Hanumatodi, more popularly known as Todi, is a rāgam in Carnatic music. It is the 8th melakarta rāgam in the 72 melakarta rāgam system. This is sung very often in concerts. It is a difficult rāgam to perform in owing to its complexity in prayoga. It is called Janatodi in Muthuswami Dikshitar school of Carnatic music. Its Western equivalent is the Phrygian mode. Todi in Carnatic music is different from Todi (thaat) of Hindustani music. The equivalent of the Hindustani raga Todi in Carnatic music is Shubhapantuvarali. The equivalent of Carnatic Todi in Hindustani is Bhairavi thaat in terms of notes, but the two sound very different due to differing uses of gamakas.
Ragavardhini has two separate meanings in Indian classical music:
Vanaspati is a rāgam in Carnatic music. It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.
Kanakangi is a ragam in Carnatic music. It is the 1st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kanakāmbari in the Muthuswami Dikshitar school.
Shubhapantuvarali is a rāgam in Carnatic music. It is the 45th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Shivapantuvarāḻi in Muthuswami Dikshitar school of Carnatic music. Todi (thaat) is the equivalent in Hindustani music. Being sad in tone, it is usually used for sad songs by musicians.
Ganamurti is a ragam in Carnatic music. It is the 3rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Ratnangi is a rāgam in Carnatic music. It is the 2nd melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Phenadhyuti in Muthuswami Dikshitar school of Carnatic music.
Manavati is a rāgam in Carnatic music. It is the 5th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. In Muthuswami Dikshitar school of Carnatic music, the 5th melakarta is Manōranjani.
Tanarupi is a rāgam in Carnatic music. It is the 6th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Tanukeerti in Muthuswami Dikshitar school of Carnatic music.
Rupavati is a rāgam in Carnatic music. It is the 12th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is one of the few rāgams given the same name by the Muthuswami Dikshitar school of Carnatic music.
Gayakapriya is a ragam in Carnatic music. It is the 13th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Vakulabharanam is a rāgam in Carnatic music. It is the 14th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhātivasantabhairavi or Vātivasantabhairavi in Muthuswami Dikshitar school of Carnatic music.
Suryakantam or Sooryakantam is a rāgam in Carnatic music. It is the 17th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Chāyāvati in Muthuswami Dikshitar school of Carnatic music.
Hatakambari is a ragam in Carnatic music. It is the 18th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Jhankaradhvani or Jhankaradhwani is a ragam in Carnatic music. It is the 19th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Yagapriya is a rāgam in Carnatic music. It is the 31st melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Kalāvati in Muthuswami Dikshitar school of Carnatic music. Like many other rāgas, Kalāvati has been adopted in Hindustani music as well.
Salagam is a ragam in Carnatic music. It is the 37th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Sowgandini in Muthuswami Dikshitar school of Carnatic music.
Jalarnavam is a ragam in Carnatic music. It is the 38th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
Gavambodhi is a ragam in Carnatic music. It is the 43rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Geervāṇi or Girvāṇi in Muthuswami Dikshitar school of Carnatic music.
Vasantha is a raga in Carnatic music. It is a janya raga of Suryakantam, the 17th Melakarta raga. According to P|Subba Rao, majority opinion is that the raga is derived from Mayamalavagowla, the 15th Melakarta raga.
