Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Lord Invader was a prominent calypsonian with a very distinctive, gravelly voice.
Aldwyn Roberts HBM DA, better known by the stage name Lord Kitchener, was a Trinidadian calypsonian. He has been described as "the grand master of calypso" and "the greatest calypsonian of the post-war age".
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
A calypsonian, originally known as a chantwell, is a musician from the anglophone Caribbean who sings songs of the calypso genre.
The music of the Virgin Islands reflects long-standing West Indian cultural ties to the island nations to the south, the islands' African heritage and European colonial history, as well as recent North American influences. Though the United States Virgin Islands and British Virgin Islands are politically separate, they maintain close cultural ties. From its neighbors, the Virgin Islands has imported various pan-Caribbean genres of music, including calypso music and soca music from Trinidad and reggae from Jamaica.
The Growler was a Trinidadian calypsonian. Growler recorded 36 record sides (78-rpm) during the 1930s and 1940s, making him among the most prolific recording artists in the golden age of calypso, with only Roaring Lion, Growling Tiger, King Radio, Attila the Hun and Wilmoth Houdini exceeding his output during this period. Lord Kitchener, one of the most important figures in the later development of calypso, acknowledged Growler as one of his influences.
"Streets of Laredo", also known as "The Dying Cowboy", is a famous American cowboy ballad in which a dying ranger tells his story to another cowboy. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Sussex by the Sea" is a song written in 1907 by William Ward-Higgs, often considered to be the unofficial county anthem of Sussex. It became well known throughout Sussex and is regularly sung at celebrations throughout the county. It can be heard during many sporting events in the county, during the Sussex bonfire celebrations and it is played by marching bands and Morris dancers across Sussex. It is the adopted song of Brighton & Hove Albion Football Club, Sussex Division Royal Naval Reserve, Sussex Association of Naval Officers and Sussex County Cricket Club.
Fitzgerald Henry, better known as the Mighty Terror, was a Trinidadian calypsonian.
Extempo is a lyrically improvised form of calypso and is most notably practiced in Grenada and Trinidad and Tobago. It consists of performers improvising in song or in rhythmic speech on a given theme before an audience, which take turns to perform. It is inherently competitive, and success is judged by the wit and the ingenuity of the performance.
Denyse Burnadette Kirline Plummer was a Trinidadian calypsonian and gospel singer. The child of a white father and a black mother, she initially faced significant prejudice in a genre traditionally seen as Afro-Caribbean, but was eventually recognised as a leading calypso performer. In 2001, she won the Calypso Monarch title with her songs "Heroes" and "Nah Leaving".
George Browne, better known as the Young Tiger, was a Trinidadian calypso musician.
Lord Flea was the stage name of Norman Byfield Thomas, a Jamaican mento musician credited with "helping start the calypso craze in U.S." With his band The Calypsonians, Flea toured America throughout the late 1950s, and released an album on the Capitol label. The band also performed in two calypso-related films.
Lord Pretender was the stage name of Aldric Farrell, M.O.M., H.B.M. a calypsonian vocalist born on the island of Tobago widely acknowledged to be a "master" of extempo, a lyrically improvised form of calypso music. Starting with an impromptu performance at the age of 12, his career spanned nearly seven decades until cancer of the larynx forced him to retire in the mid-1990s.
Hayden Desiree, better known as Lord Tokyo, , was one of the most prominent Dominiquais calypsonians. He was the first solo artist to release a Dominiquais-produced record, won the island's Calypso King title, and wrote a winner of the Road March contest.
Rufus Callender (1910–1976), better known as Lord Caresser, was a Trinidadian calypsonian. He is best known for his 1937 recording of "Edward the VIII", a calypso about the 1936 Abdication of Edward VIII of England. This was one of the best-selling records in the golden age of calypso of the 1930s and early 1940s, and generated further hits for Jamaican singer Lord Flea and American singer Harry Belafonte when they covered it in the 1950s.
Lord Executor was a Trinidadian calypsonian. He belonged to the first generation of calypso pioneers that included Julian Whiterose, Norman le Blanc, Henry Forbes the Inventor and Black Prince. Unlike those other early figures, however, Executor recorded extensively during the golden age of calypso of the 1930s and early 1940s, producing 28 record sides (78-rpm) and directly exerting influence on the second generation of calypsonians he worked alongside. According to the Roaring Lion, Executor "helped raise the general standard of the Calypso genre, gaining it more respect and acceptability in the public eye".
Black Prince was a Trinidadian calypsonian. He was one of only three of the first-generation calypso pioneers to record, the others being Iron Duke, who made the first (vocal) calypso record in 1914, and Lord Executor, who recorded extensively from 1937 to 1940.
