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Limbo is a popular game, based on traditions that originated on the island of Tobago. The aim is to pass forwards under a low bar without falling or dislodging the bar.
The dance originated as an event that took place at wakes in Tobago. It was popularized in the 1950s by dance pioneer Julia Edwards [1] (known as the First Lady of Limbo) and her company which appeared in several films, in particular Fire Down Below (1957), and toured widely in the Caribbean, Europe, North America, South America, Asia, and Africa in the 1960s and later.
A horizontal bar, known as the limbo bar, is supported by two vertical bars. All contestants must attempt to go under the bar with their backs facing toward the floor. When passing under the bar, players must bend backwards. No part of their body is allowed to touch the bar, and no part other than their feet may touch the ground. They must not turn their head or neck to the side. Whoever knocks the bar off or falls is eliminated. After everyone has passed under the bar in this manner, the bar is lowered slightly and the contest continues. The contest ends when only one person can pass under the bar.
The word 'limbo' dates back to the 1950s. It is conjectured that limbo is a West Indian English derivative of 'limber'. Merriam–Webster lists the etymology as "English of Tobago & Barbados; akin to Jamaican English limba to bend, from English limber". [2]
This game is also used as a funeral game and may be related to the African legba or legua game. [3]
Consistent with certain African beliefs, the game reflects the whole cycle of life....The players move under a pole that is gradually lowered from chest level and they emerge on the other side as their heads clear the pole as in the triumph of life over death. [4]
The limbo dates back to the mid to late 1800s in Tobago. It achieved mainstream popularity during the 1950s. An alternative explanation of the name is suggested; that the version of the limbo performed in nineteenth century Tobago was meant to symbolize slaves entering the galleys of a slave ship, or a spirit crossing over into the afterworld, or "limbo", but no literary reference is known to substantiate this postulated linkage. [5]
Dr Alan Rice elaborates on the supposed link the game has with the slave trade: "Africans were forced to game on deck for exercise. Many took advantage of this to bond and communicate with their shipmates by dancing steps remembered from their past in Africa. This was to continue in the Americas in games, religious ceremonies and other musical forms that used cultural traditions from Africa. One such game was the limbo in the Caribbean. The limbo spoke directly of the limited space in the slaving ships and the African ability to escape it." [6]
Traditionally, the limbo game began at the lowest possible bar height and the bar was gradually raised, signifying an emergence from death into life. In its adaptation to the world of entertainment, troupes began reversing the traditional order. According to a 1956 newspaper report, the game was revived in 1944 by Edric Connor. It became a popular entertainment in Trinidad and was adopted as a physical fitness exercise by American troops. [7] In the 1950s, choreographer and player Julia Edwards added a number of features that are now considered standard, such as human 'bars' formed by the limbs of other players and the use of fire in the performance of limbo. [8] A film, Julia and Joyce, by Trinidadian-American Sonja Dumas, was released in 2010. It traces the evolution of limbo dancing and the contribution of Edwards to its popularity. [9]
Limbo players generally move and respond to a number of specific Afro-Caribbean drum patterns. As Limbo gained popularity as a tourist activity and a form of entertainment, pop music began using Caribbean rhythms to respond to the emerging craze in the United States. One example is the song "Limbo Rock" (recorded by Chubby Checker), which became a number 2 charted hit on the Billboard Top 100, from which emerged the popular quote/chant that is associated with limbo which Checker also helped to popularize: "How low can you go?" Limbo was brought into the mainstream by Trinidadian Calypsonian Brigo (Samuel Abrahams) with his popular Soca song "Limbo Break".[ citation needed ]
Limbo is considered the unofficial national game of Trinidad and Tobago,[ citation needed ] which refers to itself as the land of limbo, steelpan (steel drums), and calypso. After a preparatory game, the player prepares and approaches the bar, lowering and leaning back their body while balancing on feet akimbo with knees extended backwards. The player is declared "out" and loses the contest if any part of the body touches the stick or pole that they are passing beneath, or if the hands touch the floor. When several players compete, they go under the stick in single-file; the stick is gradually lowered until only one player, who has not touched either the pole or the floor, remains.[ citation needed ]
As Limbo spread out of Trinidad and Tobago to the wider world and the big screen, limbo became a major part of the tourism package in several other Caribbean islands, such as Barbados and Jamaica. In Jamaica, the trendy limbo music of the 1950s was often based on a clave rhythm. It is also widely heard in Jamaican mento recorded in the 1950s, in songs such as "Limbo" by Lord Tickler and Calypsonians, or "Limbo" by Denzil Laing & the Wrigglers, as well as many other songs not directly related to the limbo game itself. Limbo's continued significance in Trinidadian and Tobagonian culture ia clearly demonstrated in festivals and social events across the two islands, including performances by popular game troupes at the Prime Minister's Best Village Competition, and during the Carnival season in Trinidad and Tobago.[ citation needed ]
When performing for tourists, professional limbo players often invite spectators to participate after their own presentation of the game. The massive popularity of limbo has emerged directly from this audience participation. In recent years,[ when? ] limbo dancing has been conducted as a social "icebreaker" game for tourists at Caribbean and other tropical resorts. The winning player often receives a prize.[ citation needed ]
The world record for lowest limbo game is held by Dennis Walston, who successfully attempted a 6-inch (15 cm) bar in March 1991. [10]
The world record for lowest female limbo game is held by Shemika Charles, a 26-year-old woman from Trinidad who lives in Buffalo, NY. On 16 September 2010, she successfully played under a bar 8.5 inches (22 cm) above the ground. [11]
Shemika Charles-Campbell also holds her second world record for the Farthest Distance Limbo Under 12 inches. The record setting limbo was completed under vehicles and measured a distance of 12.67 ft (3.8 meters). The record was attained on 9 October 2020 in her home country Trinidad and Tobago. [12]
Soca music is a genre of music defined by Ras Shorty I, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Lord Melody was a popular Trinidadian calypsonian, best known for singles such as "Boo Boo Man", "Creature From The Black Lagoon", "Shame & Scandal", "Jonah and the Bake", "Juanita", and "Rastaman Be Careful". Melody's career spanned forty years, from the beginnings of popular calypso music to his embrace of the more dance oriented Soca style by the late 1970s.
Aldwyn Roberts HBM DA, better known by the stage name Lord Kitchener, was a Trinidadian calypsonian. He has been described as "the grand master of calypso" and "the greatest calypsonian of the post-war age".
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
A calypsonian, originally known as a chantwell, is a musician from the anglophone Caribbean who sings songs of the calypso genre.
Samuel L. Manning was a Trinidadian performer and songwriter who was one of the earliest calypsonians to achieve international acclaim.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Saint Kitts and Nevis is known for a number of musical celebrations including Carnival. The last week in June features the St Kitts Music Festival, while the week-long Culturama on Nevis lasts from the end of July into early August.
The music of Antigua and Barbuda is largely African in character, and has only felt a limited influence from European styles due to the population of Antigua and Barbuda descending mostly from West Africans who were made slaves by Europeans.
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch" fetes running in the lead up to the street parade on Carnival Monday and Tuesday. Traditionally, the festival is associated with calypso music, developed by enslaved West and Central Africans in 17th century Trinidad; however, Soca music has begun to replace calypso as the more popular musical genre for Carnival. Costume, stick-fighting, limbo, and steelpan competitions are important components of the festival.
Dougla people are Caribbean people who are of mixed African and Indian descent. The word Dougla is used throughout the Dutch and English-speaking Caribbean. Afro-Indo people may also be another term used to describe them.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
Chinese Trinidadians and Tobagonians are Trinidadians and Tobagonians of Han Chinese ancestry. The group includes people from Mainland China, Hong Kong, and Overseas Chinese who have immigrated to Trinidad and Tobago and their descendants, including those who have emigrated to other countries. The term is usually applied both to people of mixed and unmixed Chinese ancestry, although the former usually appear as mixed race in census figures. Chinese settlement began in 1806. Between 1853 and 1866 2,645 Chinese immigrants arrived in Trinidad as indentured labour for the sugar and cacao plantations. Immigration peaked in the first half of the twentieth century, but was dramatically lowered after the Chinese Communist Revolution in 1949. After peaking at 8,361 in 1960, the unmixed Chinese population in Trinidad declined to 3,800 in 2000, however slightly increased to 3,984 in 2011.
Chinese Caribbean people are people who are predominantly of Han Chinese ethnic origin living in the Caribbean. There are small but significant populations of Chinese and their descendants in all countries of the Greater Antilles. They are all part of the large Chinese diaspora known as Overseas Chinese.
Kade Simon, better known as Lord Brynner, was a Trinidadian calypsonian who won the Trinidad and Tobago Independence Calypso Contest in 1962. He also had a number of Ska hits in Jamaica during the mid-1960s.
Cletus Ali, better known as Mighty Dougla, was a Trinidadian calypsonian who won the island's Calypso King title in 1961.
Julia Edwards was a Trinidadian dancer and choreographer. Known as the "Queen of Limbo" or "First Lady of Limbo", she was responsible for popularizing limbo dancing as a performance in the 1950s and early 1960s, and for inventing many of its variations.