| Arohanam | S R₁ G₃ P D₁ Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ D₁ P G₃ R₁ S |
| Carnatic music |
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| Concepts |
| Compositions |
| Instruments |
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Bowli is a Carnatic raga (also spelled as Bauli [1] or Bhauli [2] ). This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga.
This ragam is an asymmetric scale and is classified as an audava-shadava ragam (five notes in the ascending scale and six notes in the descending scale). [1] [2]
The notes in this scale are shuddha rishabham, antara gandharam, panchamam and shuddha dhaivatam in arohana and additional kakali nishadham in avarohanam.
This section covers the theoretical and scientific aspect of this rāgam.
Anandabhairavi or Ananda Bhairavi is a very old melodious ragam of Carnatic music. This rāgam also used in Indian traditional and regional musics. Ānandam (Sanskrit) means happiness and the rāgam brings a happy mood to the listener.
Vanaspati is a ragam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Kanakangi is a ragam in Carnatic music. It is the 1st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.
Bhairavi is a janya rāgam in Carnatic music. Though it is a sampoorna rāgam, it has two different dhaivathams in its scale making it a Bhashanga Ragam, and hence is not classified as a melakarta rāgam.
Ganamurti is a ragam in Carnatic music. It is the 3rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Natakapriya, is a rāgam in Carnatic music. It is the 10th melakarta rāgam in the 72 melakarta rāgam system. According to the Muthuswami Dikshitar school, the 10th melakarta rāgam is called Naţābharanam.
Ratnangi is a rāgam in Carnatic music. It is the 2nd melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Phenadhyuti in Muthuswami Dikshitar school of Carnatic music.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Tanarupi is a rāgam in Carnatic music. It is the 6th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Tanukeerti in Muthuswami Dikshitar school of Carnatic music.
Gayakapriya is a ragam in Carnatic music. It is the 13th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Saveri is a Carnatic music ragam. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga brings out karuna rasa, i.e. it brings mood of compassion.
Revati is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava resulting in 5 notes in the Arohanam and 5 in the Avarohanam.
Malayamarutam is a rāgam in Carnatic music. It is a janya rāgam, as it does not have all the seven swaras. This scale is used in Hindustani music in recent years by instrumentalists. This is a morning raga and regularly used in programmes and functions of the mornings.
Bhupalam is a rāgam in Carnatic music. It is a pentatonic scale. It is a janya rāgam, as it does not have all the seven swaras. It is also written as Bhoopalam.
Andolika is a Carnatic raga, which is also sometimes written as Andholika. This raga is a janya of the 22nd Melakarta raga Kharaharapriya.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Asaveri (asāvēri) is a rāgam in Carnatic music. It is a janya rāgam from the 8th melakarta scale Hanumatodi. It is a janya scale, as it does not have all the seven swaras in the ascending scale, and has a vakra (zigzag) descending scale.
Garudadhvani or Garudadhwani is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Shankarabharanam. It is a janya scale, as it does not have all the seven swaras in the descending scale. It is a combination of the sampurna raga scale Shankarabharanam and the pentatonic scale Mohanam.
Revagupti is a rāgam in Carnatic music. It is a pentatonic scale. It is a janya rāgam, as it does not have all the seven swaras.
