Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Purandara Dasa was a legendary Composer, Singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhvacharya's Dvaita philosophy. He was one of the chief founding-proponents of Carnatic music. In honor of his significant contributions to Carnatic music, he is widely referred to as the Pitamaha of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada.
Muthuswami Dikshitar (Mudduswamy Dikshitar)(IAST: muttusvāmi dīkṣitar, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic music.
Dasa Sahitya is the literature of bhakti movement composed by devotees in honor of Lord Vishnu or one of his Avatars. Dasa is literally servant in Kannada and sahitya is literature. Haridasas were preachers of bhakti to Lord Vishnu or one of his avatars. The bhakti literature of these Haridasas is collectively referred to as Dasa Sahitya. It is in the Kannada language. Dasas are Dvaita scholars and poets.
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa. He was a renowned composer of Carnatic music, poet, reformer and musician. He is known for his keertanas and ugabhoga, and his compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada and native metrical forms for his compositions.
Pandeshwara Kalinga Rao was an Indian Bhavageete and Sugama Sangeetha singer and composer in the Kannada language.
Kambhoji or Kambodhi is a popular Raga in Carnatic Music. It is classified as a derived raga from 28th Melakartha, Harikambhoji, and has existed since the 7th century.
The Haridasa Bhakti Sahitya devotional movement (sampradaya) originated in Karnataka, India, after Madhvacharya, and spread to eastern states such as Bengal and Assam of medieval India. Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of South India in general and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.
Karnataka, a southern state in India, has a distinct art style and culture informed by a long history of diverse linguistic and religious ethnicities. Apart from Kannadigas, Karnataka is home to Tuluvas, who also consider themselves as Kannadigas. Minor populations of Tibetan Buddhists, Siddhi tribes, and a few other ethnic groups also live in Karnataka. The traditional folk arts are major theatrical forms in coastal Karnataka. Contemporary theatre culture in Karnataka is one of the most vibrant in India, with organizations like Ninasam, Ranga Shankara, and Rang on foundations laid by the Gubbi Veeranna Nataka Company. Veeragase, Kamsale, and Dollu Kunitha are popular dance forms. Bharatanatya also enjoys wide patronage in Karnataka.
Vijaya Dasa was a prominent saint from the Haridasa tradition of Karnataka, India in the 18th century, and a scholar of the Dvaita philosophical tradition. Along with contemporary haridasa saints such as Gopala Dasa, Helevankatte Giriamma, Jagannatha Dasa and Prasanna Venkata Dasa, he propagated the virtues of the philosophy of Madhwacharya across South India through devotional songs called devaranama written in the Kannada language. An integral part of Kannada Vaishnava devotional literature, these compositions in praise of the Hindu god Vishnu as well as other deities are called dasara padagalu. He has influenced both Carnatic music and Hindustani music through his compositions. His ankita is Vijaya vithala. These compositions can be more specifically categorized as keertanas, suladis, ugabhogas, and simply padas. They were easy to sing to the accompaniment of a musical instrument and dealt with bhakti (devotion) and the virtues of a pious life.
Medieval Kannada literature covered a wide range of subjects and genres which can broadly be classified under the Jain, Virashaiva, Vaishnava and secular traditions. These include writings from the 7th century rise of the Badami Chalukya empire to the 16th century, coinciding with the decline of Vijayanagara Empire. The earliest known literary works until about the 12th century CE were mostly authored by the Jainas along with a few works by Virashaivas and Brahmins and hence this period is called the age of Jain literature,. The 13th century CE, to the 15th century CE, saw the emergence of numerous Virashaiva and Brahminical writers with a proportional decline in Jain literary works. Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition. Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu, vachanasangatya, shatpadi, ragale, tripadi, and kavya.
The Kingdom of Mysore (1399–1950) was founded by Yaduraya in 1399 as a feudatory of the Vijayanagara Empire and became an independent kingdom in the early 17th century, after the decline of the Vijayanagara Empire. Many musicians and composers have presumably adorned the courts of the Mysore kings from Yaduraya's time, furthering the Dakshinadi school of music that had developed in earlier centuries. However, records are only available from the time of King Ranadheera Kanteerava Narasaraja Wodeyar (1638). Musical treatises surviving from this time, though, provide ample information on the music, musical instruments, the types of compositions, the raga (melodies) and the tala (rhythms) used. Though all the Mysore kings patronised music, the golden age of Carnatic music was considered to be during the reigns of Kings Krishnaraja Wodeyar III (1794–1868), Chamaraja Wodeyar IX (1862–1894), Krishnaraja Wodeyar IV (1884–1940) and Jaya Chamaraja Wodeyar (1919–1974). The reign of Krishnaraja Wodeyar IV is regarded as particularly important in musical terms.
The Haridaasas, the Vaishnava saints of Karnataka, are classified into the Vyaasakuta and Daasakuta. The Vyaasakuta were the pontifical saints known for their scholarship and exposition of Madhva's philosophy. The Daasakuta were the peripatetic saint disciples of the Vyaasakuta sanyasins. They were proficient singers and composers and used classical music and the Kannada language as a medium to propagate the teachings and philosophy of the Dvaita school. While Sripadaraya is sometimes credited with starting this musical movement, Purandaradaasa, a disciple of Vyaasasraaya, became renowned as Karnataka Sangita Pitaamaha.
The Vijayanagara musicological nonet or the Sangitashastra navaratna are a group of nine musicological treatises written during the reign of the Vijayanagara empire. These works are counted among the most important and definitive treatises in Carnatic music theory. Each of these works contributed seminally to the growth of the Carnatic music tradition. These nine works are the Sangitasara by the sage Vidyaranya, Taladipika by Salva Gopa Tippendra, Sangitakalanidhi by Kallinatha, Bhandaru Vittaleshwara's commentary on the Sangita Ratnakara, Bhandaru Lakshminarayana's Sangitasuryodaya, Achyutadevaraya's Talakalabdhi/Talakalavriddhi and the much celebrated Swaramelakalanidhi by Ramamatya.
Rudrapatna Krishnashastri Srikantan, known as R. K. Srikantan, was a vocalist of the Carnatic musical tradition of South Indian music. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1995.
Govinda Dikshita (Dikshitar) was the minister of three successive Nayaks of Thanjavur, who ruled the region of Thanjavur in South India between the 16th and 17th centuries CE.
Venkatamakhin or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his Chaturdandiprakashika in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed geethams and prabandhas, as well as 24 ashtapadis in praise of Lord Thyagaraja of Tiruvarur.
Sri Purandaradasa Aradhana is the annual aradhana of Kannada saint composer Purandara Dasa, who is considered as "The Pitamaha" of Carnatic Music. The festival is observed in the states of Andhra Pradesh and Karnataka, primarily in Hampi, the place where Purandara Dasa lived and attained Samadhi The aradhana is observed on Pushya Bahula Amavasya day, when the saint attained samadhi.
Rudrapatna Krishnadikshita Padmanabha, commonly known by his initials RKP, is an Indian Carnatic music vocalist, performer, music teacher and author from the state of Karnataka. He established "Sapta Swara Devatha Dhyana Mandira" at native village Rudrapatna, Karnataka, memorializing renowned musicians of Indian classical music. He has been serving as the president of Karnataka Ganakala Parishat since 2004. He received Kempegowda Award and Sangeet Natak Akademi Award.
