Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The music of Barbados includes distinctive national styles of folk and popular music, including elements of Western classical and religious music. The culture of Barbados is a syncretic mix of African and British elements, and the island's music reflects this mix through song types and styles, instrumentation, dances, and aesthetic principles.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Saint Kitts and Nevis is known for a number of musical celebrations including Carnival. The last week in June features the St Kitts Music Festival, while the week-long Culturama on Nevis lasts from the end of July into early August.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch fetes" running in the lead up to the street parade on Carnival Monday and Tuesday. It is said that if the islanders are not celebrating it, then they are preparing for it, while reminiscing about the past year's festival. Traditionally, the festival is associated with calypso music, with its origins formulated in the midst of hardship for enslaved West and Central Africans; however, recently Soca music has replaced calypso as the most celebrated type of music. Costumes, stick-fighting and limbo competitions are also important components of the festival.
The Canboulay riots were a series of disturbances in the British colony of Trinidad in 1881. The riots came about in response to efforts by the colonial police to restrict aspects of the island's annual Carnival festival. In Port of Spain, San Fernando and Princes Town, angered Trinidadians rioted in response to the actions of the police; several people were killed as a result of the riots. Canboulay music forms an important part the musical traditions of Trinidad. The "chantwell" or chantuelle who was also an integral part of the celebrations was the forerunner of the calypsonian and later soca music.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
The culture of Dominica is formed by the inhabitants of the Commonwealth of Dominica. Dominica is home to a wide range of people. Although it was historically occupied by several native tribes, it was the Taíno and Island Caribs (Kalinago) tribes that remained by the time European settlers reached the island. "Massacre" is a name of a river dedicated to the murders of the native villagers by both French and British settlers, because the river "ran red with blood for days." Each claimed the island and imported slaves from Africa. The remaining Caribs now live on a 3,700-acre (15 km2) Carib Territory on the east coast of the island. They elect their own chief.
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
War is a calypso form that has existed since at least the turn of the twentieth century. Originally it was sung in patois or French creole. The classic War form is an eight-line stanza, the first four lines in a minor key, then modulating into the major, and returning to the minor with the refrain "santimanite".
As early as the 1780s, the word kaiso was used to describe a French creole song and, in Trinidad, kaiso seems to have been perfected by the chantwells during the first half of the 19th century. The chantwells, assisted by alternating in call-and-response style with a chorus, were a central component of the practice called Calinda (stick-fighting).
Extempo is a lyrically improvised form of calypso and is most notably practiced in Grenada and Trinidad and Tobago. It consists of performers improvising in song or in rhythmic speech on a given theme before an audience, which take turns to perform. It is inherently competitive, and success is judged by the wit and the ingenuity of the performance.
As an overseas départment of France, Martinique's culture is French and Caribbean. Its former capital, Saint-Pierre, was often referred to as the Paris of the Lesser Antilles. The official language is French, although many Martinicans speak a Creole patois. Based in French, Martinique's Creole also incorporates elements of English, Spanish, Portuguese, and African languages. Originally passed down through oral storytelling traditions, it continues to be used more often in speech than in writing.
Lord Pretender was the stage name of Aldric Farrell, M.O.M., H.B.M. a calypsonian vocalist born on the island of Tobago widely acknowledged to be a "master" of extempo, a lyrically improvised form of calypso music. Starting with an impromptu performance at the age of 12, his career spanned nearly seven decades until cancer of the larynx forced him to retire in the mid-1990s.
Lord Executor was a Trinidadian calypsonian. He belonged to the first generation of calypso pioneers that included Julian Whiterose, Norman le Blanc, Henry Forbes the Inventor and Black Prince. Unlike those other early figures, however, Executor recorded extensively during the golden age of calypso of the 1930s and early 1940s, producing 28 record sides (78-rpm) and directly exerting influence on the second generation of calypsonians he worked alongside. According to the Roaring Lion, Executor "helped raise the general standard of the Calypso genre, gaining it more respect and acceptability in the public eye".
