The Khamak is a string instrument close to ektara , originating in India, common in folk music of Bengal, Odisha and North East India, especially Baulgaan. It is a one-headed drum with a string attached to it which is plucked. The only difference from ektara is that no bamboo is used to stretch the string, which is held by one hand, while being plucked by another. [1] In Anandalahari, the other end of the string is fixed inside a copper pot only.
The khamak consists of three basic parts. A bowl which is often made out of wood is connected by several strings to another, smaller piece (also usually made out of wood). The bowl is held under the arm holding the smaller piece in the hand of same arm. Finally, the string are plucked by the other hand while adjusting the tension of strings creating the desired sound. It is generally used in Bengali boul (folk) songs. It is one of the most ancient string instruments in eastern India.
The cello ( CHEL-oh; plural celli or cellos) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef and treble clef used for higher-range passages.
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
Pizzicato is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument :
The erhu, is a two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a Southern Fiddle, and is sometimes known in the Western world as the Chinese violin or a Chinese two-stringed fiddle.
The tanpura (तम्पूरा); or tambura, tanpuri) is a long-necked plucked string instrument, originating from India, found in various forms in Indian music. It does not play melody but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings, each string a fundamental tone with its own spectrum of overtones, supports and blend with the external tones sung or played by the soloist.
The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly open at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
A folk instrument is a musical instrument that developed among common people and usually does not have a known inventor. It can be made from wood, metal or other material. Such an instrument is played in performances of folk music.
The rebab is the name of several related bowed string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe.
Ektara is a one-stringed musical instrument used in the traditional music of South Asia, and used in modern-day music of Bangladesh, India, and Pakistan.
A setar is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by the mid 19th century. It is played with the index finger of the right hand.
The tumbi or toombi, also called a tumba or toomba, is a traditional musical instrument from the Punjab region of the northern Indian subcontinent. The high-pitched, single-string plucking instrument is associated with folk music of Punjab and presently very popular in Western Bhangra music.
The term Tanbur can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the New Grove Dictionary of Music and Musicians, "terminology presents a complicated situation. Nowadays the term tanbur is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan, Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan.
The gubguba, also known as gabgubagub, guba, gopijantro, gubgubbi, ananda lahari, premtal, khamak, khomok, chonka, jamidika, jamuku and bapang is an Indian percussion string instrument.
The Azerbaijani tar and the skills related to this tradition play a significant role in shaping the cultural identity of Azerbaijanis. The tar is a long-necked, plucked lute, traditionally crafted, and performed in communities throughout the Republic of Azerbaijan. The tar is featured alone or with other instruments in numerous traditional musical styles. It is also considered by many to be the country's leading musical instrument.
The veena, also spelled vina, comprises a family of chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena and others.
The Musical instruments of Rajasthan include:
Duitara is a four-stringed Khasi and Jaintia folk musical instrument of Meghalaya that resembles a guitar. The term seems similar to the dotara instrument played in the neighboring states of Assam and West Bengal. The duitara consists of strong hard wood, the hollow in the belly of its main body is coated with dried animal skin, and its neck has at its end four holes in which wooden pegs hold the strings in tune. The strings are made of 'muga' silk. The folk musician Skendrowell Syiemlieh was an accomplished artist of this instrument. Duitara is unlike the bow-shaped veena, santoor, ektara, tambura, jantra, sarod and sarangi.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox or it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
The anandalahari is an Indian chordophone musical instrument. The instrument often accompanies dance, and may act as melody and rhythm.
The eka-tantrī vīṇā was a medieval tube-zither veena in India, with a single string and one or more gourd resonators. The instrument became prominent in Indian music in about the 10th century C.E. as instruments of court music. Alongside the alapini vina and kinnari vina it replaced the harp-style veenas and lute-style veenas in sculpture. It was possibly a forerunner of the rudra vina. It shares its name with the modern single-string drone lute, the ektara.
| Wind (Sushir) |  | |
|---|---|---|
| Plucked Stringed (Tat) | ||
| Bowed Stringed (Vitat) | ||
| Membranous Percussion (Avanaddh) | ||
| Non-Membranous Percussion (Ghan) | ||
| Other | ||
| Historical/ possibly extinct | ||
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