No Depression is the first studio album by alternative country band Uncle Tupelo, released in June 1990. After its formation in the late 1980s, Uncle Tupelo recorded the Not Forever, Just for Now demo tape, which received a positive review by the College Media Journal in 1989.[1] The review led to the band's signing with what would become Rockville Records later that year. The album was recorded with producers Sean Slade and Paul Q. Kolderie at Fort Apache Studios, on a budget of US$3,500.
No Depression was critically acclaimed and sold well for an independent release. Selling over 15,000 copies within a year of its release, the album's success inspired the roots music magazine No Depression. The record is considered one of the most important alternative country albums, and its title is often used as a synonym for the alternative country genre after being popularized by No Depression magazine. After regaining the rights to the album through a lawsuit, Uncle Tupelo released a remastered version in 2003 through Legacy Records, expanded to include six bonus tracks.
Background
Jay Farrar, Jeff Tweedy and Mike Heidorn began their musical careers in the 1980s playing in a garage band, The Plebes.[2] After a few gigs, creative differences between the members led to the development of a punk rock sound for the band.[3] As punk rock was unpopular in the St. Louis region, the band changed their style to blues-rock and renamed themselves Uncle Tupelo. At this point, they stopped performing covers and began to write their own songs.[4]
The band discovered a musical niche around Washington University in St. Louis, where bands such as Brian Henneman's Chicken Truck performed in a similar style.[5] The trio recorded its first professional tracks in Champaign, Illinois with future Chicago punk producer Matt Allison. The demo tape, Not Forever, Just for Now, contained early versions of several songs that would later appear on their debut album, including "Train", "Whiskey Bottle", "Flatness", "Screen Door", and "Before I Break".[6]
That demo, as well as the band's rigorous touring schedule, attracted the attention of several music scouts. Record labels initially were wary of signing the band whom they perceived as straddling "the divide between the countrified punk of early 1980s such as Green on Red, Jason & the Scorchers, and X—none of whom had bum-rushed the charts—and the Pacific Northwestgrunge of Mudhoney and Nirvana, which was still years from breaking out commercially".[6] However, the influential CMJ New Music Report gave the demo tape a favorable review in 1989, praising its "mature, developed, seriously thought-out songwriting". This review prompted New York City-based distributor Dutch East India Trading to provide funding for the band to record an album on their Giant Records label, shortly before the label was renamed to Rockville Records.[3][7]
A sample from the fifth track on No Depression, "Factory Belt", sung by Jay Farrar. This song exemplifies the band's start–stop song technique, which was influenced by the Minutemen.
Six months before signing a full contract with Giant/Rockville, Uncle Tupelo recorded the tracks for No Depression over ten days in January 1990 at Fort Apache South, a musician-run studio in the Roxbury neighborhood of Boston, Massachusetts.[3][8] As the trio could not afford the cost of recording at a twenty-four track studio in nearby Cambridge, they settled on the cheaper Fort Apache studio. The album cost US$3,500 to produce, $1,000 of which went to in-house producers Sean Slade and Paul Q. Kolderie. The band was interested in working with Slade and Kolderie after hearing their production of Dinosaur Jr.'s album Bug.[9] The producers allowed Farrar to use the same 1961 Gibson Les Paul guitar that J. Mascis used on Bug, which gave the power chords on No Depression a richer tone.[10]
Slade and Kolderie suggested that the band deemphasize the roots rock influences heard on Not Forever, Just for Now and convinced them to replace the harmonica parts with pedal steel guitar. For this, Slade and Kolderie recruited guitarist Rich Gilbert of Human Sexual Response for the recording.[10] The tracks were recorded using little overdubbing; only a few banjo and acoustic guitar parts were later added to the songs. At the suggestion of Slade and Kolderie, No Depression was recorded on eight-track, so "the music would compress and "jump" off the tape during playback".[3] The recording sessions occurred before Uncle Tupelo officially became affiliated with Giant Records, so there was little input from the label.[3]
Lyrically the songs reflected the band members' experiences growing up in Belleville. Farrar and Tweedy romanticized tales about unemployment, alcoholism, and the feeling of living in a small town in an effort to emulate the profundity of songwriters such as Woody Guthrie.[11] Musically, No Depression was influenced by the start-stop musical pattern of the Minutemen.[12] The cover of the album features a blurry photo of the band, taken by J. Hamilton, reminiscent of the albums released on Folkways Records.[13]
No Depression was released by Rockville Records on June 21, 1990.[13] The promotional tour for the album began at Cicero's Basement, a St. Louis bar associated with Washington University.[13] The tour took Uncle Tupelo to both the East Coast and the Southwestern United States. Missouri radio stations KDHX and KCOU frequently played tracks off the album.[3] By March 1991, No Depression had sold over 15,000 units, a hit by independent record standards. The proceeds from the album recuperated the $3,500 cost of the album, but Rockville refused to pay the band any royalties.[24] Farrar and Tweedy later successfully sued Rockville CEO Barry Tenenbaum to attain the royalties.[25] The surprise success of the album prompted Columbia Records to pay the band to record additional tracks with Slade and Kolderie at Fort Apache Studio in the summer of 1990, but the results were not released.[24]Rolling Stone did not publish a review of the album upon its initial release, although the magazine later featured Uncle Tupelo in an article about rising stars alongside The Black Crowes.[3][24]Rolling Stone later called the album "one of the loudest, loneliest wails in recent memory to arise from the Midwest's recession-plagued plains".[26]Robert Christgau dismissed the album as a "dud".[27]
After the lawsuit with Tenenbaum, Farrar and Tweedy received the rights to their first three albums (including No Depression), which were previously held by Rockville. In 2003, Uncle Tupelo remastered and re-released No Depression with six bonus tracks through Legacy Records, a Sony Music label.[24] Among the bonus tracks were cover versions of the Flying Burrito Brothers' "Sin City", the Carter Family's "Blues Die Hard", and The Vertebrats' "Left in the Dark". The liner notes for the re-release featured an article written by Mike Heidorn about Uncle Tupelo's early days and the creation of No Depression.[3] Upon re-release, AllMusic referred to the album as "Uncle Tupelo's landmark opening salvo", praising its "undeniable electricity" and remarking that it brought "new life" to the fusion of country and punk rock.[14]Rolling Stone critic Tom Moon lauded "the band's impressive songwriting range", but noted that the bonus material was "pleasant but inconsequential".[28]Pitchfork gave the subsequent 2014 re-issue an 8.4 rating out of 10, proclaiming "No Depression is a significant record".[18]
No Depression is cited by RealNetworks as one of the most important albums in the alternative country genre.[29] This was partly due to the success of the alternative country periodical No Depression, which took its name partly from the album.[30][31] Due to the impact of the album on alternative country, "No Depression" is sometimes used as a synonym for the genre.[32][33] AllMusic critic Jason Ankeny noted that the album helped the band "kick-start a revolution which reverberated throughout the American underground".[14] In 1999, Spin listed the album at #63 in their rankings of the "Top 90 Albums of the 90s".[citation needed]
Track listing
Original release
All songs written by Jay Farrar, Jeff Tweedy, and Mike Heidorn except as indicated.
Tracks 1-10 from 1989 demo tape "Not Forever, Just for Now", tracks 11-12 from 1988 demo tape "Live & Otherwise", and tracks 13-17 from 1987 demo tape "Colorblind and Rhymeless".
Wilco is an American alternative rock band based in Chicago. The band was formed in 1994 by the remaining members of alternative country group Uncle Tupelo after singer Jay Farrar's departure. Wilco's lineup changed frequently during its first decade, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004 the lineup has been unchanged, consisting of Tweedy, Stirratt, guitarist Nels Cline, multi-instrumentalist Pat Sansone, keyboard player Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released thirteen studio albums, a live double album, and four collaborations: three with Billy Bragg and one with the Minus 5.
Uncle Tupelo was an alternative country music group from Belleville, Illinois, active between 1987 and 1994. Jay Farrar, Jeff Tweedy, and Mike Heidorn formed the band after the lead singer of their previous band, The Primitives, left to attend college. The trio recorded three albums for Rockville Records, before signing with Sire Records and expanding to a five-piece. Shortly after the release of the band's major label debut album Anodyne, Farrar announced his decision to leave the band due to a soured relationship with his co-songwriter Tweedy. Uncle Tupelo split on May 1, 1994, after completing a farewell tour. Following the breakup, Farrar formed Son Volt with Heidorn, while the remaining members continued as Wilco.
Son Volt is an American rock band formed in 1994 by Jay Farrar after the breakup of Uncle Tupelo. The band's current line-up consists of Farrar, Andrew DuPlantis, John Horton (guitar), Mark Patterson (drums), and Mark Spencer. In addition to playing alternative rock, the band is considered a staple of the alternative country rock movement of the 1990s. The band's sound also is rooted in folk rock and Americana. The band went on an indefinite hiatus in 2001, before reforming in 2004.
Jay Stuart Farrar is an American songwriter and musician currently based in St. Louis. A member of two critically acclaimed music groups, Uncle Tupelo and Son Volt, he began his solo music career in 2001. Beyond his established talents as a songwriter, he is a guitarist, pianist, harmonicist, and a vocalist.
Jeffrey Scot Tweedy is an American musician, songwriter, author, and record producer best known as the singer and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, began his music career in high school with his band The Plebes along with Jay Farrar, also in the band. It became the alternative country band Uncle Tupelo.
Summerteeth is the third studio album by the American alternative rock band Wilco, released on March 9, 1999, by Reprise Records. The album was heavily influenced lyrically by 20th century literature, as well as singer Jeff Tweedy's marital problems. Unlike previous albums, Summerteeth was heavily overdubbed in the studio with Pro Tools. Tweedy and Jay Bennett wrote most of the album in the studio, a contrast to the band's previous albums, which were often recorded live by the entire band with minimal overdubs.
Being There is the second studio album by the American alternative rock band Wilco, released on October 29, 1996, by Reprise Records. Despite its release as a double album, Being There was sold at a single album price as a result of a deal between lead singer Jeff Tweedy and the band's label Reprise Records. The album was an improvement for the band in both sales and critical reception, in contrast to their debut album A.M. (1995). Taking its name from the 1979 film of the same name, the self-produced album featured more surrealistic and introspective writing than on A.M. This was due in part to several significant changes in Tweedy's life, including the birth of his first child. Musically, it juxtaposed the alternative country styles songs reminiscent of Uncle Tupelo with psychedelic, surreal songs. It was the only Wilco album with steel guitarist Bob Egan, their first with multi-instrumentalist Jay Bennett and their last with multi-instrumentalist Max Johnston.
A.M. is the debut studio album by the American alternative rock band Wilco, released on March 28, 1995, by Sire Records and Reprise Records. The album was released only months after the breakup of Uncle Tupelo, an alternative country band that was the predecessor of Wilco. Prior to its release, there was debate about whether the album would be better than the debut album of Son Volt, the new band of former Uncle Tupelo lead singer Jay Farrar.
Trace is the debut studio album by American rock band Son Volt, released on September 19, 1995, through Warner Bros. Records. The band was formed the previous year by Jay Farrar after the breakup of the influential alt-country band Uncle Tupelo. Prior to its release, there was debate about whether Son Volt or Wilco, Uncle Tupelo's other offshoot, would produce a better album.
March 16–20, 1992 is the third studio album by alternative country band Uncle Tupelo, released on August 3, 1992. The title refers to the five-day span during which the album was recorded. An almost entirely acoustic recording, the album features original songs and covers of traditional folk songs in near equal number, and was produced by R.E.M. guitarist Peter Buck.
Anodyne is the fourth and final studio album by alternative country band Uncle Tupelo, released on October 5, 1993. The recording of the album was preceded by the departure of the original drummer Mike Heidorn and the addition of three new band members: bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band signed with Sire Records shortly before recording the album; Anodyne was Uncle Tupelo's only major label release until 89/93: An Anthology in 2002.
Loose Fur was an American rock supergroup comprising Wilco members Jeff Tweedy and Glenn Kotche, along with Wilco collaborator and Sonic Youth's multi-instrumentalist Jim O'Rourke. The trio first convened in May 2000 in preparation for a Tweedy performance at a festival in Chicago. Tweedy was offered the opportunity to collaborate with an artist of his choosing, and he decided to work with O'Rourke. O'Rourke brought Kotche to a rehearsal session, and the trio recorded an album's worth of songs. The trio have since released two albums, 2003's Loose Fur and 2006's Born Again in the USA, for Drag City. The band has only toured once.
Brian Henneman is an American musician best known as the frontman of the alt-country/roots rock band the Bottle Rockets, with whom he has been active as lead singer, guitarist and songwriter. Artists such as John Prine, Neil Young and Merle Haggard have influenced his songwriting style. Henneman began his musical career in the mid-1980s with the bands The Blue Moons and Chicken Truck, and also spent time as guitar tech/additional musician with peers Uncle Tupelo from 1990 before forming the Bottle Rockets in late 1992.
Max Johnston is a songwriter and multi-instrumentalist best known for his work on fiddle, Dobro, banjo, and mandolin with the bands Uncle Tupelo, Wilco and more recently, The Gourds. Johnston is the younger brother of singer-songwriter Michelle Shocked and has supported her in concert tours as well.
Still Feel Gone is the second album by American alternative country pioneers Uncle Tupelo. It was released in 1991 on Rockville Records and re-released in 2003 by Sony Legacy.
89/93: An Anthology is a retrospective compilation album by American alternative country band Uncle Tupelo, released in 2002 by Legacy Recordings.
Mike Heidorn, born 1967 in Belleville, Illinois, is the former drummer and founding member of alternative country bands Uncle Tupelo and Son Volt. Heidorn also played with the Uncle Tupelo precursors the Primitives and the one-off band Coffee Creek with Jay Farrar and Jeff Tweedy of Uncle Tupelo and Brian Henneman of The Bottle Rockets.
Paul Q. Kolderie is an American record producer, engineer, and mixer. He has worked with Pixies, Radiohead, Orangutang, Hole, Dinosaur Jr., Juliana Hatfield, Wax, Warren Zevon, Uncle Tupelo, Throwing Muses, Morphine, the Mighty Mighty Bosstones, Abandoned Pools, the Go-Go's, and Mike Gordon of Phish. He usually works with production partner Sean Slade.
Sean Slade is an American record producer, engineer, and mixer. On many of his productions he worked in partnership with Paul Q. Kolderie.
Wilco: Learning How to Die is a book by Chicago Tribune rock critic Greg Kot. The book was written with the cooperation of Wilco band members past and present. It covers the time period from when Wilco singer Jeff Tweedy was born, through the formation and breakup of Uncle Tupelo, and the career of Wilco through their 2004 album A Ghost Is Born. It is primarily written as an oral history, featuring interviews with Tweedy, John Stirratt, and other Wilco members, as well as manager Tony Margherita and Uncle Tupelo drummer Mike Heidorn. The book's title comes from a lyric of Wilco's "War on War", which appears on their 2002 album Yankee Hotel Foxtrot. It was published on June 15, 2004, by Broadway Books. The book received positive reviews from outlets such as The New York Times.
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