarabharanam. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the sampurna raga scale Sankarabharanam.
Saramati is a ragam in Carnatic music. It is a janya rāgam from the 20th melakarta scale Natabhairavi. It is a janya scale, as it does not have all the seven swaras in the descending scale.
Andolika is a Carnatic raga, which is also sometimes written as Andholika. This raga is a janya of the 22nd Melakarta raga Kharaharapriya.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Nattakurinji is a raga in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in evenings. It is used rarely in Hindustani, but is very popular in Carnatic music. The raaga Kurinji belongs to the Melakarta family Shankarabharanam but is sung relatively rarely.
Garudadhvani or Garudadhwani is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Shankarabharanam. It is a janya scale, as it does not have all the seven swaras in the descending scale. It is a combination of the sampurna raga scale Shankarabharanam and the pentatonic scale Mohanam.
Yamunakalyani is the janya raga of Mechakalyani, the 65th Melakarta ragam. It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.