Al Stewart

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Al Stewart
Al Stewart performing, McCabe's Guitar Shop, Santa Monica, California (Feb. 2010).jpg
Stewart performing in Santa Monica, California on 13 February 2010
Background information
Birth nameAlastair Ian Stewart
Born (1945-09-05) 5 September 1945 (age 73)
Glasgow, Scotland
Origin Wimborne, England
Occupation(s)Musician, songwriter
Years active1966–present

Alastair Ian Stewart (born 5 September 1945) is a Scottish [1] [2] singer-songwriter and folk-rock musician who rose to prominence as part of the British folk revival in the 1960s and 1970s. He developed a unique style of combining folk-rock songs with delicately woven tales of characters and events from history. [3]

Singer-songwriter musician who writes, composes and sings

Singer-songwriters are musicians who write, compose, and perform their own musical material, including lyrics and melodies.

Folk rock is a hybrid music genre combining elements of folk music and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival and the influence that the Beatles and other British Invasion bands had on members of that movement. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their preexisting folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

The British folk revival incorporates a number of movements for the collection, preservation and performance of folk music in the United Kingdom and related territories and countries, which had origins as early as the 18th century. It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music. These had a profound impact on the development of British classical music and in the creation of a "national" or "pastoral school" and led to the creation of a sub-culture of folk clubs and folk festivals as well as influential subgenres including progressive folk music and British folk rock.


Stewart is best known for his 1976 hit single "Year of the Cat", the title song from the platinum album of the same name. Though Year of the Cat and its 1978 platinum follow-up Time Passages brought Stewart his biggest worldwide commercial successes, earlier albums such as Past, Present and Future from 1973 are often seen as better examples of his intimate brand of historical folk-rock, a style to which he returned in later albums. [4]

Year of the Cat (song) 1976 single by Al Stewart

"Year of the Cat" is a single by British singer-songwriter Al Stewart, released in July 1976. The song is the title track of his 1976 album Year of the Cat, and was recorded at Abbey Road Studios, London in January 1976 by engineer Alan Parsons. The song reached number 8 on the Billboard Hot 100 in March 1977. Although Stewart's highest charting single on that chart was 1978's "Time Passages", "Year of the Cat" has remained Stewart's signature recording, receiving regular airplay on both classic rock and folk rock stations.

<i>Time Passages</i> 1978 studio album by Al Stewart

Time Passages is the eighth studio album by Al Stewart, released in September 1978. It is the follow-up to his 1976 album Year of the Cat. The album, like 1975's Modern Times and 1976's Year of the Cat, was once again produced by Alan Parsons. The album's title track and "End of the Day" were both co-written by Peter White. The title track also reached #1 on the Billboard Adult Contemporary charts for 10 weeks.

<i>Past, Present and Future</i> (Al Stewart album) 1973 studio album by Al Stewart

Past, Present and Future is Al Stewart's fifth studio album, released in October 1973 in the UK and in May 1974 in the US. This album is considered Stewart's first "major album" and it reached #133 on the Billboard Rock Album chart in 1974. He had taken on a different approach from his previous, folkier work, an approach that would stay with him for most of his career. All songs on this record have historical themes, each song representing a decade of the 20th century. The final song, "Nostradamus," is about the famous supposed prophet and his prophecies.

Stewart is a key figure in British music and he appears throughout the musical folklore of the revivalist era. He played at the first-ever Glastonbury Festival in 1970, knew Yoko Ono before she met John Lennon, shared a London flat with a young Paul Simon, and hosted at the Les Cousins folk club in London in the 1960s. [5]

Folklore Legends, music, oral history, proverbs, jokes, popular beliefs, fairy tales, etc.

Folklore is the expressive body of culture shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. These include oral traditions such as tales, proverbs and jokes. They include material culture, ranging from traditional building styles to handmade toys common to the group. Folklore also includes customary lore, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstration. The academic study of folklore is called Folklore studies, and it can be explored at undergraduate, graduate and Ph.D. levels.

Glastonbury Festival Performing arts festival in Somerset, England

Glastonbury Festival is a five-day festival of contemporary performing arts that takes place in Pilton, Somerset, England. In addition to contemporary music, the festival hosts dance, comedy, theatre, circus, cabaret, and other arts. Leading pop and rock artists have headlined, alongside thousands of others appearing on smaller stages and performance areas. Films and albums recorded at Glastonbury have been released, and the festival receives extensive television and newspaper coverage. Glastonbury is the largest greenfield festival in the world, and is now attended by around 175,000 people, requiring extensive infrastructure in terms of security, transport, water, and electricity supply. The majority of staff are volunteers, helping the festival to raise millions of pounds for charity organisations.

Yoko Ono Japanese artist, author, and peace activist

Yoko Ono is a Japanese-American multimedia artist, singer, songwriter and peace activist. Her work also encompasses performance art, which she performs in both English and Japanese and filmmaking. Singer-songwriter John Lennon of the Beatles was her third husband.

Stewart has released sixteen studio and three live albums since his debut album Bed-Sitter Images in 1967, and continues to tour extensively in the US, Canada, Europe, and the UK. His latest release is Uncorked , released on Stewart's independent label, Wallaby Trails Recordings. [6]

<i>Bed-Sitter Images</i> 1967 studio album by Al Stewart

Bed Sitter Images is the debut studio album of folk artist Al Stewart, released in 1967, and again in a revised edition with a new cover picture in 1970. The songs were orchestrated by Alexander Faris. The cover of the first 1967 edition spells "Bed Sitter" without a hyphen, as do many reviews and Al Stewart's official website. The album and its title track are both named on the record label as Bedsitter Images, with neither hyphen nor space between 'Bed' and 'sitter'.

<i>Uncorked</i> (album) 2009 live album by Al Stewart

Uncorked is the third live album by singer-songwriter Al Stewart, and features guitarist and harmony vocalist Dave Nachmanoff. It was released on 29 September 2009 and was produced by Dave Nachmanoff and released independently on Stewart's label, Wallaby Trails Recordings.

Stewart has worked with Peter White, Alan Parsons, Jimmy Page, Richard Thompson, Rick Wakeman, Francis Monkman, Tori Amos, and Tim Renwick, and more recently has played with Dave Nachmanoff and former Wings lead-guitarist Laurence Juber.

Peter White (musician) musician

Peter White is a smooth jazz and jazz fusion guitarist. He also plays the accordion and the piano. He is known for his 20-year collaboration with Al Stewart. His brother, Danny White, was one of the original members who formed the UK-based band Matt Bianco.

Alan Parsons English audio engineer, musician, and record producer

Alan Parsons is an English audio engineer, songwriter, musician, and record producer. He was involved with the production of several significant albums, including the Beatles' Abbey Road and Let It Be, and the art rock band Ambrosia's debut album Ambrosia as well as Pink Floyd's The Dark Side of the Moon for which Pink Floyd credit him as an important contributor. Parsons' own group, the Alan Parsons Project, as well as his subsequent solo recordings, have also been successful commercially.

Jimmy Page British guitarist of Led Zeppelin

James Patrick Page is an English musician, songwriter, and record producer who achieved international success as the guitarist and founder of the rock band Led Zeppelin.

Early life

Although born in Glasgow, [7] Al Stewart grew up in the town of Wimborne, Dorset, England, after moving from Scotland with his mother, Joan Underwood. His father, Alastair MacKichan Stewart, who served as a flight lieutenant in the Royal Air Force volunteer reserve, died in a plane crash during a 1945 training exercise before Stewart was born. [8] He attended Wycliffe College, Gloucestershire as a boarder. After that, according to the song "Post World War II Blues" (from Past, Present and Future ): "I came up to London when I was 19 with a corduroy jacket and a head full of dreams."

Glasgow City and council area in Scotland

Glasgow is the most populous city in Scotland, and the third most populous city in the United Kingdom, as of the 2017 estimated city population of 621,020. Historically part of Lanarkshire, the city now forms the Glasgow City council area, one of the 32 council areas of Scotland; the local authority is Glasgow City Council. Glasgow is situated on the River Clyde in the country's West Central Lowlands. Inhabitants of the city are referred to as "Glaswegians" or "Weegies". It is the fourth most visited city in the UK. Glasgow is also known for the Glasgow patter, a distinct dialect of the Scots language that is noted for being difficult to understand by those from outside the city.

Royal Air Force Aerial warfare service branch of the British Armed Forces

The Royal Air Force (RAF) is the United Kingdom's aerial warfare force. Formed towards the end of the First World War on 1 April 1918, it is the oldest independent air force in the world. Following victory over the Central Powers in 1918 the RAF emerged as, at the time, the largest air force in the world. Since its formation, the RAF has taken a significant role in British military history. In particular, it played a large part in the Second World War where it fought its most famous campaign, the Battle of Britain.

Wycliffe College, Gloucestershire school in Gloucestershire, England

Wycliffe College is a co-educational, independent, private day and boarding school in Stonehouse, Gloucestershire, England, founded in 1882 by G. W. Sibly. It comprises a Nursery School for ages 2–4, a Preparatory School for ages 4–13, and a Senior School for ages 13–18. In total, there are approximately 800 pupils enrolled at the school. The college is set in 60 acres of land. In 2018, The Duchess of Gloucester officially opened a new £6 million boarding house named Ward's-Ivy Grove.

Having bought his first guitar from future Police guitarist Andy Summers, Stewart traded in his electric guitar for an acoustic guitar when he was offered a weekly slot at Bunjies Coffee House in London's Soho in 1965. From there, he went on to compere at the Les Cousins folk club on Greek Street, where he played alongside Cat Stevens, Bert Jansch, Van Morrison, Roy Harper, Ralph McTell and Paul Simon, with whom he shared a flat in Dellow Road, Stepney, London. [5]


Stewart's first recording was on Jackson C. Frank's debut album, 1965's Jackson C. Frank , playing guitar on "Yellow Walls". His first record was the single "The Elf" (backed with a version of The Yardbirds' "Turn into Earth"), which was released in 1966 on Decca Records and included guitar work from Jimmy Page (later of the Yardbirds and Led Zeppelin). Stewart then signed to Columbia Records (CBS in the UK), for whom he released six albums. Though the first four of these attracted relatively little commercial interest, Stewart's popularity and cult following grew steadily through albums that contain some of Stewart's most incisive and introspective songwriting.

Early albums (1967–1973)

Stewart's debut album, Bedsitter Images , was released in 1967. A revised version appeared in 1970 as The First Album (Bedsitter Images) with a few tracks changed, and the album was reissued on CD in 2007 with all tracks from both versions.

Love Chronicles (1969) was notable for the 18-minute title track, an anguished autobiographical tale of sexual encounters that was the first mainstream record release ever to include the word "fucking". [9] It was voted "Folk Album of the Year" by the UK music magazine Melody Maker and features Jimmy Page and Richard Thompson on guitar.

His third album, Zero She Flies , followed in 1970 and included a number of shorter songs which ranged from acoustic ballads and instrumentals to songs that featured electric lead guitar. These first three albums (including The Elf) were later released as the two-CD set To Whom it May Concern: 1966–70.

In 1970, Stewart and fellow musician Ian A. Anderson headed to the small town of Pilton, Somerset. There, at Michael Eavis's Worthy Farm, Stewart performed at the first-ever Glastonbury Festival to a field of 1,000 hippies, who had paid just £1 each to be there.

On the back of his growing success, Stewart released Orange in 1972. It was written after a tumultuous breakup with his girlfriend and muse, Mandi, and was very much a transitional album, combining songs in Stewart's confessional style with more intimations of the historical themes that he would increasingly adopt (e.g., "The News from Spain" with its progressive rock overtones, including dramatic piano by Rick Wakeman).

The fifth release, Past, Present and Future (1973), was Stewart's first album to receive a proper release in the United States, via Janus Records. It echoed a traditional historical storytelling style and contained the song "Nostradamus," a long (9:43) track in which Stewart tied into the rediscovery of the claimed seer's writings by referring to selected possible predictions about 20th century people and events. While too long for mainstream radio airplay at that time, the song became a hit on many US college/university radio stations, which were flexible about running times.

Such airplay helped the album to reach No. 133 on the Billboard album chart in the US. Other songs on Past, Present and Future characterized by Stewart's "history genre" mentioned American President Warren G. Harding, World War II, Ernst Röhm, Christine Keeler, Louis Mountbatten, and Joseph Stalin's purges.

Alan Parsons years (1975–1978)

Stewart followed Past, Present and Future with Modern Times (1975), in which the songs were lighter on historical references and more of a return to the theme of short stories set to music. Significantly, though, it was the first of his albums to be produced by Alan Parsons.

In a highly positive retrospective review of Modern Times, AllMusic senior editor Stephen Thomas Erlewine described the album as "exquisite". Erlewine wrote that the album "establishes Stewart's classic sound of folky narratives and Lennonesque melodies, all wrapped up in a lush, layered production from Alan Parsons. The production gives epics like the title track a real sense of grandeur that makes their sentiments resonate strongly." [10]

Modern Times produced Stewart's first hit single, "Carol". The album reached No. 30 in the US and received substantial airplay on album-oriented stations some 30 years before Bob Dylan would release an album of the same name.

Stewart's contract with CBS Records expired at this point, and he signed to RCA Records for the world outside North America. His first two albums for RCA, Year of the Cat (released on Janus Records in the U.S., then reissued by Arista Records after Janus folded) and Time Passages (released in the U.S. on Arista), set the style for his later work and have been his biggest-selling recordings. [11]

Stewart told Kaya Burgess of The Times : "When I finished Year of the Cat, I thought: ‘If this isn't a hit, then I can't make a hit.' We finally got the formula exactly right." [5]

Stewart had all of the music and orchestration written and completely recorded before he had a title for any of the songs. He mentioned in a Canadian radio interview that he has done this for six of his albums, and he often writes four different sets of lyrics for each song. [12]

Both albums reached the top ten in the US, with Year of the Cat peaking at No. 5 and Time Passages at No. 10, and both albums produced hit singles in the US ("Year of the Cat" No. 8, and "On the Border", #42; "Time Passages" No. 7 and "Song on the Radio", #29). Meanwhile, "Year of the Cat" became Stewart's first chart single in Britain, where it peaked at No. 31. It was a huge success at London's Capital Radio, reaching number 2 on their Capital Countdown chart. The overwhelming success of these songs on the two albums, both of which still receive substantial radio airplay on classic-rock/pop format radio stations, has perhaps later overshadowed the depth and range of Stewart's body of songwriting. [13]


Stewart then released 24 Carrots (#37 US 1980) and his first live album Live/Indian Summer (#110 US 1981), with both featuring backing by Peter White's band Shot in the Dark (who released their own unsuccessful album in 1981). While "24 Carrots" did produce a No. 24 single with "Midnight Rocks", the album sold less well than its two immediate predecessors.

After those releases, Stewart was dropped by Arista and his popularity declined. Despite his lower profile and waning commercial success, he continued to tour the world, record albums, and maintain a loyal fanbase. There was a four-year gap between his next two albums, the highly political Russians and Americans (1984) and the upbeat pop-oriented Last Days of the Century (1988), which appeared on smaller labels and had lower sales than his previous works.


Stewart followed up with his second live album, the acoustic Rhymes in Rooms (1992), which featured only Stewart and Peter White, and Famous Last Words (1993), which was dedicated to the memory of the late Peter Wood (co-writer of "Year of the Cat"), who died the year of its release.

After parting ways with his longtime collaborator of almost twenty years, Peter White (who was credited on every studio and live album between Year of the Cat and Famous Last Words and also served as his regular songwriting partner), Stewart joined with former Wings guitarist Laurence Juber to record a concept album, Between the Wars (1995), covering major historical and cultural events from 1918 to 1939, such as the Treaty of Versailles, Prohibition, the Spanish Civil War, and the Great Depression. Juber produced the album, and went on to produce Stewart's subsequent studio albums.

In 1995, Stewart was invited to play at the 25th anniversary Glastonbury Festival.

21st century

In 2000, Stewart released Down in the Cellar , a concept album themed on wine. Stewart had begun a love affair with wine in the 1970s when, he admitted, he had more money than he knew how to spend, [14] and so turned to fine wines.

In 2005, he released A Beach Full of Shells , which was set in places varying from First World War England to the 1950s rock 'n' roll scene that influenced him.

In 2008, he released Sparks of Ancient Light , produced, like his most recent albums, by Laurence Juber. On this album he weaves tales of William McKinley, Lord Salisbury, and Hanno the Navigator. A video for the song "Elvis at the Wheel" was released in December 2013. [15]

Stewart and guitarist Dave Nachmanoff released a live album, Uncorked , on Stewart's label, Wallaby Trails Recordings, in 2009. [16] They played the Glastonbury Festival 40th anniversary in June 2010 on the acoustic stage.

Stewart sang a duet with Albert Hammond of Hammond's "It Never Rains in Southern California" on Hammond's 2010 album Legend.

In 2011, Stewart sang a duet with his guitarist and opening act Dave Nachmanoff on Nachmanoff's album Step Up. The song, "Sheila Won't Be Coming Home", was co-written by Stewart and Nachmanoff.

In May 2015, Stewart performed the albums Past, Present and Future and Year of the Cat in their entirety at the Royal Albert Hall with a band that included Tim Renwick, Peter White and Stuart Elliott, who had appeared on the original recordings.

In April 2017, Stewart was given a Lifetime Achievement award at the BBC Radio 2 Folk Awards, presented by Tony Blackburn, with whom he had once played in a band in Dorset. [17]


Born in Scotland, raised in Dorset, and gaining fame in London, Stewart moved to Los Angeles [4] shortly after the release of Year of the Cat .

Use of historical and literary sources

Historical references

Stewart's historical work includes such subjects as:

Literary sources

"Sirens of Titan", from Modern Times is a musical precis of Kurt Vonnegut's novel of the same title.

On occasion, Stewart has set poems to music, such as "My Enemies Have Sweet Voices" (lyrics by the poet Pete Morgan) on the 1970 album Zero She Flies. During his 1999 UK tour, Stewart invited Morgan to read the lyrics as he performed this song in the Leeds City Varieties Theatre show of 7 November 1999. Stewart also invited Morgan to read the poem at the Beverly gig on the same tour, whilst Stewart took a short break, and Morgan subsequently read another poem from his works as well.


In a 23 June 2012 telephone interview with Bob Reid and Blair Packham on NewsTalk 1010 AM in Toronto, Ontario [20] (partially transcribed below), Al Stewart provided these insights into his songwriting "process":

I don't like repetition. For example, there have been nine songs in the Top Ten, I think, called "Hold On" (Including, I think, once there were two called "Hold On" simultaneously in the Top Ten). OK, if you're really cynical, and you've written a new song, you'll probably want to call it "Hold On" because it gives you an extra edge. But at the same time it shows so little interest in originality that I can't actually listen to anything called "Hold On" at this point in my life. I mean, it just seems crazy. So, if I have two little rules and guiding principles, they would be:

(a) Don't use words that other people use. Very few people would put the word, oh, I don't know, "pterodactyl" into a song. So that's fine. No "Oh"'s. No "Baby"'s. No "I miss you so"'s. And no "you done me wrong". No "bad"'s or "sad"'s.

(b) And the other thing is, write about subjects that no one else writes about. Basically 90% of all songs seem to be either "Baby, I love you so", or "Baby, you've done me wrong". Now, when people look at songs, when I play anybody on the planet this song, and I say "What is this?", they will say, "Oh, that's Reggae", or "Oh, that's Heavy Metal", or "That's Country & Western", or "Oh, that's Opera", you know what I mean? But that's not what I asked. They're answering a question I didn't ask. What they're saying is "That's the music". What I'm saying is "What is the song?" And the song is either "I've done you wrong", or, "Baby, I love you so", no matter what style it's played in. In other words, there's a huge difference between content and style, and, if you work more towards content, why not make it content that is original.

If it's already been written, why write it again? If it's already been said, why say it again? I mean there are some remarkable quotes that I love. But I didn't say them. And you don't want to pass them off as your own work. Napoleon said that "Time spent in reconnaissance is never wasted". And that, actually, has governed my life. You know what I mean? That's a quote you can live by. But it's not my quote. So if I say it I always credit it to Napoleon. There is another way of saying any of the things you want to say, rather than rehashing someone else's words.

I think of songs as cinema, really. It's aural cinema. I want to show you a movie when I'm playing a song. That's essentially what I'm doing. And, of course, the songs are geographical too. One of the ways I get inspired to write a song – and this will always produce a song that sounds like nothing else (I can't recommend this highly enough) – I just open a world atlas, just at random, and whatever page I'm looking at, at least six songs immediately occur to me.

So, if you look at pretty much any of the songs, a lot of them are geographical, historical, and form a movie.


Studio albums

YearAlbumPeak chart positions Certifications
1967 Bedsitter Images
  • Label: CBS
  • Initial Release: October 1967
1969 Love Chronicles
  • Label: CBS, Epic (US)
  • Initial Release: September 1969
1970 Zero She Flies
  • Label: CBS
  • Initial Release: April 1970
1972 Orange
  • Label: CBS
  • Initial Release: January 1972
1973 Past, Present and Future
  • Label: CBS, Janus (US)
  • Initial Release: October 1973
1975 Modern Times
  • Label: CBS, Janus (US)
  • Initial Release: January 1975
1976 Year of the Cat
  • Label: RCA, Janus (US)
  • Initial Release: July 1976
  • US: Platinum
  • UK: Gold
1978 Time Passages
  • Label: RCA, Arista (US)
  • Initial Release: September 1978
  • US: Platinum
  • UK: Silver
1980 24 Carrots (with Shot in the Dark)
  • Label: RCA, Arista (US)
  • Initial Release: August 1980
1984 Russians & Americans
  • Label: RCA, Passport (US)
  • Initial Release: May 1984
1988 Last Days of the Century
  • Label: Enigma
  • Initial Release: August 1988
1993 Famous Last Words
  • Label: EMI, Mesa (US)
  • Initial Release: September 1993
1995 Between the Wars (with Laurence Juber)
  • Label: EMI, Mesa (US)
  • Initial Release: May 1995
2000 Down in the Cellar
  • Label: EMI, Miramar (US)
  • Initial Release: October 2000
2005 A Beach Full of Shells
  • Label: EMI, Appleseed (US)
  • Initial Release: June 2005
2008 Sparks of Ancient Light
  • Label: EMI, Appleseed (US)
  • Initial Release: September 2008

Live albums

YearAlbumPeak chart positions
1981 Live/Indian Summer
  • Label: RCA, Arista (US)
  • Initial Release: October 1981
1992 Rhymes in Rooms (with Peter White)
  • Label: EMI, Mesa (US)
  • Initial Release: March 1992
2009 Uncorked (with Dave Nachmanoff)
  • Label: Wallaby Trails
  • Initial Release: September 2009


YearSongPeak chart positionsAlbumB/W
Australia Canada RPM 100 Canada AC NZ SA
US Hot 100 US AC UK
1966"The Elf"non-album single"Turn into Earth"
1967"Bedsitter Images" Bedsitter Images "Swiss Cottage Manoeuvres"
1970"Electric Los Angeles Sunset" Zero She Flies "My Enemies Have Sweet Voices"
1971"The News From Spain" Orange "Elvaston Place"
1972"Amsterdam""Songs Out of Clay"
1972"You Don't Even Know Me""I'm Falling"
1973"Terminal Eyes (UK Release)" Past, Present and Future "The Last Day of June 1934"
1974"Nostradamus (US Release)""Terminal Eyes"
1975"Carol (UK Release)" Modern Times "Next Time"
1975"Carol (US Release)""Sirens of Titan"
1976"Year of the Cat"1338158831 Year of the Cat "Broadway Hotel"
1977"Sand in Your Shoes"6"Lord Grenville"
1977"On the Border"4784223"Flying Sorcery"
1978"Time Passages"3610171 Time Passages "Almost Lucy"
1979"Song on the Radio"2932910"A Man For All Seasons"
1980"Midnight Rocks"79462413 24 Carrots "Constantinople"
1980"Mondo Sinistro""Merlin's Time"
1980"Paint By Numbers""Optical Illusion"
1984"Lori, Don't Go Right Now" Russians and Americans "Accident on 3rd Street"
1988"King of Portugal" Last Days of the Century "King of Portugal (Rock Mix)"
1993"Don't Forget Me" Famous Last Words "Trains/Charlotte Corday"
2005"Class of '58" A Beach Full of Shells

Compilation albums

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Sparks of Ancient Light is the sixteenth studio album by Al Stewart, released on 15 September 2008. Like many of Stewart's works, the album's songs deal with historical figures, including British prime minister Lord Salisbury, deposed Shah of Iran Mohammad Reza Pahlavi and 34th U.S. President Dwight D. Eisenhower. According to Stewart, the songs all deal with the themes of "certainty and uncertainty." A music video for "Elvis at the Wheel," shot in Arizona, was released in December 2013.

David "Dave" Nachmanoff is an American folk singer-songwriter and the sideman to Al Stewart. At the age of ten he played with Elizabeth Cotten, garnering a positive review in The Washington Star.

Thomas Rexton "Tom" Brumley was an American steel guitarist, who played with Buck Owens and the Buckaroos in the 1960s, contributing to the group's "Bakersfield sound", and later spent a decade with Ricky Nelson.

Martyn Joseph British singer

Martyn Joseph is a Welsh singer-songwriter whose music exhibits primarily a brand of Celtic and folk, while his songwriting is often focused on social lament or protest. From independently releasing his first studio release, I'm Only Beginning in 1983, Joseph's career has spanned over thirty years. In 2004, he won the Best Male Artist Category in the BBC Welsh Music Awards.

<i>Centenary: Words & Music of the Great War</i> 2014 studio album by Show of Hands

Centenary: Words & Music of the Great War is a studio album released in 2014 to commemorate the centenary of the outbreak of World War I. The unique project is a double album by English folk duo Show of Hands; the first disc features war poems recited by Jim Carter and Imelda Staunton set to the duo's music, whilst the second disc features songs inspired by the War, sung instead by Show of Hands' lead singer Steve Knightley.


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