 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(July 2020) |
| Arohanam | S R₂ G₃ P M₂ G₃ P D₂ N₃ D₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ D₂ P M₂ G₃ M₁ R₂ S |
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
Yamunakalyani is the janya raga of Mechakalyani, the 65th Melakarta ragam. [1] [2] It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.
Yamunakalyani / Yaman kalyan / Yaman Kalyani is a Sampoorna Bhashanga Raga.It is said to be borrowed from Hindustani music and is the Carnatic adaptation of the Hindustani raga: Yaman Kalyan. Its arohana-avarohana is as follows:
The swaras are Shadjam, Chathusruthi Rishabham, Antara Gandharam, Panchamam, Prathi Madhyamam, Chathusruthi Dhaivatham, Kakali Nishadam. Shudha Madhyama is seen in avarohana, but it must be used sparingly. Usually the avarohana is sung with a brief instance of M1 [3] between G3 and R2.
The jeeva swaras are– R, G, M, D and N.
S, G, P and N forms the Graha swaras. M1 is the anya swara. The characteristic phrases of this raga are NDNR -NRNG – DNRG. PMRGR – GMR SNRS(Ranjaka prayogas).
Another type of this raga, with shadava-shadava scale, according to some sources [1] [2] is as follows:
Jamboopathe by Muthuswamy Dikshitar, set to Rupaka talam is a famous composition. Some other famous compositions in Yamunakalyani are Krishna Nee Begane by Vyasatirtha, Bhavayami Gopalam by Annamacharya, Pibare Ramarasam by Sadashiva Brahmendra, O Rama Nee Nama by Bhadrachala Ramadasu, Sri Ramachandra Kripalu by Sant Tulsidas, Haridasulu by Tyagaraja and Kadana Vatsava Hari by Vijayadasa in Kannada, Bideno Ninnangri By Prasanna Venkata Dasaru.
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music, and is structurally similar to Multani.
Kedaram is a rāgam in Carnatic music. It is a derived scale from Shankarabharanam, the 29th Melakarta rāgam.
Vanaspati is a ragam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Natakapriya, is a rāgam in Carnatic music. It is the 10th melakarta rāgam in the 72 melakarta rāgam system. According to the Muthuswami Dikshitar school, the 10th melakarta rāgam is called Naţābharanam.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Hatakambari is a ragam in Carnatic music. It is the 18th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Shamalangi or Shyamalangi is a ragam in Carnatic music. It is the 55th in the 72 melakarta rāgam system of Carnatic music, and is called Shāmaḻam in the Muthuswami Dikshitar school of that genre.
Nasikabhushani is a rāgam in Carnatic music. It is the 70th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Nāsāmaṇi in Muthuswami Dikshitar school of Carnatic music.
Sunadavinodini is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras. This raga was discovered by Mysore Vasudevachar.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava resulting in 5 notes in the Arohanam and 5 in the Avarohanam.
Sriranjani is a ragam in Carnatic music. It is a hexatonic scale. It is a derived scale, as it does not have all the seven swaras. It is also written as Shri ranjani or Shree Ranjani. It also exist in Hindustani music, with a different scale. Aroh: Sa, komal Ga, Ma, Dha, komal Ni, Sa; Avroh: Sa, komal Ni, Dha, Ma, komal Ga, Ré, Sa.
Malayamarutam is a rāgam in Carnatic music. It is a janya rāgam, as it does not have all the seven swaras. This scale is used in Hindustani music in recent years by instrumentalists. This is a morning raga and regularly used in programmes and functions of the mornings.
Niroshta is a rāgam in Carnatic music. It is a pentatonic scale. It is a derived scale, as it does not have all the seven swaras.
Mohanakalyani is a rāgam in Carnatic music. It is a janya rāgam from the 65th melakarta scale Mechakalyani. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the Melakarta raga scale Kalyani. This ragam can be considered as a Prati Madhyamam equivalent of Bilahari, the janya of 29th Melakartha Dheerashankarabharanam. The equivalent of Mohanakalyani in Hindustani music is Bhoop Kalyan or Shuddha Kalyan. Bhoop Kalyan belongs to the Kalyan thaat of Hindustani music. Similar to Mohanakalyani, Bhoop Kalyan is a combination of Bhoop and Kalyan. This rāgam is believed to be invented by Swati Tirunal Maharaja.
Kedaragaula is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji, and is sometimes spelled as Kedaragowla. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Madhyamavati and the sampurna raga scale Harikambhoji. It is a morning rāgam.
Khamas or Kamās/ Khamās /Khamāch/ Khamāj / Kamāchi (கமாச்) (ఖమాస్/కమాచి) is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji. It is a janya scale, as it does not have all the seven swaras in the ascending scale.
Hamsanandi is a rāgam in Carnatic music. It is a hexatonic scale. It is a derived scale, as it does not have all the seven swaras. Hamsanandi is a janya rāgam of Gamanashrama, the 53rd Melakarta rāgam. It has only the invariant panchamam missing from its parent scale, Gamanashrama, like Shree ranjani.
Hamsanadam is a rāgam in Carnatic music. It is a pentatonic scale, as it is sung in current days. It is a derived scale, as it does not have all the seven swaras, from the 60th Melakarta rāgam Neetimati.
Vasantha is a raga in Carnatic music. It is a janya raga of Suryakantam, the 17th Melakarta raga. According to P|Subba Rao, majority opinion is that the raga is derived from Mayamalavagowla, the 15th Melakarta raga.
Bahudari is a rāgam in Carnatic music. It is a derived scale, as it does not have all the seven swaras, derived from the 28th Melakarta raga Harikambhoji.